Excerpt from
Fritz Springmeier Deeper Insights
ONE OF THE
GREATEST
DECEPTIONS
OF
ALL TIME: DISNEY
INTRODUCTION
For years, I have heard many Americans say that something is terribly wrong
in this country & that things are "going to pot", and yet Americans can’t put
their finger on what exactly is wrong. When I first began to receive reports
from victims of Illuminati mind-control about Disney’s involvement in their
mind-control, I kept an open ear, but I wanted some tangible proof. After
investigating for myself, there is now no doubt in my mind that Disney (the
man, the movies & the entertainment parks) has been a major contributor to
the demise of America, while maintaining a very well constructed front of
wholesomeness.
In this chapter, you will learn why Disney is one of the best deceptions of the
Illuminati. This author has read a good portion of what is available to the
public concerning Disney. This exposé is undoubtedly the deepest on Disney
that has ever been done. Perhaps part of my motivation is that I’ve tired of
Christians talking and acting like Disney stands for sainthood.
Christians, who should have known better, are some of the ones who have
swallowed "hook, line and sinker" the enormous deception that entails
Disney. They feed their children a steady diet of occultism and witchcraft
because they have been programmed to think of Disney as wholesomeness
and everything that is good about America. Many writers over the years have
tried to expose Disney, most have been stopped before they could get their
books published.
The few authors who have managed have faced vicious
attacks on their character & integrity, and have faced enormous struggles
against public relations campaigns paid for by the Disneys. The Disney’s
power, and the power behind them, has frightened most people away from challenging them. But someone needs to speak on behalf of the victims.
Whether anyone listens or not, the victims will know that somebody cared
enough to stand up & write the truth. Disney has not only left mind-control
victims in its wake, but they have harassed land-owners, stolen employee
idea’s and left all kinds of hurting victims in their path. Disney has risen to
become the unquestionable largest media-entertainment conglomerate in
the world, & was ranked company no. 48 in the top 500 companies by Forbes
500.
Observations about HOW THE ILLUMINATI LIKE TO HIDE BEHIND
PERFECT FRONTS.
There are numerous Illuminati homes, restaurants, wineries and other
institutions that are today carrying out the same type of strict standards
upon their employees that Walt Disney Studios maintained. While
Hollywood was immersed in moral filth from the start, Walt Disney Studios
had strict standards. In the 1930’s, Disney had a dress code that required men
in ties, and women in sober-colored skirts. If a man looked lecherously at a
woman at Walt Disney Studios he risked being instantly fired. Walt was a
shining example of the strictest legalism. Even during the ’50's, if an
employee were caught saying anything considered a cuss word such as "hell"
they were instantly fired no matter who they were. Walt would not allow his
male employees to have any facial hair, even though he himself sported a
moustache.
He never allowed employees to have alcohol at the studios, (which might not
be a noteworthy standard except that Walt himself drank heavy amounts of
alcohol in his private office at work for decades). Initially, Walt was very
reluctant to have his young artists, who were being trained by Don Graham,
draw live nude models, but reluctantly gave approval. Again the motive was
not to serve God, but to make sure the Disney reputation remained
untarnished. With the power of the establishment media behind Disney,
Walt had nothing to worry about, news about the nude drawing classes and
their detailed drawings never reached the light of day. Behind such strict
fronts of legalistic morals, cleanliness & soberness, you will often find lots of
guilt and high level satanic ritual.
For instance, Hitler (who was by the way also a failed artist & who liked
mechanical things more than people) obsessively washed his hands many
times a day (out of guilt), and so did Walt Disney. Walt obsessively washed
his hands several times an hour, every hour. Walt liked animals & his trains
more than people. This author has seen some alters who were forced to take
another human’s life, and when they relived the memory, the alters then
tried to physically wash the blood guilt off of their hands.
Another example is that over the years this author has discovered that many
of the exclusive restaurants that are meticulous in every detail are tied in
with the mind-control and criminal activities of the elite. Dirty money is
keeping the places looking sparkling clean. Walt Disney worked very hard at
maintaining a great image for himself and his company.
An example of this, is how he exploded in rage and wrote an angry memo
when a Disney character was placed in a beer ad. (Memo mentioned in Thomas, Bob. Walt Disney An American Original. Hyperion, 1994, p. 7.) He
had a personal image builder, Joe Reddy, who worked full time to build
Walt’s image. Joe Reddy was a cigar-smoking Irishman who loved the
catholic college Notre Dame’s football team. He also was a publicity agent for
Shirley Temple. But the Disney deception entails far more than Joe Reddy’s
decades of image making, and Walt’s own abilities to create good images of
himself. Just as with Billy Graham (see Vol. 2 about Billy Graham), the entire
Illuminati threw their weight behind promoting Walt Disney.
Ronald Reagan and Walt Disney were good friends and both cut from the
same die in many ways. Both men were high ranking Freemasons, both came
from socialist backgrounds (Ronald’s mother was Eleanor Roosevelt’s best
friend, & Walt’s Dad was a socialist leader), both were paid FBI informants,
and both were involved heavily in the abuse of mind-controlled slaves. Walt
always generously supported Reagan’s political campaigns, and in turn
Reagan did political favors for Walt as Gov. of California.
For instance, Disney’s Mineral King mountain resort needed an access route
through the Sequoia Nat. Park at a time when there was lots of congressional
pressure to preserve the last stands of redwoods. Gov. Reagan got his friend
Disney his road through the park. Reagan served as the emcee for the
opening day of Disneyland on July 17, 1955. He returned with Illuminati TV
host Art Linkletter for the 35th anniversary. Ronald Reagan & Art Linkletter
both pumped Disney publicly.
Another slave abuser that spent time with Disney was Bob Hope, who would
spend time on the golf course with Walt. On the opening day’s telecast,
cameras showed Sammy Davis, Jr. (a member of the Church of Satan) and
Frank Sinatra (a mind-control slave handler) driving the pint-sized Disney
ears at the Autopia ride. When Disney celebrated its fifty yr-anniversary with
a two hour special on May 20, 1991, the program included people like
occultist Bill Campbell and was named "Best of Disney, 50 Years of Magic."
For the silver anniversary of Disney World in Oct. ’96, the Clinton’s were
invited to help open 15 months of celebrations. The theme of the anniversary
celebrations was "Remember the Magic". A Boy’s & Girl’s Club sang ‘When
you wish upon a star’ (a popular programming song). Hillary Rodham
Clinton (herself an Illuminati Grand Dame and a mind-control programmer)
shared with the audience that she and Bill "first brought daughter Chelsea to
the Magic Kingdom when she was four."
Roy E. Disney, nephew of Walt, told
the public that Disney World "is the story of men and women who took hold
of a dream and never let go." There is a double meaning to that. Many
victims of trauma-based mind-control have taken hold of the illusions that
were programmed into their mind secretly at Disney, and never let go.
Among the visitors to Disneyland have been all the American Presidents
from Eisenhower to Clinton, over a dozen kings & queens, as well as Emperor
Akihito of Japan, Anwar Sadat, and Robert Kennedy (who rode the
Matterhorn with astronaut John Glenn.) Both Denmark’s & Belgium’s kings
who are in the Illuminati visited, as well as the dictators of Indonesia, the
Shah of Iran and Ceausescu of Romania. (As a side-note Roy E. Disney was
forewarned by Arab leader that the Shah was to be deposed.)
Organizations that have been actively working for a New World Order for
many years gave big awards to Walt in his early years such as the B’nai B’rith
(Man of the Year Award to Walt) and the Chamber of Commerce. In 1936,
Walt was given the Chamber of Commerce’s annual "Outstanding Young
Man" award. The establishment’s Yale & Harvard Universities gave him
honorary degrees.
Walt Disney biographer Leonard Mosley, who researched Walt Disney for
years (as well as writing books on the duPonts, the Dulles brothers, and
Hirohito) wrote in his book on Walt Disney,
"The studio publicity machines in the film colony had, as usual, gone out of
their way to try to persuade me, as a writer for a powerfully influential British
newspaper, that this was a city of lawless gods and goddesses, full of clean living, sanitized stars."
It was even more of a deodorized world at the Walt Disney Studio where the
publicity men insisted their boss was faultless--never drank too much, never
used a swearword, never lost his temper, never quarrelled with his wife or
family, never let down a friend. And woe betide anyone who tried to suggest
otherwise. Members of the resident foreign and local press risked their jobs if
they dared to write stories inferring that Walt Disney could be domineering,
implacable, and unforgiving (as was the case, for instance, before, during,
and after the 1941 studio strike). The Disney flacks were capable of exerting
heavy pressure on editors and proprietors or, through the advertising pages,
against anyone who inferred Walt Disney was not the epitome of well scrubbed and benevolent perfection." (Mosley, Leonard. Disney’s World.
