Wednesday, April 29, 2020

Part 5 of 5 : 911 As a Mass Ritual...A Massive Ceremonial Complex...Pike’s Palladian Rite and Dem Bones ...The Red Pill

The Most Dangerous 
Book in the World 
9/11 as Mass Ritual 
By S.K. Bain

Chapter Eighteen 
A Massive Ceremonial Complex 
The connections between the Statue of Liberty and the Twin Towers have been fully explored: there’s the obvious geographical proximity, as well as multiple esoteric ties. However, there is more at Ground Zero and in the general vicinity than first meets the eye—much more. Stepping back and taking a look at the broader environment, we discover the presence of other objects of occult/ritual significance. 

Consider the temple complexes of the Greeks and Egyptians, with their many buildings, statues and ceremonial and sacrificial areas: these individual elements are properly viewed as working parts of a collective whole. 

The ancients honored their deities with monumental architecture, and modern practitioners of the Great Mysteries have done no less, only their honorific constructs are hidden in plain view. Could it be that the entire area around Ground Zero is a massive ritual occult ceremonial center? 
9/11 destruction “controlled demolition” — fact or fiction ...
Why did the World Trade Center towers fall perfectly straight down ...
The World Financial Center: 
Elevated Symbols 
The World Financial Center lies directly adjacent to the World Trade Center on the west side, and atop its four tallest buildings are four incredibly powerful occult symbols: 1.) an unfinished pyramid; 2.) a stepped pyramid; 3.) a square pyramid; and, 4.) a dome. 

There is no way to know for certain what these symbols represented to the planners of the 9/11 Mega Ritual, or whether they served an active role in the ritual or simply were a part of the ceremonial setting. What is for certain is that they are all of significance to occultists, and their presence at this location cannot be a coincidence. 

The Unfinished Pyramid 
Each of these four symbols has multiple meanings. The unfinished pyramid might be said to superficially represent our ongoing pursuit of perfection as individuals and as a species; or, the Founders’ still-incomplete task of building America. Writing in The Secret Destiny of America, Manly P. Hall states, “On the reverse of our nation’s Great Seal is an unfinished pyramid to represent human society itself, imperfect and incomplete. Above floats the symbol of the esoteric orders, the radiant triangle with its all-seeing eye.” 

That which is not present, the capstone, also has significance. Again, Manly Hall, in The Secret Teachings of All Ages: “As a rough and unfinished block,  man is taken from the quarry and by the secret culture of the Mysteries gradually transformed into a trued and perfect pyramidal capstone.” Hall continues, “The temple is complete only when the initiate himself becomes the living apex through which the divine power is focused into the diverging structure below.” 

Referring back to the “radiant triangle” Hall mentioned, James Davis Carter, in Masonry in US History—Background, History and Influence to 1846, observes, “The triangle also represents the capstone of the unfinished pyramid and reminds the Mason of the immortality of the soul and that in eternity he will complete the capstone of his earthly labors according to the designs on the trestle-board of the Supreme Architect of the Universe.” Davis concludes, “The unfinished pyramid cannot fail to remind him of the unfinished condition of the Temple when tragedy struck down its Master architect.” 
Why a New 9/11 Commission Is Needed | The National Interest
Interpretations with darker meanings exist, however, and are more applicable in this context. If the capstone could in a positive sense represent the transformation of the initiate into a perfected being, under a more sinister interpretation the unfinished pyramid represents the mass of humanity, as “a rough and unfinished block…taken from the quarry and by the secret culture of the Mysteries gradually transformed” into their image of perfection—into a posthuman, transhuman collective hive awaiting the bidding of its masters. 

The orchestrators of 9/11 would not have had a utopian vision of the physical and spiritual evolution of mankind in mind. To them, the unfinished pyramid infers an artificially-accelerated, technologically-and-pharmacologically-induced synthetic evolution of humanity, directed by their hand for their own nefarious purposes. 

The 9/11 Mega Ritual was indeed part of that very process, one designed to utilize fear and terror to force the transmutation of human society, of our very consciousness, individual and collective. 

The Stepped and Square Pyramids 
Pyramids are viewed as “stairways to heaven,” symbolic stairways to the stars, and the stepped pyramid of the World Financial Center might well represent a Stairway to the occult-Masonic heaven, Sirius. 

The square pyramid is symbolic of a mountain, with its corners representing the four corners of the world and the four cardinal directions. More significantly, it is a path between Heaven and Earth, with its peak rising into the sky. In occult lore, the pyramid is considered to be the ultimate symbol of the Mysteries, representing the transition from the material plane to the spiritual world. From the square base of the pyramid, representing the material world, rises—in mathematical perfection—four triangles, representing divinity. According to many occult researchers, the pyramids of ancient Egypt were used for the purposes of initiation, where candidates were led to the path of illumination. 
September 11th Victim Aid and Compensation Fast Facts - CNN
Albert Pike, writing in Morals and Dogma, concurs, stating that “The more the great Hierophants were at pains to conceal their absolute Science, the more they sought to add grandeur to and multiply its symbols. The huge pyramids, with their triangular sides of elevation and square bases, represented their Metaphysics, founded upon the knowledge of Nature.” 

There may be no singly-important meaning of the pyramid in this context, as it is “the ultimate symbol of the Mysteries.” For certain, it represents the path of illumination, and we have well seen that the inspired source of illumination from the perspective of the 9/11 script writers is the Light-Bearer, Lucifer. 

