The Most Dangerous Book in the World
9/11 as Mass Ritual
By S.K. Bain
Chapter Fifteen
New Year’s Day
and the Malevolent
Mega-Talismans
9/11—Happy New Year!
The Egyptians’ New Year was originally marked by the first dawn rising
of Sirius, which at that time occurred in June on the summer solstice.
However, over time the heliacal rising of Sirius drifted forward from
the solstice.
Today’s Coptic calendar (also called the Alexandrian calendar) is based on
the ancient Egyptian calendar and is still used in Egypt, and also by the Coptic
Orthodox Church. The first month of the year is named Thout, after Thoth,
and thus the first day of the New Year is the 1st of Thout.
On the Gregorian calendar, this date coincides with September 11th—so
that date is not only New Year’s Day, but, more importantly, it is the symbolic,
or observed, date of Sirius’ heliacal rising. (September 11 = 1/1; yet another
11, of sorts.)
We already know Thoth as the Egyptian God of Magic and as the precursor/counterpart to the Greek God of Commerce, Hermes—with the pair
having jointly played key roles thus far in the MegaRitual—yet Thoth was also
known as “the reckoner of times and seasons,” a god of the measurement and
regulation of events and of time itself. Thoth was credited with making the
calculations for the establishment of the heavens and everything in them, and
was said to direct the motions of the heavenly bodies.
Thus, the entire 9/11 Global MegaRitual unfolded on the first day of
the New Year on a calendar derived from the ancient Egyptian calendar, in a
month named for Thoth, the Egyptian God of Time (the full significance of
which will be made clear soon).
Even more significantly from an occult perspective, this date is tied directly to Sirius in a most powerful fashion, with the intent being to bring the entire
day’s events under the dark energies of Sirius, and to invoke the blessings of
Lucifer, who resides there.
However, the utilization of this malign occult strategy wasn’t confined to
September 11, 2001…
Magical Elections
Talismans represent the logical extension of a spiritual world
view and have been a part of Western culture for thousands
of years. Renaissance Magi like Marsilio Ficino and Cornelius
Agrippa saw the entire Cosmos as one great, interconnected Being, a system based on intricate harmony, sympathy and correspondence, both spiritual and material. Astrology, alchemy and
magic were seen as the preparatory studies for Hermetic Gnosis, a practical way of experiencing the unity of the Cosmos.1
Talisman comes from the Greek telesma, meaning consecrated or sacred
object, and unless a talisman is created at an astrologically auspicious time and
ritually consecrated, it is nothing more than a piece of jewelry with astrological
designs, lacking any magical or spiritual charge.
The key to astrological talismans, then, is the timing of their creation as
determined by electional astrology. Although astrology is not inherently connected with magic, ephemeral elections have been used in ancient and modern
times to make talismans and seals (in such instances, the term “magical elections” is used). These items are seen to be imbued with the qualities of the auspicious date on which they are made…2
Armed with this last little bit of information, let’s revisit two dates: July
4th, and August 5th.
The Fourth of July
“Conjunction” is a term used in positional astronomy and astrology, and
means that, from a particular geographic location (say, New York, for
instance), two celestial bodies appear near one another in the sky. In the modern era, the date on which Sirius conjuncts with the Sun, which esoterically is
considered the embrace of our physical and spiritual Suns, is … July 4th. The
inscription on the Statue of Liberty’s tablet is not, then, simply a reference to
the founding of America (or even of the Illuminati), but, far more importantly,
is an encoded tribute to Sirius.
99
New Year’s Day and the Malevolent Mega-Talismans
August 5th
If 9/11 is the observed date of Sirius’ heliacal rising, then the date of the “initiation” of both the Statue of Liberty and the Twin Towers corresponds with…
wait for it…the actual date of Sirius’ heliacal rising. Writing in Secret Chamber:
The Quest for the Hall of Records, researcher Robert Bauval notes, “Precession
has since caused that date to shift 45 days, and now the heliacal rising of Sirius
occurs on the 5th August.” (August 5 = 8/5…Flight 85…just sayin’)
Inset
[Best Wishes
In light of the significance of August 5th, you have to wonder if the following widely-known
quote from President George W. Bush—taken from remarks he made in Washington, D.C., on
August 5th, 2004—is just another Bushism, or perhaps something much more intentional and
deliberately spoken: “Our enemies are innovative and resourceful, and so are we. They never stop
thinking about new ways to harm our country and our people, and neither do we.” Making the
comment even more compelling is that he was reading closely from prepared remarks when
he made it, during a speech at the signing ceremony for a $417 billion defense spending bill
(The Department of Defense Appropriations Act of 2005). Interesting, too, is that no one in the
audience of military brass or Pentagon chiefs reacted in the slightest. Maybe Bush wasn’t quite
the bumbler everyone thought he was, and maybe he meant it when he said in 2009: “I’m telling
you there’s an enemy that would like to attack America, Americans, again. There just is. That’s the
reality of the world. And I wish him all the very best.”]
Malevolent Mega-Talismans
September 11th, July 4th, August 5th—all directly connected with the
abode of Lucifer—and we now see that the Statue of Liberty, the Twin
Towers and the Pentagon were all intended to be imbued with the seething energies of Sirius/Lucifer—and are/were, in effect, malevolent Mega-Talismans.
Work on the Pentagon mega-talisman started on September 11th, and
then the structure was attacked on that very same day exactly 60 years later
in an act of synergetic magickal destruction saturated with Sirian/Luciferian
energies. In similar fashion, the August 5th commencement date for the Statue
of Lucifer and the Twin Towers mega-talismans brought them under the spell
of the Silver Star, with the towers being born on 8/5 and destroyed on 9/11
under the watchful eye (and torch) of the Illuminated One.
Indeed, marked with both August 5th and July 4th, we can be doubly assured that our beloved Statue of Liberty has a dual identity, and that its hidden
occult persona is that of none other than Lucifer.
