Showing posts with label Lucifer. Show all posts
Showing posts with label Lucifer. Show all posts

Thursday, June 3, 2021

Part 3 : The Most Dangerous Book in the World: 9-11 as Mass Ritual....Kansas...Pièce De Résistance: 9/11—“Evil Magic”...Connecting The Dates: A Sirius Affair ++

The Most Dangerous Book in the World
9/11 as Mass Ritual
By S.K. Bain

Chapter nine 
Kansas? 
“The sum of the square roots of any two sides of an isosceles triangle is equal to the square root of the remaining side. Oh, joy! Oh, rapture! I’ve got a brain!” 
—The Scarecrow in The Wizard of Oz, 
reciting a mangled version of the 
47th Problem of Euclid (otherwise known 
as the Pythagorean Theorem) 

Act Six: World Trade Center 7 Some conspiracy theorists see the collapse of WTC 7 as the smoking gun of 9/11. The building was not hit by an aircraft, yet, just like both towers, collapsed into its own footprint in what for all the world looked like a classic controlled demolition. The footage most commonly seen of the building’s implosion shows what appears to be a fully intact structure dropping downward at free-fall speed in a huge cloud of dust. 

However, this footage shows the side of the building that faced away from the Twin Towers—the opposite side of WTC 7 sustained major damage from falling debris during the collapse of the North Tower. Due to the severity of the damage and low water pressure in the vicinity, firefighting efforts were greatly hampered and fires on multiple floors burned uncontrolled for hours. The North Tower had collapsed at 10:28 a.m., and WTC 7 remained standing until 5:21 p.m. Writing in the New York Times in November of 2001, journalist James Glanz said of WTC 7: “By 11:30 a.m., the fire commander in charge of that area, Assistant Chief Frank Fellini, ordered firefighters away from it for safety reasons.” End of story? Not hardly. 

Giuliani’s Skybox Bunker 
After the 1993 World Trade Center attack, an Emergency Operations Center (EOC) was created to coordinate local, state and federal efforts in the event of a disaster like 9/11. Naturally, the EOC was located in 7 World Trade, directly adjacent to the target of the 1993 attack. Even better, the EOC was housed on the 23rd floor. 

Numerous parties, including George Marlin, then executive director of the Port Authority of New York and New Jersey, which owned the WTC, urged Rudolph “America’s Mayor” Giuliani not to locate the EOC at the Trade Center. And in 1998, New York Times columnist Bob Herbert called Giuliani’s EOC a “skybox bunker”—with a heckuva view on 9/11, one might add—and questioned the wisdom of locating a supposedly secure facility 23 stories above ground in a building shared by numerous private tenants and requiring elevators to reach. 

But that wasn’t the half of it. To keep the EOC and elevators operational in the event of a power outage, backup generators were installed along with large storage tanks for the diesel fuel needed to run them. Yep, that’s right—the Emergency Operations Center for the City of New York was not only located yards from one of the most attractive terrorist targets in the entire world, was not only 23 floors in the air, but was sitting on top of thousands of gallons of flammable liquid. [Babylon East , and it's arrogance DC]

As the New York Times reported, “Fire Department officials warned the city and Port Authority of New York and New Jersey in 1998 and 1999 that a giant diesel fuel tank for the mayor’s $13 million command bunker in 7 World Trade Center…posed a hazard and was not consistent with city fire codes.” Ya think? 

Investigators would later determine that the burning fuel weakened a transfer truss that allowed the skyscraper to be built atop multi-story underground electrical transformers and was critical to the structural integrity of the building. (Interestingly, a failure of the same type of truss contributed to the partial collapse of the Alfred P. Murrah Federal Building in Oklahoma City when it was bombed in 1995.) [ key word= partial, not free fall DC]

Dr. John Osteraas with Exponent Failure Analysis Associates in Menlo Park, California, was quoted in the Times in 2002 concerning the collapse: “Without the fuel, I think the building would have done fine.” 

“Pull It” 
A high-rise Emergency Operations Center that provided front-row sky box seats to the most spectacular terrorist attacks in history…fuel storage tanks to run backup generators and elevators that, according to various assessments, were at least partially responsible for the collapse of the building itself…one can begin to understand why some have theorized that the EOC  was in fact the command center for the attacks on the Twin Towers, and take more seriously the idea that WTC 7 was intentionally brought down after all. 

Ironically, weighing in in apparent support of the latter notion was none other than the owner of the building, Larry Silverstein, who stated in a 2002 PBS documentary entitled ‘America Rebuilds’: “I remember getting a call from the, er, fire department commander, telling me that they were not sure they were gonna be able to contain the fire, and I said, ‘We’ve had such terrible loss of life, maybe the smartest thing to do is pull it.’ And they made that decision to pull and we watched the building collapse.” 

After two years of stonewalling, Silverstein Properties finally responded to numerous questions concerning what Mr. Silverstein meant when he used the phrase “pull it,” which most people would assume to mean “bring down by controlled demolition.” Their explanation? He meant pull the firefighters from the building. And exactly which firefighters would those be?...the ones that had withdrawn at 11:30 a.m., over five hours earlier?1 

Déjà Voodoo 
On September 11, 2001, WTC 7 and the entire staff of the EOC were evacuated after United Airlines Flight 175 struck the South Tower. The director of the EOC at the time made the poignant observation that the center was out of commission “at the moment when it was needed most.” The evacuation of the EOC further hampered communication and rescue coordination efforts, which had been already compromised by a malfunctioning radio system that had been known to be faulty as early as March 2001. The deaths of some 121 firefighters in the North Tower, which collapsed second, were attributable to their not being able to hear the evacuation orders. 

If the primary objective in selecting the location for the EOC had been to create additional chaos and confusion in the event of a disaster, with regards to 9/11 specifically, they sure couldn’t have made a better choice than the 23rd floor of WTC 7 … hey, wait a minute…  

Here we are again, confronted with circumstances that are beyond suspicious—absurd seems to be the norm—and we haven’t even begun to consider what occult kookiness may be waiting around the corner for us. But it’s there all right, you can count on it. 

Salomon’s Temple 
Completed in 1987 and constructed with a trapezoidal design, the 47-story World Trade Center 7, situated directly beside the Twin Towers, was known as the Salomon Brothers building. Recalling from Chapter Three that the Twin Towers represented the Two Pillars of Freemasonry, Jachin and Boaz, it shouldn’t surprise you to learn (if you didn’t already know) that according to tradition these pillars were located on the porch of, you betcha, King Solomon’s Temple. 

Noted English scientist, mathematician and theologian Sir Isaac Newton studied and wrote extensively about the Temple of Solomon, dedicating an entire chapter of The Chronology of Ancient Kingdoms to his observations regarding the temple. Newton was intrigued by the temple’s sacred geometry and believed that it was designed by King Solomon with divine guidance. 

Solomon’s Temple is intimately intertwined with the story of Hiram Abiff, who some consider to be the Freemason’s Messiah. According to Masonic legend, Hiram Abiff was a man of Tyre, the son of a widow, and the chief architect of King Solomon’s Temple. Abiff, Masonry teaches, was the only person on Earth who knew the secrets of a Master Mason, including the most important secret of all, the “Grand Masonic Word,” the ineffable name, the name of God. To make a long story short, Hiram was killed for refusing to reveal this word, and then brought up out of the grave and restored to life. 

There is a Hiram from Tyre mentioned in the Bible in connection with the construction of the Temple, but not as chief architect: scripture is actually quite clear that God Himself was the designer and architect of the Temple. But that’s really neither here nor there, because the legend of Hiram Abiff is not based on an historical character but rather on the myth of the Egyptian Sun-god Osiris.2 

Writing in The Secret Teachings of All Ages, Manly P. Hall tells us that 

The efforts made to discover the origin of the Hiramic legend show that, while the legend in its present form is comparatively modern, its underlying principles run back to remotest antiquity. It is generally admitted by modern Masonic scholars that the story of the martyred CHiram is based upon the Egyptian rites of Osiris, whose death and resurrection  figuratively portrayed the spiritual death of man and his regeneration through initiation into the Mysteries. 

Hall continues, stating, “CHiram is also identified with Hermes through the inscription on the Emerald Table. From these associations it is evident that CHiram is to be considered as a prototype of humanity; in fact he is Plato’s Idea (archetype) of man. As Adam after the Fall symbolizes the Idea of human degeneration, so CHiram through his resurrection symbolizes the Idea of human regeneration.” 

Pretty deep stuff, and there’s more where that came from, but you get the point: Solomon’s Temple and Freemasonry go together like terrorists and hijacked airplanes. [Yeah except there were no terrorists in reality, just some useful idiots and remote control DC]

The 47th Problem of Euclid 
According to the Bible, the Lord gave King David very exact measurements and specifications for Solomon’s Temple, an idea that must have struck the fancy of those responsible for the design of WTC 7, because the building was a deceptively-simple yet powerful modern occult-Masonic construct. Its trapezoidal shape and 47 stories were an architectural embodiment of the 47th Problem of Euclid, more widely known as the Pythagorean Theorem. 

The Pythagorean Theorem has attracted interest outside mathematics as a symbol of mathematical abstruseness and intellectual prowess; popular references in movies, literature, plays, musicals, songs, stamps and cartoons abound. There are a range of mathematical proofs for the theorem, but one is of particular interest: it was published by future-U.S.-President and Mason James A. Garfield, and instead of the customary square it utilized a trapezoid. 

The essence of the Pythagorean Theorem concerns the importance of establishing an architecturally true or correct foundation based on use of the square, an ability of great value to real masons, but there are of course deeper 72 The Most Dangerous Book in the World related symbolic meanings as well (one having something to do with the Philosophical Male, Female, Offspring and the Theosophy of the Trinity…if you want to know any more than that, you will need to look it up yourself). 

Writing of the significance of the Pythagorean Theorem to Freemasonry in general, this unnamed Masonic author states that “The 47th Problem of Euclid represents such a perfect symbol of Freemasonry... encompassing both art and science, that the simple knowledge of it demands a breathtaking awe to which we may only bow our heads in reverence at the perfection, the universality and the infinite wisdom of that which has been given to us by God.”3 

One really couldn’t put it any more strongly than that, and it’d be a waste of time to try. But before we leave Salomon’s Temple, it’d be negligent to fail to note the following: In the 1960s, Church of Satan founder Anton LaVey formed a group which later became the governing body of the church. Its name? The Order of the Trapezoid. 

Reprise: Author! Author! 
It’s getting late in the day, and with the fall of WTC 7 we come to the end of the final act and the 9/11 Mega Ritual proper. One might consider the collapse of the tower as the dropping of the curtain at the close of the production. 

With the swift disappearance of Salomon’s Masonic-Luciferian Temple of the Trapezoid in a cloud of smoke and dust, it is finished. But to whom is the credit for this spectacularly-diabolical production owed? Might the very nature of the object of the last act bear testament to the authors of the work? We shall see. 
[INSET]
Choke on it 
“As caustic and alkaline as Drano” is how EPA scientist Dr. Cate Jenkins described some of the dust at Ground Zero in a 2006 interview on CBS, claiming that EPA officials had known about the toxicity of the air and lied about it. 

On September 13, 2001, then-EPA head Christine Todd Whitman told reporters at Ground Zero, “We have not seen any reason—any readings that have indicated any health hazard.” And on September 18, Whitman told the public via press release, “We are very encouraged that the results from our monitoring of air-quality and drinking-water conditions in both New York and near the Pentagon show that the public in these areas is not being exposed to excessive levels of asbestos or other harmful substances,” and that “given the scope of the tragedy from last week, I am glad to reassure the people of New York … that their air is safe to breathe and the water is safe to drink.” 

Time magazine’s 2001 “Person of the Year” Rudy Giuliani echoed this assessment, claiming shortly after the attacks that “the problems created…are not health-threatening” and that “the air quality is safe and acceptable.” 

Yet, an August 2003 report by the Office of the Inspector General of the EPA said the Bush administration pressured the EPA to remove cautionary information from statements about the air quality at Ground Zero. Language used to describe excessive amounts of asbestos in the area was altered drastically to minimize the dangers it posed. 

Described by one air pollution expert as “wildly toxic,” the thousands of tons of dust and debris from the collapsed towers contained more than 2,500 contaminants, included asbestos, lead, mercury and a range of carcinogens, as well as other substances that can trigger kidney, heart, liver and nervous system deterioration. 

Back to Work 
The Giuliani administration seized control of the cleanup operation from federal agencies and subsequently failed to enforce federal requirements requiring use of respirators, simultaneously threatening companies with dismissal if cleanup work slowed. New York Committee for Occupational Safety and Health industrial hygienist David Newman said, “I was down there watching people working without respirators.” He continued, “Others took off their respirators to eat. It was a surreal, ridiculous, unacceptable situation.” 

