Part 3 of 3 : Secret Societies & Psychological Warfare...Consent is Crucial to The Process..Trinity Sight...The Alchemy of Ritual Murder...++++

SECRET SOCIETIES AND PSYCHOLOGICAL WARFARE

by Michael A. Hoffman II

Consent is Crucial to The Process 

The alchemical principle of the Revelation of the Method has as its chief component, a clown-like, grinning mockery of the victim(s) as a show of power and macabre arrogance. When this is performed in a veiled manner accompanied by certain occult signs and symbolical words and elicits no meaningful response of opposition or resistance from the target(s), it is one of the most efficacious techniques of psychological warfare and mind-rape. 

This ceremonial nose-thumbing, this perverse jesting and clowning is taken to the highest level of intensity by the Truth or Consequences principle which ultimately hinges upon the  issue of consent. 

It is one thing for the media, the police, the judiciary and the killers themselves to commit terrible acts without our knowledge or consent. It is quite another matter, with grave repercussions in the realm of psychodrama, public ritual and advanced mind control, when these crimes are committed with our consent. It is an ancient rule of both the moral and common law that silence connotes consent—silence and a lack of meaningful action constitute consent in the face of these crimes. 

They brag to us about what they've gotten away with and we're thrilled by it. That's our only significant response, that and the anticipation of the next thrill. 

Thus the old strategy of exposing the cryptocracy, when applied blindly in the belief that this in itself is a potent weapon against cryptocracy, is bankrupt. Exposure and publicity by themselves, without a broader understanding of the epistemology of the Hermetic-alchemical control process itself, is worse than useless, it actually plays into the hands of the conspirators. 

Moreover, to whom are we directing the exposure, anyway? Who do we imagine comprise the audience that will respond and take effective action? Faith in the power of exposing crimes and their perpetrators to the light of day presupposes an audience of human beings who will intuit, fight, resist, remember. 

I remember Budd Dwyer's televised suicide. The Pennsylvania official prefaced his broadcast, TV self-immolation with a quote from one of his associates who told Dwyer that the American people had become too jaded about "routine" investigations into political corruption on TV's Sixty Minutes and 20/20 to care very much about the corruption Dwyer sought to expose. 

Mr. Dwyer decided that a population so jaded would need a spectacular sacrificial victim to shake it awake from its apathy and therefore he shot himself in front of TV cameras at a news conference. 

But his televised suicide did no such thing. Instead it became, like virtually everything else that appears on television, a trivialized part of the entertainment videodrome. It merely raised the stakes for the next human life to exceed in terms of violence and horror and brutalization, as public fare.  

Trinity Sight 

Perhaps the leaders of the World System are mad. Perhaps that's all they are. But if they are mad and they really do believe their own hallucinations, then we may still wish to pay attention to these, to see what form they have taken and will take, because our would-be shepherds have method in their madness and a great deal of power. They may be found in the boardrooms of our corporations, our Pentagon and the White House. 

Fabled alchemy had at least three goals to accomplish before the total decay of matter, the total breakdown we are witnessing all around us today, was fulfilled and these are: 

The Creation and Destruction of Primordial Matter. 

The Killing of the Divine King. 

The Bringing of Prima Materia to Prima Terra. 

Since ancient times these were the goals of the Gnostic-Rosicrucian-Masonic-Hermetic Academy, an elite as real and corporeal as President Bush's Skull and Bones society at Yale University; the Bohemian Grove in California; Dr. John Whiteside Parson's Ordo Templi Orientis (0T0) also in California; General Albert Pike's Scottish and Palladian Rites of Freemasonry and a host of lesser imitators. All of these cults have or had the highest possible offices, connections and old boy networks. 

The Creation and Destruction of Primordial Matter was accomplished at the White Head ("Ancient of Days"), at White Sands, New Mexico, at the Trinity Site. The Trinity Site itself is located at the beginning of an ancient Western road known in old Mexico as the Jornada del muerto (the Journey of the Dead Man). 

Early in this century a Freemason named Peter Kern was ordered to build a highly symbolic "Gate of Death" at a key point on this ancient trail. It was known as the Gate with a Thousand Doors. 

At the front of this gate Kern was ceremonially murdered (decapitated) by a hooded executioner. Gary Trudeau satirized  the Aztec-masonic Camazotz head-chopping cult of the American Southwest in a series of December, 1988 "Doonesbury" cartoons which depicted Skull and Bones initiates trying to dispose of a number of heads including that of Pancho Villa, a key political operative of the cryptocracy who was in fact also ritually decapitated. 

Other occult rituals for the Creation and Destruction of Primordial Matter were played out in the general area of the 33rd degree of north parallel latitude in Truth or Consequences, New Mexico. The Trinity Site is also at this latitude. 

There are 33 segments in the human spinal column which according to occult lore is the vehicle of the fiery ascent of the Kundalini serpent force which resides in the human body. 33 is the highest degree of Scottish Rite Freemasonry. Near the Trinity Site a derelict shack was symbolically dubbed "MacDonald House." The Creation and Destruction of Primordial Matter occurred exactly on the Trinity Site, the "Place of Fire," with the explosion of the first atomic bomb, culminating untold thousands of years of alchemical speculation and practice. 

The Killing of the King rite was accomplished at another Trinity site located approximately ten miles south of the 33rd degree of north parallel latitude between the Trinity River and the Triple Underpass at Dealey Plaza in Dallas, Texas. Dealey Plaza was the site of the first masonic temple in Dallas. In this spot, which had been known during the 19th century cowboy era as "Bloody Elm Street," the world leader who had become known as the "King of Camelot," President John Fitzgerald Kennedy, was shot to death. 