Chapter Sixteen
Are You Sirius?
Satire is quite important in the occult scheme, especially as epilogue. Mockery is the ne
plus ultra of ceremonial murder.
—Michael Hoffman, Secret Societies
and Psychological Warfare
This installment of the 9/11 occult script falls squarely into the you can’t-make-this-stuff-up category…
We’ve met Sirius, the Dog Star, the shining light of the occultists,
whose pernicious presence is ubiquitous throughout the 9/11 MegaRitual.
Now, meet Sirius, the Police Dog, the only such animal to be killed in the attack on the Twin Towers, who died in his kennel in the basement of Tower
Two when it collapsed.
Sirius, a four-and-a-half-year old, ninety pound yellow Labrador Retriever,
was an Explosive Detection Dog with the Port Authority of New York and
New Jersey Police Department. It just so happens that Sirius’ badge number
was 17, and the 17th card in the Tarot is…wait for it…The Star, which, according to many occultists, depicts (what else?)—Sirius.
Adding to the occultists’ delight is that K is the 11th letter of the alphabet
(hooray, another 11), thus K-9 is the reverse of 9/11: K-9, 9/11…oh, who
cares.
The intended outcome of the death of this specially-named creature was,
of course, that through all of the related news coverage, memorials and tributes, the name Sirius would be heavily intermingled with 9/11, spreading
like a memetic virus into people’s consciousness…9/11→Evil Magic, Sirius…9/11→Evil Magic, Sirius…
Somewhere over the Rainbow Bridge…
The memorial website created for Sirius featured the following tribute
(with “Somewhere Over the Rainbow” from the Wizard of Oz soundtrack
playing in the background):...
Sirius
Dazzling sparkle in the distance
Brightest star on earth
Closest to our heart.
You came and shared your light for such a little while
Brought such brightness, gave such joy ...
Now you shine above and watch from distant skies
As the guardian you were, as the guardian you are still.
Companion, guide, protector, friend
Partner and pal on constant alert.
Courageous and cautious,
Patient and obedient,
Strong in spirit, gentle in design,
Quick to defend, eager to follow,
Disciplined for action, poised for careful command.
Sirius ... Brilliant in the night,
Star of the first magnitude,
Hero of the same
Nine light years away,
Held here in our hearts for eternity.
Run free across the Rainbow bridge and in green pastures;
You have done your job well, friend!
One might be tempted to think that, beyond being offensively sappy, the
poem is an essentially harmless tribute to a dead dog—until, that is, you learn
that the “rainbow bridge” is an essential occult concept referring to the psychic
connection between the heart, where the emotions lie, and the mind, where spirituality and intellect reside. (It’s also the name of a 1972 New Age hippie film
starring rock legend Jimi Hendrix.)
The rainbow bridge, also called the Antahkarana, can refer to this internal
connection, or to the bridge between Heaven and Earth—which, apparently,
is still under construction—and some New Age spiritualists believe that Sirius
is a major guiding force in the building of this bridge between worlds.
One could, then, draw the conclusion that those inclined to do so, such as
the occult scripters of 9/11, would pervert the concept and envision the building
of a Rainbow Bridge to Lucifer (and you’d be correct). So, whether the author
intended it or not, this seemingly innocent little tribute has Luciferian colorings,
and, intentionally or inadvertently, before or after the fact, this becomes yet another element of the occult script for 9/11.
Chapter Seventeen
The Gates Of Hell:
Satanic Sacrificial
Mega-Altars
The secret services of all nations are directed or influenced by personalities which are
marked by a criminal, a perverted, a criminal-pathological, or in any case, an exceedingly vulgar imagination. … But the worst perversion of the secret services—and how
could there be a worse one—is that of human sacrifice.
—Hans Habe, Agent of the Devil
Even though the Twin Towers no longer exist, we are methodically and
painstakingly reconstructing them, not literally of course, but as the
gigantic occult monstrosities they were—a reality that is just now beginning to come into plain view. The full hideousness of these diabolical constructs, however, has yet to be revealed.
The Twins and the Gates of Death
The idea of the Twin Towers as dual Siriusly-consecrated mega-talismans
only does partial justice to their true nature. Into our magical formulation
we must combine The Tower of the tarot as the Devil’s House,
the House of the Damned, the Fire, Inferno—Hell. As we ritually prepare these immense Pillars of Hermes, we invoke his
presence as the god of gateways.
And it isn’t until this moment that we see our old friend Saturn, the Planet of Death, in Gemini on 9/11: Gemini, the Twins,
one of two celestial gateways where the ecliptic intersects the
Zodiac, gateways that represent entrances to the Otherworld.
Thus we have Gemini, not only symbolized in the Twin Towers, but through a powerful sympathetic As-above-so-below correspondence, energizing the towers as the mundane counterpart of the celestial gateway to the
Next Realm, as earthly representations of heavenly gates—or, far more appropriately in this instance, as the Gates of Death.
The Lord of Death, Saturn, in Gemini, in conjunction with Pluto (Hades),
all bathed in the Luciferian energies of Sirius: under these potent astrological
conditions sit the Twin Towers, as the Devil’s House, as the Gates of Death
… but not simply of death. What emerges from
this esoteric construction process are the very
Gates of Hell, with this dreadful occult creation
being birthed into existence on the morning of
September 11, 2001, as the towers and their occupants were engulfed in flame and smoke, as victims burned alive or jumped to their deaths in the
streets below, and as the airwaves around the globe
became saturated with these images.
Yet, the Twin Towers were not merely imbued
from their beginning with evil energies, or transformed through astrological and magickal means
into symbolic, then literal, Gates of Hell. The very
buildings themselves were constructed of symbols, symbols of steel that stated plainly and on a
monumental scale to whom these towers were dedicated, and, in hindsight,
foreshadowed the ultimate use to which they would be put on 9/11.
