The Russian Madonnas and the child sacrifices of Castel Sant'Angelo
Many things surprise Pope Francis, such as praying before the icon of a pirate virgin, one of the most important voodoo spirits, because some images of the Virgin are true works of black magic. Through Santeria we will discover that things as different as the Patron Saint of Artillery, the Disney fairy tale princess, the cave paintings of Australia, the Russian virgins and the dance of the seven veils, are actually the same. All with abundant gore props of sacred hearts pierced by thorns and swords. And in the end, only for strong stomachs, one of the most horrifying stories that can be written. If this were a movie, we would fire the writer, but it's about reality and history ... who do we have to fire?
The Voice of Truth speaks softly to make sure who wants to hear it wants to hear it.
Yes, we fired them. Soon they will leave and we will have a planet of Light, Peace, Love and Freedom.
Today October 13 I am in Rome attending the Consecration of the World to the Immaculate Heart of the Virgin Mary and the activation ritual of the "Final Solution", or the ritual of fulfillment of the Third Secret of Fatima see Fátima-Roma, la-Solucion -End . Today October 13 is the anniversary of the last apparition of the Virgin in Fatima and therefore of the day that the miracle of the "Dance of the Sun" took place, for some the most massive UFO sighting in history ...
When Francis was elected, he immediately expressed the desire to consecrate his pontificate to the Virgin of Fatima , something that in a few weeks he had accomplished. Four days after being named pope, in his first Angelus, Pope Francis cited, as who does not want the thing, the Virgin of Fatima ... today he is giving (consecrating) the World.
Without a doubt, the Virgin of Fatima is his great weakness, only surpassed by the curious passion that Francis feels for the Russian virgins.
The mystery of the Russian Madonnas and ... of the ball
We are going to reveal the reason for the passion for icons. Not long ago we were able to enjoy an unpublished image in Rome, that of a pope entering a basilica with a beach ball in his hand. The mysterious phenomenon did not last long as we immediately saw how he placed it in front of the Byzantine icon of the Virgin "Salus Populi Romani" in the Basilica of Santa Maria Maggiore . It was the small souvenir that Francisco brought with him from his trip to WYD in Rio de Janeiro: a t-shirt for the Virgin and a beach ball for the child who, despite the adult appearance with which he is represented in these types of icons, he also had a childhood.
Before leaving for Rio, the pope went to pray before this icon , which is his small weakness. We already explained www.soysanador.com/mariolatria on how the first thing Francis did as pope was to visit this virgin. It was on his first day of Pontificate, very early in the morning ... the first thing he did once elected.
According to tradition, the "Salus Populi Romani" or Protector of the Roman People was painted by Saint Luke on a piece of wood from the same table at which Jesus dined with the apostles. Like many other similar icons, its antiquity dates back to that of the first Christians. It is exposed in a dedicated chapel in the Basilica of Santa Maria Maggiore , another Roman church related to esotericism and the first sanctuary dedicated to the Virgin Mary in the West.
This little icon is considered miraculous, and has been carried in procession through the streets of Rome on many occasions. In 1954, the icon was crowned by Pope Pius XII, as "Queen of the World" and is currently the Patroness of World Youth Days, so a replica of the icon always accompanies the pope in all its editions.
Francis's passion for Russian icons is also shared by Benedict XVI. During the interview they had shortly after the coronation, they prayed together before another icon, that of the virgin -black- of Czestochowa .
The two white Popes praying and admiring a black virgin, the Madonna of Czestochowa.
This black Madonna, who could be baptized as the Voodoo virgin, is the beginning of this story ...
History, that mischievous and playful girl who knows everything but does not tell everything, proposes a short walk to meet the "voodoo virgins" and the very suspicious coincidences between Santeria, Voodoo, Tarot and devotion to the Virgin Mary:
The icon that provokes the popes' prayer in the photo is the Black Madonna of Częstochowa, the most revered relic of Poland and one of its national symbols. King John II of Poland crowned her as Queen and Protectress of Poland in the Cathedral of Lwów in 1656. Her most characteristic feature are the three cuts on her cheek that give her a somewhat filibuster air, unprecedented in a virgin. We will see later on the importance of this brand and its relationship with the three nails of Christ that appear in the logo of the Society of Jesus.