A widely publicized image which has become perhaps the key symbol of the enigma of the Kennedy hoodwink, emerged immediately in the wake of the assassination: a photograph of three "tramps" in official custody, who were later unexplainably released and never identified, though speculation about who they really were has reached fever pitch among investigators. 

This photograph is a ritual accompaniment of the Black mass that was the ceremonial immolation of a king, the unmistakable calling card of masonic murder, the appearance of Jubela,  Jubelo and Jubelum, the three "unworthy craftsmen" of Temple burlesque, "that will not be blamed for nothing." 

This ritual symbolism is necessary for the accomplishment of what James Shelby Downard and I described in the first edition of Apocalypse Culture, as the alchemical intention of the killing of the 'King of Camelot': 

"...the ultimate purpose of that assassination was not political or economic but sorcerous: for the control of the dreaming mind and the marshaling of its forces is the omnipotent force in this entire scenario of lies, cruelty and degradation. Something died in the American people on Nov. 22, 1963—call it idealism, innocence or the quest for moral excellence. It is the transformation of human beings which is the authentic reason and motive for the Kennedy murder..." 

The seemingly random and senseless slaughter of a President, the week before Thanksgiving, by having his head blown apart in those now infamous Zapruder film frames, is the signpost of humanity's entry into what David Cronenberg in his Videodrome Rosicrucian cinematic manifesto termed, "Savage New Times." 

The search for the three assassins has become a trip up and down Tim Finnegan's ladder, a ladder containing "one false step after another." It is a masonic riddle several magnitudes above the pedestrian, CIA-Mafia-Anti-Castro-Castro-KGB-Texas right wing etc. etc. political "solutions" pushed by the various books and movies which sometimes only serve to confuse and demoralize us all the more. 

The Alchemy of Ritual Murder 

What ought to be unambiguous to any student of mass psychology, is the almost immediate decline of the American people in the wake of this shocking, televised slaughter. There are many indicators of the transformation. Within a year Americans had largely switched from softer-toned, naturally colored cotton clothing to garish-colored artificial polyesters. Popular music became louder, faster and more cacophonous. Drugs appeared for the first time outside the Bohemian subculture ghettos, in the mainstream. Extremes of every kind came into fashion. Revolutions in cognition and behavior were on the horizon, from the Beatles to Charles Manson, from Free  Love to LSD. 

The killers were not caught, the Warren Commission was a whitewash. There was a sense that the men who ordered the assassination were grinning somewhere over cocktails and out of this, a nearly-psychedelic wonder seized the American population, an awesome shiver before the realization that whoever could kill a president of the United States in broad daylight and get away with it, could get away with anything. 

A hidden government behind the visible government of these United States became painfully obvious in a kind of subliminal way and lent an undercurrent of the hallucinogenic to our reality. Welcome to Oz thanks to the men behind Oswald and Ruby. 

There was a transfer of power in the collective group mind of the American masses: from the public power of the elected front-man Chief Executive, to an unelected invisible college capable of terminating him with impunity. 

For the first time in their history since the 1826 masonic assassination of writer William Morgan, Americans were forced to confront the vertiginous reality of a hidden power ruling their world. Sir James Frazer writing in The Golden Bough: A Study in Magic and Religion, explains that when the "divine king" is murdered by one who is himself stronger or craftier, those powers of "divinity" which were the king's are "Sympathetically" and "Contagiously" transferred from the vanquished to the victor. 

The entry of this awareness into the subconscious Group or "Dreaming" Mind of the American masses instituted a new simulacrum. The shocking introduction of a diametrically different, new "reality" is a classic scenario of another phase of alchemical programming known to the cryptocracy as "Clamores." 

Dave Marsh writing in Rolling Stone magazine (Feb. 24, 1977): "The Beatles have always had an intimate connection to the JFK assassination. He was shot the week before Thanksgiving 1963. By February 1964, the Beatles were number one in the national charts and the climactic appearance on Ed Sullivan's TV show occurred. Even Brian Epstein (the manager of the Beatles) believed the Kennedy assassination helped their rise—the Beatles appeared to bind our wounds  with their messages of joy and handholding... And the way was paved, replacing Camelot with Oz." 

Now the American people were forced to confront a scary alternative reality, the reality of a shadow government over which they had neither control or knowledge. The shepherding process was thus accelerated with a vengeance. Avant-garde advertising, music, politics and news would hereafter depict (especially in the electronic media)—sometimes fleetingly, sometimes openly—a "shadow side" of reality, an underground, amoral "funhouse" current associated with extreme sex, extreme violence and extreme speed. 

The static images of the suit-and-tie talking heads of establishment religion, government, politics and business were subtly shown to be subordinate to the Shadow State, which the American people were gradually getting a bigger glimpse of out of the corner of their collective eye. The interesting function of this phenomenon is that it simultaneously produces both terror and adulation and undercuts any offensive against it among its percipients, which does not possess the same jump-cut speed and funhouse ambiance. 

There is a sense of existing in a palace of marvels manipulated by beautiful but Satanic princes possessed of so much knowledge, power and experience as to be vastly superior to the rest of humanity. They have been everywhere. They have done everything. They run the show which mesmerizes us. We are determined to watch it. We are transfixed and desperate to see their newest production, their latest thrilling revelation, even when the thrills are solely based upon the further confirmation of our dehumanization. 

J.G. Ballard: "In this overlit realm ruled by images of the space race and the Vietnam War, the Kennedy assassination and the suicide of Marilyn Monroe, a unique alchemy of the imagination was taking place... The demise of feeling and emotion, the death of affect, presided like a morbid sun over the playground of that ominous decade." 

The role assigned to us is that of zombies called upon by our shadow masters to perform bit parts and act as stock characters in their spectacular show. This mesmerizing process produces a demoralized, cynical, double-mind. 