The Key Architectural Element of the Twin Towers
So immense that they were simply overlooked, or seen by eyes unaware—
either way, hiding in plain sight—there they were, massive tridents, the
primary architectural element of the Twin Towers. Dr. Cathy Burns, writing in
Masonic and Occult Symbols Illustrated, illuminates us as to the significance of
this fact: “Mythologist Joseph Campbell reminds us that the ‘trefoil or trident
is the symbol of Shiva, Poseidon, Satan’. The Trident is also a fire symbol.”
Indeed, in Christian iconography, the trident is the weapon of the Devil.
It might come as a surprise to some, but that’s not a pitchfork ol’ Pip is carrying—and the Twin Mega-Talismans were literally wrapped in a Satanic symbol. ( Just for the record, Dealey Plaza in Dallas, where President Kennedy
was assassinated, is laid out as a trident. More on this other great American
megaritual later.)
Super-sized Sacrificial Altars
As you attempt to process the implications of this revelation, consider this:
combined with the other evidence, it now becomes extremely difficult
to escape the conclusion that these buildings were designed and constructed
with their ultimate purpose in mind. It seems that these structures were preordained to become twin towering infernos, the gates of Hell, Hell on earth—
filled with tormented victims, innocents, heroes, whole sacrifices, human sacrifices, sacrificed by fire. They were, unmistakably, Satanic Mega-Altars.
Fresh What?
If the idea of the victims of the attacks on the Twin Towers as living sacrifices
is as offensive to you as it should be, this next bit may leave you retching on
the floor.
After 9/11, about two million tons of material from Ground Zero was taken to a nearby landfill for sorting, where thousands of detectives and forensic
evidence specialists worked for over 1.7 million hours to recover remnants of
those killed in the attacks. More than 1,600 personal effects were retrieved,
and over 4,000 human remains recovered, and from those remains, 300 people
were identified. The remaining debris, which in all likelihood contains fragmentary human remains, was buried in the landfill.
And the name of this place where the pieces of what we now understand to
be sacrificial victims were taken? (Prepare yourself for the most egregious instance of mockery in the entire script for the 9/11 Mega-Ritual…) Fresh Kills
Landfill on Staten Island. [sick sick f*#ks ! DC]
And Don’t You Forget It…
On 9/11, the day of “Evil Magic,” the Statue of Lucifer overlooked the ritual sacrifice of thousands of innocents and heroes in twin vessels built,
consecrated and symbolically marked for that very purpose. And just in case
you didn’t get the point, two remaining tridents from the towers are being
prominently incorporated into the WTC Memorial. (For future reference,
some of the steel from the Twin Towers was used in the building of the USS
New York, which, given the perverse inner workings of the minds of these evil sorcerers, may at some time be destroyed in another false flag attack.)
Chapter Eighteen
A Massive
Ceremonial Complex
The connections between the Statue of Liberty and the Twin Towers
have been fully explored: there’s the obvious geographical proximity,
as well as multiple esoteric ties. However, there is more at Ground
Zero and in the general vicinity than first meets the eye—much more. Stepping back and taking a look at the broader environment, we discover the presence of other objects of occult/ritual significance.
Consider the temple complexes of the Greeks and Egyptians, with their
many buildings, statues and ceremonial and sacrificial areas: these individual
elements are properly viewed as working parts of a collective whole. 123S
The ancients honored their deities with monumental architecture, and
modern practitioners of the Great Mysteries have done no less, only their
honorific constructs are hidden in plain view. Could it be that the entire area
around Ground Zero is a massive ritual occult ceremonial center?
The World Financial Center: Elevated Symbols
The World Financial Center lies directly adjacent to the World Trade Center on the west side, and atop its four tallest buildings are four incredibly
powerful occult symbols: 1.) an unfinished pyramid; 2.) a stepped pyramid;
3.) a square pyramid; and, 4.) a dome.
There is no way to know for certain what these symbols represented to
the planners of the 9/11 Mega-Ritual, or whether they served an active role in
the ritual or simply were a part of the ceremonial setting. What is for certain is
that they are all of significance to occultists, and their presence at this location
cannot be a coincidence.
The Unfinished Pyramid
Each of these four symbols has multiple meanings. The unfinished pyramid
might be said to superficially represent our ongoing pursuit of perfection
as individuals and as a species; or, the Founders’ still-incomplete task of building America. Writing in The Secret Destiny of America, Manly P. Hall states, “On
the reverse of our nation’s Great Seal is an unfinished pyramid to represent
human society itself, imperfect and incomplete. Above floats the symbol of the
esoteric orders, the radiant triangle with its all-seeing eye.”
That which is not present, the capstone, also has significance. Again, Manly Hall, in The Secret Teachings of All Ages: “As a rough and unfinished block, man is taken from the quarry and by the secret culture of the Mysteries gradually transformed into a trued and perfect pyramidal capstone.” Hall continues,
“The temple is complete only when the initiate himself becomes the living apex
through which the divine power is focused into the diverging structure below.”
Referring back to the “radiant triangle” Hall mentioned, James Davis Carter, in Masonry in US History—Background, History and Influence to 1846, observes, “The triangle also represents the capstone of the unfinished pyramid
and reminds the Mason of the immortality of the soul and that in eternity he
will complete the capstone of his earthly labors according to the designs on the
trestle-board of the Supreme Architect of the Universe.” Davis concludes, “The
unfinished pyramid cannot fail to remind him of the unfinished condition of
the Temple when tragedy struck down its Master architect.”
Interpretations with darker meanings exist, however, and are more applicable in this context. If the capstone could in a positive sense represent the
transformation of the initiate into a perfected being, under a more sinister
interpretation the unfinished pyramid represents the mass of humanity, as “a
rough and unfinished block…taken from the quarry and by the secret culture gradually transformed” into their image of perfection—into
a posthuman, transhuman collective hive awaiting the bidding of its masters.