The Dome 
Last but certainly not least, the dome is often associated with both Isis and Sirius, and is in fact a component of the hieroglyph for Sirius. The image invoked is of a womb, birthing a new humanity, giving rise to a new aeon, Aleister Crowley’s Aeon of Horus. 

Interpreting the Complex 
The Twin Towers were sacrificial altars or vessels, and were themselves ‘sacrificed’ as part of the 9/11 Mega Ritual. The mass human sacrifice and the destruction of the sacrificial vessels (recalling the burning of the Wicker Man) were performed in the presence of these four over-sized occult symbols—each of which bears its own significance and meaning. 

More than one of these symbols invokes the Blazing Star, Sirius, and it is also possible that these four symbols together constitute a coherent occult statement. Perhaps they are a three-dimensional explication of what could well be the ultimate goal of the MegaRitual itself: the transmutation of human consciousness through fear and terror. 
Pin on Imagine That!
As nasty a thought as this is, though, we won’t dwell on it any longer, because there is yet another element of the massive 9/11 Satanic Ceremonial Complex that we’ve thus far ignored. 

The Millenium Hilton: 
An Inspired Creation
Ground Zero building work reflected in the glass walls of the ...
Directly east of the World Trade Center lies the Millenium Hilton (the misspelling of “millennium” was intentional on the part of the hotel owner). Google this phrase and on one of the many New York travel pages that are returned on the search, you’ll likely find the following statement: “The hotel is a high-rise black glass building which pays homage to Arthur C. Clarke’s vision of the Monolith in 2001: A Space Odyssey.”

This sentence apparently once appeared on the Millenium Hilton’s website (although it’s no longer there), and in looking at the building there’s no question that the fictional monolith was the inspiration for it. It is certainly a striking piece of architecture, but surely it’s just a harmless architectural tribute to an iconic piece of science fiction…

A Monolithic Presence 
In the film 2001, the black monolith not only stood witness to, but facilitated the creation of a new world. On September 11, 2001, this massive facsimile sat directly to the side of the Twin Towers as they were destroyed, and the Millenium Monolith likewise stood witness to the creation of a new world: fear of terrorism in the homeland as a new part of daily life in America; the erosion of civil liberties and the establishment of a domestic police state; wars in Iraq and Afghanistan. 

That’s all, though, right?, we want to tell ourselves. We’re exhausted—No more dark secrets, no more mockery. Yet, as with every other ugly aspect of 9/11, wishing it weren’t true doesn’t make it so. 
See The Original Monolith From 2001: A Space Odyssey | Londonist
The Sentinel 
Clarke’s film was based on an earlier short story he’d written, entitled “The Sentinel,” which is precisely what the Millenium Monolith was intended to represent. It was an intentional occult construct, an over-sized real-life dark sentinel designed to stand witness to a monumental act of Evil Magic. 
Chilling final words of those who died inside the Twin Towers on 9 ...
Oh…no… Oh, yes, says trusty guide Michael Hoffman, again in Secret Societies and Psychological Warfare: “The mute monolith of 2001 is harbinger of what Clarke calls…the Overlord. It is the ashlar of the secret societies. The monolith represents the shaping function of the occult magus, who tames and tampers with the natural world.” No, no, no… Shut up, replies Hoffman, continuing, “This Freemason’s radiating ashlar, this transmitter monolith, is An Inspired Creation a sentinel that we allegedly trigger with our awareness—a ‘progressive development’ which is in turn conveyed by the sentinel to the ‘higher powers’ (‘dark gods’).” 

9/11, 2001—Evil Magic…and this massive black evil big brother of the monolith from 2001 has ringside seats to the Greatest Show on Earth, sitting there, in plain view, conveying all that he sees to the dark powers, and mocking us… YOU CAN’T SEE ME! 

Wrapping Up 
Surely that’s all, surely we’re done with this place… Yes, we’re done with Ground Zero (although those with the stomach for it can revisit this locale in Bonus Chapter Twenty Eight to see what is going on there now.) 
Movies & TV Shows That Copied the End of 'Planet of the Apes'
You can’t get out of your seats, yet, though, because we still have to bring everything together and reconstruct the full occult script for the 9/11 Mega Ritual and reflect upon it, in all of its hideous glory. 

But before we do that, we need to look at a couple of logical suspects, and afterwards we’ll ask the question, “How long was this maniacal production in the works?”

Section Three 
The Book and Score
Chapter Twenty 
Pike’s Palladian Rite 
and Dem Bones 
If you tell a lie big enough and keep repeating it, people will eventually come to believe it. The lie can be maintained only for such time as the State can shield the people from the political, economic and/or military consequences of the lie. It thus becomes vitally important for the State to use all of its powers to repress dissent, for the truth is the mortal enemy of the lie, and thus by extension, the truth is the greatest enemy of the State. 
—Dr. Joseph Goebbels, 
chief propagandist 
for the Nazi Party 

See, in my line of work you got to keep repeating things over and over and over again for the truth to sink in, to kind of catapult the propaganda. 
—President George W. Bush, 
Greece, N.Y., May 24, 2005 
This is not a whodunit and we’re not here to figure out how the conspiracy that generated the 9/11 occult script worked, or precisely who (with an exception or two) was involved. 

The world of conspiracy theory is a dark, murky place, and when it comes to the usual suspects in these sorts of affairs (of which 9/11 is just the grandest example thus far, but by no means the only one), it is easy to get mired down in a bubbling stew of unsubstantiated rumor, disinformation, hogwash and bullshit. 