Rosemary's Babies 

On December 8, 1980 the apostle of "Luhv," Beatle John Lennon, had his own highly symbolic appointment with death at the hand of one of the decayed products of the rock and roll 'kulchur' he helped create. He was shot in front of his N.Y. residence, the Dakota building, where the film Rosemary's Baby had been made about the nurturing of Satan's children. 

One of the Son of Sam killers wrote, "I David Berkowitz, have been chosen since birth, to be one of the executioners for the cult." (The Ultimate Evil, p. 55). Another of the Sam cultists, a wealthy Manhattan heir, filled a townhouse with young children which was referred to by initiates as "The Nursery." Some Son of Sam initiates were directly referred to in the cult as "The Children." Graffiti left behind by the cult read, "My children I'm raising to be killers. Wait 'till they grow up." 

In Lennon's assassin, Mark David Chapman, we see the same old pattern surfacing: the "lone nut" appearing from nowhere, leaves the murder weapon and a roomful of evidence for the police to show to the public, blanks out and is immediately transported to a government psychiatric facility for a thorazine debriefing and further hypnosis. The "Manchurian candidate" aspect of the assassin was none too subtle. 

It would be inaccurate to assume that there is a vast network physically snatching kids for Satan. A tiny segment of youngsters are probably raised from birth for special projects as Richard Falco (a.k.a. David Berkowitz) was. But the operant reference here is to the processing of a generation of youth, perhaps more like Mark David Chapman, whose minds are the province of the cryptocracy—by remote media control. Who are these children? They have the same address as you. The televised Videodrome is the real "nursery" for America's Rosemary's babies—your babies. 

Hence, on a grand scale Rosemary's babies are transformed from the spectators at the JFK pageant and the Lennon pageant as well, and other videodrome pageants. Because contrary to what the vastly outclassed run-of-the-mill conspiracy researchers believe, the issue is not getting "the facts out into the open." They are already in the open, albeit sometimes subtly, for all to see. The cryptocracy placed them there, wants them to be seen, at least furtively, the way a shadow is  glimpsed, out of the corner of the eye in the Making Manifest of All That Is Hidden. 

As in the movie Apocalypse Now about the modern reenactment of the killing of the king rite with the victim an American Green Beret colonel who has gone native and become a pagan god-king to superstitious Cambodians. Toward the end of the film the camera casually, almost randomly roams across a pile of books in the hut of Col. Kurtz. The audience can clearly see that one of these books is Sir James Frazer's The Golden Bough: A Study in Magic and Religion. 

Right out in the open. In the videodrome. That's how Rosemary's babies are created. They are the new great American heroes. Remember the 1981 ABC comedy series, The Greatest American Hero? It premiered two weeks before Hickley's shooting of President Ronald Reagan and made the Top 20 Nielsen ratings. In it the "Greatest American Hero" was named Hinkley. Someone was grinning at us that week. Someone was diddling with the mind of America. Edgar Allan Poe writing in Diddling Considered As One of the Exact Sciences: 

"Your true diddler winds up all with a grin. But this nobody sees but himself. He grins when his daily work is done—when his allotted labors are accomplished—at night in his own closet, and altogether for his own private entertainment. He goes home. He locks his door. He divests himself of his clothes. He puts out his candle. He gets into bed. He places his head upon the pillow. All this done, and your diddler grins. This is no hypothesis. It is a matter of course. I reason a priori, and a diddle would be no diddle without a grin." 

Lunacy 

The third objective of alchemy, the bringing of Prima Materia to Prima Terra was accomplished in the 1969 Apollo moon flights and the returning to earth of the moon rocks. Some of these rocks have been "stolen" for use in occult rituals of no mean significance (what astounding masonic "ashlars" these make). 

The "Phoenix" lunar landing module, after its return to the orbiting mother ship piloted by Michael Collins, was jettisoned directly into the sun in fulfillment of one of the most persistent themes of alchemical lore and Rosicrucian poetry: the "sexual  marriage" of the sun and the moon. 

Freemasonic astronaut and Apollo Mission Chief Lt. Col. Edwin A. "Buzz" Aldrin carried with him to the moon the two-headed eagle flag of the medieval Satanic society, the Knights Templar (lately on display at the masonic grand lodge in Washington, D.C.) 

Aldrin also wore two heavy gold rings to the moon which he refused to explain to reporters and admits having served himself a form of "communion" there, though he is not an ordained priest or minister of any known religion save Freemasonry. Aldrin's boss, the national director of NASA at the time of the Moon Flights was C. Fred Kleinknecht, Secretary General of the Scottish Rite of Freemasonry. 

The key rocket fuel scientist who laid the crucial technical groundwork for the eventual rocket propulsion used in the Apollo flights was Dr. John Whiteside Parsons of the California Institute of Technology. Dr. Parsons was a descendant of one of the founders of the Satanic "Hell-Fire Club" in Britain. He himself was the leader of the California branch of Aleister Crowley's Ordo Templi Orientis (0T0). 

In his honor, NASA named a crater on the moon after Parsons. On several of Parsons' 0T0 ritual sites in Southern California, years later Hillside Strangler Kenneth Bianchi would deposit his victims in ceremonial order. 

The 0T0 also established a temple on Mount Palomar north of San Diego, when it was a forest wilderness, decades before it was chosen to be the masonic "all-seeing eye" on the universe as the California Institute of Technology's astronomical observatory containing the world-famous 200 inch telescope. James Shelby Downard has maintained that the Palomar telescope's booth-like viewing room was used as a radiation chamber for initiates of the Saturn-Sirius cult who would perform rituals when the light from those celestial bodies flooded the booth as the telescope was pointed at Saturn or Sirius. 