According to tradition, the "Black Madonna" -as it is known- was originally painted by Luke the Evangelist,like the virgin "Salus Populi Romani" that Francisco Bergoglio loves so much . As he painted it, everything that Luke later "transcribed" in his Gospel was channeled to him.
Original icon of the Virgin of Czestochowa. Using Photoshop we have clarified the image to be able to appreciate his face, as it is much darker still.
Luke the Evangelist, in addition to being a writer, was also a prolific sculptor. According to the Vatican, his is the statue of the Virgin "Moreneta" in Catalonia, which disappeared during the Muslim rule in Spain and was rediscovered around 880 in a cave on the mountain of Montserrat.
As a writer Luke the Evangelist wrote in his Gospel:
"And to You Woman a sword of pain will pierce your Heart" (Luke 2.35)
Of the four images on the left, one does not belong to the Virgin of Czestochowa. Observe his warm look of peace, tenderness and love. And above all, do not forget the detail of the scar on her cheek ... this virgin has just been in Spain and tomorrow she can be found on any corner. ! Watch out
Was Luke a seer who anticipated the symbol of the Sacred Heart of Mary or a misogynist fond of voodoo What happened by chance? Or there is a hidden hand that creates, invents, attributes everything according to a timeless plan very well drawn.
The Virgin of Czestochowa is on tour around the world and has already visited her two sisters in the last year, in Fatima and in Lourdes. She has traveled more than 30,000 km in "defense of life" and has been seen in various parts of Spain and in front of many abortion clinics in the USA.
Because that is the reason for his tour, "defend life", but not that of children who die of hunger, in patera, in wars, etc.
The "Black Madonna" of Częstochowa is associated with Ezili Dantor, one of the most important spirits in Santeria. Some attribute this curious association to the fact that Polish soldiers brought her to Haiti when they fought in the Haitian Revolution of 1802, others to the fact that Catholic monks found her there and brought her to Poland. The truth is another ...
Virgin of Czestochowa = Ezili Dantor = Ishtar
Ezili Danto is a Lwa (spirits or minor gods) whose symbol is a heart ... (like the Immaculate Heart of Mary ...) She is a warrior and protective beast, lover of beauty and luxury. She is capricious, attractive, seductive and flirts with all men, having conquered almost all the Lwa of the Voodoo pantheon.
It could be the black version of Aphrodite, goddess of fertility and crops and later reconverted to goddess of Love (Venus). Her sensuality and sexuality perfectly match those of Ishtar the Babylonian-Anunnaki goddess. Also its ferocity (it is the Hindu Kali): in some houses its altar is usually separated from the others by its uncontrollable energy.
on the far left the "Black Madonna" of Częstochowa and two versions by Ezili Danto, his version in Santeria. Voodoo has been able to make it show its true nature .... Ishtar.
Ezili Danto (Ishtar) likes knives, like the one that stabbed his sister Ezili Freda (Ereshkigal) in the heart in a fight, hence the symbol of the Sacred Heart pierced by a sword. The three scars on his face are in turn, the nails that his sister nailed him in the fight.
Ezili Freda, sister of Exili Dantor = Virgin of Sorrows
The Ezili are a family of Lwa or spirits that share symbols: the knives and the pierced heart. The same symbols of the Sacred Hearts of Jesus and Mary , the same ones that were given to Santa Margarita Alacoque in the first design she made of the Catholic icon of the pierced heart (see www.soysanador.com/latrampa-del-corazon-rojo ) AND the same ones with the red heart of Cupid and Valentine's Day, where knives have been replaced by arrows.