New York: Stein & Day, p. 10.)
Disney is perhaps the epitome of Illuminati abilities to create images. They
have created great images for things Disney, incl. Walt Disney, Disney
movies, and Disney’s Amusement parks. In some cases these things have
been overrated, in other instances the sinister side to them has been carefully
hidden. In order to make movies that contain the typical smut of Hollywood,
sex and violence, Disney did a slight of hand and created subsidiaries which
Disney runs, which has allowed them to keep their good image. They also never showed the public the hard core porn that was made for years in
secrecy for the elite.
Behind Disney’s good front lies hard porn, snuff films, white slavery,
Illuminati mind-control, and the seduction of several generations into
witchcraft. Disney’s involvement in these kind of things will be explained in
this chapter. Nobody has sold America witchcraft as well as the Disney
brothers. Movie after movie has cleverly brought the occult into the warp &
woof of American thought, all under the disguise of entertainment. For
instance, it was Disney that brought us cannibalism and told us that it was a
"triumph of the human spirit" (a direct quote from Disney’s Touchtone
Producer Robert Watts concerning Disney’s movie "Alive" featuring survivors
of an airplane crash who turned to cannibalism).
Under the disguise of entertainment & showing us how "triumphant" the
human spirit was, they subtly promoted cannibalism. Mickey Mouse plays a
leading role in "The Sorcerer’s Apprentice." And yet when this author has
suggested that Disney movies aren’t wholesome, many Christian parents
come unglued and have gotten angry with this author. The deceptive image
that Disney movies are wholesome is a triumph in Illuminati deception.
Parents would be surprised what is slipped into cartoons. In Disney’s "The
Little Mermaid" the castles are male sexual organs. In one cartoon Mighty
Mouse is shown without comment clearly snorting cocaine. Walt Disney
Studios Chairman Joe Roth is in charge of Walt Disney as well as subsidiaries
Touchtone, Miramax, and Hollywood Pictures, which were all created to
camouflage the Disney production of adult films. Disney operates in a
clandestine manner regarding the promotion, distribution and rating of the films produced by their subsidiaries.
Roth oversaw Disney’s
subsidiary Hollywood Pictures’ Evita film. Evita has as its main star "Material Girl" Madonna. Madonna is in reality a mind-controlled slave who
has appeared in numerous underground porn/& ritual porn movies. (This
author has an underground catalog from a porn business, that has recently
changed its location of business. The catalog offered a film of Madonna
performing an actual blood sacrifice.) She also was the main actress in
Disney’s Dick Tracy film which is reported to be used for mind-control.
During an Arsenio Hall show, Madonna, who as a guest acted dissociative,
was picked up by the cameras during the show kissing her Baphomet ring.
Disney controls the products that are associated with the movies of their
subsidiaries. In Evita’s case they are marketing hats and other items, as just
one more of Disney’s countless artificially generated consumerism campaigns. In Ruth Stein’s interview of Madonna, Madonna appeared bored
with plugging Disney’s consumer products. When asked about the tango
dresses and hats inspired by Evita that popped up in stores after the film,
Madonna said, "Believe me, I have nothing to do with it. Disney is pushing
the whole thing." (San Francisco Chronicle, 12/29/96, Datebook section). In
one interview Madonna states she wants her daughter to grow up knowing
Catholicism, but she doesn’t believe that it would be good for her daughter if
Madonna married the father of her child from Lourdes, Carlos Leon.
In another interview, Madonna says, "Actually, I’m a very good role model,
because I say, ‘Look, these are my standards’..." She then goes on to plug
homosexuality, same sex marriage, and single families in the interview. Walt
Disney stated that it plans to release an album by DANZIG, a heavy metal
band whose songs contain "dark themes". The Disney press release
announces on its by-line "Mickey Mouse is going heavy metal." Disney’s
album ,,BLACK ACID DEVIL" was due to hit the music stores Oct. 30, 1996
during Halloween time. According to Disney this music has no satanic
references, but does have "dark, Gothic and sexual" overtones. Glenn Danzig
denies that he is a satanist.
CONTENTS IN THE DISNEY DECEPTION SECTION OF CHAPTER 5.
B. AN OVERVIEW
Disneyland and Disneyworld are world famous and the pride of America.
They are also extremely important programming centers for the Illuminati to
create total mind-controlled slaves. Disneyland is also involved with
providing a place for rituals, porn and other satanic activities. In terms of
deception, Disney movies and Disney Amusement Parks rate as one of the
best deceptions. According to deprogrammed ex-Illuminati slaves, the
Illuminati in the 1960’s needed to shift their programming away from the
military bases, because too much publicity (heat) was shined on the military
bases. Their goal was to have someplace that people from all over the world
could come to without raising any suspicions, and a place which would be
the perfect cover for many of their criminal activities.
According to a witness, the Illuminati Programmers got a big laugh out of
using Disneyland as a major Illuminati base for criminal activity. Under the
disguise of entertaining the world, they carried out money laundering, child
slavery laundering, and mind-control. They nick-named Disneyland "the
little syndicate of mind-control." When a child of 3 or 4 was kidnapped, they
could torture the child and then put him on a ride such as a ferris wheel or
carousel that: a. created dissociation from the pain, while also b. going along
with some fairy tale programming script.
An abducted child while waiting to be picked up from one Illuminati non parent caretaker by another, could be kept happy and distracted while
waiting for the pickup. For years, Disneyland was an Illuminati center for
many of their world-wide activities. Now Disney has created other sites
around the world such as Euro Disneyland 20 miles east of Paris and Tokyo
Disneyland.
Tokyo Disneyland in 1991 had 16 million people attend. With such huge
crowds, it doesn’t take much imagination how the Illuminati have been able
to do sneaky criminal activities right in front of people, and the public never
sees it, in the middle of all the activity. EuroDisney has been a money losing
affair, but the Saudis who benefit from its mind-control, gave Disney the
money to keep it financially in business. Walt Disney Records is the largest
children’s record label in the world. Disney through their movies, books,
toys, records, etc. has made a tremendous impact on the children of the
world. Their movie Return from Witches Mountain was one of the most
powerful witchcraft promotions ever made. Ducktails, which has deliberate
Monarch mind-control triggers written into the script, is also broadcast in
Poland and the former USSR. From the time of the Roman Empire (at least, if
not before) the oligarchical leadership, who have been in control of both the
Mystery Religions and European aristocracy, have known about BREAD &
CIRCUS.
Bread and Circus refers to the concept that IF the masses of people are given
entertainment and food staples, THEN they are easy to control. Walt Disney
movies have played a key role in providing entertainment for the masses to
insure Illuminati control. Walt Disney’s friend the Masonic prophet H.G.
Wells in his book A Modem Utopia that there would be lots of shows in the
New World Order. The World Future Society in a book review in their
publication Future Survey Annual, 1993, (ed. Michael Marien, Bethesda, MD:
World Future Soc., p. 91) describes Disney: "Control of commodities [such as
entertainment] and access to commodities translates into control over
people. ‘The postmodern US is a massive rush of disconnected commodities,
each seeking a moment of our attention." The world of commodities is our
soma, and entertainment is the current form of public discourse. Walt
Disney World, spread over 27,400 acres of central Florida swamp and scrub
forest, ‘is the most ideologically important piece of land in the U.S.’ What
goes on here is the quintessence of the American way. It is visited by over 30
million people a year--not only the major middle-class pilgrimage center in
the US, but by far the most important entertainment center in the world. It is
clearly Oz, utopia as a marketing device."
Two Disney brothers Walt (Walter Elias) and Roy O. Disney have been at the
center of the creation of amusement parks and popular Disney films. In more recent times, two other men, Eisner and Katzenberg have been notable at
Disney. Eisner & Katzenberg, as well as others will be discussed later. One of
Disney’s directors, Victor Salva, was convicted of molesting a boy and filming
one of the sexual molestations. Recently Disney Director Salva produced the
Disney movie "Powder". (Victor Salva’s sexual molestation conviction was
covered by newspaper articles such as Robert W. Welkos of the LA Times, in
newspapers such as The Oregonian, Weds. Oct. 25, 1995, A sect.)
The impact of the Disney brothers is monumental. Mickey Mouse tee shirts
can be seen being worn by natives all over the world. Disney World and
Disneyland are the quest for a large segment of humanity, who often esteem
these amusement parks as the highlight of their life. What is highly esteemed
among men, is an abomination to God according to the Word of God. The
Bible arbitrarily makes this claim, but sadly, research by this author over the
years proves that a close examination of Disney & mankind’s esteem for
"Disney" things does vindicate the Biblical expectation. In other words, as
readers of this article will find out, behind the appearance of wholesomeness
of the Disney brothers and their creations lays abominations-- some of the
most grotesque aspects of generational occultism the world has ever seen.