Barbara Tedlock, in Parabola vol. 4, no. 1, writes of the anxiety of the Zuni Indians regarding the Apollo Moon Flights: 

"...the Moon Mother... had been violated by two white men in a space capsule... (who) walked around on her body, left refuse on her, and removed nearly fifty pounds of her sacred flesh... Zunis feared that these profane acts could spell the end of the Moon Mother's gifts to humankind... she could cause... droughts or floods, and massive human infertility. Many Zunis called the space odyssey "white man's witchcraft" and some old men felt that perhaps this was another omen of the coming death of the world, when all man-made things would rise against us and a hot rain would fall." 

But could it be that our government and NASA scientists are as superstitious as a Zuni Indian? Were they compelled by a concept in Gnostic doctrine to perform some kind of ceremonial redressement for the astronauts having left their boot-tracks and techno-junk on the moon? 

The old Hermetic doctrine of equilibrium is central to the masonic cryptocracy. Human sacrifices would be required to "compensate." In the electrifying aftermath of the epochal televised moonwalk, the Manson gang sacrificed Rosemary's baby—in this case the child of Sharon Tate whose husband Roman Polanski had been the director of the movie Rosemary's Baby. 

These killings were performed according to ancient ritual with hoodwinks and "cords of initiation" around the necks of the sacrifices. A line from a John Lennon Beatles' song was painted on the death house, "Helter Skelter" which was located appropriately enough on Cielo (sky in Spanish) Drive. 

What we are witnessing in the wake of the public enactment of these alchemical psychodramas whose spiritual consequences for mankind are far more momentous than most have thus far guessed, is a process of global occult initiation. 

These are open-air masonic ceremonies which produce awe in the wake of the physical and technical accomplishment of their time-lost objectives. 

Showtime in the Videodrome 

"Talk not of paradise, nor creation, but mark this show." 

-Lucifer, in Marlowe's Doctor Faustus. 

This writer submits that as part of the ongoing "Revelation of the Method," the cryptocracy recently issued a kind of video Rosicrucian manifesto, revealing precisely what television is doing to us and what the future of the video imperium they are planning for us will be like. 

The name of this manifesto is Videodrome, directed by the Canadian David Cronenberg whose other works include two films about psychic assassins, Scanners which features the Kennedy-sigil exploding head and The Dead Zone. 

Videodrome pits a TV producer who has started a cable channel devoted exclusively to broadcasting mysterious pirate satellite transmissions of live sex-torture and murder perpetrated by hooded men, against executives from an enigmatic global corporation known as Spectacular Optical. Here are quotes from the film: 

"We are entering savage new times." 

"The battle for the mind of North America will be fought in the video arena, the videodrome." 

"Your reality is already half-hallucination. If you're not careful it will become total hallucination." 

"Massive doses of videodrome signal will ultimately create a new outgrowth of the human brain which will produce and control hallucination to the point that it will change human reality." 

The cable TV producer is captured by Spectacular Optical and forcibly fitted with a helmet in which the wearer is surrounded by a three-dimensional electronic pictorial and audio display simulation of the outside world. This "virtual reality" simulation is augmented by computers that will transmit pictures to the helmet-wearer. 

In the dialogue of the Videodrome film, the helmet-wearer asks his captor, "Will it hurt you?" 

To which his captor replies, "It won't hurt you. You might catch yourself sliding in and out of the hallucinatory state after this is all over. If you do, just relax and enjoy it. It will soon go away. 

"But for now, I think that you'll find a little sado-masochism will be necessary to trigger off a good healthy series of hallucinations. That's why our Videodrome show is so strange— something to do with the effects of the exposure to violence on the nervous system. It opens up receptors in the brain and spine and that allows the Videodrome signal to sink in." 

According to researcher William N. Grimstad: "It is the implantation of this illusory picture of the world into our minds... (a) process of widespread—indeed, virtually universal hallucination emerging from extremely circumscribed and elusive sources... that forms the major activity of the hidden powers." 

In an article published in the business section of the Los Angeles Times (Nov. 8, 1987), investors were being sought for a new company specializing in sophisticated, computer simulated educational scenarios, a virtual reality which "will allow students to walk through Athens with Plato... send a student of 17th century history back to the time in France... or ride on a train going the speed of light." The new machine capable of producing these hallucinations has "dazzling sound and graphics capability." 

If we consider the hours in a day most Americans spend in front of a TV and add to that the hours children spend immersed in the digital world of video games and add to that their forthcoming immersion in computer-simulated worlds of supposed "history" and "travel" in their schools, and we see the gradual creation of a population of dwellers-in-perpetual illusion. 

Couple this with the increasing very rapid destruction of wild nature and our ability to access it, and modern humanity becomes almost totally cut-off from the voice of God, emerging as enslaved drone-bees: wired, processed, helmeted and programmed; a processing that has been the goal of the secret societies since the inception of Adam Weishaupt's Beenan Orden ("Order of Bees"). 

Outside the murders rage, the invasion tides swell, the blood is polluted, the control is tightening, the asphalt is pouring, the landmarks and the wilderness are vanishing, the heritage is dying and memory itself is dwindling. Inside, in the videodrome, the scantily-clad bodies are shaking, the music beat is pounding, the lights are flashing, the air is conditioned, the food is plentiful, the nest is cozy, the images are riveting. 

And these Videodrome funmasters, tastemakers, trend-setters and agents of power and pleasure are not worried or anxious just strutting and flitting, wonderful, glorious, gossamer creatures on the California beaches and the dance floors of  Manhattan. 

Wouldn't you, shouldn't you, love to be like them in the interstices of the alchemical nigredo phase of transmutation, in the Silentium post clamores (silence after noise) of their operating room and dissection chamber where dead matter becomes the focus of humanity's quest? 