Ezili Danto, meaning the Virgin of Częstochowa, had a sister named Ezili Freda, in the same way that Ishtar had a sister whose name was Ereshkigal, the Queen of the Underworld.
In Christian iconography she is identified with the Virgin of Sorrows, who according to the church "cries because she will never be able to achieve the most fervent desires of her heart."
Ezili Freda is described as a very 'lazy' beautiful mulatto , a lover of luxury and more occupied with painting her nails than listening to the pleas of her worshipers. However, this is a woman who will never be able to achieve the position she covets, because of her tan skin. And because his sister is Ishtar, whose power among the ruling Anunnaki family is incontestable. In fact Ershkigal was sent to "reign" far away, to the Great Land Below, Australia.
Ereshkigal (who is Ezili Freda) is called the Lady of the Great Land Below (Australia or Kurnugui in Aboriginal language) and was the goddess of the underworld and darkness.
In Haitian voodoo Ezili Danto is depicted as Santa Barbara, which opens a bottomless pit in our collective subconscious. ..
Santa Barbara is a syncretism of the Haitian voodoo of Ezili Danto (Virgin of Częstochowa, Ishtar) and she is invoked to solve love issues since she died very young and a virgin for wanting to consecrate herself entirely to God. She lived in Turkey around the year 300. To her we owe the archetype of the beautiful princess, pure of heart, who lives locked in a castle tower , which has been used to exhaustion in children's stories and not so childish.
It is said that her father locked her in a tower to keep her safe because such was her beauty that he feared that men would seduce her if they could admire her. In the absence of her father, Barbara converted to Catholicism, and had three windows opened in the tower where she was being held , symbolizing the Trinity. When her father found out, he had her punished. The true meaning of the three windows we will see when we explain in depth the 666 codes, but for now we know that it is the same as the three marks on the face of the Virgin of Częstochowa / Ezili Danto or the three nails of Christ in the IHS logo Jesuit.
From here there are two versions of the story. In one, the father walked her naked on a horse to expose her to all the people until the Saint asked heaven that no one could see her in such a way and a storm covered her nakedness with clouds. This story has earned her being the saint of storms.
According to the other version, more "hardcore", the saint would have been tied to a colt, scourged, torn with iron rakes, burned with irons and walked naked through the city before cutting off its breasts. The wrath of God wasted no time in punishing the torturers, and his father was instantly struck down by lightning .
This sudden death has made her the patroness of the professions that handle explosives (by lightning) and especially of the miners. (Santa Bárbara Bendita, tranlará, tralará, patron saint of miners, look, look Maruxina look ...)
Likewise, she is also patron of the Artillery Weapon in most of the armies of the world and on many occasions she appears with cannons near she. In the navy it gives its name to the ship's explosives warehouse.
Of his life, scarcely documented, we know that he had a very large head ... parts of it are preserved in Mantova, Montecatini , Seville , Kiev , Ravello, Rome , Lviv and in Dignano.
Santa Barbara is remembered in almost every army in the world. On the front left of a French helmet in WW1 which, by chance in life, is exactly the same as the symbol of the flaming heart of SC de Jesús and SC de Maria ( see the third part of this article here )
Actually, we owe the creation of the character of Santa Barbara to the Tarot cards .
The Tarot originated in the 16th century but its sources are possibly lost at the beginning of time. Santa Bárbara starts from the letter of "La Torre" and adds other components and meanings to it, while maintaining the magical-divine character.
The letter from "La Torre": "Rays that fall on towers with weak foundations due to arrogance" ... any resemblance to reality is pure coincidence. (photo of the lightning that struck the Dome of Saint Peter the day after the resignation of Benedict XVI)
Traditionally "The Tower" is associated with chaos, accidents, catastrophes, ruin and generally represents "divine wrath" with its destructive ray. It is considered the most negative card of the Tarot by many specialists. It often symbolizes the punishment of men who want to rise above their means and there it connects with the biblical episode of the Tower of Babel, which was also destroyed by the wrath of God.