Disney’s Magic Kingdom has become an American Institution that impacts
people all over the world from the cradle to the grave.
C. WHO WAS WALT DISNEY?
In the large book The Art of Walt Disney from Mickey Mouse to the Magic
Kingdom by Christopher Finch (N.Y.: Harry N. Abrams, 1975) on page 11 an
interesting and revealing statement is made: "By definition, public figures are
known to everyone; yet, even after talking with some of Disney's closest
associates, it is impossible to escape the conclusion that nobody really knew
him. Always there was some aspect of his personality that was just out of
reach." Those who got to know Walt too closely make complaints such as he
was "self-satisfied, intractable, and arrogant." He could bring his artists to
tears or anger in a matter of seconds. Finch is not the only author who has
tried to warn his readers that the public’s image of Walt Disney was just that-
-only a false image. Mosley also writes in his biography of Walt Disney,
"Since Disney is regarded by millions of people, particularly in the United
States, as perhaps this century’s most brilliantly successful creator of screen
animation, I think I should make one thing clear right away. I share the
general admiration of a man whose cinematic achievements were always so
happily inspired and inspiriting. But--and this is where I differ from
uncritical idolaters--I have to know all the facts, no matter how unpalatable,
as well as the romantic myths about any great man or woman I admire. Many
of the myths that have been created by his publicists about Walt Disney are
unpalatable, unbelievable, and unsatisfactory because so much of the real Walt Disney has been deliberately concealed.. .Walt Disney...had grave flaws
in his character." (Mosley. Disney’s World, pg. 9)
Years ago, an Illuminati Grand Master and programmer stated, "If the world
only had the eyes to see the fibers which lay under the surface of Walt
Disney’s image, they’d tar and feather him, and drag him through the streets.
If only they knew what Disney’s primary goals."
PERSONAL DETAILS
Walt had black hair with a black mustache, and bright quick eyes and was
about 6’ tall. He used his own facial features to clue artists on how to draw
Mickey Mouse’s features. He liked specially rolled brown cigarettes which he
smoked up to 70 a day. He picked up the smoking habit in the army. He
loved expensive Scotch Whiskey, red sunsets, and horses. He had a vacation
home in Palm Springs, CA called the Smoke Tree Ranch. He often wore the
Ranch’s letter STR emblazoned on his necktie. He played lots of golf with
Bob Hope and Ed Sullivan at the ST Ranch. His main home was an estate in
Holmby Hills. The Holmby Hills estate was located in a plush area where lots
of rich show-business families lived. It was located between Bel-Air (an
occult word for Satan) & Beverly Hills.
Walt spent many of his nights at the Disney Studios and later he had his own
private quarters at the center of Disneyland. He had reoccurring bouts of
insomnia. (For his nerves and insomnia he’d take alcohol and tranquilizers.)
He’d go weeks on end without stepping foot on the Holmby Hills estate and
seeing his family. The main topic at the studio by the staff during different
time periods was Walt’s bizarre behavior-- he would not be available until
late afternoon, when he would emerge from the studio’s subterranean maze
of tunnels, where supposedly he was "chatting with the maintenance
engineers" everyday. The value of his estate when he died was 35 million
dollars of which Lillian his wife inherited half.
In his later years, when Disney took a vacation he went to Paris for 3 weeks,
and 3 weeks at the Hotel du Cap, in Antibes, and then cruised on Fritz
Loew’s yacht with Ron and Diane Disney. In England, Walt spent time with
the British Royal family and met privately with masonic prophet H.G. Wells.
In Rome, Walt visited privately with the Pope and the dictator Mussolini. In
1966, Walt Disney died. Prior to his death he had investigated cryogenesis--
being frozen, and it is believed by some that his body is frozen somewhere in
California, while others claim he was cremated
MICKEY MOUSE
According to one source, the inspiration for Walt to create Mickey Mouse
came when he was unemployed and saw a mouse in the gutter. There are
quite a few stories in circulation as to where the idea came from. Ub Iwerks
claimed he thought Mickey up at an animator’s meeting in Hollywood. Walt
once said, "There is a lot of the Mouse in me." (biographical article written by
Elting E. Morison, p. 131) In fact, Ub Iwerks told Walt that Mickey Mouse
"looks exactly like you--same nose, same face, same whiskers, same gestures
and expressions. All he needs now is your voice." Walt often did serve as
Mickey’s voice. A book put out by Walt Disney Co. in 1988 reveals that Walt
Disney told Ward Kimball "Quite frankly, I prefer animals to people."
Walt usually was the voice behind Mickey Mouse, (even though he wasn’t
the artist.) His mother was chilly for years about the work Walt did. Around
1940, after much pleading, he finally got her to watch Mickey Mouse. His
unsupportive mother (which he would within a few years learn was not
actually his biological mother) told him she didn’t like Mickey Mouse’s voice,
to which he told her it was his, and then she responded by saying he had a
horrible voice. The "cold towel" she threw on Mickey Mouse helped convince
Walt to quit making Mickey Mouse cartoons. Very few came out of Disney
after that, and the very next Mickey Mouse full-length feature cartoon,
Fantasia, had Mickey mostly silent. Walt’s idea for The Sorcerer’s Apprentice
was based on some of his own ideas. Walt had had the dream which was
used for Mickey Mouse in The Sorcerer’s Apprentice of having "complete
control of the earth and the elements." Disneyland and Disneyworld were
partial fulfilments of that dream for control.
Walt’s final pet project just prior to his death was the meticulously restored
version of the witchcraft film "Bedknobs and Broomsticks." (Disney
Magazine, Winter 96-97, pub. by Disney, p. 96 mentions this.) As a
programming device, Mickey Mouse works well because it plays on the
subconscious genetically transmitted fear of mice that women have. Mickey’s
image can help create a love-hate relationship, which is so valued during the
traumatization & programming of mind-controlled slaves. Some sources
state that Walt’s love for animals came from the time his family had a farm
near Marceline, Missouri. Walt began his schooling at Marceline, but
continued it after the age of eight at Benton School in Kansas City, MO.
Walt’s Dad had a serious gambling problem and passed the spirit of
gambling to his son Walt. Walt never graduated from high school. He had a
natural love and a flair for art work, although (contrary to his public image)
he never became proficient at it. He joined the army in W.W. I as an
ambulance driver by lying about his age. During the war, he also chauffeured
dignitaries.
He also did some other things that are very revealing. He enjoyed drinking &
gambling while in the service, and he ran a scam where he doctored German
artifacts picked up on the battlefield to sell to people. War relics were
tampered with to get them in shape to get the most money from them
possible. Walt took the battle souvenirs - and dressed them up, for instance,
coating the insides of helmets with grease, hair & blood and putting holes in
them to make them into expensive souvenirs. This shows that Walt was
willing to build illusions if it paid. He could be deceptive if he saw an
advantage to it.
From gleanings from things Walt said to people, it appears that as a child,
he’d seen the darker side of life (for instance, his father had a habit of beating
him in the basement) and had had some interest or exposure to magic as a
child. Bob Thomas writes, "Walt took a boyish delight in playing tricks on his
parents. He was fascinated with magic tricks..." (Walt Disney, An American
Original, p. 35.)
After the military, Walt hoped to have a career as an artist. He applied to the
advertising agency of Pesman-Rubin. Roy, his brother, claimed that Pesman-Rubin hired Walt as a personal favor to Roy who handled the agency’s
account at the bank Roy worked at. Walter lasted a month until the
advertising agency let him go due to Walt’s "singular lack of drawing ability."
According to Current Biography 1952, in 1923, Walt and Roy had together
$290. They borrowed $500 from another Disney, one of their uncles named
Robert Disney and began to try to make cartoons. Robert Disney had retired
in the L.A. area in Edendale, CA after a successful mining career. Robert had
always been close to Walt’s father Elias, and helped Walt and Roy out when
they came to California. Walt loved to study Charlie Chaplin (a member of
the Collins family). He scrawled notes about his body language, facial
features, and his gag methods. He also read everything he could about
animation and cartooning. They worked out of their uncle’s garage in
Hollywood, CA. They were finally able to make a good cartoon Steamboat
Willie in 1928, which became an instant hit. As with many things in life, the
cartoon was not only good, but Walt finally had the right "connections." On
Nov. 18, ’28, Steamboat Willie was shown in a small, independent theater
without any advance promotion or advertising. But amazingly(!) the New
York Times, Variety, and Exhibitor’s Herald all ran rave reviews of the
cartoon the next day. Was this an accident? did journalists from all these
prestigious periodicals just happen to go to this tiny independent theater? no
it was connections.