The New World Order, Illuminati, Freemasons, Council on Foreign Relations…there are plenty of books available on these and many related topics, and good luck to you if you decide to spend half your life trying to determine which authors and sources are credible and which are not. The truth may be out there, but it’s encrusted in a layer of crud a mile thick. (See Appendix A, “The Usual Suspects in the Quest for World Domination.”) 

However, before moving on, we are going to take time to look at two possible suspects, the first entity for what it appears to be but is not, and the second because the organization in question and those affiliated with it fit the ‘criminal profile’ in this case so well that it’s almost comical. 

The Palladian Rite 
Albert Pike, who lived from 1809 to 1891, was a prominent Freemason and author of Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry. Pike was elected Sovereign Grand Commander of the Scottish Rite’s Southern Jurisdiction in 1859, a position he held for the remainder of his life. 

Pike was also reportedly the Grand Master of an organization known as the Order of the New and Reformed Palladian Rite, which was a resurrected version of an earlier group founded in Paris in the 1700s called the Order of the Palladium. According to legend, the Order had been brought to Greece from Egypt by Pythagoras in the fifth century, and it was said that this “cult of Satan” was aligned with the Palladium of the Templars and introduced to the inner circle of the Masonic lodges. 

Pike’s Palladium Rite was said to be an international Luciferian alliance of key Masons, and in her book, Hidden Secrets of the Eastern Star, Dr. Cathy Burns writes, 

Knowing of Pike’s admiration for Lucifer, we shouldn’t be astonished to find out that Pike created a Palladium Rite which was a secret rite that openly worshipped Lucifer and practiced blatant occultism. This rite was to be kept secret at all costs and only a chosen few were selected. The Palladium, we are told, would be an international alliance of key Masons. It would bring in the Grand Lodges, the Grand Orient, the 97 degrees of Memphiz-Mitzraim (the Ancient and Primitive Rite) and the Scottish Rite. The name, Palladium, was taken from a Masonic order founded in 1720 which died out, only to re-emerge in Charleston under Pike. 

The Palladian Rite was to be a supreme, universal rite of Masonry that would over-arch all of the other rites, and centralize all high Masonic bodies in the world under one head, that head being Lucifer with Pike as his human agent. 

The “H” Word 
As described, the Palladian Rite certainly sounds like a logical suspect on which to pin the blame for the 9/11 Global Occult Monstrosity. An ultra-powerful, ultra-secretive (okay, perhaps not so secretive given that you’re reading about it here) Luciferian core of worldwide Freemasonry? Man, that fits the bill—that’s it, cased closed, get the torches and pitchforks. 
Le Mystères de la Franc-MaçonnerieLes Mystères de la Franc-Maçonnerie dévoilés (With images ...
There’s just one problem. Pike’s Palladian Rite probably doesn’t even exist, and was almost certainly a hoax perpetrated by one Léo Taxil (originally Marie Joseph Gabriel Antoine Jogand-Pagès). Taxil, a French writer and journalist, wrote a series of pamphlets and books in the 1890s denouncing Freemasonry and charging their lodges with worshipping the devil—which, as it turned out, was only one of a series of hoaxes he’d concocted. 

The ultimate truth of the matter may be more complicated than that, and just because Taxil’s writings may have been a hoax, doesn’t mean there’s not a Luciferian core at the heart of Freemasonry—but good luck proving it. Regardless, our next suspect, although it may be a familiar one to some, certainly warrants closer scrutiny in light of what we’ve learned about the 9/11 occult framework. 

Dem Bones 
Skull and Bones - Wikipedia
The 9/11 Occult Mega Ritual was by all appearances the work of extremely powerful Black Magick Satanic secret societies, and the President at that time, George W. Bush, is a publicly-acknowledged member of Skull & Bones, a Yale undergraduate society that has been characterized by conspiracy theorists as, well, a Black Magick Satanic secret society … what a coincidence. 

President Bush on Meet the Press, February 8, 2004: 

Russert: You were both in Skull and Bones, the [Yale] secret society. 

President Bush: It’s so secret we can’t talk about it. 

Russert: What does that mean for America? 

The conspiracy theorists are going to go wild. “Skull and Bones has the characteristics of a death cult,” writes John W. Whitehead of the Rutherford Institute in his 2004 article, “The Secrets of Bush and Kerry: What Are They Hiding from Us?,” in which he continues, “and most of the lore surrounding it centers on its death fixation. In fact, the entire secret society revolves around death-centered imagery. The initiates are told that they must ‘die to the barbarian world’ and be born again in the company of the elect or, as they call it, The Order.” 

Whitehead also tells us that, 

Some critics point to the fact that Skull and Bones is similar to other powerful secret societies such as the Thule Society, which emerged in Germany in the early 20th century. Much like its modern counterpart Skull and Bones, the German Thule Society initiated its members with elaborate rituals that mimic those of black magic—replete with sexual practices, blood orgies and communicating with spirits such as the devil. And, in fact, both groups use identical symbols to identify their respective group—the nefarious skull with two crossed bones. 