Critics assert that government officials—notably Bush, Whitman, and Giuliani—downplayed health risks and rushed to reopen the area around Ground Zero, although this posed a grave danger to emergency personnel and cleanup workers. Subsequent investigations would suggest that the Bush administration pressured Whitman and Giuliani to provide reassurances ostensibly in order to allow Wall Street to resume business-as-usual. 

It is certainly worth noting that on September 12, 2001, Christie Whitman issued a memo directing that “All statements to the media should be cleared through the NSC (National Security Council in the White House) before they are released,” and that the following sentence was added by White House officials to a September 16 EPA news release: “Our tests show that it is safe for New Yorkers to go back to work in New York’s financial district.” 

A Legacy of Misery 
Several square miles were blanketed by the fine dust resulting from the collapse of the Twin Towers, dust which, as previously noted, contained asbestos fibers from pulverized fire-proofing material as well as numerous other contaminants. An ever-increasing number of first responders (reportedly as high as 70% for this group), recovery workers and members of the public are developing debilitating illnesses, serious respiratory ailments in particular. Some estimates indicate that as many as 70,000 people might have long term health problems due to the dust. Hundreds of rescue workers are now on “permanent respiratory disability,” and there are ongoing concerns regarding negative effects on fetal development. 

Hell of a price to pay just to make a buck…but, then again, maybe all this misery was not just “collateral damage” but rather a desired outcome, adding to the purposefully-inflicted suffering and death on 9/11 itself and in the wars that followed. 

CHAPTER TEN 
Epilogue: Over But Not Finished 
With the close of Act Six, the production mercifully comes to an end, and although the show may be over, there will be spin-offs (“Where in the World is Carmen Sandiego Osama bin Laden?”) and reruns (A gazillion 9/11 History Channel-National Geographic-Discovery Channel documentaries and counting) for years to follow. 

And what a script it was: heroin-addicted Aleister “The Great Beast” Crowley (and his long lost relatives Bill and Tim), Baphomet the Pet Goat, the 9/11 Birthday Boy and Lady Evelyn-Barbara, black comedian Osama, Thoth, a monumentally insulting memorial, ancient Egyptian spells, the House of Death, Salomon’s Temple and, tah-dah, the Flying Circus of Death, featuring a Flying Dunce, a magically-disappearing airplane that doubled as the world’s largest ever piece of airmail, a plane with no hijackers aboard ordered to squawk the international code for hijack while trailed by armed fighter jets with shoot-down orders, and … the Doomsday Plane. The Greatest Show on the Face of the Earth, all as a mercurial tribute to the Prince of the Power of the Air. Not to be forgetten, also, were the props and sets: super-sized Pillars of Hermes, the Holy Pentagon, “Paradise,” Shanksville and Whitehorse, with special appearances (Sesame Street style) by 11, 77, 93, 85 and 175. 

But don’t get out of your seat, because we aren’t closing the pages of this grimoire yet—this awards ceremony for the biggest occult production in history isn’t finished. We’ve met the characters, seen the sets and grimaced through all six acts, but there are more props and backdrops to look at, as well as the performance date itself—which, ingeniously and diabolically is part of the production. 

Stay tuned, because if you didn’t think the plot could get any thicker or any uglier, you’re in for a big surprise.

Section Two 
The Producers 

Chapter 
Eleven 
Pièce De Résistance: 9/11—“Evil Magic” 

All systems of religious mysticism are based upon numerals. 
—Helena Blavatsky, Isis Unveiled 

9-1-1: Pre-programming for 9/11 
September 11, 2001—“9/11” has become shorthand for not only the date, but for the acts of terrorism themselves and all they involved and implied: death, fear, uncertainty. On a profound level, the numerical combination 9/11 has become synonymous with “terror” over the last decade. 

Given the scope and scale of the Global MegaRitual and the mind-numbing level of planning that obviously went into scripting the occult aspects of the event, it is of far more than passing interest to note that, in the thirty years prior to 9/11, 9-1-1 had become the universal code in the United States for “emergency.” [In fact it was 1968, 33 years, just thought I would throw that out there in case the author missed it,  DC]

In light of all else that has been revealed, and the supreme importance of numbers in this megaritual, it strains credibility to suggest that this is mere coincidence. Other than being an “engineered synchronicity” designed to make people do a double-take and scratch their heads before falling back into a media-induced trance, though, what would the purpose be? One might suppose that the intended meaning or message is that 9/11 was a gigantic 9-1-1, an emergency of global proportions, which it was intended to be perceived as. 

However, this would be the conscious message—the intended subconscious message was one designed to inflict further psychic and emotional injury on the public, and was thus the true motivation behind this aspect of 9/11. The number sequence 9-1-1 had come to mean help is on the way. The sudden reversal of meaning, which is a key tactic of occultists, was designed to induce psychic stress and mental anguish, to create additional inner conflict and fear. 

“9/11,” then, was a weapon used to inflict further trauma on an unsuspecting public. By pre-programming the public consciousness for decades with the formulation that 911=help, a form of subconscious injury was inflicted through the abrupt reversal of 911=terror. 

As diabolically ingenious as it may be, in the end, this is just one of numerous pieces of evidence indicating that elaborate and sophisticated psychological warfare tactics were employed against the American public on 9/11. Yet, there’s a deeper level still… 

That Old Black Magic 
In his book Numbers: Their Occult Power and Mystic Virtues, William Wynn Wescott writes that the number nine holds great significance among many secret societies. “The number nine is the number of the earth under evil influences,” he states. Our constant companion in the exploration of this megaritual, Aleister Crowley, concurs with Wynn, revealing in Gematria: “9. Most Evil, because of its stability. AVB, witchcraft, the false moon of the sorceress.” 

Yet, as with many occult matters, the meaning of the number nine is multi-layered. Crowley continues in Gematria, “9. The Ennead, Stability in Change.” The Ennead (derived from Greek, meaning the nine) is a grouping of nine related deities, most often used in the context of Egyptian mythology, including Osiris, Isis and Set, whose lineage and functions were arranged and explained by the theologians of Heliopolis. As three threes, the number was considered of great carnal power, and the groupings of the nine gods were very significant. The term is also used to describe the great council of the gods as well as a collective term for all the gods. 

Nine, then, is not simply “most evil,” but further invokes deities of supreme importance to occultists. Eleven, as we already know, has a bit of an evil reputation in its own right, but, more importantly in this context, is “the number of Magick in itself,” and “the sacred number par excellence of the new Aeon,” as well as “My number” according to Aleister Crowley, to whom the entire 9/11 Mega-Ritual is in part dedicated. Writing again in Gematria, Crowley reiterates,  

“11. The great magical number, as uniting the antitheses of 5 and 6 etc. and the magic force itself.” 

Thus, the Crowleyian formulation—9, “Most Evil,” 11, “the magic force itself ”—yields: 9/11 = Evil Magic. Not simply numerical shorthand for the day or its proceedings, but communicating the nature of the event itself, a digital combination whose very meaning is “Evil Magic.” 

The untold number of times that the phrase “nine eleven” has been spoken or written in the past ten plus years…that it has appeared in print or on screen, been uttered on the airwaves in news reports and documentaries, been said by countless millions in private conversation—every time it is used, we unknowingly participate in the MegaRitual, repeating “Evil Magic” over and over. That old black magic… 

But you don’t even have time to catch your breath after this nauseating revelation, because there’s more you must understand to fully comprehend the hideous occult monstrosity that is 9/11, to fully contextualize the Six Act Theatre of Cruelty. September 11, 2001, was not simply a special date or a day of infamy, it was an auspicious occasion. Next, it’s the astrology of 9/11. 

Chapter Twelve 
The Astrological Foundations of the 9/11 Mega-ritual 
As a method for securing blessings for their undertakings, occultists employ the practice of selecting favorable dates and times for their endeavors, which is called electional astrology. This is a branch found in most traditions of astrology in which a practitioner decides the most appropriate time for an event based on its “astrological auspiciousness.” The most commonly used and distinctive form of election is the ephemeral election, which involves selecting a date based on the position of the celestial bodies in the sky at the moment of the event. The horoscope for any given moment shows the general trends, alignments, planetary strengths and weaknesses, etc., and whether success or failure is indicated. 

Astrology-speak sounds like absolute gobbledygook to most people, but many occultists swear by the use of astrology for their purposes. Saying, then, that on the day of the attacks “transiting Pluto was within seventeen minutes of an exact conjunction to the U.S. ascendant at 12 degrees Sagittarius” doesn’t mean jack-shit to most people, and fortunately we don’t have to figure out what this statement means. But we do have to push forward into the astrology of 9/11 and try to make some sense of it. 

The Lords of Death 
Apparently, astrologers, bless their hearts, had worried for months in advance about the opposition of Saturn to Pluto that was in effect at the time of the attacks.

Saturn and Pluto are both considered ‘Lords of Death’, with Saturn having played that role alone before the planet Pluto was discovered. Indeed,  Saturn has been associated with death since ancient times, and related to Saturn are the color black and the element lead. Writes one observer, “Where there is light Saturn brings darkness, where there is heat Saturn brings cold, where there is joy Saturn brings sadness, where there is life Saturn brings death, where there is luck Saturn brings misfortune, where there is unity Saturn brings isolation, where there is knowledge Saturn brings fear, where there is hope Saturn brings skepticism”…you get the picture. 

The god Pluto was known in both the Greek and Roman traditions as the ruler of the underworld, and became casually interchangeable with Satan as an embodiment of Hell. The planet of the same name is thus viewed as a fairly nasty character. 

Modern astrologers don’t find Saturn as evil as the more traditional astrologers do, but “the stress between the restriction of Saturn and the transformative power of Pluto can be difficult at best,” whatever the hell that means. 

One gathers that when these two guys get close to each other, it means something bad is going to happen. And on 9/11, where they had their confrontation apparently wasn’t a good thing, either, as there was a “sensitive and critical placement of the Pluto/Saturn opposition,” with Pluto, “the planet of death/rebirth/transformation” in the 12th house, “which rules darkness, secrets, imprisonment” and Saturn, “the planet of death and limitation” in the 7th house, “which rules our country’s relationship with others.”1 

The astrological interpretation, then, would go something like this: the two Lords of Death came too near each other in a couple of astrological houses that amplified their malevolent characters (or whatever), which made it a great day to sacrifice 3,000+ people to the Prince of Darkness (and I don’t mean Ozzy). 

Up Next 
As bad as dealing with the Deadly Duo may have been, there’s still more astrology to absorb—in fact, we haven’t even gotten to the best part yet. But before we continue with the stars, let’s visit a star of another sort, the nation’s largest and most beloved public monument, the Statue of Liberty. 

Chapter Thirteen 
Silent Overseer of the 9/11 Mega-ritual 

9/11—Evil Magic carried out under the auspices of Saturn-Pluto, Lords of Death. If you’re a child-sacrificing cultic globalist freakshow, it don’t get no better than this. Or, then again, maybe it does, considering that the Twin Towers weren’t the only massive “ceremonial objects” involved at the ritual at Ground Zero. For overwatching the slaughter at the towers was a colossal statue, not of Libertas, but of Lucifer. 

The Statue of Lucifer 
“This gigantic gilded figure, with its crown of solar rays and its upraised torch, signified occultly the glorious Sun Man of the Mysteries, the Universal Savior,” wrote Manly P. Hall in his book, The Secret Teachings of All Ages. Hall was not writing about the Statue of Liberty, however, but rather the Colossus of Rhodes, an enormous bronze statue of the Greek god of the sun, Helios, and one of the Seven Wonders of the Ancient World. 

With its own crown of solar rays and upraised torch, the Statue of Liberty, the original name for which was “Liberty Enlightening the World,” signifies occultly the Light Bearer, Lucifer, the Illuminati savior. (Worth noting is the title of the sonnet by Emma Lazarus mounted inside the Statue of Liberty: “The New Colossus.”) 

The Torch of Illumination 
“Thus Lucifer—the spirit of Intellectual Enlightenment and Freedom of Thought—is metaphorically the guiding beacon,” writes Helena Blavatsky in The Secret Doctrine, v. II, “which helps man to find his way through the rocks and sand banks of Life, for Lucifer is the Logos in his highest.” 

Lucifer as the guiding beacon is symbolized by the “torch of illumination,” one of the key symbols of the Illuminati, representing the illumination of Lucifer—a fact that French Freemason Frederic Bartholdi, designer of the Statue of Liberty, would have been well aware of. 