The orchestrators of 9/11 would not have had a utopian vision of the
physical and spiritual evolution of mankind in mind. To them, the unfinished
pyramid infers an artificially-accelerated, technologically-and-pharmacologically-induced synthetic evolution of humanity, directed by their hand for their
own nefarious purposes.
The 9/11 Mega Ritual was indeed part of that very process, one designed
to utilize fear and terror to force the transmutation of human society, of our
very consciousness, individual and collective.
The Stepped and Square Pyramids
Pyramids are viewed as “stairways to heaven,” symbolic stairways to the
stars, and the stepped pyramid of the World Financial Center might well
represent a Stairway to the occult-Masonic heaven, Sirius.
The square pyramid is symbolic of a mountain, with its corners representing the four corners of the world and the four cardinal directions. More
significantly, it is a path between Heaven and Earth, with its peak rising into
the sky. In occult lore, the pyramid is considered to be the ultimate symbol
of the Mysteries, representing the transition from the material plane to the
spiritual world. From the square base of the pyramid, representing the material world, rises—in mathematical perfection—four triangles, representing divinity. According to many occult researchers, the pyramids of ancient Egypt were used for the purposes of initiation, where candidates were led to
the path of illumination.
Albert Pike, writing in Morals and Dogma, concurs, stating that “The more
the great Hierophants were at pains to conceal their absolute Science, the more
they sought to add grandeur to and multiply its symbols. The huge pyramids,
with their triangular sides of elevation and square bases, represented their
Metaphysics, founded upon the knowledge of Nature.”
There may be no singly-important meaning of the pyramid in this
context, as it is “the ultimate symbol of the Mysteries.” For certain, it represents the path of illumination, and we have well seen that the inspired
source of illumination from the perspective of the 9/11 script writers is the
Light-Bearer, Lucifer.
The Dome
Last but certainly not least, the dome is often associated with both Isis and
Sirius, and is in fact a component of the hieroglyph for Sirius. The image
invoked is of a womb, birthing a new humanity, giving rise to a new aeon, Aleister Crowley’s Aeon of Horus.
Interpreting the Complex
The Twin Towers were sacrificial altars or vessels, and were themselves
‘sacrificed’ as part of the 9/11 Mega-Ritual. The mass human sacrifice
and the destruction of the sacrificial vessels (recalling
the burning of the Wicker Man) were performed in the
presence of these four over-sized occult symbols—each
of which bears its own significance and meaning.
More than one of these symbols invokes the Blazing
Star, Sirius, and it is also possible that these four symbols
together constitute a coherent occult statement. Perhaps
they are a three-dimensional explication of what could
well be the ultimate goal of the MegaRitual itself: the
transmutation of human consciousness through fear and terror.
As nasty a thought as this is, though, we won’t dwell on it any longer,
because there is yet another element of the massive 9/11 Satanic Ceremonial Complex that we’ve thus far ignored.
CHAPTER NINETEEN
The Millenium Hilton:
An Inspired Creation
Directly east of the World Trade Center lies the Millenium Hilton (the
misspelling of “millennium” was intentional on the part of the hotel
owner). Google this phrase and on one of the many New York travel
pages that are returned on the search, you’ll likely find the following statement:
“The hotel is a high-rise black glass building which pays homage to Arthur
C. Clarke’s vision of the Monolith in 2001: A Space Odyssey.”
This sentence apparently once appeared on the Millenium Hilton’s website (although it’s no longer there), and in looking at the building there’s no
question that the fictional monolith was the inspiration for it. It is certainly a
striking piece of architecture, but surely it’s just a harmless architectural tribute
to an iconic piece of science fiction…
A Monolithic Presence
In the film 2001, the black monolith not only stood witness to, but facilitated
the creation of a new world. On September 11, 2001, this massive facsimile sat
directly to the side of the Twin Towers as they were destroyed, and the Millenium
Monolith likewise stood witness to the creation of a new world: fear of terrorism
in the homeland as a new part of daily life in America; the erosion of civil liberties
and the establishment of a domestic police state; wars in Iraq and Afghanistan.
That’s all, though, right?, we want to tell ourselves. We’re exhausted—No
more dark secrets, no more mockery. Yet, as with every other ugly aspect of
9/11, wishing it weren’t true doesn’t make it so.
The Sentinel
Clarke’s film was based on an earlier short story he’d written, entitled
“The Sentinel,” which is precisely what the Millenium Monolith was
intended to represent. It was an intentional occult construct, an over-sized
real-life dark sentinel designed to stand witness to a monumental act of Evil
Magic.
Oh…no… Oh, yes, says trusty guide Michael Hoffman, again in Secret
Societies and Psychological Warfare: “The mute monolith of 2001 is harbinger
of what Clarke calls…the Overlord. It is the ashlar of the secret societies. The
monolith represents the shaping function of the occult magus, who tames
and tampers with the natural world.” No, no, no… Shut up, replies Hoffman,
continuing, “This Freemason’s radiating ashlar, this transmitter monolith, is a sentinel that we allegedly trigger
with our awareness—a ‘progressive development’ which is in turn
conveyed by the sentinel to the
‘higher powers’ (‘dark gods’).”
9/11, 2001—Evil Magic…and
this massive black evil big brother of the monolith from 2001 has
ringside seats to the Greatest Show
on Earth, sitting there, in plain
view, conveying all that he sees to
the dark powers, and mocking us…
YOU CAN’T SEE ME!
Wrapping Up
Surely that’s all, surely we’re done with this place… Yes, we’re done with
Ground Zero (although those with the stomach for it can revisit this locale
in Bonus Chapter Twenty Eight to see what is going on there now.)
You can’t get out of your seats, yet, though, because we still have to bring everything together and reconstruct the full occult script for the 9/11 Mega-Ritual and reflect upon it, in all of its hideous glory.
But before we do that, we need to look at a couple of logical suspects, and
afterwards we’ll ask the question, “How long was this maniacal production in
the works?”