Skull & Bones is a regular feature in many conspiracy theories, some of which assert that the society plays a key role in a global cabal bent on world domination. It has been alleged, for example, that the society—informally referred to as “Bones” (and its members as “Bonesmen”)—is a branch of the Illuminati and controls the Central Intelligence Agency.1 

“Bonesmen are like a cross between Forrest Gump and Zelig,” writes Washington Post Staff Writer Don Oldenburg in a 2004 article, “always in the picture at major historical crossroads: Bonesmen oversaw development of the atomic bomb and influenced the decision to use it on Japan. They managed the postwar occupation of Germany. They helped shape U.S. Cold War policies. They were policymakers during the Vietnam War. They have ties to the Council on Foreign Relations and the Trilateral Commission—two hot-button organizations for conspiracy theorists.” Oldenburg continues, saying that conspiracy theorists “have a field day over the fact that Bonesmen were among the founders of the Central Intelligence Agency. They love to point out that statues of the patriot spy Nathan Hale, Yale 1773, stand on both the university’s campus and the CIA’s headquarters in Langley.” 
The Brave AmericanThe Brave American
[A Skull & Bones Calling Card In 2000, the year in which Bonesman G.W. Bush was elected, the Republican logo was changed from its original configuration, left, to the one shown on the right—with three inverted pentagrams—which is still in use. It took them a while (2008), but hell, even Mother Jones took note.] 

John Whitehead adds further detail: “Known for its celebrity membership, Skull and Bones’ alumni include numerous power-wielding individuals such as former President William Howard Taft, Henry Luce—the founder of Time magazine, U.S. Supreme Court justices, mega-corporation founders and leaders and such recent luminaries as former President George H.W. Bush, President George W. Bush and Sen. John Kerry.” 

Multi-Generational Bush Bonesmen 
George W. Bush, John Kerry, test the spirit, Skull & Bones ...
George W. certainly wasn’t the first or only member of the Bush family to join Skull & Bones. Writing in the May 2000 issue of the Atlantic magazine, Alexandra Robbins states, 

Bush men have been Yale men and Bonesmen for generations. Prescott Bush, George W’s grandfather, Yale ‘17, was a legendary Bonesman; he was a member of the band that stole for the society what became one of its most treasured artifacts: a skull that was said to be that of the Apache chief Geronimo.2 Prescott Bush, one of a great many Bonesmen who went on to lives of power and renown, became a U.S. senator. George Herbert Walker Bush, George W.’s father, Yale ‘48, was also a Bonesman, and he, too, made a conspicuous success of himself. Inside the temple on High Street hang paintings of some of Skull and Bones’s more illustrious members; the painting of George Bush, the most recently installed, is five feet high. 

There were other Bush Bonesmen, a proud line of them stretching from great uncle George Herbert Walker Jr. to uncle Jonathan Bush to cousins George Herbert Walker III and Ray Walker. So when George W. was “tapped” for Skull and Bones, at the end of his junior year, he, too, naturally became a Bonesman. 

The Smell of Sulfur 
A proud line of Bush family Bonesmen, steeped in black magic ritual— author and publisher Kris Millegan, in his definitive book Fleshing Out Skull and Bones, asks, “Do we find in New Haven a multi-generational cult that uses conspiratorial tactics and ritualistic magic in its drama for control...that believes in the power of death to bring about change, a group of Zeitgeist initiates believing that the ends justify the means, and using massive deaths to feed their necromancy”? 

Maybe George W. Bush himself provided a partial answer of sorts to this question when he remarked in 2008, “I’ll be long gone before some smart person ever figures out what happened inside this Oval Office.” 

Or, perhaps Venezuela’s President Hugo Chávez was more on target than anyone realized in a 2006 address to the United Nations General Assembly when he made the following remark concerning President Bush’s presence there the day before (and then made the sign of the cross, brought his hands together as if in prayer and glanced toward the ceiling): 
Venezuelan leader calls Bush “devil” – The Denver Post
El diablo está en casa. Ayer estuvo 
el diablo aquí, en este mismo lugar. 
Huele a azufre todavía. 

The devil is in the house. 
The devil was here yesterday, 
in this very place. 
Smell the sulfur even now. 
(Not that it matters, but the New York Times translated this: “Yesterday, the devil came here. Right here. Right here. And it smells of sulfur still today, this table that I am now standing in front of.”)

Chapter Twenty-One 
The Reconstructed Script for 
the 9/11 Occult Mega ritual 
“I think we are farmed,” Charles Fort said of humanity. It was Fort who also suggested that man deliberately invented the dogma of materialism in order to shield himself from the evidence of what was being done to him by means of psycho-spiritual warfare methods hyped by “coincidence,” symbolism and ritual. 
—Michael Hoffman, 
Secret Societies and 
Psychological Warfare 

Never allow anyone the luxury of assuming that because the dead and deadening scenery of the American city-of-dreadful-night is so utterly devoid of mystery, so thoroughly flat-footed, sterile and infantile, so burdened with the illusory gloss of “baseball-hot dogs-apple-pie-and-Chevrolet” that it is somehow outside the psycho-sexual domain. The eternal pagan psychodrama is escalated under these “modern” conditions precisely because sorcery is not what 20th century man can accept as real. 
 —James Shelby Downard with 
Michael A. Hoffman II, “King Kill 33” 

2001: September 11—a most auspicious date for a ritual undertaking, New Year’s Day on the occult calendar, a date connected to the heliacal rising of the occultists’ Spiritual Sun, Sirius, the Dog Star; a date that also pays homage to the Egyptian Lord of Time, Thoth, through the name of the first month of the new year, Tout, highly fitting for a ceremony focused heavily on timing and time itself… 

On this date imbued with occult meaning, winged Mercurial messengers of death take to the skies, filled with sacrificial victims unknowingly awaiting their fate. Nineteen individuals believing themselves to be Islamic jihadists (evidence suggests that perhaps not all of them were true believers)—soon to-be-martyrs receiving their rewards in Paradise—readied themselves to take control of four airliners with box cutters. 

Let the Games Begin 
The ceremony officially commences as American Airlines Flight 11 (AA11), ritually marked, consecrated with the number of magic itself, slams into the North Tower of the World Trade Center, declaring the initiation of a magical operation. 