Prometheus: the Original Torch-Bearer 

The torch is an ancient symbol: in Greek mythology, the original “torch-bearer” was Prometheus, the Titan who stole fire from the gods in order to give it to humanity. Writing in The Secret Doctrine, it is again Blavatsky who tells us of “the allegory of Prometheus, who steals the divine fire as to allow men to proceed consciously on the path of spiritual evolution, thus transforming the most perfect of animals on Earth into a potential god, and making him free to take the kingdom of heaven by violence.” She continues, “Hence also, the curse pronounced by Zeus against Prometheus, and by Jehovah against his ‘rebellious son,’ Satan.” [can not believe how many people do not understand that Satan was not and is not Lucifer, two separate beings. The only way that what she said can be true on the face of it, is if she is referring to Lucifer as Jehovah D.C]

Master Freemason Manly P. Hall makes similar observations in Lectures on Ancient Philosophy: “Man wandered hopelessly in the gloom of mortality, living and dying without light or understanding in his servitude to the Demiurgus and his host of spirits.  At last the spirit of rebellion entered the creation in the form of Lucifer, who in the guise of a serpent tempted man to revolt against the mandates of Jehovah (the Demiurgus).  In Greece this character was known as Prometheus, who brought from the gods the impregnating flame that would release the life latent in this multitude of germlike potentialities.” [actually he did not tempt man, Adam was and still is a Material Son of God, Adam and Eve were of the violet race, it is a lie that man fell from grace at that time. DC]

Identity “Decoded” 
Brad Meltzer’s investigative series, Decoded, which airs on the History Channel, devoted an entire episode in its 2010 season to the occult identity of the Statue of Liberty. In the end, the investigators discovered that, in fact, the statue has a strong historical occult association with Lucifer—but in a good way. The last interviewee in the program reported that, indeed, the statue does represent Lucifer, but purely as light-bringer, as the illuminator and savior of humanity—asserting a non-existent uniformity of thought within the historical and contemporary occult communities. Again we hear, That Lucifer, he’s not such a bad guy after all. 

In reality, the Decoded investigative team demonstrated a truly profound ignorance of occult beliefs and traditions, and missed some of the most compelling evidence pointing to the statue’s true occult identity. 

A Powerful Luciferian Presence 
There is in reality much evidence to support the contention that occultists view the Statue of Liberty as a representation of Lucifer—not exclusively so, to be sure, as there are also esoteric connections to Isis, among others. But in the final analysis there is little doubt that the deity invoked on 9/11 was Lucifer, and that the Statue of Liberty was intended to serve as a powerful manifestation of the Luciferian Presence during the 9/11 Occult Mega-Ritual.[Couple of things here, first Lucifer was never a deity according to the Universe, and was in fact created a Lanonandek Son by The Paradise Creator Son who created the local Universe your eternal life is now partaking of. Also understand freedom and liberty are not one in the same, Liberty was and is at the heart of Lucifer's Rebellion. People need to understand that these sick fucks have their 'do has thou mill' mantra which equates to them as Liberty, plenty on the rock right now practicing this form of Liberty, they are doing so at their own peril. Section 8 of the first link, covers his creation, the second covers his ill advised rebellion. DC]

In the end, though, the concept of Liberty is in fact applicable—but only in a very narrow sense. To the engineers of 9/11, liberty means the freedom to do whatever they wish, to whomever, whenever they so desire. Liberty to them is freedom from all constraints, moral, legal and otherwise. Recall Aleister ‘Do what thou wilt is the whole of the Law’ Crowley writing on Baphomet, “that leaping goat whose attribute is Liberty”—it’s that Liberty they’re invoking. [was not sure he was going to talk about their liberty, but he is spot on with the above. DC]

Chapter Fourteen 
Connecting The Dates: A Sirius Affair 

Independence Day? 
The tablet held by the Statue of Liberty is inscribed in Roman numerals with July 4, 1776, which is widely recognized as the date of the adoption of the Declaration of Independence. The year 1776 is also the year that the Illuminati was founded; however, there is an even deeper significance behind the date on which our Independence Day falls, as we will soon discover. 

A Common Foundation 
The cornerstone for the pedestal of the Statue of Liberty was laid in a Masonic ceremony on August 5, 1884; eighty two years later, on August 5, 1966, the groundbreaking ceremony for the World Trade Center was conducted. Was this merely a means employed to connect the two locations through time and space in preparation for the 9/11 Mega Ritual? Or is there even more to the story? 

A Common Denominator 
The birthday of the United States of America and the date inscribed on the Statue of Liberty’s tablet; the cornerstone laying for the Statue of Liberty’s pedestal and the groundbreaking for the World Trade Center; the groundbreaking ceremony for the Pentagon and the attacks in New York and Arlington/Washington—why were these dates used by occultists in repeated fashion, and what do they have in common? The dates in question are all connected to the brightest object in the occult pantheon (as well as the brightest star in the night sky), Sirius, the Dog Star. 

“It would be difficult to exaggerate the fanatical degree of attachment the priesthood of Egypt and all subsequent related Hermetic traditions had for Sirius,” writes Michael Hoffman in Secret Societies and Psychological Warfare. “The entire calendar year of the Egyptians was based upon the rising times of this star.

Indeed, Sirius was of unique importance to the Egyptians, and is recorded in the earliest astronomical records. During the Middle Kingdom, Egyptians based their calendar on Sirius’ heliacal rising, the date on which a star or other celestial body first becomes visible above the eastern horizon just before sunrise after a period of being absent from view. In ancient Egypt, Sirius’ heliacal rising originally occurred just before the annual flooding of the Nile River and the summer solstice, after a 70-day absence from the skies.1 

Sirius in Antiquity 
The Greeks and Romans knew Sirius well. Writing in the Iliad, Homer, the greatest ancient Greek epic poet, said this concerning Sirius: 

Sirius rises late in the dark, liquid sky 
On summer nights, star of stars, 
Orion’s Dog they call it, brightest 
Of all, but an evil portent, bringing heat 
And fevers to suffering humanity. 

Homer elaborates, referring to Sirius as the star “whose beams blaze forth in time of harvest more brilliantly than those of any other that shines by night; brightest of them all though he be, he yet bodes ill for mortals, for he brings fire and fever in his train.”

Sirius is part of the constellation Canis Major, which Roman myth referred to as Janitor Lethaeus, the watchdog of Hell. Canis Major (Latin for ‘greater dog’) is one of the dogs following Orion the hunter, and Sirius is recognized as the dog’s nose. 

“An evil portent,” the nose of the watchdog of Hell—now there’s a pretty bad historical reputation. 

The Blazing Star 
Sirius occupies a unique position in more contemporary occult thought, as well. Writing in Morals and Dogma concerning the preeminence of the star within Freemasonry, Albert Pike states, “The Ancient Astronomers saw all the great Symbols of Masonry in the Stars. Sirius glitters in our lodges as the Blazing Star.” He continues: 

In Freemasonry, it is taught that the Blazing Star is a symbol of deity, of omnipresence (the Creator is present everywhere) and of omniscience (the Creator sees and knows all). Sirius is therefore the “sacred place” all Masons must ascend to: It is the source of divine power and the destination of divine individuals. 

To achieve perfection, the initiate must successfully understand and internalize the dual nature of the world (good and evil; masculine and feminine; black and white, etc.) through alchemical metamorphosis. This concept is symbolically represented by the union of Osiris and Isis (the male and female principles) to give birth to Horus, the starchild, the Christ-like figure, the perfected man of Freemasonry—who is equated with the Blazing Star. 

Here, again in Morals and Dogma, Pike reiterates the last point: “The sun and moon … represent the two grand principles … the male and the female … both shed their light upon their offspring, the blazing star, or Horus.”

Elsewhere in the book, Pike states, “[The Blazing Star] originally represented SIRIUS, or the Dog-star, the forerunner of the inundation of the Nile; …It was HERMES, also, the Master of Learning, whose name in Greek is that of the God Mercury.” 

Writing in her Theosophical Glossary, Helena Blavatsky records a similar observation: 

The dog-star: the star worshipped in Egypt and reverenced by the Occultists; by the former because its heliacal rising with the Sun was a sign of the beneficent inundation of the Nile, and by the latter because it is mysteriously associated with Toth-Hermes, god of wisdom, and Mercury, in another form. Thus Sothis-Sirius had, and still has, a mystic and direct influence over the whole living heaven, and is connected with almost every god and goddess. 

Sirius, the Freemasonic Blazing Star, their ‘sacred place’, equated with the perfected man, Horus; yet, also representing Thoth-Hermes-Mercury, exercising “a mystic and direct influence over the whole living heaven.” 

However, as many are aware, there are various levels within Freemasonry, and there is often more to a story than first meets the eye. Helena Blavatsky, 94 The Most Dangerous Book in the World in her book Isis Unveiled, provides a crucial clue to Sirius’ occult alter-ego: “... Hermes, the god of wisdom, called also Thoth, Tat, Set, Set, and Sat-an; and that he was, furthermore, when viewed under his bad aspect, Typhon, the Egyptian Satan, who was also Set.” The plot thickens… 

The “Silver Star” of Aleister Crowley and others 

Sirius was called the “Argentinium Astrum,” or Silver Star, by the Masons and Rosicrucians, and in 1907, Aleister Crowley started his own occult order, called the A:.A:.. British occultist, novelist and poet Kenneth Grant met Aleister Crowley in 1944 and was initiated into the A:.A:. in 1946. In his book, The Magical Revival, Grant writes, 

First and foremost is the energy or force emanating from the sun Sirius. If it might be so expressed, the energy of thought, or mind force, in its totality, reaches the solar system from a distant cosmic centre via Sirius. Sirius acts as the transmitter, or the focalising centre, whence emanate those influences which produce self-consciousness in man. 

But in his 1973 book, Aleister Crowley & the Hidden God, Grant provides a decidedly different perspective, informing us that “The Silver Star (A:.A:.) is Sirius. …the key to the present aeon of Horus, for it represents the energy of Satan that will permeate the earth during the present cycle.” 

Ah, yes, the energy of Satan … Sirius, then, according to sources ranging from Homer to Crowleyite Grant, is a fairly nasty character, a fact that others will readily attest to. 

The Devil of Darkness, the Dwelling of Lucifer 
In her 1971 book, Woman’s Mysteries: Ancient and Modern, New Age author M. Esther Harding states that Sirius is portrayed by Black Magick Satanists as the “Devil of Darkness” and the “Lord of the Underworld.” 

In addition to this sinister characterization of Sirius, Christian author Texe Marrs reveals that Sirius is also viewed as the dwelling of Lucifer, stating in his 1990 Book of New Age Cults and Religions: “Throughout the centuries, Sirius has been recognized by most occultists and esoteric teachers as the location where Lucifer and his hierarchy dwell. In Christian terminology, Sirius is simply a secretive codeword for ‘hell’.”  

A Sirius Affair 
So now we’ve come to it…Although certainly not viewed as purely evil by all cultures and esoteric traditions, it has been well established that a considerable consensus exists across a broad spectrum of occult thought regarding Sirius’ malign influence. At this point in the examination of the occult script for the 9/11 Mega Ritual, it would be safe to assume that the orchestrators of the event were, to put it mildly, intently focused upon Sirius’ negative aspects. 

Confirming this suspicion, the late James Shelby Downard argues in “Sorcery, Sex, Assassination, and the Science of Symbolism” that a Sirius cult exists today at the highest levels of US military intelligence. Downard goes so far as to say that the viewing chamber of the Palomar Observatory is used for its rituals, which evoke those of ancient Egypt, and are performed in the star’s focused light.3 

But how, exactly, does this relate to Independence Day, the Twin Towers, the Pentagon and the Statue of Liberty/Lucifer? Recall the discussion in an earlier chapter on auspicious dates, electional astrology and ephemeral elections, and make sure you’re properly strapped in, because just when you think that there couldn’t possibly be anything else left to learn, the bottom drops out of the ride and you can see there’s still a long way to go.

next
New Year’s Day and the Malevolent Mega-Talismans

footnotes
Chapter Nine 
1. http://killtown.911review.org/wtc7/fire.html, 
2.http://archive.newsmax.com/archives/articles/2004/5/23/204909.shtml 
3. http://www.elijahproject.net/abiff.html 
4. http://www.masonic-lodge-of-education.com/47thproblem-of-euclid.html 

Chapter Twelve 
1. http://www.astrowisdom.com/sept11.htm 

Chapter Fourteen 
1. http://en.wikipedia.org/wiki/Sirius 
2. http://classiclit.about.com/library/bl-etexts/homer/ bl-homer-iliad-22.htm 
3.http://www.redicecreations.com/specialreports/2006/03mar/amdogstar.html


FAIR USE NOTICE

This site contains copyrighted material the use of which has not always been specifically authorized by the copyright owner. As a journalist, I am making such material available in my efforts to advance understanding of artistic, cultural, historic, religious and political issues. I believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law.