The reason the elite decided to promote Walt Disney after Steamboat Willie
came out as Hollywood’s newest "boy wonder" was to deflect enormous
bitterness that had been generated by the Stock Market collapse toward Jewish financiers. Hollywood, even in its first two decades, was known as
"Babylon" and "Sin City". The movie industry was well-known to be run by
Jews, and many people blamed the Stock Market Crash on the moral
degradation that Hollywood had introduced to this nation. There were calls
for government regulatory groups to stop the smutty Hollywood films. Edgar
Magnin, the spiritual leader of the major movie makers who were part of the
Los Angeles B’nai B’rith reportedly encouraged those in the Mishpucka and
others who were B’nai B’rith movie makers that Hollywood needed to protect
itself by putting Walt Disney in the limelight as a Christian "white knight
with family values". (By the way, Edgar Magnin was nicknamed "Rabbi to the
Stars", because he was "the Hollywood rabbi".) E. Magnin’s grandfather’s
department store chain was one of the first major accounts of the Bank of
Italy, and Edgar Magnin had continued his family’s close association with the
Bank of Italy. The closeness also came from the Bank of Italy’s close ties to
the B’nai B’rith and ADL.
In 1930, the movie industry made a production code which stated that the
industry must make a special effort to make movies appropriate for children.
Hollywood directly praised Disney in that code as an exemplary model of
what the movie industry wanted to do. With the power of the B’nai B’rith
and ADL behind him, Walt began sailing to fame. Movie studios that had
been turning out smut, with lots of sex and violence all jumped on the
bandwagon to show Walt’s clean wholesome cartoons. Walt was the facelift
Hollywood needed after the Depression caused Americans to think about
America’s morals. Many of the regular movie makers were so corrupt they
were out of touch with moral issues, but Walt Disney knew black from white.
The Jewish movie makers "pushed the man [Walt] they considered their best
hope to the front of the pack" who was billed as a fundamentalist Christian
(albeit a masonic "Christian" who rarely stepped foot in a church). (quote
from Walt Disney Hollywood’s Prince of Darkness, p. 50.)
Strangely, the biographies indicate that Walt quit doing the actual drawing
in 1927, and Walt devoted himself entirely to the development of the cartoon
business, such as raising money. In other words, the image of Walt Disney
being the artist who has created the Disney cartoon’s is inaccurate. The
Disney brothers actually hired many other artists to do the art work. If Walt
quit drawing in 1927, and their first marketable cartoon was in 1928, that
clearly shows that Walt did not do the actual cartooning. He continued to
oversee the work, walking in and rigidly inspecting what was being done to
suit his own intuitive tastes. Actually the genius cartoon artist (animator)
who made Walt Disney a success was Ub Iwerks, about whom Walt on a
number of occasions said was "the best animator in the world". Without Ub
Iwerks to take Walt’s ideas and turn them into reality, Walt would never
have become famous. Ub was an incredible genius who had a sense of line, a sense of humor, patience, organization and a great sense of what Walt
wanted. Walt treated him cruelly at times, interrupting him, playing tricks
on him, and not being totally honest with paying him, but he stayed with
Walt over the years and made Walt the success Walt became. (The books
Disney’s World and Disney Animation: The Illusion of Life have information
on the unheralded genius Ub Iwerks.)
Another unknown great artist was Floyd Gottfredson. Floyd Gottfredson
drew all the Mickey Mouse cartoons from 1932 until October, 1975--which is
a period of 45 1/2 years. Floyd Gottfredson was a Mormon born in a railway
station in 1905, and raised in a tiny Mormon town, Siggurd, 180 miles so. of
Salt Lake City. In 1931, before Floyd totally took over the Mickey Mouse
drawings, he would take suggestions from Walt on what to draw. For
instance, Walt puzzled him by insisting he do a cartoon series of Mickey
Mouse committing suicide. Floyd had said, "Walt, You’re kidding!" But Walt
thought that a series on suicide would be funny. Over the years the Walt
Disney products never mentioned Floyd’s name. The bulk of the fans were
led to believe Walt did the cartooning of Mickey Mouse himself. (See the
book Walt Disney’s Mickey Mouse in Color. Ed. Bruce Hamilton, pub. The
Walt Disney Co., 1988.)
Fred Moore was involved in the creation of Pluto and some other cartoon
characters. The idea for Pluto was Walt’s and it was Norm Ferguson’s genius
at drawing that took the idea and created the actual images. Walt Disney was
awarded 32 personal academy awards for the work that was done by his
studios. Walt Disney’s famous signature was actually designed by someone
else, and was taught to Walt. (Schickel, Richard. The Disney Version: The
Life, Time, Art and Commerce of Walt Disney. NY, 1968, p. 34.) Walt could
only make a crude Disney signature, so he delegated the writing of the
signature to several artists including Bob Moore, Disney’s publicity artist.
Later, after much practice he learned to make it well enough to do for
publicity. Many people who wrote letters asking for his actual signature, and
who actually did his signature, thought that they had received forgeries by
his staff, because the famous Disney signature was so crude. The nicer
looking ones were the forgeries. One cartoon animator who joined Disney in
1940 recalled that Walt told him the first day, "You’re new here, and I want
you to understand just one thing. What we’re selling here is the name Walt
Disney. If you can swallow that and always remember it, you’ll be happy
here. But if you’ve got any ideas about seeing the name Ken Anderson [his
name] up there, its best for you to leave right away."
OCCULT PORN KING
Walt grew up fascinated with the occult and in an abusive home situation.
He was fascinated with cartoons, nature and children. He had an intuitive
sense for quality cartoons that would appeal to children. At some point, the
syndicate got him indebted to them. At that point he was their man. He
owed them a debt that they held over him. In secret, Walt became a porn
king. A victim remembers that he was sadistic and enjoyed snuff porn films.
His interest in children was far from altruistic.
The Hapsburgs of the 13th Illuminati bloodline had a sex salon in Vienna,
where a porn photographer named Felix Salten worked. Felix Salten wrote a
book Bambi, which was then translated into English by the infamous
communist Whittaker Chambers. The elite were just beginning to form the
roots for today’s environmental movement. The book appealed to Disney,
because Disney liked animals better than people. In the book, tame animals
view humans as gods, while the wild and free animals see humans as demons
who they simply called "Him." The book begins with both free and tame
animal viewing humans as rightly having dominion over them. In the end,
the animals view all humans as simply being on the same level as animals, a
vicious animal only fit to be killed. Disney instructed his animators to make
the animals "to be human. I want people to forget they are watching
animals." Bambi was to receive a Christ-like manger birth, with the animals
hailing him as a "prince." Due to his sexual problems, Walt at one point
permitted himself to be subjected to the packing of his genitals in ice for
hours at a time. (Elliot, Walt Disney Hollywood’s Dark Prince, p. 83.)
Children were instructed to call Walt "Uncle Walt." An example of this were
the Mouseketeers. For those who know how mind-control programmers
have traditionally liked to be called "uncle" by their child victims, the
insistence by Walt to be known as "uncle" is distasteful. From what this
author has learned from some sources about Walt’s non-public life as a
hidden sadistic porn king, it raises questions about other parts of his life. For
instance, Kenneth Anger in his book Hollywood Babylon II, p. 192, "Some
animators stated that the boss [Walt Disney] seemed to have fallen in love
with the boy. There may be some truth in this..." The boy, who Walt fell in
love with, was a small young attractive boy actor named Bobby Driscoll who
signed up in 1946 with Disney. He acted in Song of the South, Treasure
Island and Bobby’s voice was used in Peter Pan. Bobby Driscoll was very
intelligent and attractive. Did Disney help or abuse him? If Disney was such
an upbuilding wholesome atmosphere, & this child actor had everything
going for him, why did Bobby become a methamphetamine addict at 17 & die
within just a few years? Why didn’t his talent & early career lead to
something positive in his life?
From those who knew Walt personally one learns that he had an obsession
with the buttock part of anatomy. He enjoyed jokes about this part of the
anatomy, which he told to his staff quite frequently. The staff edited out
many of his crude posterior jokes from cartoon scripts. Two examples that
got by the editors are a Christmas special where a little boy is unable to
button the drop seat of his pajamas. The little boy’s problem in maintaining
his modesty is the running gag of the cartoon. In the end, Santa gives him a chamber pot. The 2nd example is the paddling machine used on the wolf in
The Three Little Pigs. Numerous Disney cartoons feature buttocks of
characters provocatively twitching.