President and Bonesman George W. Bush arrives at Booker Elementary School in Sarasota, Florida, the state which had given him the presidency in 2000 and where his brother Jeb is governor—and where the 9/11 ringleader and hijacker-pilot of AA11, Mohamed Atta, had received part of his flight training. The Commander-in-Chief as High Priest is in “Paradise,” presiding over a Black Mass, complete with little black children chanting out the words of “The Pet Goat” (about which Osama bin Laden will later crack jokes on Al Jazeera, saying that Bush was more occupied with “the goat and its butting” than “the planes and their butting of the skyscrapers”), invoking Baphomet, even as United Airlines Flight 175 slams into the South Tower, an act designed to invoke Aleister Crowley’s Liber 175, the “book of Uniting…to a particular Deity by devotion.” They are stating their intentions and declaring their devotion, not simply to Satan, but also to Crowley—as has been made evident, the entire day’s proceedings constitute no less than an “Ode to Aleister Crowley” (not to be confused with Ozzy Osbourne’s literal ode to Crowley). 

Thus, the two concrete and steel re-creations of the fabled Pillars of Hermes, the God of Commerce and Trade (and also of thieves and robbers), stand mortally wounded, as Hermes himself prepares to undertake his traditional role as psychopomp, escort of the souls of the dead to the Underworld. In the Tarot, the Tower card has been known as the House of the Damned, and the Twin Towers have become enormous sacrificial altars. Very soon, the doorway between the two pillars will be opened and the veil of Isis will be symbolically torn asunder as the towers come crashing to the ground and a gateway to hell esoterically created. 

More Public Sorcery 
In Arlington, Virginia, American Airlines Flight 77 (AA77)—piloted by a hijacker who according to one flight instructor “couldn’t fly at all”—performs near-impossible aerial acrobatics in order to hit the west face of the Pentagon. This part of the building had been recently renovated and the Office of Naval Intelligence had just been moved in. The direct pin-point strike on their office conveniently destroys records related to the investigation regarding $2.3 trillion in transactions which Donald Rumsfeld had announced on September 10, 2001, could not be accounted for. 

A massive version of an ancient and powerful occult symbol, the Pentagon sits on the 77th Meridian West and is 77 feet tall. AA77 was marked with this same number, which according to Aleister Crowley is the number of “magical power in perfection,” and also conjures the 77 infernal names from Anton Lavey’s Satanic Bible. And what is that in the sky? It’s a bird, it’s a plane, it’s the Doomsday Plane to be exact—call sign VENUS 77. 

Groundbreaking for the Pentagon began 60 years to the day prior to 9/11/2001, which also happens to be former U.S. Solicitor General Ted Olson’s birthday. Olson supposedly receives two cell phone calls that fateful morning from his third wife Barbara, who was enroute aboard AA77 to a taping of Politically Incorrect—and who may also be one-and-the-same as Olson’s fourth wife, Lady Evelyn. 

The Final Three Acts 
In Shanksville—shank, shanksville, get it?—United Airlines Flight 93 is an air mail greeting to Thelemites around the world, and in this installment of the Flying Circus of Death, the plane performs a perfect disappearing act, leaving not much more than a Wile E. Coyote silhouette in the loose soil of an abandoned strip-coal mine. The investigation is overseen by one Bill Crowley from the Pittsburgh office of the FBI, and the initial design for the Flight 93 Memorial, the “Crescent of Embrace”—shaped as an Islamic crescent—creates such an uproar that it is finally changed. 

A less commonly known aspect of the MegaRitual involves Korean Airlines Flight 85— with the number 85 invoking both Thoth and the Tower tarot, as well as conveying “this means war” (which, of course, 9/11 did). Flight 85 was directed to land in Whitehorse, Yukon, and “white horse,” as Ozzy Osbourne could tell you (and did, in his 1980 song “Mr. Crowley”), is slang for heroin, to which Aleister Crowley was painfully addicted. And speaking of Crowley (yet again), one Tim Crowley, air traffic controller, was on duty in the control tower on the morning of September 11, 2001, at the Whitehorse International Airport. 

Rounding out the MegaRitual proper—the closing of the curtain, one might say—was the dramatic late-in-the-day collapse of Salomon’s Temple, otherwise known as the trapezoidal-shaped 47-story World Trade Center building 7 (a massive three-dimensional reference to the 47th Problem of Euclid, sacred to Freemasons), home to Rudy G’s skybox bunker. Let’s have a couple of minutes (or years) of silence while Larry “Pull It” Silverstein tries to come up with a plausible excuse for using controlled-demolition terminology, and last but not least we bid adieu to Anton Lavey and his Order of the Trapezoid. 

Some Sirius Black Magick 
If all of this strikes you as some sort of Evil Magic, you’re on the right track, as 9 is almost universally recognized as a number of evil, and the number 11 as, well, you know—yielding 9/11 as a mathematical sigil for Evil Magic. And no, it’s not coincidence that in the U.S. the universal number for emergency services is 9-1-1. The diametrically opposed meanings are intended to create psychic distress; it’s all part of the psychological warfare programming for 9/11. 

Astrologically, the Lords of Death and Hades, Saturn and Pluto, stand watch over 9/11, as does the Statue of Lucifer/Liberty in a much more literal fashion. References to the Masonic Blazing Star (and Crowley’s Silver Star), Sirius, abound, invoking in particular the role of this star as the abode of Lucifer. 