The Golem 

"And he doeth great wonders, so that he maketh fire come down from heaven on the earth in the sight of men. And deceiveth them that dwell on the earth by the means of those miracles which he had power to do in the sight of the beast... And he had power to give life unto the image of the beast." 

—Revelation 13:13-15. 

Arrayed against this Control-system and the occult history behind it, against the backdrop of machine-man, ritualistic assassinations, serialized terror murders and the ubiquity of the Videodrome TV transmission, is the Second Law of Thermodynamics. By this natural law, "order tends to degenerate." Even the New Order of the Ages. 

Our would-be psychic engineers and human alchemists are well aware of the nearness of midnight in this, their "low bottom twelve" time-cycle. They teeter on the brink of the synthesis of the darkest dream of the Kabbalists, a marriage frantically sought, between E. coli bacteria from the colon of man, the genome code and the power of computer automata, for the creation of the Golem. 

A theological conception of the creation of an animate being by man rather than God is found in the Babylonian Talmud (Sanhedrin 65b): "Rabbi Rava created a man and sent him to Rabbi Zera." * [BULLS*#T DC]

* The Talmud or rabbinical commentary of the elders, existed only in oral form in Christ's time. It is referred to as the "tradition of the elders" in Mark 7.3, of which Christ said: "Full well ye reject the commandment of God that ye may keep your own tradition." In other words, the Pharisees placed the commentary of the rabbis (later assembled in manuscript form as the Talmud), above the Bible, "Making the word of God of none effect through your tradition." (Mark 7: 9, 13). 

According to Emily Bilski and Dr. Moshe Idel of Hebrew University, Jerusalem: "Found in a major authoritative Jewish text, this passage (from the Talmud) indicates that Judaism accepted the idea of the creation of an artificial man... At issue was the claim that Jews could attain a major achievement, that Jewish masters possessed the highest magical powers." 

According to the Jewish manuscript Ner 'Elohim, attributed by Gershom Scholem to the Kabbalist Abraham Abulafia, "...if Rava created a man... he who did it so at the eve of the day of the Shabbat, did it for a great secret reason..." 

The techniques for fabricating the golem are located in a Kabbalistic book, the Sefer Yetzirah. Bilski and Idle: 

"Two of the leading figures of Ashkenazi Hasidim, Rabbi Yehuda he-Hasid and Rabbi Eleazar of Worms, wrote commentaries on the Sefer Yetzirah. 

"The extant text of Rabbi Eleazar presents an elaborate and systematic discussion of a technique to be used in creating a golem... In a... technique that appears at this time, though its origins are probably much earlier, the golem appears with the three Hebrew letters that spell emet (truth) inscribed on his forehead... 

"...these texts contain recipes for the creation of artificial life... Their writings on creating golems must be understood as part of the larger context of magical recipes for the creation of many entities, ranging from calves to heaven itself. These magical recipes formed part of an elite ideology that probably sought to demonstrate that the Jewish masters possessed the highest form of knowledge... 

"An important Jewish source during this period is a discussion by the little known physician and Kabbalist Abraham Yagel, who lived in Northern Italy in the late 16th century. Yagel was interested in the meaning of the creation of the golem. Did it constitute a form of witchcraft? Of magic? Yagel concluded that it was a 'natural magic,' i.e., a form of technology, and did not involve demonic powers. Thus he claimed that the Kabbalah is the highest possible science." (Emily D. Bilski and Dr. Moshe Idel, "The Golem: An Historical Overview," in Golem!, pp. 10-14). 

Elsewhere Dr. Idel writes: "For them (medieval Jewish rabbis), magical creation and experience were conceived of as a witness to their spiritual perfection..."[jewish rabbis perfect? lol, that is rich DC] 

The rabbis believed that their creation was greater than God's: "...the magically created man has the highest spiritual capacity, which is not to be found, automatically, even in a  normally created man... The artificially created man has within himself the entire range of creation... This understanding is consonant with the view found in Rabbi Nathan's traditions collected by Rabbi Isaac of Acre..." 

Prior to the Renaissance, this Hasidic-Kabbalistic concept of man as god was strongly proscribed throughout Christian Europe as totally demonic. 

Dr. Idel states that, "Of critical importance for the wider dissemination of ideas on the golem, was Johannes Reuchlin's De Arte Cabalistica, published in 1517." 

Historian Frances Yates informs us that Reuchlin's work sanctified the Kabbalah by claiming that it was completely compatible with Christianity. 

De Arte Cabalistica became the "Bible of the Christian Kabbalists... Reuchlin was hailed as a hero of the New Learning... Christian Kabbalah was a most necessary element at the heart of the New Learning." (Yates, The Occult Philosophy in the Elizabethan Age, pp. 25-26). 

The core of the Renaissance "New Learning" was the doctrine of man as equal to or even superior to God. The strongest opponent of Reuchlin's introduction of Kabbalah into Christianity was a converted Christian Jew named Johann Pfefferkorn. 

Pfefferkorn knew all too well what sort of diabolical gnosis the Kabbalah contained and represented. Pfefferkorn was subsequently attacked by a mysterious group known as the "Obscure Men." 

A major figure in the doctrine of man playing God was Rabbi Judah Loew of Prague, an associate of John Dee, the founder of Freemasonry. (Dee met with the rabbi in Prague in the 1580s). 

Rabbi Loew was also an adviser to the Rosicrucian occultist Rudolph II, Emperor of Bohemia, whose protection he enjoyed. 

Dr. Idel: "In 1592 Rabbi Loew had an audience with Emperor Rudolph. The details of this meeting remain shrouded in mystery." 