In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes. Copyrighted material can be removed on the request of the owner.

Tuesday, May 25, 2021

Part 1 The Most Dangerous Book in the World : .9/11 as Mass Ritual Author, Author!..Man and His Symbols..Playbill..The Pet Goat

The Most Dangerous Book in the World
9/11 as Mass Ritual
By S.K. Bain
Prologue
It was inevitable that this book would be written. 

There is, among conspiracy aficionados, a kind of brotherhood. (I use the gender-specific term “brotherhood” deliberately.) It is a brotherhood buried alive. What does that mean? 

Imagine a person buried alive. Imagine yourself. You are equal parts alive and dead. You are in your own tomb; you feel the sensations of mortality with a keenness you never did before. Death approaches. Or maybe it has already arrived and you just don’t know it yet. Edgar Allen Poe wrote about it. 

More importantly, such premature burial is an essential part of the Masonic initiation ceremony of the third degree. To be ritually and symbolically slain, buried, and raised again is a feature of many initiatory programs around the world, from Siberian shamanism to quaint nineteenth century English secret societies. It is a liminal event: you are on the threshold of living and dying, and in that sacred spot you can see in both directions.

Conspiracy theorists are kind of like that. They have one foot in the world of mainstream history and culture, what Robert Anton Wilson used to call “consensus reality.” That’s the world where most of us live. We are all products of that world, and of the ideas and worldview it represents. We are trained in this world virtually from birth: school, church, government, media all conspire to present an image—a picture—of reality that will result in the development of perfect citizens in an easily-managed society. There is a social contract: we contribute to this society with the expectation that we will receive goods and services in return. We obey the laws that are created by other people, believing that our best interests are being addressed thereby. We fight in wars declared by our governments in order to preserve our society: this carefully-structured, albeit artificial, society. 

And all is right with the world.  But conspiracy theorists have their other foot … well, somewhere else. Not everyone is asleep to the darker mechanisms of reality. In fact, everyone becomes aware of them at some point in their lives. Everyone questions. The very nature of reality itself is at times so hostile to human life that human institutions must be challenged for their inadequate protection of their constituents. Conspiracy theorists seize on this inadequacy as evidence of the tenuousness of consensus reality. There are other forces at work, forces that are unacknowledged by the state, the church, the media because to admit their existence is to admit failure. Thus, when things go wrong terrorists are blamed, or communists, or witches. This serves to rally the citizens around the government once again, instead of stopping to insist that explanations be given, that evidence is properly analyzed, that the guilty are apprehended and punished. And we once more go to war, against … someone, somewhere. 

Paranoia becomes institutionalized. It is appropriated by the government as its own prerogative. The state determines the nature and quality of the paranoia: it creates intelligence agencies whose sole purpose is to give a form to paranoia, to enshrine paranoia as one of the necessary qualities of an observant and caring state. To prove that paranoia is an acceptable characteristic of the paternalistic regime. 

The citizens are not allowed to become paranoid unless it is at government direction and sanction. Individual cases of paranoia are frowned upon. The state tells us that if we are not paranoid the way it is paranoid— and about the same things—it’s because we don’t have all the facts: about terrorism, fundamentalism, communism, foreign countries, weapons of mass destruction, sleeper cells. The state has all the facts: classified documents, wire-tap transcripts, intelligence feeds, high-altitude reconnaissance images, none of which the citizen is permitted to see. 

It does not realize that the logical conclusion of all this paranoia is suspicion of the state apparatus itself. 

What the conspiracy theorist often fails to realize, however, is that those working for the state are often just as clueless as the average citizen when it comes to the origin and function of the forces at work to subvert it. The strength of a conspiracy, after all, rests in the limited number of persons who are aware of its existence and parameters. No one has the entire picture. Each member of the state apparatus only has possession of a single piece of an enormous jigsaw puzzle. Putting together all these disparate pieces—particularly when one does not have the original picture to work from—is a soul-destroying enterprise that consumes decades of work and  years of one’s life. This is especially true when the state has in its arsenal of lies the techniques of disinformation and misdirection, of false testimony and planted documents. 

Anyone who works with this material eventually comes to that realization. But the motivation to keep digging is still alive; the urge to uncover one more piece of the puzzle, one more document, is perhaps a central characteristic not only of the conspiracy theorist but of human nature itself. The more intelligent of the theorists soon come to realize that Hansel and Gretel have left bread crumbs everywhere, in no discernible pattern. Thus, the inclination among some of the best to stop looking for the children and start looking for the Witch. 

The deeper one delves into the conspiracy literature, the more one is struck by the tendency of some theorists to look beyond the documents and the tangible evidence of government malfeasance or political conspiracy to more transcendental sources of power. One begins with the government agents, the spies, the politicians, the military and soon gravitates towards the secret societies: the Freemasons and the Illuminati (among so many others). This involves studying their texts, their social structures, their stated goals, their secret conclaves, their antinomian beliefs and practices. 

One comes face to face with the Occult. 

A strange journey, indeed, from a presidential assassination to an interview with the Devil. 

Yet, once one has made the leap from BU-Files and documents stamped LIMDIS and NOFORN to grimoires and magical diaries, it all seems to hang together… for awhile. New sources of evidence become available. New testimony appears. Weird cults are seen linked to secret government machinations. George Washington was a Freemason. So was Simon Bolivar. And Gerald Ford. What does it mean? 

It would take a 21st century Kabbalist to figure it out. Someone with knowledge of codes and decoding. Someone like the author of this book, S.K. Bain. Someone who was observant enough to notice the details most of us ignore, since we have not been trained that way. Since we have not done the reading. 

It needs someone who is as versed in Kabbalah as in conspiracy, in gematria as in government. It requires a new science, a new art, a new approach to the old material. Furthermore, it requires a sense that conspiracy may be transcendental, may have its origins in the unconscious mind of the state. The numerology alone is significant: someone, somewhere is pulling these particular quantum strings. The numbers are consistent, insistent. They are either the result of a conscious and deliberate series of acts by agents so powerful and so unknown that a belief in an ultimate Secret Society is our only option, or they are evidence of the workings of an even Darker Force … and no one is in charge. 

This is where S.K. Bain comes in. He notices things. He sees patterns in the dates, names, places, and documents that most of us either ignore or can’t see on our best days. I have stayed away from 9/11 conspiracy theorizing since there are already a lot of people doing that and I have nothing of value to add to the conversation. That is not true of S.K. Bain. What the author adds to the ongoing dialogue about 9/11 transcends the hideous events of that day and extends into other times, other spaces. This is new material, a new approach to the conspiracies and cover-ups that surround the day that—in the view of the mainstream media—“changed everything” (although many of us know better, know that nothing had changed, know that it was the twentieth century taken to its logical conclusion). 

What is more, Bain develops his thesis with a rare sense of humor and style. This is not merely another angry diatribe about government complicity and corruption. This is not the work of a man who sees reptiles in human form, or Jewish-Masonic plots hatched in Czech cemeteries. Bain doesn’t scream at you. He doesn’t try to shout you down. Instead, his prose is written with a sense of astonished discovery that invites us in, to share in his startled and startling conclusions. 

Bain may very well be the 21st century Kabbalist we have been waiting for, and this—The Most Dangerous Book in the World—may prove to be his Sepher Yetzirah, his Zohar, his Liber 777. 

As someone who writes about the link between magic and politics, between ritual and conspiracy, I can recommend this text for its revolutionary approach to the central political event of our recent history. Many times during reading I found myself thinking of other connections, other links to earlier events, all suggested by Bain’s Kabbalah. Whether or not you believe in a conspiracy surrounding 9/11 is not really important. The nature of Bain’s argument is such that you will find your mind expanded by the new possibilities, the arcane potentialities lurking behind political and historical events. By choosing to see 9/11 as a ritual on a massive scale, we paradoxically may better be able to understand it, to accommodate it’s message on a psychological—even spiritual—level as we approach the end of 2012 and the birth of a new aeon. 

You may be mystified by Bain’s work. You may be frustrated, exalted, annoyed, confused, even relieved …but you will not be bored. Read it alongside the newspaper, the blog, and the television news and see how much the reality around you begins to shift and change in ways you would never have foreseen, all because Bain has challenged you to look at the details, to notice the numbers, to see beyond the official statements and the spin, to the unseen patterns behind the great Dramaturgy of our times. 

Good luck. Peter Levenda – July 2012

Acknowledgements 

This book represents a collaborative effort with dozens of contributors whom I’ve never met or corresponded with: countless bloggers and independent researchers who, like most of those captivated by the attacks of September 11, 2001, could only grope blindly in the dark and feel a small part of the humongous beast, not realizing its true dimensions—or its true nature. 

I am no different—I simply managed to flail around in the darkness longer than most and encounter more, discover more…and begin piecing the together a fuller picture. This is not my book, it belongs to everyone who knows that 9/11 was a dark charade: I am merely the aggregator and interpreter, the storyteller. 

Where I have failed to give proper attribution, acknowledgement or credit, know that it was unintentional. Any shortcomings, mistakes, errors, omissions or the like are my responsibility. 

* * * 

I would be remiss not to acknowledge the contributions of two researchers-authors in particular: 

William Ramsey, author of Prophet of Evil: Aleister Crowley, 9/11 and the New World Order, whose work provided valuable insights; and Michael Hoffman, author of Secret Societies and Psychological Warfare, whose prescient book helped make sense of the monstrosity that is 9/11. 

Thanks to Kris Millegan at TrineDay for taking on this project—for encouraging me to write it, for key editorial suggestions and insights—and for his own writings and other publishing ventures that contributed to the development of this book. 

Thanks also to Bobby King for his support and encouragement, and for understanding that just because you’re paranoid doesn’t mean they’re not out to get you. (Well, what would you think if your mother’s condominium burned to the ground the very morning you filled out a publishing contract for a book such as this?) 

Lastly, I would like to express my deepest regrets to Nermal, the “forever kitten,” who didn’t survive the writing process due to a massive failure of  patience on the part of the author late one night. PETA notice: animals were harmed during the production of this work. 

                                                         * * * 

It is my sincerest hope that this book will help bring the true perpetrators of 9/11 to justice, but after researching and writing this material I no longer believe that doing so is a viable possibility. The best we can hope for is to expose and to resist—and even this may play into the hands of those responsible for the attacks. 

Abandon all hope, ye who enter here. (Not really, I just wanted to use that line.) S.K. Bain 

* * * 

Excerpt from None So Blind (a lament): 

…the terror state Pollyanna class—blushing moderate, fatuous conservative, meretricious liberal and the theory-fatted poseur who casually squawks ‘maybe they let it happen’—cower in their mutually-supporting antagonisms, sissy-slapping each other from their prescribed niches in a cultural circle-jerk necessarily excluding forensic analysis of 9/11. For that would confront each with something they simply don’t wish to imagine, an agency whose cold-bloodedness they are not intellectually, emotionally nor spiritually equipped to confront. Thus do our wan Narcissuses parade as skeptics, assuring the fallible conspiracies just don’t happen, that they can’t be covered up, that people aren’t that organized and the world is ‘more complicated,’ that those who think ‘that way’ are foolish really, a bit tardy mentally or not up to snuff…often lonely, perhaps deranged, even dangerous sometimes.1  

Invocation of Thoth (excerpt) 
by Aleister Crowley 
…I invoke Tahuti, the Lord of Wisdom and of Utterance, 
 the God that cometh forth from the Veil. 
 O Thou! Majesty of Godhead! 
 Wisdom-crowned Tahuti! 

Lord of the Gates of the Universe 
 Thee, Thee, I invoke… 
 Behold! I am Yesterday, To-Day, 
 and the Brother of To-Morrow! 
 I am born again and again… 
 I see by mine own inward light: Lord of Resurrection; 
 Who cometh forth from the Dusk, 
 and my birth is from the House of Death. 

I am Eternal; therefore all things are as my designs; 
 therefore do all things obey my Word. 

 Therefore do Thou come forth unto me 
 from Thine abode in the Silence: 
 Unutterable Wisdom! All-Light! All-Power! 
 Thoth! Hermes! Mercury! Odin! 

 By whatever name I call Thee, 
 Thou art still nameless to Eternity: 
Come Thou forth, I say, 
 and aid and guard me in this work of Art. 