Sirius was also the name of the only police/search-and-rescue dog killed on 9/11, who died during the collapse of one of the towers, which, incidentally, were literally wrapped in massive steel tridents, marking them as Satanic Mega Altars. The towers were, at the time, the key features in a broader Occult Ceremonial Complex, complete with a gigantic replica of the Monolith from 2001 and other massive occult symbols on the rooftops of the World Financial Center buildings. 

As an overview of the overview, then, Bush the High Priest sits in Paradise on New Year’s Day overseeing a Global Satanic MegaRitual which features winged messengers of death as a tribute to the Prince of the Power of the Air. These flying harbingers of doom deliver their payloads of human sacrifices to their MegaTalisman targets, invoking all sorts of astral hell in the process. The number of magic is everywhere, including an 11-year countdown to 9/11 (see next chapter), and the entire MegaRitual takes place “in plain sight.” (For another humorous overview of the events of 9/11, see Appendix D on page 181.)

Chapter Twenty-Two 
Two Final 11s, and 
the Question of Time 
“Boy, they were big on crematoriums, weren’t they?” 
—President George H.W. Bush, 
during a tour of Auschwitz in 1989 

Given the breadth and depth of the occult script underlying 9/11— and the amount of time, energy and resources that it took to pull the entire production off—the question logically comes to mind, My God, just how old is the 9/11 Conspiracy, how far back does it extend? 

A 30-year-old conspiracy? 
Former U.S. Senator and 9/11 Commission Member Bob Kerrey has stated in an online interview that 9/11 is a “30-year-old conspiracy.” 

Kerrey: “…the problem is it’s a 30-year-old conspiracy.” 

Interviewer: “No, I’m talking about 9/11.” 

Kerrey : “That’s what I’m talking about.” 

And although that notion may come as a surprise to some (hopefully not after reading this material), Kerrey may actually be off only by a millennia or two. 

Michael Hoffman informs us that “the process of Hermetic cryptocracy is not stagnant. It is engaged in a remarkable project set into motion millennia ago, an operation which has accomplished most—if not all—of its chief goals with masterful dispatch.” Synchromystic blogger Mark LeClair expands on this point, writing, 

Any open-minded meditation upon Sept. 11, 2001, floods the mind with at first incomprehensible riddles. The brave seek answers and begin to connect the dots. A shape begins to appear. The seeker can stop with a complete hypothesis: evil men, shadow men, bankers and oilmen, a secret one-world power. Some seekers go deeper into the woods: Satanic Goofball Cultists and their midnight rituals. Nazi connections. The Fourth Reich steps out from behind the American Flag. Not satisfied, a few scrabble onward: an at least rudimentary knowledge of Occult Technology is a must have. Occult science is that of metaphor and the big truth of 9/11 is that it is a Hierophantic event, planned for two-thousand years by the priests of On and Tibet and altogether inevitable. Beyond this third degree, aspirants court the Abyss itself, gaze into the yawning yaw of Yahweh and cry out: More Light! 

Whether the truth is a conspiracy that’s decades old, or centuries old, or millennia old, the reality is one that blows to smithereens the notion of 9/11 being merely an “inside job” by the Bush administration. (The involvement of members of the administration seems a foregone conclusion, but the weight of the evidence doesn’t support the idea that they were the masterminds…not by a long shot.) 

The 11-year Countdown to 9/11 It should, then, come as no surprise that there would have been a countdown to 9/11—an 11-year countdown, as you might have guessed—which was initiated by none other than President George H. W. Bush in an address to a joint session of Congress on September 11, 1990, in which he referenced the “new world order” that 9/11 would be highly instrumental in bringing about: 

We stand today at a unique and extraordinary moment. The crisis in the Persian Gulf, as grave as it is, also offers a rare opportunity to move toward an historic period of cooperation. Out of these troubled times, our fifth objective—a new world order—can emerge: a new era—freer from the threat of terror, stronger in the pursuit of justice, and more secure in the quest for peace. An era in which the nations of the world, East and West, North and South, can prosper and live in harmony. A hundred generations have searched for this elusive path to peace, while a thousand wars raged across the span of human endeavor. Today that new world is struggling to be born, a world quite different from the one we’ve known. 

George Sr. announces and, 11 years later to the day, George Jr. presides: another episode of our All in the Family Bush special. 

An 11-year Countdown to 
The End of the Age 
September 11, 2001, not only marked the culmination of one 11-year countdown, but also marked the initiation of a second 11-year countdown—to one of the most significant dates on the occult calendar and one of the most auspicious dates in human history, December 21st, 2012. 

This date marks the end of the current age and the beginning of a New Age—a perfect date on which to bring into full view their New World Order. They have been constructing the foundations of this new order for decades/ centuries/millennia, and 12/21/2012 is the End of the Age—there could be no better time than 2000+13 to fully implement their “New Order of the Ages.” 

Thus, we go one level deeper still, with the destruction of the Pillars of Hermes-Thoth on Thout 1 invoking Thoth as the Lord of Time and initiating an 11-year countdown to the End of Time…

Chapter Twenty-Three 
The Red Pill 
“Thousands of lives were suddenly ended by evil, despicable acts of terror. The pictures of airplanes flying into buildings, fires burning, huge structures collapsing, have filled us with disbelief, terrible sadness and a quiet, unyielding anger.” 
—George W. Bush, 
September 11, 2001 

The Pentagon was attacked to cover up evidence of financial crimes, and, as it turns out, so were the Twin Towers (if you want to read more on this topic, see page 183). The locations/floors of the companies involved? You guessed it—right where the planes hit. 