The Tower of the Tarot is the Tower of Babel. They are two icons that deal with the same event, each in its own way. The false ancient Anunnaki gods limited the human being so that he could not complete the path of evolution, which could lead them to want to be like their masters / gods. The same motive that causes the ray of God's wrath to destroy the Tower of the Tarot.
The tower of Babel is shaped like a spiral staircase, one of the most important and unknown symbols of Freemasonry , which represents this path of ascension. A path that was cut as a guarantee that Anunnaki supremacy would never be in danger.
Babel and Mordor, two famous towers on whose cusp resides the OO Origin of Darkness on the planet
The Bible tells us that the arrogance of men, who wanted to build the highest tower to reach heaven (enlightenment), provoked the wrath of God . A false god quite lacking in self-control (at least in the Old Testament) who spoiled human aspirations by confusing the tower builders with multiple different languages . Chaos was created and men lost the possibility of continuing to grow towards the sky. And the Tower of Babel ended up as an urban macro project for any city council in 21st century Spain.
Great metaphor, but let's go to its true meaning, which is encrypted in the Santa Barbara iconography:
To ensure that men would never live up to their "masters," limiting codes were created. The "Anunnaki masters" had used their own DNA for a genetic modification that created homo sapiens from a primitive hominid ... the missing link that science continues to search and that in the Bible is explained with the famous phrase of " Let's do man in our image and likeness ".
One of these limiters that had to guarantee their supremacy forever, are the 666 codes, frequencies that are incorporated into the human body and that separate it from its original vibration, diminish and weaken it (see the third part of this article to know more about codes 666 )
These codes are represented in detail in the Santa Barbara iconography:
· The three windows : the three code-emitting antennas that exist in the world: Notre Dame Cathedral in Paris, Toledo Cathedral in Spain and Saint John Lateran Cathedral in Rome.
· Lightning, the energy discharge that implants them
· Cannons, their destructive effect on human beings.
· The chalice with the eucharist and the IHS are a 666 code in itself , as we will explain later.
Besides these, Santa Barbara is accompanied by other elements that completely differentiate her from the other saints: a Crown, common in virgins but not in saints; a tower; a Sword (the nail, knife or sword of the Sacred Heart and Voodoo).
These peculiarities, along with other contradictory and theologically surprising elements, have caused it to be withdrawn from the official Roman calendar in 1960 along with a series of saints considered of doubtful historical existence. Furthermore, there are no references to Saint Barbara in the review of the martyrology of Saint Jerome nor among the earliest historians of Christianity.
It is likely that the popularity of his figure in Cuban Santeria had to do with this decision ...
Santa Barbara = Shango
Santa Barbara is related to Shango, an Orisha greater god of thunder, lightning, fire, war, dance, all music and male beauty. After Obatalá, Chango is the most powerful and most revered Orisha.
And it is that in Cuban Santeria, which is the unification of the Catholic saints with the Yoruba gods, Shango is the male version of Santa Bárbara , with whom he shares symbols such as lightning and the storm, the double-edged sword / ax (the of Santa Bábara) the red and white color and the palm leaf.
Interestingly, Santa Bárbara is also the official patron of Cuba.
And as the culmination of this "very short" interdenominational walk, in which all are relatives and friends with each other, I want to introduce the horniest couple and their European relative, the patron saint of the continent.
She is syncretized in Europe with Santa Brigida, which we already talked about in our article about the Tyrrhenian Sea and the decline of Europe.
The Baron Samedi or Baron of the Cemetery, her husband, is the most mediatic of all voodoo and is a lover of dance, alcohol and sex. He was the first male dead to be buried in a cemetery and, therefore, he is the guardian of the cemetery and from whom permission must be asked every time someone is buried. What a couple.
If Madam Brigite is the bride of the cemetery, in Europe we have a Saint who is called "The Bride", in theory because her name is similar in English (Bride). She is Santa Brigida and she is the patron saint of Europe. Madam Brigite and Santa Briggite are the same figure .