INTRODUCTION 
Dazed and Confused 
“There are so many gaping holes in the official accounts of 9/11 that no plausible coherent narrative remains, and until now we have been staggering forward as if the truth about these traumatic events no longer mattered.” 
—Richard Falk, human rights lawyer 

A Maze of Conspiracy Theories 
There are so many conspiracy theories surrounding 9/11 that it’s impossible to keep track of them all, much less sort through and make any real sense of them. Which ones have possible merit? Which ones sound plausible, but have in fact been effectively debunked? 

From the patently false statement that “nobody imagined that terrorists would use planes as weapons,” to suspicious insider trading in the weeks and days leading up to 9/11; from the inordinate number of military drills taking place on 9/11 (and a much-delayed response from the Air Force), to the unheeded warnings from multiple nations regarding suspiciously high levels of terrorist activity leading up to the event; from Bush family members in key positions in corporations responsible for providing security to the World Trade Center and Dulles Airport, to documented instances of the FBI failing to follow up on field agents’ warnings—there are in fact so many suspicious circumstances, unexplained anomalies, misleading statements (official and otherwise), and outright fabrications surrounding 9/11 (the detailed chronicling of which is far beyond the scope of this work) that it is easy to understand why a veritable 9/11-Conspiracy-Theory cottage industry has developed over the last ten-plus years.

“Set Up to Fail” 
Millions of Americans—and concerned citizens around the globe—have serious questions about the events of 9/11, and why shouldn’t they, when even the individuals in charge of the National Commission on Terrorist Attacks Upon the United States, a.k.a. the 9/11 Commission, have no confidence in the process or its outcome, The 9/11 Commission Report.

Thomas Kean, former Republican Governor of New Jersey, was the Commission Chairman, and Lee H. Hamilton, former Democratic U.S. Representative from the 9th District of Indiana, was its Vice-Chairman. 

Months after the commission issued its report and ceased functioning, Chairman Kean and other commissioners toured the country to draw attention to their recommendations, claiming that some of their findings and suggestions were being ignored. Co-chairs Kean and Hamilton subsequently co-authored a book about the constraints they faced as commissioners, entitled Without Precedent: The Inside Story of the 9/11 Commission. 

Released in 2006, the book chronicles their work, and in it, they charge that the 9/11 Commission was “set up to fail,” writing that the commission became so frustrated with repeated misstatements by Pentagon and Federal Aviation Administration officials during the course of the investigation that it considered a separate investigation into possible obstruction of justice by these officials. 

John Farmer, Jr., senior counsel to the Commission, stated that the Commission “discovered that...what government and military officials had told Congress, the Commission, the media, and the public about who knew what when—was almost entirely, and inexplicably, untrue.” Farmer continues: “At some level of the government, at some point in time… there was a decision not to tell the truth about what happened.... The (NORAD) tapes told a radically different story from what had been told to us and the public.” Commission head Kean concurred: “We to this day don’t know why NORAD told us what they told us, it was just so far from the truth.”1 

More Questions Than Answers 
Former high-level officials have made serious allegations concerning the involvement of elements within U.S. intelligence agencies. 

Richard Clarke, who was the White House counterterrorism czar at the time of the attacks, has accused the CIA of deliberately suppressing information before 9/11, information that might have prevented the attacks. Clarke claimed: “There was a high-level decision in the CIA ordering people not to share information.” And who made this decision? “I would think it would have been made by the director (George Tenet).”2 

Similar accusations have been leveled at federal law enforcement. According to various sources, no fewer than 14 countries attempted to warn the U.S. about the impending attacks, to no avail. Then there’s Robert Wright, the top bin Laden financial tracker at the FBI’s Chicago office, who through tears of frustration and anger told a National Press Club audience, “The FBI allowed 9/11 to happen.” Come again? “FBI management intentionally and repeatedly thwarted and obstructed my investigations into Middle Eastern terrorist financing.”3 

And what could explain the lack of an effective response by the military, the Air Force, in particular, on 9/11? According to Webster Griffin Tarpley, the morning of September 11 saw “the greatest density of drills in US military history.” With names like ‘Vigilant Guardian’, there were reportedly up to 46 military exercises taking place—some involving scenarios uncannily similar to the actual events that would unfold that day (a happenstance that would be repeated in the London 7/7 bombings)—which diverted resources, manpower and attention away from the real threats and resulted in understandably considerable levels of confusion as the actual attacks unfolded.4 

A range of foreign officials have also questioned the official government version of the events of 9/11. 

Andreas von Bülow, a Social Democratic Party member of the German parliament from 1969 to 1994, was on the parliamentary committee on intelligence services, a group that has access to classified information. Von Bülow was also a member of the Schalck-Golodkowski investigation committee which investigates white-collar crime. He has estimated that inside trader profits surrounding 9/11 totaled approximately $15 billion. Von Bülow told The Daily Telegraph “If what I say is right, the whole US government should end up behind bars.” Further, he said, “They have hidden behind a veil of secrecy and destroyed the evidence…they invented the story of 19 Muslims working within Osama bin Laden’s al Qaeda in order to hide the truth of their own covert operation.” He also said, “I’m convinced that the US apparatus must have played a role and my theory is backed up by the [Washington] government’s refusal to present any proof whatsoever of what happened.” 5 

With domestic intelligence, defense, and law enforcement agencies like these, who the hell needs foreign enemies? Well, one could rightly point out that these agencies do—and one might also point to volumes of evidence that they go to great lengths to ensure the existence of aggressive, well-motivated and sufficiently-funded adversaries…all the better to justify their enormous budgets and scare the pants off the civilian population. [every word real so far, our effin government did this, and those responsible needed to face justice like yesterday already DC] 

Is it even possible to determine if there were indeed conspirators within our own government, and, if so, their identities? Repeated calls for a new official investigation have been ignored—not that anyone should expect to have any more confidence in the results of a new investigation than the original one. Is there, then, a path on which to proceed, an explanatory framework that can help us make sense of all this? 

Psych Warfare 
What if the ongoing confusion surrounding 9/11, and the persistent lack of clarity ten years on, is not the residual result of the “fog of war,” but rather compelling evidence of something altogether different—psychological warfare. 

The U.S. Department of Defense defines psychological warfare as “the planned use of propaganda and other psychological actions having the primary purpose of influencing the opinions, emotions, attitudes, and behavior of hostile foreign groups in such a way as to support the achievement of national objectives.” However, psychological warfare tactics can be employed by any adversary against any opponent or intended target, including a domestic population, for instance. Such as in Orwell’s dystopian novel, 1984. 

In their article “9/11, Psychological Warfare & the American Narrative,” authors Elizabeth Gould and Paul Fitzgerald write that “the state’s use of psychological warfare to bend the population to war is as old, if not older than the existence of states themselves.” They continue, “But it was perhaps Nazi Reichsmarschall Hermann Goering whose statement while on trial at Nuremberg best summed up the cynical simplicity of the logic: 

Of course people don’t want war. But after all, it’s the leaders of the country who determine the policy and it’s always a simple matter to drag the people along whether it’s a democracy, a fascist dictatorship, or a parliament, or a communist dictatorship. Voice or no voice, the people can always be brought to the bidding of the leaders, that is easy. All you have to do is tell them they are being attacked, and denounce the pacifists for lack of patriotism and exposing the country to greater danger. 

Gould and Fitzgerald explain that “psychological warfare in the form of propaganda comes in all shapes and sizes as well as shades of black, grey or white.” The United States government’s coordinated use of psychological warfare on its own citizens “began in earnest during World War II and ever since has grown and expanded into public relations, advertising, cinema, radio and television, electronic video games and now social media. Its pro-war boosterism extends over sports, religion, education, news and entertainment (and of course the military) to form a seamless electronic cocoon-like web.” 

Gould and Fitzgerald conclude that psych warfare “is employed on an ever growing list of those deemed as enemies of America as well as on a confused and agitated American public—whose corporate news networks frame and manage an increasingly shallow narrative while engaging in a kind of Orwellian Kabuki Theatre of fairness and balance.” Could this be an accurate assessment of what is taking place within our country, and, if so, does it help explain what happened on 9/11? 

In his book, Psychological Warfare and the New World Order, Servando Gonzalez confirms this suspicion, describing “a long, protracted war against the American people. It is not a conventional war waged with tanks, battleships and planes in conventional battlefields—at least not yet.” Gonzalez continues, “It is a secret, insidious type of war whose main battleground is the people’s minds. Its main weapons are propaganda and mass brainwashing mostly by using disinformation, deception, and lies in a large scale not used against the people of a nation since the end of Nazi Germany. Though important, those elements are just part of a series of carefully planned and executed long- and short term psychological warfare operations. In synthesis, it is a psychological war.” 

A 9/11 Black Op? 
9/11 is often referred to by conspiracy theorists as a “false flag” operation, which are covert operations designed to deceive a target population in such a way that it appears as though the action is being carried out by an entity other than the one actually responsible. False flag operations are not limited to war and counter-insurgency operations, but are also used in peace-time.

False flag events are a type of black operation (op, for short), a covert action typically involving activities that are highly clandestine and often outside of standard military protocol or even against the law. Black ops missions often fit into the plausible deniability category, in which there is no claim of responsibility for the action, and/or a false flag operation is used to give the appearance that another actor was responsible. Black ops frequently involve extensive arrangements so as to be able to hide the fact that the black operation ever occurred. 

The methods used in black operations are also used in unconventional warfare, in which civilian populations and political parties are targeted directly. Black ops may include such things as assassination, sabotage, extortion, spying on allied countries or one’s own citizens, kidnapping, supporting resistance movements, torture, use of fraud to obtain funds, use of child soldiers, human experimentation, trafficking in contraband items, as well as false flag operations.7 

It certainly seems that false flag or black op, or both, might be an apt description of what occurred on 9/11, and that this could well have been part of a broader domestically-focused psychological warfare campaign. But, if true, this raises more questions than it answers. 

Something Worse? 
What if the many conflicting official accounts surrounding the events of September 11, 2001, are not just bureaucratic incompetence, or mistakes made under intense media pressure to produce information quickly, but part of a deliberately designed campaign in which obfuscation, misinformation and disinformation play key roles in deceiving and manipulating the public? 

We are bombarded with such volumes of conflicting information that our ability to meaningfully process it is overwhelmed. Out of necessity, we give up trying to figure it out. Self-preservation kicks in and we shut down before we blow a fuse. There are so many things that just don’t add up, that don’t make sense and are genuinely suspicious, and the lack of any real answers on so many fronts after such an extended period of time might in itself be viewed as evidence of an active and ongoing conspiracy. 

Was 9/11 a black op on the American public by their own government, or rogue elements from within? If so, what were the objectives? To build public support for going to war in Iraq and Afghanistan? Was the U.S. government/ military manipulated or “hijacked” by extremely sophisticated and powerful international actors? 

What if the above were all true, but this wasn’t even the half of it? What if the truth were even more disturbing? 

Strong Evidence of a 9/11 Conspiracy 
There is an aspect of 9/11 that has largely gone unexplored, and been completely ignored by the mainstream media. It represents a new avenue of investigation, one that has the potential to produce conclusive evidence of the existence of a conspiracy. 

Many conspiracy theories have been effectively debunked, while others have seen experts weigh in on both sides of the issue with equal effectiveness and remain an open question—leaving the general public with a sense of unease but precious few hard answers to allay their fears or confirm their suspicions one way or the other. 

What would hard evidence of a 9/11 conspiracy look like? If such exists, it would have explosive potential, the power to ignite a furor among 9/11 Truth groups at home and abroad, and among the public at large. Many people already suspect foul play on 9/11, but they don’t feel they have proof conclusive enough to warrant action. Others do believe conclusive proof already exists, and new hard evidence would further radicalize their attitudes. 

Conclusive proof of a 9/11 conspiracy could possess the ability to ignite a global firestorm, to generate unimaginable levels of public distrust of government, to incite civil unrest and calls for revolution. 

A Reconstructed Occult Script 
An as yet unexplored avenue of investigation does in fact exist. 

9/11 wasn’t simply a black op; it was that, and more. Highly compelling evidence shows beyond a reasonable doubt that the perpetrators of this massive criminal act not only employed a broad range of sophisticated psychological warfare tactics but, even more disturbingly, incorporated a wide variety of occult symbols and other esoteric elements into multiple levels of the event. 

This implies the ability to manipulate, to control, on such an enormous scale that it is beyond what most people are prepared to accept. It so strongly conflicts with our perception of reality that we dare not even contemplate it. 

Unfortunately the evidence points to a worst-case scenario. In a real-life CSI-meets-Dan-Brown, the picture that emerges is that of 9/11 as an ultra-powerful mind-control and propaganda weapon—a psychological warfare tool of enormous proportions—infused with techno-sorcery and deep-level occult programming. 9/11 was a global MegaRitual, and the painstakingly reconstructed occult script for the event contained herein convincingly shows this. 