But what we do know is that the influential, "wonderworking" Kabbalistic Rabbi Loew became remembered as the most famous creator of an alleged golem. Dr. Moshe Idel: 

"Under the joint influence of the ecstatic Kabbalah and Ashkenazi  Hasidic sources,* the interest in the creation of a golem is visible among Jewish and some Christian authors of the Renaissance period. The beginning of modern science (is) attributed to the renewed interest in magic by certain 15th and 16th century Renaissance figures... Indubitably, the Renaissance period is the first significant point of influence of the Jewish views of the golem on European culture... 

* The founder of Hasidic Judaism was a 17th century rabbi and golem advocate known as the Baal Shem Tov. In Judges 2:16 it is written, 'They forsook the Lord and served Baal." There are many warnings about Baal priests in Scripture. The great-grandson of Baal Shem Tov was Rabbi Nachman of Bratslav who was known to be profoundly concerned with dead matter and graveyards. His followers today are known as the "Dead Hasidim," because they are obsessed with Rabbi Nachman's corpse and believe he can communicate with them from the grave. ("Rosh ha-Shanah Joumey to Hasidic Master's Tomb," NY Times, Sept. 27, 1989, p. B-2). Nachman's teachings consist in the belief that God is present in everything including evil, and therefore even the man steeped in evil finds God. 

In Israel, on Lag ba 'Omer, children are taken to the grave of Kabbalistic Rabbi Shimon Bar Yochai for "sanctification" as tzadikim. The main Jewish theological work on the dead, the Kabbalistic Gesher HaChaim, spans three volumes. It teaches that "unearthly creatures" are present around a corpse. 

Hasidic Rabbi Menachem Schneerson of New York, "though a virtual hermit," leaves his headquarters for twice-weekly pilgrimages to the grave of the last Grand Rabbi of the Lubavitch. At the cemetery, according to published reports, Rabbi Schneerson "has conversations" with the dead rabbi. (L. A. Times, April 30, 1990). In August of 1991, the motorcade returning Schneerson from the cemetery struck and killed a Black child, touching off three days of race-riots. According to the L.A. Times, Schneerson "is also a proponent of a brand of mysticism that involves such things as curses..." The NY Times reports that his followers are even afraid to look him in the face. "Few do. His burning, electric blue eyes forbid it." (NY Times Magazine, March 15, 1992). 

In 1988, Pres. Reagan proclaimed the birthday of Hasidic Rabbi Schneerson, March 26, as "Education Day USA." Legislation in connection with "Education Day USA," (Public Law 102-14) calls for implementation of the "Seven Noahide Laws" of "the Lubavitch movement." The Encyclopedia Judaica states that under the Noachide laws, non-Jews "are subject to greater legal restrictions than Jews because non-Jewish society is held to be more prone in these sins." Americans who obey the Noahide laws of the Baal Shem Tov rabbis will have the status of "resident stranger" or "semi-convert" in Judaism. Those who don't obey them are subject to the death penalty (Uri Huppert, Back to the Ghetto, p. 38). 

One further note on the word Baal in the realm of symbolism, this time in high finance. A Wall Street rating agency, Moody's Investors Service, assigns the rating "Baal-1" to credit risks in banking and government. New York state recently received the rating on its bonds ("Message to Albany: Baal-Humbug," NY Times, Jan. 8, 1992, p. B-4). 

"A Polish Kabbalist writing circa 1630: 'And I have heard, in a certain and explicit way, from several respectable persons that one man, living close to our time, in the holy community of Chelm, whose name is Rabbi Elijah, the master of the Name, who made a creature out of matter [golem] and form [zurah] and it was performing hard work for him for a long period..." 

" As the Kabbalist narrates the legend here, it is a continuation of the Sanhedrin passage and the Ashkenazi Hasidic recipe of creating an artificial man... it seems that the usage of the term hiyyut, vitality, together with the emphasis on the creature as dead, seems to reflect the influence of the view of Rabbi Moses Cordovero, a sixteenth century Kabbalist in Safed, on the nature of the creature as totally inhuman... 

"According to three statements, written in the thirteenth century, the creation of the artificial man follows the same pattern as that of the calf, or a cow... In some Ashkenazi manuscripts certain combinations of letters of the Divine Name and the letters of the alphabet vocalized according to the pattern of the Notariqon (which is the quintessence of the second stage of creation) are considered appropriate for the creation of the calf... 

"Furthermore, a statement of Rabbi Abraham Esquira, at the end of the thirteenth century, indicates that in France there was someone who was acquainted with this and was engraving the form of a cow on a wall, and it changed into a cow and they ritually slaughtered it and ate it like Rabbi Hananya and Rabbi Oshayah. 

"...these devices were still in possession of the... masters, who did not hesitate to exploit the possibilities inherent in this magical gnosis." (Dr. Moses Idel, "The Golem in Jewish Magic and Mysticism," in Golem!, pp. 15-35). 

In 1988 , Fundamentalist "Christians" joined with Kabbalistic rabbis in the search for the remains of a magical cow, the so-called Ashes of the Red Heifer. 

"Words fail to describe the intensity of the emotions of Vendyl Jones and his select crew as they have followed the step-by-step instructions written 2,000 years ago in the Copper Scroll of the Dead Sea Scrolls. At every juncture in the (archaeological) dig at the Wadi-HaKippa Cave of the Column, located south of Jericho and just north of Qumran, they have found every little detail described in that 'map' of the location of the Kalal containing the ashes of the red heifer. 

"The great importance of this search is in the fact that only when the actual Kalal is found, in which is contained the ashes of the last red heifer offered in sacrifice in Jerusalem in A.D. 70, will the restored priesthood in Israel be able to be sanctified by a sprinkling of these ashes... That has to be accomplished for the priests to have proper functions and sacrifices when Israel has its new Temple... in... Jerusalem. 