The Saint of Swedish origin has a church dedicated in Naples. Rather, a horror theme park. The Castle of Dracula on Halloween is a place a hundred times more relaxing than this church crammed with black magic. Wherever you look there are skulls and silver miniatures of children, arms, eyes, ears and hands, etc. All of them ritual objects that contain astral entities. Energetic entities created for a personal objective or simply for the possession, annulment, even "uncreating" of beings, either by eviction of their own soul, by physical deterioration or by suicide.
La Chiesa de Santa Brígida is a master in magic.
The Virgin Mary practices Voodoo (the false one)
Before showing that a spirit of Santeria and the Virgin Mary are the same figure , I want to remember that when I speak of the virgin I never mean the mother of Jesus, but rather the one who has usurped her role, the false Sumerian Anunnaki goddess of name Ishtar / Inanna.
At no time do I want to offend anyone, on the contrary, I want to end the great deception and unmask those who have caused or allowed it.
united hearts that is very familiar to us, especially on the fourteenth of February, Valentine's Day.
Comparison of several examples of Vevés and Seals of Catholic demonology
extracted from the Great Grimoire of Pope Honorius . Their resemblance is revealing.
who is the Black Virgin of Częstochowa
and by extension the Virgin Mary.
The Vevé is also the seal or anagram of the Virgin Mary in Christianity, proof that it is the same figure, Ishtar the Babylonian-Anunnaki goddess. Nothing to do with the mother of Jesus.
Ezili Danto's vevé is also the symbol of the Flor de Lys, another concealed 666 code that we will talk about at length
Notice the mocking air of the heart that must be laughing at us. Both symbols contain, as if that were not enough, the number of the beast, 666, as we will show later.
The Vevés are graphic symbols that are used in voodoo to summon and attract the Lwa (spirits or minor gods) and represent them during rituals, usually painted on the ground. It is the equivalent of the demon seals of medieval Catholic grimoires, see part three of this article . Both are similarly made, as if they were all the work of the same author . And many of them contain 666 codes adorned with insignificant graphics.
All energy can be expressed in different ways, be it as a wave, as a mathematical equation, as a graph ... The symbol not only contains the nature of the energy it is expressing, but it can also contain an intention and work at the same time for their materialization, which makes them a very powerful tool.
"The Mystery of the Russian Madonnas"
After this "brief" walk through Santeria, Voodoo, Christianity and black magic, we return to Pope Francis' passion for Orthodox virgins, be it the "Salus Populi Romani", which he often worships and even He brings him souvenirs, or the Virgin of Czestochowa whom he has come to worship in the company of another pope, the resigned Benedict XVI.
It has become clear that these virgins have their alter-ego, in Santeria and Voodoo, but ... what do those Russian virgins have that arouse such passion in "competition"? Why do non-Orthodox popes - Catholic, Apostolic and Roman - worship them so fervently?
What strange relationship is there between the Orthodox icons of the Virgin and the Vatican?
My information tells me that the key is in a well-known fortress near the Vatican, which in none of the previous trips to the Holy (holy?) City had I ever visited.
I apologize for jokingly comparing this article to a noir (and very black) novel because what I found there is too serious, too horrible, too real. For this reason, humor is an ideal antidote, especially when one is alone and encounters atrocities like this. And it is that until now it had never happened to me to find myself without words to explain a feeling like the one I was about to experience when leaving Saint Peter's Square. But I found it quickly: "Arcades in the Soul"
The Russian Icons
In the year 1054 there was a separation between the Eastern-Orthodox- and Western -Roman- churches. Before that date, the dogmas and rites were the same for both churches and the Orthodox one has kept them exactly the same until today (hence its name). Given that the Roman has incorporated many changes, it is worth considering that the Orthodox Church is the direct continuation of the primitive Christian communities.