Section Three
The Book and Score
Chapter Twenty
Pike’s Palladian Rite
and Dem Bones
If you tell a lie big enough and keep repeating it, people will eventually come to believe
it. The lie can be maintained only for such time as the State can shield the people from
the political, economic and/or military consequences of the lie. It thus becomes vitally
important for the State to use all of its powers to repress dissent, for the truth is the mortal enemy of the lie, and thus by extension, the truth is the greatest enemy of the State.
—Dr. Joseph Goebbels, chief
propagandist for the Nazi Party
See, in my line of work you got to keep repeating things over and over and over again for
the truth to sink in, to kind of catapult the propaganda.
—President George W. Bush,
Greece, N.Y., May 24, 2005
This is not a whodunit and we’re not here to figure out how the conspiracy that generated the 9/11 occult script worked, or precisely who
(with an exception or two) was involved.
The world of conspiracy theory is a dark, murky place, and when it comes
to the usual suspects in these sorts of affairs (of which 9/11 is just the grandest example thus far, but by no means the only one), it is easy to get mired
down in a bubbling stew of unsubstantiated rumor, disinformation, hogwash
and bullshit.
The New World Order, Illuminati, Freemasons, Council on Foreign Relations…there are plenty of books available on these and many related topics,
and good luck to you if you decide to spend half your life trying to determine
which authors and sources are credible and which are not. The truth may be
out there, but it’s encrusted in a layer of crud a mile thick. (See Appendix A,
“The Usual Suspects in the Quest for World Domination.”)
However, before moving on, we are going to take time to look at two possible suspects, the first entity for what it appears to be but is not, and the second because the organization in question and those affiliated with it fit the ‘criminal
profile’ in this case so well that it’s almost comical.
The Palladian Rite
Albert Pike, who lived from 1809 to 1891, was a prominent Freemason and
author of Morals and Dogma of the Ancient and Accepted Scottish Rite of
Freemasonry. Pike was elected Sovereign Grand Commander of the Scottish
Rite’s Southern Jurisdiction in 1859, a position he held for the remainder of
his life.
Pike was also reportedly the Grand Master of an organization known as
the Order of the New and Reformed Palladian Rite, which was a resurrected
version of an earlier group founded in Paris in the 1700s called the Order of
the Palladium. According to legend, the Order had been brought to Greece
from Egypt by Pythagoras in the fifth century, and it was said that this “cult of
Satan” was aligned with the Palladium of the Templars and introduced to the
inner circle of the Masonic lodges.
Pike’s Palladium Rite was said to be an international Luciferian alliance
of key Masons, and in her book, Hidden Secrets of the Eastern Star, Dr. Cathy
Burns writes,
Knowing of Pike’s admiration for Lucifer, we shouldn’t be astonished to
find out that Pike created a Palladium Rite which was a secret rite that
openly worshipped Lucifer and practiced blatant occultism. This rite
was to be kept secret at all costs and only a chosen few were selected. The
Palladium, we are told, would be an international alliance of key Masons.
It would bring in the Grand Lodges, the Grand Orient, the 97 degrees of
Memphiz-Mitzraim (the Ancient and Primitive Rite) and the Scottish
Rite. The name, Palladium, was taken from a Masonic order founded in
1720 which died out, only to reemerge in Charleston under Pike.
The Palladian Rite was to be a supreme, universal rite of Masonry that
would over-arch all of the other rites, and centralize all high Masonic
bodies in the world under one head, that head being Lucifer with Pike as
his human agent.
The “H” Word
As described, the Palladian Rite certainly sounds like a logical suspect on
which to pin the blame for the 9/11 Global Occult Monstrosity. An ultra-powerful, ultra-secretive (okay, perhaps not so secretive given that you’re reading about it here) Luciferian core of worldwide Freemasonry? Man, that
fits the bill—that’s it, cased closed, get the torches and pitchforks.
There’s just one problem. Pike’s Palladian Rite probably doesn’t even exist,
and was almost certainly a hoax perpetrated by
one Léo Taxil (originally Marie Joseph Gabriel
Antoine Jogand-Pagès). Taxil, a French writer
and journalist, wrote a series of pamphlets and
books in the 1890s denouncing Freemasonry
and charging their lodges with worshipping the
devil—which, as it turned out, was only one of
a series of hoaxes he’d concocted.
The ultimate truth of the matter may be
more complicated than that, and just because
Taxil’s writings may have been a hoax, doesn’t
mean there’s not a Luciferian core at the heart
of Freemasonry—but good luck proving it. Regardless, our next suspect, although it may be a
familiar one to some, certainly warrants closer
scrutiny in light of what we’ve learned about
the 9/11 occult framework.
Dem Bones
The 9/11 Occult Mega-Ritual was by all appearances the work of extremely powerful Black
Magick Satanic secret societies, and the President at
that time, George W. Bush, is a publicly-acknowledged member of Skull & Bones, a Yale undergraduate society that has been characterized by conspiracy theorists as, well, a
Black Magick Satanic secret society … what a coincidence.
President Bush on Meet the Press, February 8, 2004:
Russert: You were both in Skull and Bones, the [Yale] secret society.
President Bush: It’s so secret we can’t talk about it.
Russert: What does that mean for America? The conspiracy theorists
are going to go wild.
“Skull and Bones has the characteristics of a death cult,” writes John W.
Whitehead of the Rutherford Institute in his 2004 article, “The Secrets of Bush and Kerry: What Are They Hiding from Us?,” in which he continues, “and most
of the lore surrounding it centers on its death fixation. In fact, the entire secret
society revolves around death-centered imagery. The initiates are told that they
must ‘die to the barbarian world’ and be born again in the company of the elect
or, as they call it, The Order.”
Whitehead also tells us that,
Some critics point to the fact that Skull and Bones is similar to other
powerful secret societies such as the Thule Society, which emerged in
Germany in the early 20th century. Much like its modern counterpart
Skull and Bones, the German Thule Society initiated its members with
elaborate rituals that mimic those of black magic—replete with sexual
practices, blood orgies and communicating with spirits such as the devil.