We instinctively reject such conclusions, even if they are supported by solid evidence. However, we must have the courage to let the evidence tell the story, because, as the reader will learn, what is at stake is not simply our view of reality. Whether or not our worldview is challenged, or shattered, by the revelations in this material, doesn’t change the truth of the matter, which is that the conspiracy that generated 9/11 is real, that it is ongoing—and that September 11, 2001, was just a prelude to what they have planned for 2012/2013.

What to Expect 
As serious a topic as this is, however, don’t expect a dry, academic discourse in the pages that follow. The script for the 9/11 Mega Ritual is dripping with the dark humor of its occult authors, and even if one wanted to, there’d be no way to write about it in a serious fashion. What ensues might be compared to a combination of The DaVinci Code and an episode of South Park; unfortunately, it is neither fiction nor fantasy. 

Author’s Note: Those unfamiliar with the concept of a “New World Order,” the “Illuminati,” or Freemasonry may want to refer to Appendix A on page 163.

Foreword 

“Let us never tolerate outrageous conspiracy theories concerning the attacks of September the 11th; malicious lies that attempt to shift the blame away from the terrorists, themselves, away from the guilty.” 
—President G.W. Bush, at the 
United Nations, November 10, 2001 

If there were an Emmy Awards category for this type of production, it would have swept the nominations that year, and the Academy would have probably created an Unrivaled Achievement Award to bestow further honors, as well. Best Drama, Best Live Action, Best Visual Effects, Best Original Screenplay, Best Technical Direction, Best Choreography—it would have taken them all, and more (including, if dark humor counts, Outstanding Comedy Special). 

It was, in fact, the grandest, most sophisticated production of its nature that the world had ever seen. It was an instant global sensation, generating untold amounts of commentary and analysis, and ten years on, the global public still can’t seem to get enough of it. Like Elvis, who has long departed the building but whose work only continues to gain in worldwide popularity and influence, this highly-orchestrated event has lost none of its caché with the passing of time—quite the opposite. 
 
Section One 
The Production  
Chapter One 
Author, Author! 
Ritual murder is mind control. 
—Michael Hoffman, Secret Societies 
and Psychological Warfare 
Act One, Scene One: 
American Airlines Flight 11 And The North Tower 
September 11, 2001. 8:43 a.m. The Boeing 767 descended rapidly through the cloudless sky, its intended target looming larger and larger in the cockpit window. 1500 feet. 1400. 1300. JFK International Airport was 10 miles away—to the southwest. In any case, the plane was moving far too fast to be coming in for a landing. 1200 feet. 1100. 

As the plane sped purposefully at the North Tower, the immense concrete and-steel manifestations of the archetypal Pillars of Hermes topped the Manhattan skyline as they had for three decades. 1000 feet. 900. 

The New York Fire Department personnel conducting a hydrant test five blocks from the World Trade Center couldn’t see the plane as it flew in, their view was blocked by surrounding buildings. They turned their heads as they heard the roar of jet engines, way too fast, way too low, and way too close. 

800 feet … the firefighters whipped their heads around as they heard, then felt, the enormous explosion. “Holy shit!” they yelled in unison. 

The top of the tower swayed a full ten feet to the south immediately following impact. Those on the upper floors felt it rock slowly, slowly, finally stop, and then sway gently back in the opposite direction. Perhaps no more than a fifteen-foot swing altogether, but some found themselves wondering, if ever so briefly, whether the tower would simply keep going and fall over on its side. 

Many never felt the swaying. Some people were on the lower floors where the motion was less pronounced. Some had died instantly as the jet-fuel laden craft had exploded through the building in a giant ball of flame, glass, metal and fire; others were too busy trying to escape the flames and smoke to notice. 

This symbol of America’s financial might again stood motionless, clouds of dark smoke billowing upward, a gaping plane-shaped silhouetted maw in its side. Brilliant orange and yellow flames licked the sides of the building, slithering upward. 

A tragedy of historic proportions, but merely the first of that day. An attack, but only the initial wave. The assault on America had just begun … and with this act of terror and destruction, the largest occult ritual in the history of the world commenced. 

“A Horrible Accident” 
“There’s one terrible pilot,” President George W. Bush would later claim was his initial response upon seeing the impact of the first plane. Leaving aside whether or not Bush actually saw the impact when and where he claimed (before entering a Florida classroom), how could anyone viewing footage of the incident have concluded—again, as Bush himself claimed to have said—“It must have been a horrible accident.” 

Bush, a former Texas Air National Guard pilot, was no Top Gun (actually he went AWOL), but even he, upon viewing footage of a jetliner flying directly into a skyscraper in perfectly clear skies, could not have possibly thought that it was the result of pilot error. 

Why would America’s Commander-in-Chief potentially lie about his first reaction? Perhaps he had more important things on his mind, things he doesn’t want to disclose to us. Perhaps he was using humor to divert attention away from this fact. Perhaps he was mocking us. 

Act One, Scene Two: 
United Airlines Flight 175 And The South Tower 

Within minutes every major network was covering the scene live: “The North Tower of the World Trade Center has been hit by a commercial airliner.” The world watched transfixed as smoke poured out of the building. Very few notice the second plane until almost immediately before its impact into the South Tower. A huge pyrotechnic display bloomed onscreen, rolling upwards and morphing into a roiling black cloud as the vaporized fuel was consumed. Screams, gasps… “a second plane has just hit the World Trade Center.” The planes that hit the North and South Towers would be identified as American Airlines Flight 11 and United  Airlines Flight 175 respectively. Initially, the flight numbers meant nothing to anyone except those who had family members on those planes, but over time the numerical identifiers would come to represent the lost, and become almost synonymous with 9/11. 

There were those, however, to whom these numbers, and the ancient symbols represented by the Twin Towers, meant much, much more…those who were waiting, watching, applauding as the grim script for the day’s events unfolded brilliantly and flawlessly. These individuals were not Muslim extremists, not motivated by hatred for the “Great Satan,” but paradoxically by a love for Satan himself. Independent researchers and conspiracy theorists would later question whether or not those flights were even scheduled on 9/11, whether they were in fact the planes that struck the towers, whether they ever took off, whether they were in the air long after supposedly crashing into the towers … a swirling stew of unending theories about fake passenger manifests, remote-controlled drones, fictitious passengers, still-living hijackers, and on and on. But the official story, and the script, was all that really mattered. People in fear will believe what they are told to believe. 

Chapter Two 
Man and His Symbols 
Symbols are oracular forms—mysterious patterns creating vortices in the substances of the invisible world. They are centers of a mighty force, figures pregnant with an awful power, which, when properly fashioned, loose fiery whirlwinds upon the earth. 
—Manly P. Hall, Lectures on Ancient Philosophy 

In order to understand the occult script for 9/11, one must possess at least a rudimentary knowledge of occult practice, and learn the basic language and grammar of occult communications and operations. Any good investigator will also seek to get inside the criminal mind, to occupy their psychic space, to see the world through their eyes, to understand how they think and why they act as they do. 

The Occult Script for 9/11: A Grimoire 
The numbers and symbols involved with the 9/11 Mega Ritual, as well as the “order of services,” constitute a grand Magickal Operation, as the reconstructed script will show. Indeed, the completed script could be thought of as a contemporary grimoire, or textbook of magic. 

Such books typically include instructions on how to create magical objects like talismans and amulets, how to perform magical spells, charms and divination and also how to summon or invoke supernatural entities such as angels, spirits, and demons. It is most commonly believed that the term grimoire originated from the Old French word grammaire, which had initially been used to refer to all books written in Latin.

“Effectively a grimoire is a book of black magic, and just as grammar describes a fixed set of symbols and the means of their incorporation to properly produce well-formed, meaningful sentences and texts, a grimoire describes a set of magical symbols and how best to properly combine them in order to produce the desired effects. True grimoires contain elaborate rituals,”2 which, as will be seen, 9/11 most certainly was. 

Occult Practice 
In Chapter 18 of Manly P. Hall’s The Secret Teachings of All Ages, entitled “Ceremonial Magic and Sorcery,” he states that “Ceremonial magic is the ancient art of invoking and controlling spirits by a scientific application of certain formulæ.” 9/11 was the largest-scale occult ritual in history, a globally-televised hideous act of ceremonial magic. 

Powerful numbers and symbols played key roles in this global ceremony. Co-founder of the Hermetic Order of the Golden Dawn, William Wynn Westcott (1848-1925), writes, “The followers of Pythagoras … referred every object, planet, man, idea and essence to some number or other, in a way, which to most moderns must seem curious and mystical in the highest degree.… ‘The numerals of Pythagoras,’ says Porphyry, who lived about 300 A.D., ‘were hieroglyphic symbols, by means whereof he explained all ideas concerning the nature of things.’” 

Reinforcing the importance of numbers in occult thought, Helena Petrovna Blavatsky (1831-1891), one of the founders of the Theosophical Society, writes in Isis Unveiled, “Numbers are a key to the ancient views of cosmogony—in its broad sense, spiritually as well as physically considered and to the evolution of the present human race; all systems of religious mysticism are based upon numerals. The sacredness of numbers begins with the Great First Cause, the One, and ends only with the naught or zero—symbol of the infinite and boundless universe.” 

“Numbers,” echoes Carl Gustav Jung in Man and His Symbols, “are not concepts consciously invented by men for purposes of calculation. They are spontaneous and autonomous products of the unconscious.

Chapter Three 
Playbill 

“We stand for things.” 
—George W. Bush, Davenport, Iowa, 2004 

11 : “The essence of all that is sinful, harmful and imperfect” 
Act One, Scene One Interpreted 37S
September 11th, American Airlines Flight 11 … Of the number 11, William Wynn Westcott writes, “This seems to have been the type of a number with an evil reputation among all peoples. The Kabbalists contrasted it with the perfection of the Decad, and just as the Sephirotic number is the form of all good things, so eleven is the essence of all that is sinful, harmful and imperfect” [emphasis added]. Thus, we can understand the repeated incorporation of the number 11 into the ritual. As “the essence of all that is sinful, harmful and imperfect,” 11 was the number of choice with which to initiate the ritual and declare its true nature. 

Pillars of Hermes 
The 11 could also be seen as symbolizing the Twin Towers, which were themselves powerful modern versions of the ancient Pillars of Hermes. 

These splendorous columns are mentioned by numerous credible sources down through history. The Greek legislator, Solon, saw them and noted that they memorialized the destruction of Atlantis. The pillars were what the historian Herodotus described in a temple he visited around 450 BC: “One pillar was of pure gold,” he wrote, “and the other was as of emerald, which glowed at night with great brilliancy.” In Iamblichus: On the Mysteries, Thomas Taylor quotes an ancient author who says the Pillars of Hermes dated to before the Great Flood. The mysterious pillars are also described by Achilles Tatius, Dio Chrysostom, Laertius, and other Roman and Greek historians.”1 

In addition to being known as the God of Trade and Commerce, the Greek god Hermes was the patron of roads and boundaries, and rectangular pillars of stone or bronze, called herma, were often used as road and boundary markers. The Twin Towers were not only modern concrete-and-steel re-creations of the famed Pillars of Hermes, but also symbolically marked the boundary between this realm and the next—between our world and that of the dead. Associated with the crossing of boundaries, Hermes, also the god of doorways, was a fitting psychopomp, or conductor of the dead to the Underworld, as he was known—a role that was certainly invoked on 9/11. 

Homer and Hesiod portrayed Hermes as the author of skilled or deceptive acts; in the Iliad, he was said to be “excellent in all the tricks.” The Homeric hymn to Hermes invokes him as the one “of many shifts (polytropos), blandly cunning, a robber…a thief at the gates.” Among the functions commonly linked to him in Greek literature are intrigues and covert reasons, fraud and perjury, wit and ambiguity. Thus he was a patron of speakers, heralds, ambassadors and diplomats, messengers and thieves. 

In mythology, and in the study of folklore and religion, a trickster is a god, goddess, spirit, man, woman, or anthropomorphic animal who plays tricks or otherwise disobeys normal rules and conventional behavior.2 According to prominent folklorist Yeleazar Meletinsky, Hermes is a deified trickster.3 

A Gateway 
Whether as the god of commerce, the psychopomp, or deified trickster, multiple aspects of Hermes’ character were invoked on 9/11 by those conducting the ceremony, and the destruction of these modern representations of the fabled Pillars of Hermes, signified—fittingly for the god of doorways—the opening of a metaphysical doorway. 