"When this sacred Kalal is actually in hand, the Orthodox Jews will demand the Temple site where the Dome of the Moslem shrine now stands. 

"...Vendyl Jones' last report stipulated that his team will return to the cave... to finish the expedition and secure the sacred Kalal. He works closely with the Hebrew University in Israel. If Vendyl is 'caught up' to Glory (raptured) with us in September, it will be the Jews themselves who will retrieve their sacred 'ashes of the red heifer" and be ready for their Temple."— Dr. Charles R. Taylor, Bible Prophecy News, June, 1988, (vol. 17, no. 2), pp. 10-11. 

The late Isaac Bashevis Singer was a Jewish scholar and winner of the Nobel Prize for Literature. He writes: "...the golem... is based on faith... that dead matter is not really dead but can be brought to life... What are the computers and robots of our time if not golems?... The Talmud tells us of an interpreter by the name of Rava who formed a man by this mysterious power... 

"We are living in an epoch of golem-making right now. The gap between science and magic... is becoming narrower... Rabbi Loew, the creator of the golem, was a Kabbalist and in his own way a scientist. He was a man of great understanding and of great mysteries. It is remarkable that he had written a book which analyzed many Talmudic sayings from a scientific perspective...  

"I was interested in the golem... from my early childhood. I was brought up in the home of a rabbi, and his sermons often spoke of miracles, by the Baal Shem Tov and other wonder rabbis... I realized early in my life that science and technology had actually created a civilization of miracles. Science is one long chain of miracles..." [talk about delusion DC]

Researcher James Shelby Downard believes that a Kabbalistic substance was inside the giant steel bottle weighing nearly half a million pounds which the U.S. government placed near "ground zero," on July 16, 1945, immediately preceding the first atomic bomb explosion (creation and destruction of primordial matter), at the "Trinity Site" in New Mexico. 

The U.S. Government has never offered any cogent explanation for exactly what purpose the Golem-proportioned (25 ft. long, 12 ft. in diameter) capsule, custom-fabricated at an eastern steel mill and trucked in at great expense by a 64 wheel trailer, served at the Trinity Site. 

Re-Building the Temple of Herod 

These ritual workings coincide with the procedures necessary for the accomplishment of the crowning objective of the masonic script, the Re-Building of the Temple of Herod, where now stands one of Islam's most revered shrines, the Dome of the Rock. The Freemasons feature reverent depictions of the Temple in their most sacred iconography. 

The Temple is the alchemical project in microcosm, the yin and yang of Egypt's Hermetic Shepherd of Hermas in whose memory palace the Black and White kings have played fatal chess for centuries, from the Lincoln-Douglas debates in the "Little Egypt" section of Illinois upon which the fate of three wars and countless lives depended, to the ritual assassination of the "Black King," Michael/Nitram Luther King, Jr. in "Memphis" (Mizraim). This is the tail of the train of the dress of the Lusus serius ("serious game"), comic fiction ("ludibrium") and "Chemical Wedding" of both wings of the Official Church-shadow and light. 

Some play by the rules of boy scouts and shopping mall habitues. Others play by rules that make them pillars of the Temple of Herod. On one side of the Temple we see the support pillar marked Boaz, representing the mystical, New Age  "gnosis" which is contained in the Kabbalah. 

At the other extreme side of the Temple is the support pillar marked Joachim, representing the strict rules for the administrators and bureaucrats of Central Government which are contained in the Babylonian Talmud. 

It has been the mystical Kabbalah, with its alleged knowledge of the mechanisms related to the material world which, ironically, has provided guidance to the hyper-rational bureaucracies administering communist government in Russia and Federal government in the U.S. 

Both the New Age irrationalism of the Kabbalah and the hyper-rational legalism of the Talmud, though seemingly antagonistic, work hand-in-glove to support the imperium represented by the Temple of Herod the Great. The formula of that Temple rule is an exoteric structure of bureaucrats and administrators, esoterically informed by knowledge of secret Satanic symbols, toponymy, words and numbers. 

The Everyday Miracle Divine 

In the medieval era the Kabbalah had almost no influence in the West. The break came in the Renaissance when alchemist Pico della Miranada, philosopher Johannes Reuchlin and John Dee, among others, announced the "benevolence" of the Kabbalah as Christian, "angelic White magic." Frances Yates: "It was in 1486 that Pico went to Rome with his 900 theses, among which were the Kabbalist theses." 

Pico's supposed "Christian" Kabbalah contributed to the overthrow of the old order's natural vision. Pico's Oration on the Dignity of Man became famous as the proclamation of the Renaissance view of man and his position in the world, of the Renaissance magus as a "lofty figure endowed with powers of operating on the world," of perfecting an as yet "imperfect" universe. 

Of course, these were not the original ideas of the alchemist Pico della Mirandola. These were ancient Kabbalistic concepts. Pico had been initiated into these concepts by a mysterious Kabbalist who was known under the alias, Flavius Mithridates. Frances Yates, writing in The Occult Philosophy of the Elizabethan Age states: 

"What can have been Flavius' motive in thus encouraging and  directing Pico toward his momentous adoption of Kabbalah into Christianity... remains a problem, and one which awaits further investigation..." 

The answer to this momentous enigma is everywhere around us. The natural order, the extravagant beauty, the very divinity of creation-untampered, could only remain, in the cycle of time, for so long in its pristine state. Sooner or later the fake concept of man apart from nature and equal to God, would arise. 