AS A WITNESS BEFORE CONGRESS
After W.W. II, Walt Disney was called upon by Hollywood to testify in their
defense at the Un-American hearings which were being carried out by
congressmen who were concerned about the heavy communist influence
within Hollywood. Walt downplayed any communist influence in Hollywood
to Congress. Interestingly, Walt’s father was an outspoken Socialist Party
leader in the United States who advocated a socialist New World Order. He
regularly voted for socialist presidential candidate Eugene Debs. One of the
first drawings Walt did as a boy was to duplicate the socialist political
cartoons he found in a socialist periodical Appeal to Reason that his father
subscribed to. When Walt asked in the 1930’s how his father felt about
socialism’s successes, his father Elias said, "Today, everything I fought for in
those early days has been absorbed into the platforms of both the major
parties. Now I feel pretty good about that." (Thomas, Bob. Walt Disney, An
American Original, pg. 147-148)
Walt’s movie Alice’s Egg Plant (1925) was pure communist doctrine where
the red hen (communist) leads the working chickens on a strike against
Julius the farm manager (representing capitalists.) The strike at Disney and
unionization of Disney in 1940, soured Walt toward communism. The
workers at Disney publicly made personal verbal attacks on Walt & he never
forgave the humiliation. In spite of his public distaste for communism, his
Magic Empire (his castle where he was king) was run like a socialist
dictatorship, similar to what the NWO plans. Employees at Disney did not
have titles; it was faceless egalitarianism with an all powerful dictator Disney
at the top. It was racially elitist too. The only full-time African-American
during Walt’s lifetime at Disney was a black shoe shine man.
Was Walt a socialist of the National Socialist (Nazi) variety? Arthur Babbitt
claims, "On more than one occasion I observed Walt Disney and Gunther
Lessing there [at Nazi meetings], along with a lot of other prominent Naziafflicted Hollywood personalities. Disney was going to meetings all the time." Lessing was mobster Willie Bioff crony. Bioff had spent his earlier days
running a whorehouse, before coming to Hollywood for the mob.
In the final panel of the Mickey Mouse comic strip of 6/19/40 a swastika
appeared. Some people have wondered what this & other "secret signals" in
Disney’s work meant. Disney was not Illuminati. The powerful elite are very
skilled at controlling people that rub shoulders with them, those who are
beginning to become independently wealthy. For instance, they destroyed
Robert Morris, the great financier of the American Revolution. They simply
used Hegelian Dialectics on Walt Disney. Their Unions and the Mob made
Disney’s studio one of their prime targets. In order for Walt to protect
himself from the unions, which he perceived as communist, Walt got help
from the FBI and the mob. Walt was vulnerable to the unions, because he
treated his workers terrible, with long hours, low pay, in addition to repeated
abuses to their dignity. Walt’s large number of employees essentially never
received any credit or recognition for their years of creativity and hard work,
which was all essentially stolen and credited to Walt by the establishment to
build his image. (I write "essentially", because someone might find some
obscure exception, but across the board, Walt got all the credit for what his
creative workers produced.)
Perhaps Walt needed the ego boost from all the purloined public praise
which he stole from his staff to be seen as a great animator, because he had
wanted to be an artist/cartoonist and failed. The praise helped sooth the
wounds. One worker recalls that Walt "had no knowledge of draftsmanship,
no knowledge of music, no knowledge of literature, no knowledge of
anything really, except he was a great editor." This may not be much of an
exaggeration, because Walt was a high school drop-out, who grew up in
poverty on a Missouri farm. Walt’s first official attempt to direct a film (and
last) was the film The Golden Touch in 1935. The film was an embarrassment.
Walt had to pull it from distribution. If Walt lacked abilities to animate, and
direct, what was Walt’s talent? Walt was the driving force, the spirit so-to speak behind Disney. He was the dictator who was feared enough to demand
more from his workers than they knew they could give--and he could get it.
He was the driving force that took a mob of artists, and gag creators, etc. and
shaped them into a powerful force to make cartoons and later movies. He
was the hard-driving genius who knew what he wanted and got others to
create it for him. He was the driving force that kept an army of costumed
sanitation men meticulously cleaning Disneyland. In normal year, Walt
would have 800,000 plants replaced at Disneyland, & Walt refused to put up
signs asking the "guests" (visitors) not to trample them. How powerful was
Walt? Here is a man who during his lifetime and even up into the 1990’s had
a rule in the studio & Disneyland that no male employees could have any
facial hair, yet he himself wore a mustache for most of his life.
A possible CHRONOLOGY OF EVENTS surrounding WALT DISNEY'S
ILLEGITIMATE BIRTH
It is beyond doubt that Walt Disney was an illegitimate child, but that fact
resulted in a long list of mysterious happenings. It also gave power hungry
men, something to blackmail Walt Disney with. Because this chapter 5 on
Deception is focusing on Disney, and the big boys used blackmail to keep
Disney in line, this information is pertinent. The following chronology of
events is what this author’s believes most likely happened. Without any
genetic tests, it is difficult to determine beyond a shadow of a doubt who
Walt’s biological parents were, and what the actual history of Walt Disney
was. Several people have spent many years investigating the real facts
surrounding his birth. Many interesting and tantalizing clues have been
found. This author believes that the following chronology is suggested by the
evidence. (This author’s chronology is offered without hundreds of pages of
evidence, because the mysteries around Walt Disney’s birth are here to stay,
no matter what excuses people come up with, and this author doesn't want
to stray from the intended purpose of the chapter. This is to show that Walt
Disney had a secret bastard birth which gave J. Edgar Hoover --and his
superiors-- blackmail leverage over Walt Disney. Walt may also have had
gambling debts and an abnormal sexual appetite which also helped entrap
him. For those who want more evidence and facts, the following are
recommended: Almendros, Mojacar, Corner of Enchantment, p. 83;
Interview magazine, no. 242, ""Walt Disney Was from Almeria"", and last but
not least Eliot, Marc. Walt Disney, Hollywood’s Dark Prince, chapter 11.)
1890--An attractive spanish woman Isabelle Zamora Ascenslo of Mojacar
leaves Spain and travels to California to a Franciscan monastery. In the same
year, but later on In 1890-Walt's future father Elias, who fancies himself a
ladies man, leaves his family to seek his fortune in the gold fields. In
California, he meets another newcomer to the state, Isabella Ascensio, and
the two newcomers in California have much in common, have a sexual affair
and fall in love.
1891--Elias fails to make a fortune and returns to Chicago, but he doesn't
forget Isabelle.
1893--Isabelle and Elias have a son, and Elias convinces his wife to accept the
baby as theirs rather than have the family's reputation, their marriage, and
their family ruined. The son doesn't look like the first two boys at all.
1901--Isabelle and Elias have another bastard son, who Elias brings home and
names Walter after the minister of the church he attends. The two bastard sons do not look like the older sons of Elias, and they never have much to do
with them, but cling to each other as brothers.
1903--The minister of the church Elias attends finds out about the bastard
children and Elias quickly moves out of state so that the scandal will remain
secret. Elias has also run up gambling debts.
1905--After moving to Marceline, Missouri, Isabelle is hired as the Disney's
maid, so that she has an excuse to move in with them without creating
suspicions. She probably does much of the raising and care of the two boys.
1918--J. Edgar Hoover is busy involved with the prosecution of draft dodgers
in WW I, and it crosses his desk about the case of Walt Disney committing
the crime of forging his parents signature to join the army. Cases like Walt's
were watched because people who could be blackmailed could be resources
in the future for Hoover. That year, Walt discovered that he had no birth
certificate. Walt observes his parents strange reactions concerning his birth
certificate & other questions, & begins to deeply distrust his father.
1938, Nov. --Walt's mother dies by gas, and the Disney's maid pulls Elias to
safety from the fumes, but Walt's mother dies.
1939-40--Hoover offers Walt Disney to help Walt locate his real parents if
Walt will work for the FBI. Either Hoover already knows that he is a bastard
child, or he soon learns the truth from an investigation. This gives Hoover
blackmail power over Walt Disney, and assures Hoover that Walt will be
loyal. Hoover informs Walt Disney of the truth, and then moves to
generously protect Disney & his father's reputation. Two FBI men plant
baptismal information of a child born to Isabelle in 1890 named Jose Guirao
in Mojacar, Spain. This date is 10 years off of Walt's birthdate, and is
intended to throw people off track. They can't plant a fake birth certificate
for Waft in the records for 1901, because everyone knows from WW I that
none exists. Therefore, they plant a fake birth certificate for Walt in the
Illinois State records in the year 1890. They hope people will think that
somehow a filing error occurred. This way if anything leaks, and worst came
to worst, Walt could at least pretend he was adopted and is not an
illegitimate bastard. They pay off townspeople in Mojacar to tell a particular
story. Townspeople probably receive ongoing payments.
1941--Walt confronts his father with the truth, and his father commits
suicide, and his real mother comes to live with him as his maid.
1954--In order to reinforce the myth that Walt was born in Spain, a group of
Franciscan monks goes to Mojacar and visibly inquires about the birth records of Jose Guirao and/or Walt Disney. They spend time with the mayor
and make sure that everyone connects Waft Disney with Jose, who is a
fictitious (nominal) character that the FBI has created records of.