The Twin Towers, and the space between them, represented a gateway and their destruction signified the rending of the barrier between worlds, the symbolic tearing of the Veil of Isis—creating a portal, unveiling the Holy of Holies. The idea of the Twin Towers as gateways further links to the Zodiacal sign of Gemini, the Twins, and its position as a celestial/heavenly gateway (see page 83 for additional discussion on this topic), a prime example of the key principle of “As Above, So Below.” 

The Two Pillars of Freemasonry, Sacrificial Altars 

Not to be ignored is the tradition of the Freemasons in regard to the two pillars, which are a prominent emblem of their Craft. They represent the pillars Jachin and Boaz, which Hiram of Tyre made for Solomon, and set one on either side of the entrance to the Temple, to commemorate the pillar of cloud by day and of fire by night which guided the Israelites in their forty years’ wanderings in the wilderness.4 

Thus, the Twin Towers not only represented the Pillars of Hermes, but also evoked the Freemasons’ Jachin and Boaz. Beyond what they represented, however, is what the towers became on 9/11—altars, massive sacrificial altars, for sacrifice by fire.

“The Number of Magick in Itself” 
Before moving on to interpret Scene Two, there is one other occult authority we must meet, one who considered the number 11 as “the number of Magick in itself… [and] therefore suitable to all types of operation,” as well as “the sacred number par excellence of the new Aeon [the Aeon of Horus].” This person is Aleister Crowley. In his best known writing, entitled The Book of the Law, Crowley states “My number is 11, as all their numbers who are of us.” (Crowley used the spelling “magick” to distinguish ceremonial magic from ordinary sleight-of-hand trickery.) 

The repeated use of the number 11 (and it will make further appearances throughout the script), then, not only characterized the nature of the act, but also signaled the commencement of a magical operation. 

The Wickedest Man in the World” 
“I was not content to believe in a personal devil and serve him, in the ordinary sense of the word,” Aleister Crowley once said about Satan. “I wanted to get hold of him personally and become his chief of staff.” 

Born Edward Alexander Crowley, Aleister Crowley (1875-1947), also known as both “Frater Perdurabo” and “The Great Beast,” was an influential English occultist,  astrologer, mystic, poet and ceremonial magician, responsible for founding the religious philosophy of Thelema. In this latter role, Crowley came to see himself as a prophet entrusted with informing humanity that it was entering the new Aeon of Horus. 

Born into a wealthy upper-class family, as a young man he became an influential member of the esoteric Hermetic Order of the Golden Dawn. Subsequently believing that he was being contacted by his Holy Guardian Angel, an entity known as Aiwass, while staying in Egypt in 1904, he “received” a text known as The Book of the Law from what he believed was a divine source, and around which he would come to develop his new philosophy of Thelema. He would go on to found his own occult society, the A:.A:., and eventually rose to become a leader of Ordo Templi Orientis (OTO), before founding a religious commune in Cefalù known as the Abbey of Thelema, which he led from 1920 through 1923. After being evicted from Cefalù he returned to Britain, where he continued to promote Thelema until his death. 

Crowley was a bisexual, a recreational drug experimenter and a social critic. In many of these roles he was in revolt against the moral and religious values of his time, espousing a form of libertinism based upon the rule of “Do What Thou Wilt.” Because of this, he gained widespread notoriety during his lifetime, and was denounced in the popular press of the day as “the wickedest man in the world.”

Crowley has remained an influential figure and is widely thought of as the most influential occultist of all time. A Cambridge-educated world traveler, Crowley associated with the artistic and cultural luminaries of his era, including such noted figures as Ernest Hemingway, W. B. Yeats and H. L. Mencken.5

References to him can be found in the works of numerous writers, musicians and filmmakers, and he has also been cited as a key influence on many later esoteric groups and individuals.6

Today, Crowley is regarded as either a misunderstood mystical genius or a depraved charlatan, a prophet for an era of spiritual enlightenment or a Satanic harbinger of the Anti-Christ, an agent for the sexual liberation of mankind or drug-addicted pederast. As a youth, Crowley wished to become a celebrity and to change the course of history and, in his own way, he accomplished both objectives.  Not only did his peculiar character make him something of a cult icon, his philosophic and esoteric works are today a major force influencing mainstream culture, values and spirituality. 

Unlike most historical figures who lose their relevancy as the years go by, Crowley’s influence is steadily increasing in the 21st century. This is not only a result of luck or natural evolution, however. Crowley and his OTO maintained ties with high-level members of the British and American governments, as well as with influential figures in science, law and culture. The world’s elite, predominated by Illuminist values, are in perfect accord with Crowley’s Thelema. These connections facilitated the dissemination and acceptance of his works in popular culture. Crowley not only predicted society’s abandonment of traditional religions and the embrace of the Aeon of Horus, he was part of the motor that made these changes happen.7

Deciphering the 9/11 Mega Ritual Script 
Seen by some as the “Godfather of Modern Satanism,” Crowley is the key to deciphering the script for the 9/11 global megaritual, because on one level, the entire day’s events are an ‘Ode to Aleister Crowley’, as will be clearly demonstrated in the next section and subsequent sections. 

Act One, Scene Two Interpreted 
Two towers, two planes, the first aircraft bearing “the number of Magick in itself,” signaling the commencement of the ritual. And the second plane? “There are three main methods of invoking any Deity…The ‘First Method’ consists of devotion to that Deity … a perfect instruction exists in Liber 175,” writes Aleister Crowley in “Magick” from Liber ABA. 

“This is the book of Uniting [Oneself] to a particular Deity by devotion,” reiterates Crowley in Liber 175 itself. “Concerning the ceremonies… prepare a powerful Invocation of the particular Deity… let it be known that this method is adaptable to the necessities of all. … let him take anything soever, and consecrate it … let him consecrate each thing that he useth to the service of that particular Deity.” 

Meaning: This is a ceremonial invocation (the act of invoking or calling upon a deity, spirit, etc., for aid, protection, inspiration, or the like). Flight 11, consecrated with the number of magic and declaring the commencement of a magical operation; Flight 175, invoking Liber 175, stating the intent and purpose of the operation, ie. invoking and uniting with “a particular deity.” 

Few deities would approve of such cruel and destructive methods of invocation, but Crowley provides direction to the supplicant on that very point: “Yet also may he deliberately practise cruelties, where the particular Deity manifests His love in that manner; as in the case of Kali, and of Pan.” Crowley also provides a warning, which clarifies the intent of those engaged in this ritual: “Nevertheless, forget not that this practice is dangerous, and may cause the manifestation of evil things, hostile and malicious.”

A Powerful Combination 
The act of combining a number of power with a potent symbol will be repeated in Act Three, but before we learn of this, we continue to Act Two, which is really an extension of this Act—or, more precisely, a partial fulfillment of the invocation. The 11 marks the commencement; the 175 states that the entire ceremony is an act of devotion, unity and invocation; and very soon we learn to whom the orchestrators of the 9/11 MegaRitual sought to bind themselves. Do I smell sulphur and brimstone?

Chapter 4
The Pet Goat 
In the end, what we have is a highly symbolic, ritual working broadcast to millions of people, a Satanic inversion; a Black Mass, where the “pews” are filled by the entire nation and through which humanity is brutalized and debased. 
—Michael Hoffman, Secret Societies 
and Psychological Warfare 

Act Two: Bush And The Pet Goat 
On the morning of September 11, 2001, President Bush waits outside at Emma E. Booker Elementary School in Sarasota, Florida, and by his own account (on two separate occasions, no less) says he sees Flight 11 hurtle through clear skies, slam into the North Tower and then remarks, “There’s one terrible pilot.” 


Minutes later, Bush sits before a group of predominantly African-American second-grade school children listening to a recitation of The Pet Goat, when Chief of Staff Andrew Card whispers in his ear, “A second plane hit the second tower. America is under attack.” Bush continues to sit in front of the class listening to the reading for an additional seven minutes. 

Fair Enough Andrew Card’s recollection of the sequence of events that morning varies from Bush’s. He recalls a National Security Council staffer telling himself and the president, “Sir, it appears there’s been a small twin-engine plane crashed into one of the World Trade Center towers in New York City.” If this version of events is accurate, and Bush did not in fact see the crash of the first plane on television before entering the classroom, this would explain why he initially assumed pilot error (but not why he failed to accurately recall the correct sequence of events on two separate occasions or subsequently clarify the issue for posterity). He didn’t see footage of a passenger jet, or visibility condi- 30 The Most Dangerous Book in the World tions in New York City at the time, and having been told it was a small twin-engine plane, assumed it was a minor incident, probably accidental. Fair enough. 

But why did Bush sit there for a full seven minutes after being told that “America is under attack”? He would later claim in his own book that he didn’t want to alarm the children by getting up abruptly during their reading. A bit weak, but fair enough. In the end, however, these may be about the only things concerning Bush’s presence in Sarasota that fateful day which can potentially be explained away. 

The Pet Goat Black Mass in Paradise 
Let him say: “I read this book that I may study the nature of my Deity, that further knowledge of Him may inspire me with deeper devotion to Him.” 
Aleister Crowley, Liber 175 

When Anton Szandor LaVey published his Satanic Bible in 1969, he wrote that: “A black mass is essentially a parody on the religious service of the Roman Catholic Church, but can be loosely applied to a satire on any religious ceremony.” He went on in Satanic Rituals (1972) to present it as the most representatively satanic ritual in the book.1 

A satirical ceremony, a Commander-in-Chief that wouldn’t leave his seat until the reading of a story about a pet goat was completed (“I read this book that I may study the nature of my Deity”), during which time hundreds of his fellow Americans were in harm’s way, many of them meeting horrific ends as they burned alive or plunged to their deaths from the towers (“Yet also may he deliberately practise cruelties”)—conjuring the image of The Tower tarot card (variously referred to as “the Devil’s house,” “the house of the damned” and “Inferno,” or “Hell”)—all taking place in … “Paradise,” the city of Sarasota’s unofficial yet widely-used and acknowledged nickname. Well, how about that? 

Paradise Lost 
Of course, the reference here is not to the Biblical paradise of heaven, and not simply to the Devil’s paradise, Hell, although that is certainly part of it. There is a more serious occult-philosophical point they’re aiming at: that of a Man-made/Masonic Paradise, their version of paradise on earth, created by them, ruled by them, and not-altogether too different from hell for the masses who have to live there. 

This speaks to the heart of their enterprise, “perfecting creation”: taking God’s imperfect creation and, through their human wisdom bringing it into a state of perfection. Historian John Michell states: “…it is their immediate concern, having eaten of the tree of knowledge, to apply all their newly acquired arts to constructing a facsimile of the Garden, a model paradise.” Echoing this, Michael Hoffman writes in his book Secret Societies and Psychological Warfare (the subject of Chapter Six), “If Chronos-Saturn destroyed a divine Eden, Saturn being the force of time, decay and the progress of matter… man will recreate a true Theleme, a better Eden than God. And that, in sum, is the masonic cover story that maintains cachet to this day.” 

Serious stuff for a parody, you may be thinking. True, and unfortunately there’s more weighty discussion ahead, because although a black mass may be a satire on a religious ceremony, the underlying precepts are deadly serious, and in this context a story about a pet goat is no laughing matter. 

Get Your Goat 
According to a research monograph on the Dionysian Artificers and Early Masonry edited by mystic Manly P. Hall, the symbolism of the goat relates to the pre-Christian God Pan, Dionysius. Pan is represented as being half-human, half-goat with horns, and would later be used in medieval times to represent the devil.

The Goat of Mendes, or Baphomet, is a goat-headed deity, being formed of both male and female principles, with Mercury’s Caduceus for its phallus. One arm Manly P. Hall points up and one down, with the Latin “Solve et Coagula” (solution and coagulation) written on them. This is not the Christian devil but a symbol of the ancient alchemists representing the fact that nature and nature’s God is a combination and balance of male and female forces, light and darkness, moisture and dryness.  The very principle of Hermes Trismegistus, “As Above, So Below,” is symbolized by Baphomet.3 


Since 1855, the name Baphomet has been associated with a “Sabbatic Goat” image drawn by Eliphas Lévi. Lévi called his image “The Goat of Mendes,” presumably following Herodotus’ account that the god of Mendes—the Greek name for Djedet, Egypt—was depicted with a goat’s face and legs.4 

The Baphomet of Lévi was to become an important figure within the cosmology of Thelema, the mystical system established by Aleister Crowley in the early twentieth century. In Magick (Book 4), Crowley asserted that Baphomet was a divine androgyne and “the hieroglyph of arcane perfection”: 

This serpent, SATAN, is not the enemy of Man, but He who made Gods of our race, knowing Good and Evil; He bade ‘Know Thyself!’ and taught Initiation. He is ‘The Devil’ of the Book of Thoth, and His emblem is BAPHOMET, the Androgyne who is the hieroglyph of arcane perfection... He is therefore Life, and Love. But moreover his letter is ayin, the Eye, so that he is Light; and his Zodiacal image is Capricornus, that leaping goat whose attribute is Liberty.5 

A Child’s Guide to the Luciferian Doctrine 
Ostensibly a children’s story about a girl and her goat, The Pet Goat was in reality a strategically employed device used to introduce this key occult element into the 9/11 Mega Ritual; yet, it is more than this. A deeper reading of the text reveals that this children’s story is an allegory of the Luciferian Doctrine: The Father is an overbearing hyper-authoritarian, and the goat—whose initial poor behavior is, in broader context, relatively benign—saves the day. Praise the Goat.  