The Virgin Mary has always been very present in the Orthodox Church, long before the "invention" of the Rosary or the Immaculate Conception. In fact tradition says that the Virgin Mary died in Ephesus, the ancient city dedicated to Artemis (Ishtar) in Turkey. see www.soysanador.com/mariolatria
Orthodox icons, representations of the Virgin, Jesus Christ and the saints that are venerated in Greece, Russia and the countries of Eastern Europe, are the best testimony of this intimate relationship. Some are of singular beauty and date from the earliest dates of Christianity. The main difference between icons and religious painting is that the icon, while being a work of art, is primarily a sacred symbolic object. It has a special force, whose purpose is prayer and liturgy, not decoration or contemplation.
According to the Church, this force is explained because the Virgin herself is present in a consecrated icon of the Virgin, that is to say that they are "true receptacles of the represented saints." In magic it is known that an object can be charged with astral energies, intentions and entities , or have an open door with them. For a magician it is easy to do. Even a child can understand it, but ask him about Aladdin and the genie that lived inside his lamp. When "something is consecrated to ..." it means that "something is given to ..." with all the consequences that this may entail. Faust did not take it into account when he exchanged his soul to the devil in exchange for pleasure and knowledge.
There are some icons with more capacity to relate to these types of entities or energies. They are called "miraculous", the most famous to which are attributed from all kinds of cures to war victories.
There are three types of Orthodox icons dedicated to the Virgin Mary:
example of virgin Odighitri
1st The Virgin Odighitria, or "the one who shows the way", who is holding the baby Jesus in her arms and pointing to him because He is the Truth and the Way. The child extends his right hand towards the observer, as a sign of blessing and holds in his hand a book or scroll of the Holy Scriptures,
2º The virgin Eleúsa , who holds the Child but without the distance with which the Odighitria does. Here their faces touch, and the child wraps at least one arm around his neck. The scene shows the strong bond that unites them as mother and son and usually conveys great tenderness. Its origin is in the Coptic church.
The Virgin Eleúsa contrasts with the Catholic virgins, who are often represented alone, without the child, or with measured coldness as in the case of the Virgin of Montserrat in Catalonia, where mother and son go to their ball. And never better said.
From left to right: The Virgin of Bogorodicy (Pokrov); Ereshkigal, the owl, in a popular image attributed to Ishtar; cave painting of the goddess Barrginj, or Ereshkigal for the aborigines (P. Nacional del Kakadu, Australia). The posture of the arms in all three cases is the same.
The devotion to the Kazan Mother of God began in the 16th century and spread brilliantly, being the protagonist of many miracles, like its counterpart in Rome, the "Salus Populi Romani", that of the little ball. In the 20th century, he narrowly escaped the Bolshevik regime that turned his home - the Kazan Cathedral of the Mother of God in Saint Petersburg - into a museum. After a busy life full of disappearances, battles and miracles, the ultra-Catholic group “Blue Army of Our Lady” from Fatima bought it for half a million dollars at an auction in New York. His purpose was that, by returning him to the Church , the conversion of Russia would be fulfilled, which the Virgin of Fatima had announced to the three shepherds.
The "Blue Army" built a small armored chapel for him in Fatima and the icon was preserved there until 1993, which was given to John Paul II who, for ten years, kept it in his rooms. Finally in 2004 he was returned to Russia .
This stormy biography, its miraculous fame and the passions it arouses throughout the world, make it suspected of being one of those magical objects that "are true receptacles of the saints [or astral entities] represented . " In the case of the Kazan icon this is a proven reality. I already worked on it in the Kazan Cathedral, in Saint Petersburg, when I was not yet aware of the importance of these icons. This object had anchored a work of magic that came to be like a work of cursing women, Russian or non-Russian.
It did not surprise me, knowing the weakness of religious sectors for an "inferior" woman to be able to submit, humiliate and abuse. what they morbidly call "sinful woman" in a mixture of moral justification and erotic fantasy. But ask the Dominicans ( www.soysanador.com/latrampa-del-corazon-rojo ).