1967--A year after Walt's death, a large group of Americans (a large group was
needed because they are not skilled like the 2 FBI men in 1940) pretend to be
on "official" business for the American government. They go to Mojacar Spain
to destroy all the records of Jose Guirao to insure that there will be no
spanish claimants to Walt Disney's fortune.
Later to insure that the fictitious story is solidly in place to mislead the few
who might get by the cloud of secrecy over Walt Disney, the Spanish
government does a favor to certain powerful people and pays an investigator
to investigate the spanish origins of Walt Disney. People of the village
willingly tell people without any fear or without any fanfare that Walt Disney
was born at their village. Unless they have recently done so, the village has
never done anything--no monuments, no markers, or anything about the
birth site of Disney. They probably didn't do this for years, because some of
the village probably knew it was a lie. With the older people gone, the lie has
probably become well entrenched as truth and there is most likely some type
of memorial to Walt Disney.
WALT DISNEY’S CHARACTER
Because the Disney deception is such a major Illuminati deception
worldwide, and because Walt Disney was the major catalyst behind all the
Disney theme parks, movies, trinkets etc. it is of importance to examine his
character. In studying historical figures, this author has tried to get to the
rock bottom truth. One may ask, how can this be done? -especially since
there have been decades of myths spread by the establishment and their
media? The following procedure which has worked with other historical
figures was also done by this author with Walt Disney.
The first part of this author’s own procedure is to study everything that one
can find on the man, paying special attention to what bias and vantage point
another author comes from. Special attention is also paid to biographers who
try to give the whole truth as they have found it, rather than approved
biographies that repeat myths, platitudes, and flattery. The investigator has
to be careful because there are authors who deceptively say in their
introductions that they are "detached investigators" who are "going to be
painfully honest in their reporting" when they actually are skillful cover-up
artists for the person they write about.
When your author, Fritz Springmeier, finished investigating written material
about Walt Disney, then I mentally placed what I knew on the shelf
temporarily, and did a handwriting analysis based on the scientific principles
of Graphoanalysis as well as the broader field of Graphology. This author is a
Certified Graphoanalyst who has done handwriting analysis professionally.
Using Graphoanalysis/graphology is an excellent way to get an unbiased very
deep look at a historical figure. It is a way to by-pass all the propaganda and
myths. However, a close historical look and the handwriting analysis (of
various historical figures) have always matched each other, as they did in this
case too.
Here is what was found. The following paragraphs are how Walt was in the
1920’s. The personality profile you will read did not endure. Under the
pressure of micromanaging Disney Productions as well as living with
financial stresses, by the 1940’s, Walt could be found in rages giving rough
treatment to his wife, and rough spankings to his two children. He went to
psychiatric counselling to cope with the stress. And unfortunately with the
progression of time, by the 1960’s Walt had become a sadistic egotistical
alcoholic. One biographer described him as "...a bully and a know-it-all"
(Disney’s World, p. 220) Even then Walt had men working for him, such as
Bill Walsh (who had been a orphan as a child) who worshipped Walt.
But here is how he was in the 1920’s: Walt was a self-motivated individual
with lots of energy which was constantly seeking some outlet. (People have
written much about this trait of his.) He was more the giver than the taker in
relationships. (In the first few years, when he was responsible for making
business contracts he often gave away his work without setting prices for
profits. He even wrote letters to his boss to the effect that his first priority
was good cartoons not profits, and that he’d work without profits, but he did
want some appreciation for his work. That was his sensitive nature showing.)
Walt wouldn’t wait for others to come up with an idea or someone else to
make a move--he was there first.
He could communicate his ideas with clarity and ease and move easily from
idea to another. (He would storm into Disney Productions and spew one idea
after another into his workers’ ears.) He enjoyed competition. He had a quick
mind and keen perception. He frequently acted on intuition and impulse,
taking chances and endangering his own security. (He frequently gambled all
his life savings and everything he could scrape together on a project.) Long
projects bored him. (Fortunately the real tedious work of cartooning was
done by a large staff of artists.) House chores and repetitive chores bored
him and he avoided them. (He was absolutely a total slob around the house
as a bachelor.) He was impatient with vague philosophies, he liked concrete
realities.
He was difficult to get along with because he had both a playful side (even to
the point of cruel practical jokes) to his personality and an aggressive
intolerant impatient side that wanted to achieve. Naturally, people around
him were disconcerted because on a subconscious level they never knew
which side of him they would deal with. (The reference series Current
Biography "Disney" article p. 248 gives the following Walt Disney quote, "We
don’t even let the word ‘art’ be used around the studio. If anyone begins to
get arty, we knock them down.")
He was geared for action. He was always inventing ways to get what he
needed. He could be explosive when provoked. (The old time associates of
Walt remember his explosive temper.) He was a person of dynamic energy,
sensuality and keen thinking, and a disciple of the pleasure principle.
Because his father was so abusive and misused his position of authority, Walt
came to be deeply ingrained with defiance toward authority. (The themes of
his films repeatedly sympathize with those who rebel against authority, and
the police and other authority figures are consistently shown as absurd. One
way he expressed irresponsibility was with lively dance scenes, which has
been a hall-mark of teenage rebellion during the 20th century. "Comic
anarchy reaches its fullest expression in Alice Rattled by Rats, which shows
what the rats do when the cats goes away!) He felt that rules were for others
to follow. (That is one reason he would step outside of the law and commit
illegal acts. This is one trait that may be responsible for some of the criminal
activities Walt ended up participating in.)
Walt also didn’t like to be closely supervised. (He wanted to manage his
Disney Magic Kingdom as if it were his own kingdom. He wanted to be an
authority figure, and indeed became the dictator of his Magic Kingdom.
When his workers differed with his own views he felt that they were
infringing upon his own inalienable rights as an individual.) He was
somewhat of a melancholic temperament, that type of perfectionist who still
enjoys life. He felt a need to protect himself against intimacy with others. He
was most home in a setting which he made for himself. Walt had the traits of
an executive. He was slow to reveal his innermost feelings, and definitely set
his own goals. Walt was one of those persons that when the going got tough,
he hung in there. Likewise he would cling to his ideas, plans, and
possessions. (His stubborn refusal to allow his brother Roy to stop the
creation of Disneyland led to events that split the brothers. His
determination to succeed was taken advantage of by the crime syndicates to
blackmail him with some debt. In order to get his dreams, he was willing to
give them what they wanted.)
A clue to Walt’s macabre sense of humor, at times almost a graveyard sense
of humor, and his high tolerance of seeing pain in others, is that Walt was seriously thinking of volunteering again as a medic after the W.W. I fighting
in France was over, when volunteers were needed for the Balkan fighting.
Walt loved animals more than people. The only human being that he had
rapport with while growing up on the farm was his Uncle Ed (who he called
Uncle Elf), who looked like a cross between a leprechaun and a prune. Uncle
Elf could make animals sounds and bird whistles to Walt's delight. Walt
loved the charm of the farm and nature and he loved royalty, pageantry and
a strict social hierarchy such as Freemasonry provides. He often wove a
combination of the barnyard in with royal parades and other trappings of
royalty.
For instance, in Alice the Piper, the King Hamlin is a farmer who sleeps in a
farmhouse. In Puss in Boots the local king lives in an authentic palace
incongruously placed in a village. His early film Alice’s Day at Sea includes
both the features of a royal court and an American circus. In typical Disney
disdain for authority, he pokes fun at criminal fraternal groups with their
rituals and passwords in Alice & the Dog Catcher, Alice Foils the Pirates, and
Alice’s Mysterious Mystery. And while he was a secret FBI agent, he went
against Hoover’s wishes and poked fun at the FBI’s authority. Walt was loyal
to what he believed and could be loyal to those individuals who he deemed
worthy of his loyalty, but he didn’t want anyone to have authority over him.
(Walt was a 32 Freemason & an occultist, he was loyal to that philosophy
and loyal in his early years to his older brother Roy O. Disney, who was a
father figure to him.) If anyone at the studios agreed with him when he was
angry at his brother Roy, he or she risked losing their job. Both brothers were
protective of each other, and felt they were the only ones who could criticize
the other one.
D. WHO WAS ROY O. DISNEY?
Roy O. Disney was born in 1893, and his brother Walt in 1901. They had three
other brothers, but Roy and Walt (1901-1966) were only close to each other
and not to their other brothers, who didn’t resemble them. Walt was named
Walter Elias, his middle name derived from his father’s first name. The
Disney family had immigrated from Ireland to Canada and then to the U.S.
The father of the brothers as stated was Elias, and their mother of scottish
descent, who may not have been the biological mother, had the maiden
name Flora Call. Roy died in 1971, shortly after the opening ceremonies for
Walt Disney World. He kept his promises to his brother to build Walt Disney
World. He reneged on his promises concerning the city of Epcot (which was
derailed into becoming EPCOT).