Flight 11 hit the north face of the North Tower directly above floor 93, and Flight 175 hit the south face of the South Tower directly above floor 77. But wait, those aren’t just the areas where the companies in question were located—north face, North Tower, south face, South tower…more seemingly-purposeful repetition…93, 77…the presence of all four key numbers in the first act alone…how could there possibly be more to discover about this 9/11 techno-sorcery? 

There is more to learn, but this may be all you can handle right now (if you think otherwise, head on over to the Bonus Chapters beginning on page 145). You’ve just swallowed the red pill, which, in the 1999 motion picture The Matrix allows the main character Neo to see the world as it really is, to see past the illusory digital creation in which his mind is entrapped. You need time to adjust, to come to terms with your new reality and the implications (and responsibilities) associated with your new-found knowledge. 

The Ugly Truth 
We can now grasp the enormity of the conspiracy and understand the conspirators’ almost omnipotent power—power to manipulate our reality, to manipulate us, to manipulate the institutions of government and media and to suppress official inquiry at any level. 

Those with the ability to successfully play out such an ambitious multi-act occult script on a global stage under our very noses without fear of detection obviously possessed the logistical and technical expertise to accomplish all of the related practical tasks necessary to make it “The Greatest Show on Earth.” 

This would include the controlled demolition of the Twin Towers—not that we have to show one way or the other whether they were in fact destroyed in this manner. The occult script proves the existence of a massive conspiracy beyond a shadow of a doubt. Exactly who did it is another matter, and exactly how they did it yet another still. And while the former question remains open and screams for further investigation, the latter—how—doesn’t matter anymore (except in determining who-all’s asses to execute or put in jail). 

The ugly truth is that the conspirators could have done—and did—anything and everything they wanted to. Bringing down two skyscrapers under our noses? Child’s play, easily enough accomplished from a technical perspective, however it was done. The beautiful truth, however, is that we can now basically ignore all the pesky little details because we can see the big picture. 

The apparently-fireproof jet-fuel-soaked passport of one of the Twin Towers hijackers that supposedly survived the crash and was found on the ground by a passerby? Who cares. Mohamed Atta’s luggage—reportedly containing the 9/11 hijackers’ names, assignments and al-Qaeda connections—which conveniently failed to make it onto his plane and not only allowed the FBI to quickly identify the hijackers but also amounted to “the Rosetta stone of the investigation”? Who cares. The airline passenger manifests that strangely didn’t include any of the hijackers’ names? Who cares. The Bush family member on the board of directors of Securacom/Stratesec, the company that provided security for the World Trade Center and Dulles Airport? Who cares. The power outages in the towers in the weeks leading up to the attacks? Who cares. The presence of nanothermite in the dust at Ground Zero and the discovery of pools of still-molten steel more than a month after 9/11? Fuhgedaboud-it. To use a slightly modified cliché, Don’t miss the MegaRitual for the burning buildings.[this author is starting to get lost in his theory,he has not solved jack s*$t, he is just throwing gas on a out of control fire DC] 

A Total Fabrication 
In the context of the occult script, all of the inconsistencies, suspicious facts and blatant lies make perfect sense—it was a huge multi-faceted operation involving so many different working parts that the conspirators never expected to be able to cover it all up, or even cared about doing so. In many instances, they didn’t even try, or, worse still, were so bold and arrogant that they mocked us to our faces by leaving clues in plain sight.

All of the maddeningly suspicious details and inconsistent official accounts that merely left us confused and befuddled now lose their power over us. In context of the MegaRitual, we see that it was all theatre. In many instances, they didn’t even attempt to hide their stagecraft, because they know we can’t see something that we don’t believe exists. 

We can now explain why everything about 9/11 seemed suspicious—the entire event was engineered and the entire official story is a fabrication. Every official explanation for every aspect of 9/11 is now suspect, and, in fact, we can and should assume that the official explanation for every single element of 9/11 is a falsehood. 

But what can we do about it, against unseen actors with practically omnipotent power? Is it even possible to hold such people accountable—are they not untouchable? 

With certain knowledge of conspiracy, we must act, and Michael Hoffman tells us why: if we don’t, we enable our own enslavement. 

The Hoffman Lens 
Hoffman reminds us of the purpose of the 9/11 Mega Ritual: “This theater of death began as a ritual for the cult members themselves and ended as a giant magical ceremony for the processing of the entire nation… This is the alchemical psychodrama for the transformation of humanity. We are processed just by reading or watching ‘the news.’”1 Hoffman continues, 

The French adept Antonin Artaud, architect of the “Theater of Cruelty” with its transformative power, and the prophet of the extreme sex and-death media of our time, had this to say about the processing of the Group Mind: 

“Aside from trifling witchcraft of country sorcerers, there are tricks of global hoodoo in which all alerted consciousnesses participate periodically…That is how strange forces are aroused and transported to the astral vault, to that dark dome which is composed above all of…the poisonous aggressiveness of the evil minds of most people…the formidable tentacular oppression of a kind of civic magic which will soon appear undisguised.” 

“… which will soon appear undisguised.” Artaud wrote those words in the 1940s. The public sorcery he forecast is here, now. 

Theater of death, global hoodoo, civic magic, public sorcery… “What we are witnessing in the wake of the public enactment of these alchemical psychodramas,” writes Hoffman, “whose spiritual consequences for mankind are far more momentous than most have thus far guessed, is a process of global occult initiation. These are open-air masonic ceremonies which produce awe in the wake of the physical and technical accomplishment of their time-lost objectives.”