And, in fact, both groups use identical symbols to identify their respective group—the nefarious skull with two crossed bones.
Skull & Bones is a regular feature in many conspiracy theories,
some of which assert that the society plays a key role in a global cabal bent on world domination. It
has been alleged, for example, that
the society—informally referred
to as “Bones” (and its members as
“Bonesmen”)—is a branch of the
Illuminati and controls the Central Intelligence Agency.1
“Bonesmen are like a cross between Forrest Gump and Zelig,”
writes Washington Post Staff Writer Don Oldenburg in a 2004 article, “always in the picture at major
historical crossroads: Bonesmen
oversaw development of the atomic bomb and influenced the decision to use it on Japan. They managed the postwar occupation of
Germany. They helped shape U.S.
Cold War policies. They were policymakers during the Vietnam War. They have ties to the Council on Foreign
Relations and the Trilateral Commission—two hot-button organizations for
conspiracy theorists.” Oldenburg continues, saying that conspiracy theorists
“have a field day over the fact that Bonesmen were among the founders of the
Central Intelligence Agency. They love to point out that statues of the patriot
spy Nathan Hale, Yale 1773, stand on both the university’s campus and the
CIA’s headquarters in Langley.”
John Whitehead adds further detail: “Known for its celebrity membership,
Skull and Bones’ alumni include numerous power-wielding individuals such
as former President William Howard Taft, Henry Luce—the founder of Time
magazine, U.S. Supreme Court justices, mega-corporation founders and leaders and such recent luminaries as former President George H.W. Bush, President George W. Bush and Sen. John Kerry.”
Multi-Generational Bush Bonesmen
George W. certainly wasn’t the first or only member of the Bush family to
join Skull & Bones. Writing in the May 2000 issue of the Atlantic magazine, Alexandra Robbins states,
Bush men have been Yale men and Bonesmen for generations. Prescott
Bush, George W’s grandfather, Yale ‘17, was a legendary Bonesman; he
was a member of the band that stole for the society what became one of
its most treasured artifacts: a skull that was said to be that of the Apache
chief Geronimo.2
Prescott Bush, one of a great many Bonesmen who
went on to lives of power and renown, became a U.S. senator. George
Herbert Walker Bush, George W.’s father, Yale ‘48, was also a Bonesman, and he, too, made a
conspicuous success of himself. Inside the temple on
High Street hang paintings
of some of Skull and Bones’s
more illustrious members;
the painting of George Bush,
the most recently installed, is
five feet high.
There were other Bush Bonesmen, a proud line of them stretching
from great uncle George Herbert Walker Jr. to uncle Jonathan Bush to
cousins George Herbert Walker III and Ray Walker. So when George W. was “tapped” for Skull and Bones, at the end of his junior year, he, too,
naturally became a Bonesman.
The Smell of Sulfur
A proud line of Bush family Bonesmen, steeped in black magic ritual—
author and publisher Kris Millegan, in his definitive book Fleshing Out
Skull and Bones, asks, “Do we find in New Haven a multi-generational cult that
uses conspiratorial tactics and ritualistic magic in its drama for control...that
believes in the power of death to bring about change, a group of Zeitgeist initiates believing that the ends justify the means, and using massive deaths to feed
their necromancy”?
Maybe George W. Bush himself provided a partial answer of sorts to this
question when he remarked in 2008, “I’ll be long gone before some smart person ever figures out what happened inside this Oval Office.”
Or, perhaps Venezuela’s President Hugo Chávez was more on target than
anyone realized in a 2006 address to the United Nations General Assembly
when he made the following remark concerning President Bush’s presence there
the day before (and then made the sign of
the cross, brought his hands together as if
in prayer and glanced toward the ceiling):
El diablo está en casa. Ayer estuvo
el diablo aquí, en este mismo lugar.
Huele a azufre todavía.
The devil is in the house. The devil was here yesterday, in this very
place. Smell the sulfur even now.
(Not that it matters, but the New York Times translated this: “Yesterday, the
devil came here. Right here. Right here. And it smells of sulfur still today, this
table that I am now standing in front of.”)
Chapter Twenty-One
The Reconstructed
Script for
the
9/11 Occult Mega ritual
“I think we are farmed,” Charles Fort said of humanity. It was Fort who also suggested
that man deliberately invented the dogma of materialism in order to shield himself
from the evidence of what was being done to him by means of psycho-spiritual warfare
methods hyped by “coincidence,” symbolism and ritual.
—Michael Hoffman, Secret Societies
and Psychological Warfare
Never allow anyone the luxury of assuming that because the dead and deadening scenery of the American city-of-dreadful-night is so utterly devoid of mystery, so thoroughly
flat-footed, sterile and infantile, so burdened with the illusory gloss of “baseball-hot
dogs-apple-pie-and-Chevrolet” that it is somehow outside the psycho-sexual domain.
The eternal pagan psychodrama is escalated under these “modern” conditions precisely
because sorcery is not what 20th century man can accept as real.
—James Shelby Downard with
Michael A. Hoffman II, “King Kill 33”
2001: September 11—a most auspicious date for a ritual undertaking,
New Year’s Day on the occult calendar, a date connected to the heliacal
rising of the occultists’ Spiritual Sun, Sirius, the Dog Star; a date that
also pays homage to the Egyptian Lord of Time, Thoth, through the name of
the first month of the new year, Tout, highly fitting for a ceremony focused
heavily on timing and time itself…
On this date imbued with occult meaning, winged Mercurial messengers
of death take to the skies, filled with sacrificial victims unknowingly awaiting
their fate. Nineteen individuals believing themselves to be Islamic jihadists
(evidence suggests that perhaps not all of them were true believers)—soon to-be-martyrs receiving their rewards in Paradise—readied themselves to take
control of four airliners with box cutters.