Roy O. during the 1930’s lived in North Hollywood. Roy’s family later located
in Napa Valley, CA, and was associated with the Illuminati kingpins in the area. Napa Valley has been nicknamed the Valley of Kings. This "Valley of
Kings" plays a major role in the dirty activities revealed in this chapter. Roy
0. Disney played a bigger role at Disney Studios than people realize. For
example, it was Roy O. who made the decision to cut 45 min. out of Fantasia,
so that Walt’s pet project could be distributed to movie theaters. Roy O.,
considered by some insiders as the more evil of the two brothers, kept the
financial books for the Disney’s down through the years.
It is known that
Disney kept two books during the 1950’s, so it is hard to believe anything
except that Roy 0. was fully aware of how Disney brought in their money.
The big boys always kept the financial screws to Walt and Roy. The big boys
often figured out scams to take their money. When the Disney brothers had
an arrangement with Columbia Studio (run by Harry Cohn) they were
advanced $7,500 for each cartoon which cost them an unprofitable $13,500 to
make. Further, Cohn liked to cheat them by not sending them their money,
and taking a ridiculous amount of time to pay them what he owed them.
The
cash flow problems of the Disney brothers also came from Walt’s desire to
keep improving and upgrading the technology they used. When Walt went
to color over Roy’s objections, Disney’s profit margin was damaged and the
studio was left with shortages of cash. In 1937, Walt’s repeated gambles with
cartoon production ideas caused Roy O. to say, "We’ve bought the whole
damned sweepstakes."
From 1940 through 1946, Disney lost money every year. In '46, he lost
$23,000. Finally in 1947, things turned around and the Disney studio made a
profit of $265,000. Cartoons and movies were not really big money-makers
for the Disney brothers, until it was realized that old films could be replayed
on television. Overall, from the 20’s through the 50’s, the Disneys may have
broke even with animation. This is why Disney Studios at Christmas, 1931 was
unable to pay its payroll.
Pinocchio cost $2.6 million to make in the late ’30’s, an amount hard to
retrieve at that time from the box office, and Fantasia’s original release in the
’40’s was a dismal financial failure. When Sleeping Beauty was released in
1960, it was a loser, movie goers were apathetic towards it. The real money
made by the Disney brothers in the 1930-1950’s came from the merchandising
of Disney products, the production of underground hard porn, and the
kickbacks from various groups which used Disney for mind-control
programming, and money laundering.
When Walt died, his shares in Disney were worth $18 million. His family all
in all held 34% of the stock in Walt Disney Productions. Roy O. Disney’s
daughter Dorothy Disney Puder & husband Episcopalian Rev. Glen Puder
purchased property at 1677 Sage Canyon Rd., Napa Valley east of Rutherford.
(This is close to the Rothschild’s Opus One Temple mentioned in VoL 1.) O.J. Simpson’s lawyer Johnnie Cochran Jr. was in the Rothschild’s hard-to-enter
Opus 1 when the jury arrived at a decision in O.J. Simpson’s case.)
It is very typical for Mafia families in south Boston to have one family
member in the clergy & one full time in organized crime. (See author’s Be
Wise As Serpents for an expose on the Episcopalian Church, which is simply
a branch of Freemasonry.) All kinds of interesting Mafia figures, Illuminati,
and Bohemian Grovers live up the Sage Canyon Rd. This is an area that has a
large well-kept cemetery for pets. Frank Well’s sister and Rich Frank, who
will all be discussed later in this chapter, also live on Sage Canyon Rd.
E. WHO WAS ROY B. DISNEY?
Roy Edward Disney (nephew of Walt) is the son of Roy Oliver Disney
(brother of Walt). Sometimes he has been called Junior. The 9/5/94
Newsweek story on Disney’s Magic Kingdom called him "Keeper of the
Flame." Roy is an executive with Walt Disney Co. at 500 5. Buena Vista St.,
Burbank, CA 91521. He has worked as an asst. producer at Walt Disney Co.
from 1954 to 1977. He has also been the vice-pres. of Walt Disney Co. He is
president of Roy E. Disney Prodns. in Burbank. He is chairman of the board
for Shamrock Broadcasting Co. As if that weren’t enough, he is on the board
of directors for St. Joseph Med. Ctr., fellow U. Ky. Recipient of the Academy
award nomination for Mysteries of the Deep. He is a director of the Guild
American West, the Writers Guild, which is important. He belongs to the 100
Club, the Confrerie des Chevaliers du Tastevin, and St. Francis Yacht Club.
He likes speed boat racing.
Roy E. Disney was the cocky son of Roy O. He married a gal named Patricia.
He was merely tolerated by his uncle Walt, especially after Roy E. made some
snide remarks about Walt’s plans for Disneyland, which he and his father
opposed until Walt Disney personally got the project going. Walt’s son-in law Ronald Miller is one of the Disney clan who can’t stand Roy E. The two
never liked each other, and in the power struggle between them after Walt’s
death, Roy E. won and ended up with Disney. Although people called Roy E.
"Walt’s idiot nephew", he eventually (with the help of his father & outsiders)
won the various power struggles at Disney after Walt died, and is now a
powerful figure. Roy E. Disney and Stanley P. Gold work together in various
ways, and are both on the present Disney Bd. of Dir. They are friends and
worked to prevent hostile takeovers of Disney in 1984. Gold is in charge of
Shamrock Holdings, Inc.
The battle between the two Disney factions
In 1953, the two brothers and their respective sides of the family split when
Walt created RETLAW corporation. The two sides have fought ever since.
When Walt Disney created RETLAW (his name Walter spelled backwards),
this alienated his brother Roy O. & Roy’s side of the family. Without going
into all the details, what RETLAW did was cut Roy O.’s side out of the money
that was to be made. But Roy’s side didn’t stand by and idly let their share of
the pie be lost, they fought back and held their own.
Their big break came when Michael Milken and his band of junk bond artists
carried out a "greenmail" on the Disney Corp. Only a few insiders know how
greenmail works. It is a legal form of blackmail. Milken would work with his
friends Saul Steinberg, Sir James Goldsmith, and Carl Icahn. Milken would
provide them the financial clout, to make them look financially capable of
financially purchasing a corporation that they had selected as a target.
According to insiders, Milken got 40% of the upside of any "greenmail" that
went right. The targeted corporation would learn that someone like Saul
Steinberg was going to buy them out. In order to prevent the buyout, and to
keep their jobs, the officers of the targeted corporation would get frantic, and
either do suicidal refinancings, or buy the stock of the potential acquirer for
much greater prices than the Milken group paid for them. The "greenmail"
artists would then take their loot and go on their way. The stockholders of
the targeted company are the real losers of "greenmail", because the
management of the corporation in order to finance their protection spends
the stockholder’s money, takes on new debts, and deprives the stockholders
of some profit-making potential of their shares.
Michael Milken’s group made feints to take over a large number of
corporations, including Walt Disney, Phillips Petroleum and Avco. Saul
Steinberg made what looked like the beginnings of a sincere hostile takeover
of Walt Disney through Reliance. At one point Reliance became Disney’s
largest stockholder. Steinberg filed an amended 13D saying he intended to
acquire 25% of the corporation. The CEO of Walt Disney, was Walt Disney’s
son-in-law Ron Miller. Saul Steinberg is a dear business partner with
London’s Jacob de Rothschild. Originally, Ron Miller (Stanford Univ. grad.)
and Ray Watson (a Bohemian Grove member from Stanford Univ.) of Walt
Disney’s management brought in the Bass brothers to help them deal with
Saul Steinberg’s takeover and to buy and develop land (esp. in Florida). Ray
Watson was Ron Miller’s key right hand man to run things. The Bass
brothers are mafia. Disney acquired the Bass Brother’s Arvida, and brought
the Bass brothers into Disney’s management. The Basses sold their stake in
Texaco back to the oil co. & then used this money to bolster Disney. Sid Bass
& Chuck Cobb (chief exec. Arvida) worked out a deal with Disney. (sold to Disney for $200 mil.) would profit from developing Disney land in FL
& Disney would profit from the new financial strength that getting Arvida
would provide. Arvida owned oil fields, theme parks, and had helped create
planned communities.
For Ron Miller, on the one side was the Illuminati and the other side of
things was the mafia. He didn’t trust either, but Steinberg’s takeover could
eliminate Disney’s management and both he (and Roy E. Disney) wanted to
save Disney from a takeover by Steinberg. At first, Roy E. wrote a letter to
Ron Miller & the other board members stating his concerns about the
acquisition of Arvida For Disney management, at least the Bass brothers
would let Walt Disney continue to make their family movies. After the Bass
brothers joined the Disney management (and became one of Disney’s major
stockholders), they soon joined sides with Roy E. in a management fallout
over whether Disney should buy Gibson Greeting Card Company. With
enough votes on the board, they sent Ron Miller packing. With Ron Miller,
and those management men aligned with Walt’s side of the family gone,
then CEO Michael Eisner, Frank Wells, Rich Frank, and Jeffrey Katzenberg
and some others made the modern Walt Disney Corporation.