Man's scientific knowledge and brain power, as expressed by the founder of modern Freemasonry, Elizabethan court astrologer John Dee in his Monas Hieroglyphica, would achieve undreamed of control, manufacture marvels of scientific "magic" and other byproducts of the "splendor" of the masonic hell-on-earth we see all around us in the cities of the modern world. 

For the realization of the Kabbalistic conceit of the Hermetic Academy, nature has been transformed into an industrial technical, polluted, raped hell. This is the ultimate swindle of the insanely arrogant secret society praxis which falsifies human perception and calls it "higher consciousness." The Freemasons—the "Big Builders"—have worked feverishly to construct the trash-grid that hides the soaring splendor of the everyday miracle that is God's handiwork of sun, sea, stars and forest and then they offer to sell us the glasses that will penetrate the trash. 

We inherited a natural creation of great beauty and spiritual succor and "men saw it not." An ersatz vision has been implanted in our minds—the proper hypnotic belief—and people have believed properly. 

There have been a few who did not believe "properly." One such was Christopher Marlowe, the Elizabethan playwright who with great courage defied the Queen and her gaggle of masonic conmen and thugs in the course of exquisite plays which are almost never performed today. 

Marlowe's drama Doctor Faustus exposed the occultists and their manipulation of nature, as well as the treachery of government and rulers involved in the secret societies which protect and finance the Process. The play deeply offended the Hermetic Academy and, with its obvious reference to Freemason founder and royal astrologer John Dee as a degraded conjuror, undermined the Renaissance philosophy and the position of Dee's imperial protector, the fearsome Queen Elizabeth I. 

Doctor Faustus concludes with a warning to man to stay within the limits of nature: "Whose deepness doth entice such forward wits, To practice more than heavenly power permits." Yates says that, "We are in fact witnessing in this play the reaction against the Renaissance... a dismissal of the traditions of Renaissance magic and science." Another play warned against the demonic tampering of John Dee, Ben Jonson's The Alchemist. Jonson and Marlowe wrote entire dramas exposing the occult because it was so widespread: "The occult philosophy in the Elizabethan age was no minor concern of a few adepts. It was the main philosophy of the age, stemming from John Dee and his movement." (Yates). 

In Marlowe's Tamburlaine, the shepherd (of Hermas) is born under Saturn, the "star of empire" and becomes a conqueror progressing toward world rule. There are pageants in his honor with occult themes and his glory is as occluding as his sunbright armor and as spectacular as his cosmic influence, which causes even meteors in the sky to tilt in honor of his battle victories. Tamburlaine is a Saturnian and very much a prince of the cryptocracy, obsessed with putting the usual yardstick on nature, seeking endlessly after the building and modeling activities of the masonic "Great Architect": 

"Our soules, whose faculties can comprehend The wondrous Architecture of the world: And measure every wandering planets course: Still climbing after knowledge infinite, And always moving as the restless Spheres..." 

Frances Yates: "Tamburlaine's rule, though it is adorned with all the glorious trappings of imperial pageantry, is not just. He is a cruel tyrant... Marlowe would appear to be undermining imperial themes through his presentation of the tyrant Tamburlaine. This play, published at about the time of John Dee's return to England, clearly does not belong at all to the world of Dee's build-up of 'British empire.' 

"On the contrary, the effect of Tamburlaine would be to devalue the imperial idea, and to dismiss any suggestion of connection of imperial triumphing with the establishment of justice and virtue. Raleigh's and Spenser's poetic cult of Elizabeth as representative of the religious and reforming  aspect of empire is in sharp contrast to Marlowe's... emphasis on imperial cruelty and tyranny. Since there is so much in the pageantry of the play which an Elizabethan audience would recognize as reflecting pageantry in honor of the queen, this contrast may have been intended to be dangerously subversive." 

From the evidence, Marlowe's murder was the work of Queen Elizabeth and the cryptocracy which backed her (he was stabbed through the eye at age 29, a symbol of having seen and shown too much). 

In typical masonic fashion, Marlowe's death was presented to the English people as having come from "pious people" who had been offended by Marlowe's supposed atheistic free-thinking and "blaspheming." Yet the evidence from his plays is clear, Marlowe was a traditionalist urging reverence for Divine Creation and eternal vigilance against those who mistake for the divine quest, the futile imperium of puny man playing God. 

The greatest miracle of all is God's creation. Everything else is illusion peddled by hucksters in striped pants from under a circus tent. Occult adepts are adept at nothing but fraud, dressed up with dazzling showmanship; skilled grease monkeys in the garage of the mechanical universe, but simians all the same. When the showmanship carries the day, the grease monkeys are presented as masters, maguses and wizards and get craters on the moon named after them. 

There is no escaping fallen human nature. Those who claim to have the key, have oiled the skids to Plutonia, not Paradise, to the 'hunimal' and the 'golem,' not humanity, much less the "higher man." To know our limits is not a limitation. It only signifies that rather than perpetually trying to surpass our Creator, we cultivate our sensitivity to the incomparably beautiful vision He has bequeathed us as our birthright, and drink everyday with joyous appreciation at the fountain of miraculous glory that is His natural creation. 

Edward Abbey expressed the view of traditional people throughout history who have felt deeply moved and humbled and grateful to be alive amid the awesome splendor, the sheer miracle a moment that constitutes Creation Divine. And Abbey articulates his contempt for those with the endless urge to supersede it with a Faustian rocket of one kind or another: 

"How strange and wonderful is our home, our earth, with its swirling vaporous atmosphere, its flowing and frozen climbing creatures, the croaking things with wings that hang on rocks and soar through fog, the furry grass, the scaly seas... how utterly rich and wild... Yet some among us have the nerve, the insolence, the brass, the gall to whine about the limitations of our earthbound fate and yearn for some more perfect world... We are none of us good enough for the world we have." 

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