Let the Games Begin
The ceremony officially commences as American Airlines Flight 11
(AA11), ritually marked, consecrated with the number of magic itself,
slams into the North Tower of the World Trade Center, declaring the initiation
of a magical operation.
President and Bonesman George W. Bush arrives at Booker Elementary
School in Sarasota, Florida, the state which had given him the presidency in
2000 and where his brother Jeb is governor—and where the 9/11 ringleader and hijacker-pilot of AA11, Mohamed Atta, had received part of his flight
training. The Commander-in-Chief as High Priest is in “Paradise,” presiding
over a Black Mass, complete with little black children chanting out the words
of “The Pet Goat” (about which Osama bin Laden will later crack jokes on Al
Jazeera, saying that Bush was more occupied with “the goat and its butting”
than “the planes and their butting of the skyscrapers”), invoking Baphomet,
even as United Airlines Flight 175 slams into the South Tower, an act designed
to invoke Aleister Crowley’s Liber 175, the “book of Uniting…to a particular
Deity by devotion.” They are stating their intentions and declaring their devotion, not simply to Satan, but also to Crowley—as has been made evident, the
entire day’s proceedings constitute no less than an “Ode to Aleister Crowley”
(not to be confused with Ozzy Osbourne’s literal ode to Crowley).
Thus, the two concrete and steel re-creations of the fabled Pillars of Hermes,
the God of Commerce and Trade (and also of thieves and robbers), stand mortally wounded, as Hermes himself prepares to undertake his traditional role as
psychopomp, escort of the souls of the dead to the Underworld. In the Tarot, the
Tower card has been known as the House of the Damned, and the Twin Towers
have become enormous sacrificial altars. Very soon, the doorway between the
two pillars will be opened and the veil of Isis will be symbolically torn asunder as
the towers come crashing to the ground and a gateway to hell esoterically created.
More Public Sorcery
In Arlington, Virginia, American Airlines Flight 77 (AA77)—piloted by a hijacker who according to one flight instructor “couldn’t fly at all”—performs
near-impossible aerial acrobatics in order to hit the west face of the Pentagon.
This part of the building had been recently renovated and the Office of Naval
Intelligence had just been moved in. The direct pinpoint strike on their office
conveniently destroys records related to the investigation regarding $2.3 trillion in transactions which Donald Rumsfeld had announced on September 10,
2001, could not be accounted for.
A massive version of an ancient and powerful occult symbol, the Pentagon
sits on the 77th Meridian West and is 77 feet tall. AA77 was marked with this
same number, which according to Aleister Crowley is the number of “magical power in perfection,” and also conjures the 77 infernal names from Anton
Lavey’s Satanic Bible. And what is that in the sky? It’s a bird, it’s a plane, it’s the
Doomsday Plane to be exact—call sign VENUS 77.
Groundbreaking for the Pentagon began 60 years to the day prior to
9/11/2001, which also happens to be former U.S. Solicitor General Ted Olson’s birthday. Olson supposedly receives two cell phone calls that fateful
morning from his third wife Barbara, who was enroute aboard AA77 to a taping of Politically Incorrect—and who may also be one-and-the-same as Olson’s
fourth wife, Lady Evelyn.
The Final Three Acts
In Shanksville—shank, shanks-ville, get it?—United Airlines Flight 93 is an
air mail greeting to Thelemites around the world, and in this installment
of the Flying Circus of Death, the plane performs a perfect disappearing act,
leaving not much more than a Wile E. Coyote silhouette in the loose soil of an
abandoned strip-coal mine. The investigation is overseen by one Bill Crowley
from the Pittsburgh office of the FBI, and the initial design for the Flight 93 Memorial, the “Crescent of Embrace”—shaped as an Islamic crescent—creates
such an uproar that it is finally changed.
A less commonly known aspect of the MegaRitual involves Korean Airlines
Flight 85— with the number 85 invoking both Thoth and the Tower tarot, as well
as conveying “this means war” (which, of course, 9/11 did). Flight 85 was directed to land in Whitehorse, Yukon, and “white horse,” as Ozzy Osbourne could
tell you (and did, in his 1980 song “Mr. Crowley”), is slang for heroin, to which
Aleister Crowley was painfully addicted. And speaking of Crowley (yet again),
one Tim Crowley, air traffic controller, was on duty in the control tower on the
morning of September 11, 2001, at the Whitehorse International Airport.
Rounding out the MegaRitual proper—the closing of the curtain, one might
say—was the dramatic late-in-the-day collapse of Salomon’s Temple, otherwise
known as the trapezoidal-shaped 47-story World Trade Center building 7 (a
massive three-dimensional reference to the 47th Problem of Euclid, sacred to
Freemasons), home to Rudy G’s skybox bunker. Let’s have a couple of minutes
(or years) of silence while Larry “Pull It” Silverstein tries to come up with a plausible excuse for using controlled-demolition terminology, and last but not least
we bid adieu to Anton Lavey and his Order of the Trapezoid.
Some Sirius Black Magick
If all of this strikes you as some sort of Evil Magic, you’re on the right track, as
9 is almost universally recognized as a number of evil, and the number 11 as,
well, you know—yielding 9/11 as a mathematical sigil for Evil Magic. And no,
it’s not coincidence that in the U.S. the universal number for emergency services is 9-1-1. The diametrically opposed meanings are intended to create psychic distress; it’s all part of the psychological warfare programming for 9/11.
Astrologically, the Lords of Death and Hades, Saturn and Pluto, stand
watch over 9/11, as does the Statue of Lucifer/Liberty in a much more literal
fashion. References to the Masonic Blazing Star (and Crowley’s Silver Star),
Sirius, abound, invoking in particular the role of this star as the abode of Lucifer.