The Sumerian-Anunnaki magicians, gods or kings knew that by subduing and weakening women, children - future adults - and the entire family are controlled. The woman "suitably cursed" is the key piece, the perfect strategy to subjugate and maintain with the physical and psychic forces just to survive, an entire society: And at the same time perpetuate herself as "masters" ... a cunning trick.
The Castle of Russian Madonnas
I walk away from the Consecration Mass that is being celebrated in St. Peter's Square, in the direction of a nearby Castle and right at its doors I stumble upon the last clue. A parked truck of those advertising the Consecration of Russia to the Immaculate Heart of Mary. The poster should say "Less Russian icons and more Sacred Heart " because it is a rivalry between factions of "Anunnaki gods", or a rivalry between high level magic ...
Truck of an active campaign in Rome in the days of the Consecration of the World to SC of Mary. In the background, in the corner, the Archangel Michael and right at his feet the Hall of the Treasury of the Popes where is the solution of the "Mystery of the Russian Icons"
In Saint Peter's Square they had already given me pamphlets about this strange campaign that may have made sense in its day, with the Bolshevik revolution and a war in between, but not now. Furthermore, the Kazan icon cursed not only Russian women, but those of the entire world. In fact as a protector she was not very useful to the Romanovs. Tsar Nicholas II, in 1918, in his last political act, consecrated his Empire to the Virgin of Kazan and a few days later he would be executed with his entire family (except the little daughter Anastasia).
In the past, the Vatican could only be accessed by a bridge, the most beautiful in the city. But it had several exits, one of them a high walled passage -il pasetto- for when the popes wanted to discreetly leave the Vatican. More than one pope has crossed the race, rolling up his sleeves to avoid stumbling, because it was also the escape route that connected the Vatican with an impregnable fortress, Castel Sant'Angelo, at the foot of the Tiber. By the way, the last time it was used was by Pope Clement VII, fleeing from the troops of King Carlos I of Spain.
<<<< The Sant'Angelo Bridge , formerly Hadrian's Bridge. When crossing this bridge, hostile visitors encountered the imposing silhouette of the castle, as now hundreds of tourists do every day.
In total it has six levels that make it a monumental wedding cake. Better still, a funeral cake , since first it was an Etruscan tomb, then a mausoleum of Roman emperors - the most famous of Hadrian's - , a prison in the Middle Ages and a barracks in recent times. From 1200 it was the residence and military refuge of the popes, but today it is a space reserved for tourists to comfortably queue between numerous living statues. As if in Rome there were not enough of the stone ones.
In 125 AD , Hadrian's Mausoleum was built , awide cylinder with volcanic stone and opus caementicium (the typical Roman concrete), which gives it an ugly appearance. At the top there was an artificial hill with cypress trees and sculptures (in the Etruscan style), but now there are three floors superimposed as an overtic, which the popes built when they made it their residence. And on the highest terrace, an imposing statue of the Archangel Michael, energetically sheathing his sword that seems to point towards the ground.
Before the arrival of the popes, there was a great circular ramp that culminated in a room, the "Room of Urns", where Hadrian's burial chamber was. Later, this mausoleum would be used as a cell where prisoners considered most dangerous by the papal authorities were locked up, so that they would die of hunger and thirst . In the tomb there is a marble plaque with a poem allegedly composed by Hadrian himself.
Knowing the fate of those locked there, reading it causes shudders, a prelude to what awaits us on the upper floors:"
Small, delicate, wavering soul , guest and companion of the body,that now you disappear to there where everything is pale, rigid and naked and you will not joke as usual ".
The four oversized trunks ... empty.
-It is called EGREGOR to a conglomerate of accumulated energies, of the same origin and characteristics, and that can be shared
by a certain human group or by all Humanity.-
Arcades in the Soul
source
http://www.soysanador.com/archivos/Fatima-iconos-rusos-arcadas-del-alma-parte2.html
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