The goat’s aggressive behavior and destructive tendencies at first appear problematic, but in the end render the goat uniquely qualified to serve as savior …the All-Devouring is not the bad guy after all. It is Lucifer, the light-bearer, who seeks to set humanity free. 

Luciferianism constitutes the nucleus of the ruling class religion and represents a radical reevaluation of humanity’s ageless adversary: Satan. It is the ultimate inversion of good and evil: Luciferian mythology caricatures Jehovah as an oppressive tyrant; Satan, who retains his heavenly title of Lucifer, is the liberator of humanity. 

Masonry, which acts as the contemporary retainer for the ancient Mystery religion, reconceptualized Satan in a similar fashion. In Morals and Dogma, 33rd degree Freemason Albert Pike candidly exalts the fallen angel: 

LUCIFER, the Light-bearer! Strange and mysterious name to give to the Spirit of Darkness! Lucifer, the Son of the Morning! Is it he who bears the Light, and with its splendors intolerable blinds feeble, sensual, or selfish Souls? Doubt it not. 

He makes man aware of his own innate divinity and promises to unlock the god within us all.6 

Full Occult Interpretation 
In the class’s reading of The Pet Goat, the Direct Instruction method was utilized. The teacher pounded out the syllables with a pen on her book and read in unison with the children, the overall effect being not unlike the ritualistic chanting of a religious ceremony. (You really need to see the YouTube video to get the full effect.) 

So, there sits Bush as the Satanic High Priest in Devil’s Paradise, listening to little black children (yes, skin color does matter to the occultists…what, you thought they were politically correct?) chant out a humorous story about a pet goat—which is actually a thinly-veiled simplification of the Luciferian Doctrine—while people burn to death in the North Tower and UA175 slams into  the South Tower in New York City. Crowley’s Liber 175, “the book of Uniting to a particular Deity by devotion,” outlines precisely what the perpetrators are seeking to accomplish at that exact moment through their sadistic, homicidal ritualistic acts—unite themselves with Satan. And although the locations for these two events are separated by hundreds of miles, the two acts are bound together in an ingenious and sophisticated manner by a cohesive ritual unity. 

Atta Boy 
There is yet another, potentially more disturbing aspect to the selection of Sarasota as the backdrop for the Bush-Baphomet Black Mass. Roughly ten miles south of Sarasota is Venice, Florida, and the Venice Municipal Airport, home to Huffman Aviation, where Mohamed Atta and another purported 9/11 conspirator allegedly undertook flight training. Subsequently, both individuals trained for a brief time at Jones Aviation in … Sarasota. 

Of the hundreds of flight schools in the United States, Mohamed Atta, the ringleader of the 9/11 terrorists and the hijacker-pilot of the first plane to hit its target on the morning of September 11, 2001, attended a school located in the very city President Bush was visiting that same fateful morning, where he was presiding over the Pet-Goat Ritual Reading. Bush was in his Devil’s Paradise while Atta (so we are led to believe) was busy gaining entry into the Islamic Paradise of Martyrs. 

This is neither coincidence nor synchronicity; rather, it is yet another example of the twisted humor and sophisticated logistics employed in the 9/11 Mega Ritual. 

Welcome to Terrorland 
There is, however, even more to the Sarasota-Bush-Atta story. Venice Municipal Airport is reported to be a long-time base of operations for the CIA, with allegations of a 60+ year history of “Company”-sanctioned drug running. In fact, some investigative reporters refer to Florida as “Terrorland” (see Welcome to Terrorland: Mohamed Atta & the 9-11 Cover-up in Florida by Daniel Hopsicker) and tell of CIA training camps, banks used to launder drug money, and flight schools/airports used for discreet arms-drugs-cash transfers. 

There are obvious implications here that the CIA (or elements within in) was involved on some level with the events of 9/11—a theory supported by many other pieces of evidence. Bush’s presence in Sarasota on 9/11 could then  be viewed as a tip-of-the-hat to the CIA’s historical activity in that area (keep in mind, too, that Bush Sr. was head of the Agency in 1977-78). And let’s not forget that on 9/11 the governor of Florida—where the 2000 Presidential election was allegedly “stolen”—was none other than Jeb Bush. (For more on this topic, see Appendix C, “The Mohamed Atta Myth,” on page 175.) 

Mohamed Atta’s Flying Circus of Death: 
The Greatest Show on Earth 
Yet another highly attractive aspect of Sarasota from an occult perspective is that, in 1919, Ringling Brothers Circus established its winter home there, and performers and staff members began to settle in Sarasota, as did some of the seven Ringling Brothers, all of whom were Masons. Decades later in 1968, the Ringling Brothers and Barnum & Bailey Clown College located there, as well, and new CIA recruits were reportedly sent to the college from Langley to learn sleight-of-hand. 

Clowns are modern incarnations of the trickster deity—of which Hermes, Pan and Satan are all prime examples. The trickster-clown is a Jungian archetype, and the most ancient clowns have been found in the Fifth dynasty of Egypt. 

Through inverted speech, illogical actions, mimicry of spirits and animals, and ludicrous acrobatic stunts, clowns perform functions attributed to Tricksters in mythology, blurring boundaries, toying with social and sexual rules, and mixing the obscene with the sacred.7 

There has emerged a much darker contemporary image of the clown, however—the evil clown, in which the playful trope of the clown is rendered disturbing through the use of horror elements and dark humor. Cultural critic Mark Dery has theorized the postmodern archetype of the evil clown in “Cotton Candy Autopsy: Deconstructing Psycho-Killer Clowns.” 

Tracking the image of the demented or deviant clown across popular culture, Dery analyzes the “Pogo the Clown” persona of the serial killer John Wayne Gacy; the obscene clowns of the neo-situationist Cacophony Society; the Joker (of “Batman” Fame); the grotesque art of R.K. Sloane; the sick-funny Bobcat Goldthwait comedy Shakes the Clown; and Stephen King’s It.  

Using Mikhail Bakhtin’s theory of the carnivalesque, Jungian and historical writings on the images of the fool in myth and history, and ruminations on the mingling of ecstasy and dread in the Information Age, Dery asserts the evil clown is an icon of our times.8 

Clowns, especially evil clowns, are often depicted as murderous psychopaths, an apt description of the occult perpetrators of the 9/11 Mega Ritual, who used pseudo-Islamic-extremist patsies to pilot planes full of terrified passengers through the skies into buildings (and into the ground, where Flight 93 disappeared completely in an astonishing vanishing act), in what one could call a Flying Circus of Death—the Greatest Show on Earth, with performances in New York, Washington and Shanksville, and ‘ringleader’ Mohamed Atta as ringmaster. 

The Infamous Seven Minutes Revisited 
In light of all we have learned about Bush’s seemingly innocent little trip to Sarasota, we return to those troublesome seven minutes. Film maker Michael Moore observed that, “Not knowing what to do—with no one telling him what to do—and no Secret Service rushing in to take him to safety, Mr. Bush just sat there and continued to read ‘My Pet Goat’ [sic] with the children,” the obvious implication being that Bush was simply too stupid and/or indecisive to do anything else. Bush himself would have us believe that he simply didn’t want to startle the little tykes, and most people readily accepted that explanation, as if in collective agreement that the entire classroom of second-graders would have all shit their pants if he’d gotten up and walked out. 

Now, however, Bush’s actions, or rather his temporary inaction, makes more sense. Andrew Card’s timely delivery of the message regarding the impact of the second plane may or may not have been a scripted element of the MegaRitual (although having the High Priest visibly acknowledge the receipt of news confirming the successful execution of a companion ritual hundreds of miles away is a nice touch), but in any case, Bush sure the hell wasn’t going to get up and interrupt an ode to the Goat. 

Bush’s immobility even caught the eye of his arch nemesis, Osama bin Laden, whose alleged comments on the matter are reproduced below from the full transcript of a videotaped monologue sent to Al Jazeera in 2004:  

And for the record, we had agreed with the Commander-General Muhammad Atta, Allah have mercy on him, that all the operations should be carried out within 20 minutes, before Bush and his administration notice. It never occurred to us that the commander-in-chief of the American armed forces would abandon 50,000 of his citizens in the twin towers to face those great horrors alone, the time when they most needed him. But because it seemed to him that occupying himself by talking to the little girl about the goat and its butting was more important than occupying himself with the planes and their butting of the skyscrapers, we were given three times the period required to execute the operations— all praise is due to Allah.9 

“…the goat and its butting was more important than occupying himself with the planes and their butting of the skyscrapers”… Osama had a sense of humor? Who the hell knew? He has the world’s largest military and most-formidable intelligence services scouring the earth for him, and he’s cracking jokes on Al Jazeera. Or, perhaps those who say that Bin Laden was a CIA asset/scapegoat/boogeyman are right, and it’s not Osama mocking us, but the Shadow Government and the orchestrators of the 9/11 Global MegaRitual. 

It is certainly worth noting that Bin Laden initially denied involvement with the attacks. On September 16, 2001, three years before turning comedian, Bin Laden issued a statement that was broadcast on Al Jazeera in which he said emphatically, “I stress that I have not carried out this act, which appears to have been carried out by individuals with their own motivation.” (Last time I checked, terrorist masterminds weren’t in the habit of denying responsibility for acts of violence.) Whatever the case may be, strap yourselves in, because you’ve only gotten a taste of the mockery that lies in store.

next
Chapter Five Action!

footnotes
Acknowledgments 
1. http://abdielsroom.blogspot.com/ 

Introduction 
1.http://en.wikipedia.org/wiki/9/11_Commission 
2.http://globalresearch.ca/index.php?context=va&aid=26529 
3. http://www.alternet.org/story/45726/?page=entire 
4.http://globalresearch.ca/index.php?context=va&aid=26529 
5.http://www.renewamerica.com/columns/spingola/100208 
6. Wikipedia 
7. Wikipedia 

Chapter Two 
1. http://en.wikipedia.org/wiki/Grimoire 
2.http://www.library.usyd.edu.au/libraries/rare/witchcraft/spellbooks.html 

Chapter Three 
1. http://www.alchemylab.com/hyper_history.htm 
2. http://en.wikipedia.org/wiki/Trickster 
3. http://en.wikipedia.org/wiki/Hermes 
4.http://www.phoenixmasonry.org/history_of_the_ two_pillars.htm 
5.William Ramsey; http://www.henrymakow.com/september_11th---the_occult_co.html 
6. Wikipedia 
7.http://secretarcana.com/influential figures/aleister-crowley-and-his-legacy/ 

Chapter Four 
1.http://en.wikipedia.org/wiki/Black_mass 
2.http://mastermason.com/callendar 588/html/the_ goat.html 
3.http://mastermason.com/callendar 588/html/the_ goat.html 
4.http://en.wikipedia.org/wiki/Goat_of_Mendes#- Goat_of_Mendes 
5. http://en.wikipedia.org/wiki/Baphomet 
6. Phillip D. Collins, “Luciferianism: The Religion of Apotheosis,” http://www.conspiracyarchive.com/Commentary/Luciferianism.htm 
7.http://www.trinity.edu/org/tricksters/trixway/current/Vol%203/Vol3_1/Durwin.htm 
8. http://en.wikipedia.org/wiki/Evil_clown 
9.http://english.aljazeera.net/archi ve/2004/11/200849163336457223.html

                                                                       FAIR USE NOTICE
This site contains copyrighted material the use of which has not always been specifically authorized by the copyright owner. As a journalist, I am making such material available in my efforts to advance understanding of artistic, cultural, historic, religious and political issues. I believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law.

In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes. Copyrighted material can be removed on the request of the owner.

The GRAND DESIGN

THE GRAND DESIGN by Douglas Reed INTRODUCTION  The ways in which people try to explain what is happening in the world around them, whether i...