Sirius was also the name of the only police/search-and-rescue dog killed
on 9/11, who died during the collapse of one of the towers, which, incidentally, were literally wrapped in massive steel tridents, marking them as Satanic
Mega Altars. The towers were, at the time, the key features in a broader Occult
Ceremonial Complex, complete with a gigantic replica of the Monolith from
2001 and other massive occult symbols on the rooftops of the World Financial
Center buildings.
Conclusion
As an overview of the overview, then, Bush the High Priest sits in Paradise
on New Year’s Day overseeing a Global Satanic MegaRitual which features winged messengers of death as a tribute to the Prince of the Power of the
Air. These flying harbingers of doom deliver their payloads of human sacrifices
to their MegaTalisman targets, invoking all sorts of astral hell in the process.
The number of magic is everywhere, including an 11-year countdown to 9/11
(see next chapter), and the entire MegaRitual takes place “in plain sight.”
Chapter Twenty-Two
Two Final 11s, and
the Question of Time
“Boy, they were big on crematoriums, weren’t they?”
—President George H.W. Bush, during
a tour of Auschwitz in 1989
Given the breadth and depth of the occult script underlying 9/11—
and the amount of time, energy and resources that it took to pull the
entire production off—the question logically comes to mind, My
God, just how old is the 9/11 Conspiracy, how far back does it extend?
A 30-year-old conspiracy?
Former U.S. Senator and 9/11 Commission Member Bob Kerrey has stated
in an online interview that 9/11 is a “30-year-old conspiracy.”
Kerrey: “…the problem is it’s a 30-year-old conspiracy.”
Interviewer: “No, I’m talking about 9/11.”
Kerrey : “That’s what I’m talking about.”
And although that notion may come as a surprise to some (hopefully not
after reading this material), Kerrey may actually be off only by a millennia or two.
Michael Hoffman informs us that “the process of Hermetic cryptocracy
is not stagnant. It is engaged in a remarkable project set into motion millennia ago, an operation which has accomplished most—if not all—of its chief
goals with masterful dispatch.” Synchromystic blogger Mark LeClair expands
on this point, writing,
Any open-minded meditation upon Sept. 11, 2001, floods the mind
with at first incomprehensible riddles. The brave seek answers and begin
to connect the dots. A shape begins to appear. The seeker can stop with a complete hypothesis: evil men, shadow men, bankers and oilmen, a
secret one-world power. Some seekers go deeper into the woods: Satanic Goofball Cultists and their midnight rituals. Nazi connections. The
Fourth Reich steps out from behind the American Flag. Not satisfied,
a few scrabble onward: an at least rudimentary knowledge of Occult
Technology is a must have. Occult science is that of metaphor and the
big truth of 9/11 is that it is a Hierophantic event, planned for two-thousand years by the priests of On and Tibet and altogether inevitable. Beyond this third degree, aspirants court the Abyss itself, gaze into the
yawning yaw of Yahweh and cry out: More Light!
Whether the truth is a conspiracy that’s decades old, or centuries old, or millennia old, the reality is one that blows to smithereens the notion of 9/11 being
merely an “inside job” by the Bush administration. (The involvement of members
of the administration seems a foregone conclusion, but the weight of the evidence
doesn’t support the idea that they were the masterminds…not by a long shot.)
The 11-year Countdown to 9/11
It should, then, come as no surprise that there would have been a countdown
to 9/11—an 11-year countdown, as you might have guessed—which was
initiated by none other than President George H. W. Bush in an address to a joint session of Congress
on September 11, 1990, in which he
referenced the “new world order”
that 9/11 would be highly instrumental in bringing about:
We stand today at a unique and extraordinary moment. The crisis in the
Persian Gulf, as grave as it is, also offers a rare opportunity to move toward
an historic period of cooperation. Out of these troubled times, our fifth
objective—a new world order—can emerge: a new era—freer from the
threat of terror, stronger in the pursuit of justice, and more secure in the
quest for peace. An era in which the nations of the world, East and West,
North and South, can prosper and live in harmony. A hundred generations
have searched for this elusive path to peace, while a thousand wars raged
across the span of human endeavor. Today that new world is struggling to
be born, a world quite different from the one we’ve known.
George Sr. announces and, 11 years later to the day, George Jr. presides:
another episode of our All in the Family Bush special.
An 11-year Countdown to The End of the Age
September 11, 2001, not only marked the culmination of one 11-year countdown, but also marked the initiation of a second 11-year countdown—to
one of the most significant dates on the occult calendar and one of the most
auspicious dates in human history, December 21st, 2012.
This date marks the end of the current age and the beginning of a New
Age—a perfect date on which to bring into full view their New World Order.
They have been constructing the foundations of this new order for decades/
centuries/millennia, and 12/21/2012 is the End of the Age—there could be
no better time than 2000+13 to fully implement their “New Order of the Ages.”
Thus, we go one level deeper still, with the destruction of the Pillars of
Hermes-Thoth on Thout 1 invoking Thoth as the Lord of Time and initiating
an 11-year countdown to the End of Time…
next
The Red Pill
footnotes
Chapter Fifteen
1. http://www.renaissanceastrology.com/astrologicaltalisman.html
2. http://en.wikipedia.org/wiki/Electional_astrology
Chapter Eighteen
1.http://vigilantcitizen.com/sinistersites/the-occult symbolism-of-the-los-angeles-central-library/
Chapter 20
1. http://www.holygrail-church.fsnet.co.uk/Freemasonry.htm
2. http://en.wikipedia.org/wiki/Skull_and_bones the
code name for the Bin Laden raid was Geronimo
FAIR USE NOTICE
This site contains copyrighted material the use of which has not always been specifically authorized by the copyright owner. As a journalist, I am making such material available in my efforts to advance understanding of artistic, cultural, historic, religious and political issues. I believe this constitutes a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law.
In accordance with Title 17 U.S.C. Section 107, the material on this site is distributed without profit to those who have expressed a prior interest in receiving the included information for research and educational purposes. Copyrighted material can be removed on the request of the owner.
No comments:
Post a Comment