Alchemical psychodrama, global occult initiation, open-air masonic ceremony—the 9/11 Global Occult Mega Ritual was all of these, and more. But the secrets contained therein, the “secrets of the script,” were not meant to be kept secret forever. 

Hoffman describes how the occult secrets buried within the rituals are meant to be revealed eventually, and calls this … 

“the Revelation of the Method”…the process wherein murderous deeds and hair-raising conspiracies involving wars, revolutions, decapitations, secret archaeo-astronomic deity cult-worship, and every manner of horror show are first buried beneath a cloak of secrecy…and then, when finally accomplished and secured, slowly revealed to the unsuspecting populace who watch…deep-frozen…as the hidden history is unveiled.3 

Hoffman explains the Method further, and reveals its purposes: 

The alchemical principle of the Revelation of the Method has as its chief component, a clown-like, grinning mockery of the victim(s) as a show of power and macabre arrogance. When this is performed in a veiled manner, accompanied by certain occult signs and symbolic words and elicits no meaningful response of opposition or resistance from the target(s), it is one of the most efficacious techniques of psychological warfare and mind-rape. 

This ceremonial nose-thumbing, this perverse jesting and clowning is taken to the highest level of intensity by the Truth or Consequences principle which ultimately hinges upon the issue of consent. It is one thing for the media, the police, the judiciary and the killers themselves to commit terrible acts without our knowledge or consent. 

It is quite another matter, with grave repercussions in the realm of psychodrama, public ritual and advanced mind control, when these crimes are committed with our consent. It is an ancient rule of both the moral and common law that silence connotes consent—silence and a lack of meaningful action constitute consent in the face of these crimes. 

They brag to us about what they’ve gotten away with and we’re thrilled by it. That’s our only significant response, that and the anticipation of the next thrill.

All Part of the Plan 
A clown-like, grinning mockery; a show of power and macabre arrogance; ceremonial nose-thumbing; perverse jesting and clowning…sound remotely familiar? This is exactly what we found throughout the 9/11 Mega Ritual script, and now we must face the conclusion that the conspirators in fact wanted us to eventually discover what they’d done. 

Hoffman shares further insight into the Revelation of the Method, and explains the “game plan operant”: …

the after-the-fact revelations are as much a part of the…plot as the murder and its initial cover-up. It’s a deliberate psychological process they’re taking us through, a psychodrama of enormous scale.5 … The following is a statement which comes from within the British-intelligence wing of the Cryptocracy: 

This demonstrates one of our simpler methods. Realizing that our activities will sooner or later come to light, we structure our activities so that as conspiracy researchers unravel them, they will release information into the public consciousness in such a way that it mirrors our initiatory procedure. In this way, the more we are investigated, the more masses of people are psychologically processed by the very people who seek to expose us. The meme that constitutes our essential structure is then successfully mimicked within the consciousness of those who investigate us. Success can then be measured precisely to the extent that our work is “exposed.” 

…the one-two punch repeatedly conveyed in these highly symbolic murders, which transmit alchemical cant language command phrases and trigger-words over the airwaves and into the news racks. 

One: the ritual murders are successfully accomplished. The principals get away, the scapegoat conveniently takes the blame. Two: later we learn the truth but no one is prosecuted. We are mocked, disoriented and demoralized. Occult prestige and potency is heightened. 

This is what simplistic researchers miss: the function of macabre arrogance thumbing its nose at us while we do nothing except spread the tale of their immunity and invincibility further. That is the game plan operant here. 

Enabling Our Enslavement 
So, is that all we’re doing here, is this all we’ve accomplished: spreading the tale of their immunity and invincibility? Hoffman goes on to discuss the motive behind the Method, and reminds us that ““silence and a lack of meaningful action constitute consent in the face of these crimes.” And the consequences of consent?... 

Why would the perpetrators want their secrets revealed after the fact— even if it is years later? …secrets like this were rarely revealed in the past because traditional people had not yet completed the alchemical processing. To make such perverse, modern revelations to an unprocessed, healthy and vigorous population possessed of will, memory, adherence to their deepest inner intuition and intense interest in their own salvation… would have proved fatal to them. 

But to reveal these after-the-act secrets in our modern time, to a people who have no memory, no will-power and no interest in their own fate except in so far as it may serve as momentary titillation and entertainment actually strengthens the enslavement of such a people.

We strengthen our own enslavement? Hoffman reiterates, repeating that consent is key: 

If the truth of what the cryptocracy has perpetrated is grasped and acted upon, the consequences for the conspirators will be annihilation. But if the people fail to perceive the truth or fail to act on their perception, thus rendering unto the Process a kind of tacit consent born of apathy, amnesia and abulia, the consequence for the conspirators will be a giant step in the advancement of their system of control, that is to say, ever tighter bonds of enslavement for humanity. 

Why does the cryptocracy bother to gamble so much by going public with what it is doing to us? Because consent fuels their control like no other form of energy.

If we fail to act on our perception, thus rendering tacit consent, we are complicit in our own bondage—and merely spread the tale of their immunity and invincibility. Knowledge is power, and with power comes responsibility. 

Twin Towers Demolition Multiple Choice 
The Twin Towers were completely destroyed on 9/11: a) For dramatic effect 
b) All the better to sell you the deadly-Islamic-terror-attacks cover story with, my dear 
c) To fully execute this critical component of the MegaRitual 
d) To destroy evidence of financial wrongdoing housed in the Towers 
e) To get rid of the aging, asbestos-infested structures and avoid costly environmental remediation 
f ) To get Larry Silverstein his damn insurance money g) All of the above (and then some)

link to the source for those who wish to continue with it 


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