Disney’s Touchtone studio which was mentioned above in connection to the
movie Alive was created in 1984 by Walt Disney’s son-in-law Ronald L.
Miller. Ron Miller’s management style was lackluster. The new management
has really gone gang busters. Although Walt’s side of the family is out of the
management end of Disney, they still receive financial rewards from various
Disney enterprises. The Bass brothers acquired more land for Disney in
Florida. But under their tutelage, Disney now has a management team that is
skilled in land grabbing techniques. The Bass fortune began with Perry Bass,
who created a company called Bass Enterprises. In 1969, Perry retired and
turned things over to his eldest son, Sid Richardson Bass. Sid has three
younger brothers Ed, Robert and Lee. The Basses owned 27% in Prime
Computer, as well as sizable real estate and oil holdings. The Bass brothers
founded a local prep school in Ft. Worth, TX. Their HQs in Ft. Worth is full
of modern art.
The Bass brothers were very clever in their deal with Disney. In exchange for
their $14 investment in Arvida, they had gotten (over a period of time) $950
million dollars worth of Disney stock. In 1985, they liquidated Bass Brothers
Enterprises and divided the assets between the four brothers. Sid Bass was
able to shift his interests from finances to culture and high society.
One of the Bass brothers is involved with wineries in Napa Valley. The Bass
Brother’s financial strategist was Alfred Checchi, now of Beverly Hills, who
has been a supporter of Mishpucka member Sen. Dianne Feinstein (D-Calif.). Roy is involved in criminal activities, and several people investigating him
have been bluntly warned that if they continue, they will see their children
murdered. Napa Valley’s Illuminati activity also connects in with CIA
activities as well. The Napa Valley Illuminati families all have CIA
connections. For instance, British millionaire Kenneth Armitage, who had to
flee from England to avoid arrest on numerous charges of theft, deception
and false accounting, had some of his good friends in the Napa Valley, such
as Dr. John Duff, Johnny Beck, & others. Armitage has since mysteriously
died in prison in England. Armitage had intelligence connections which tie
in with twilight world of the criminal activities of the numerous intelligence
acronym monsters. Also his company was authorized to provide people with
Central American government documents.
There is more-- much more to sordid affairs which swirl around Roy Disney.
Napa Valley, where many members of the Disney family live, has the
Illuminati’s Opus One temple owned by Rothschilds, as well as two roads
lined with meticulously kept wineries owned by Illuminati kingpins and
connected via secret underground tunnels. To top off this incredible
collection of Illuminati wineries (Rothschild’s, Mondavi’s, Rutherford’s,
Christian Brother’s, Sattui’s etc), on the north end of a series of wineries on
highway 29 lays the CIA’s medieval-looking Culinary Institute of America
Greystone (at 2555 Main St., St. Helena, CA 94574), where numerous people
have suffered torture. The Greystone Culinary Institute of America recently
had the person who runs their campus store mentioned in House & Garden,
Sept. ‘96.
F. WHAT DO WE KNOW ABOUT THE DISNEY FAMILY IN GENERAL?
Several members of the Disney family came to England with William the
Conqueror. They were not known as Disney then, but because they came
from the French Norman town of Isigny, they took the name d ‘Isigny, and
anglicized it into Disney. Walt had two daughters, Diane Marie (bn. 12/18/33)
and Sharon Mae. Diane made some revealing comments when she said, he
didn’t spoil us. Like a lot of adolescent girls, I was crazy about horses, and I
got quite good at riding. I yearned for my own horse, but Dad wouldn’t buy
one. And we didn’t have a lot of clothes and other things." For being one of
the richest men in the nation, Walt can’t be accused of having spoiled his
children. He was also famous for his ten cent tips at restaurants, which
became the talk of the town.
Sharon Mae was adopted and arrived at the Disney home 12/31/36. (She died
in ’93.) The adoption was kept very secret. The newspapers around the
country announced that Lillian had given birth to Sharon, and the Disney
family kept up this lie for years. The reason given for Sharon’s adoption was that Diane needed a playmate. For years, Walt Disney didn’t care much for
Sharon and seldom acted like he even knew her name. Walt had wanted a
son, but his wife wanted to adopt a girl, so it was a beautiful girl that Lillian
picked out to be a companion for her first daughter. When Sharon was
kindergarten age, Walt would take her to the carousels in Griffith Park on
Sunday afternoons. Sharon was sent to private schools. She went to Westlake
School for Girls, and later was shipped off to Switzerland to a girls’ boarding
school. She had soft blond locks and was attractive. In June of 1948, Walt
took Sharon, who was then an attractive 12 yr. old to Alaska with him for
about 2 months. For most of this trip Walt and Sharon were alone together.
For a father, who had ignored Sharon for years, now Walt was totally
obsessed with Sharon. He bathed Sharon every night, combed her hair,
washed her underwear, and carefully dressed her each night from head to toe
before taking her to nice restaurants. He even followed her when she sleep
walked. Why was Sharon a dissociative person? That summer in Alaska, Walt
and his personal pilot took a trip in August to Mt. McKinley, AK. Both were
drinking scotch whiskey and they barely missed hitting a mountain, and
almost ran out of fuel before finding a runway. Sharon first married a
presbyterian Robert Borgfeldt Brown. Later, Sharon went on to marry
William Lund. Years later, Walt’s wife Lilly even prevented a biographer from
revealing that Sharon was adopted. Sharon died relatively young.
It is important to look at the Disney family rather than just Walt Disney in
trying to understand the Disney phenomena. For instance in 1958, the Wall
Street Journal mentioned that Lillian B. Disney was beneficial owner of over
10% of common Disney stock. Lillian, Walt’s widow, quietly purchased
property in Napa Valley and moved there in the late 60’s. She bought the
property through Walt’s Retlaw Enterprises and the Lillian Disney Trust.
Lillian and her 2 daughters ran Retlaw for years. Diane Miller, her daughter,
also bought land and moved to the Napa area. The Lillian Disney Trust
bought the Silverado Vineyards, which Diane & her husband manage as
"gentlemen growers" as they call it.
This side of the Disney family is shunned by the Illuminati insiders in the
Napa Valley, as well as by the Roy O. side of the family. Although very
private, there are occasional moments of publicity from Diane Disney Miller,
when she donated wine for a fund raiser for the Planned Parenthood Shasta
Diablo held at the estate Niebaum-Coppola, owned by director/producer
Francis Ford Coppola. Francis F. Coppola comes from an old mafia family.
He owns a big winery & directed Disney’s Caption EO film. Locals in the
Napa area do not trust any of the Disneys, especially the Roy O. side of the
family. There are other Disney’s who tie in with the occult world. Wesley
Ernest Disney, a 32° Mason & Shriner, who was a U.S. Congressman, a state official & lawyer in Kansas who had a brother Richard Lester Disney-- who is
a Rhodes Scholar and a Mason too. Wesley Ernest Disney, by the way began
as a lawyer in Muskogee County (a Satanic controlled county), and was a
Christian Scientist. He lived in Tulsa, a powerful city of the Illuminati
hierarchy. Doris Miles Disney has been a writer of occult fiction, such as The
Magic Grandfather the Chandler Policy (1972) and Trick or Treat (1972) as
well as many other occult novels.
G. A HISTORY OF DISNEY
"The story of Disney’s silent film career is not so much a struggle for artistic
expression as it is a fight for commercial stability." During the 1920’s, Walt
stayed safely within the confines of comic animation as defined by others,
such as the producers of Felix the Cat, Koko the Clown, and Krazy Kat. In
other words, when many of the ideas were coming from just himself,
Disney’s movies were not any better than others. In the 1930’s, Disney got
some of the best talent available and he began to settle for only the best
results from that talent. With the mob, and the Illuminati behind him, and
driven by an indebtedness to them, Disney began to achieve outstanding
results in animation. Between 1924 and 1927, Walt Disney made a series of 56
silent Alice Comedies which used three different girls (6-year-old Virginia
Davis, Margie Gay and Lois Hardwick) to act as Alice who romps around in a
make-believe cartoon world. These cartoons combined live action and
animation. By the time the series was done, Walt Disney wanted to try
working solely with animation.
Margaret Winkler in NY (who married Charles Mintz) distributed Walt
Disney’s Alice Comedies. From the beginning, children were the center of
everything Walt did. The occult world that backed Walt, as well as Walt
himself, believed that if they could bring out "the child" (that part of a person
called "the child" by various psychologists), then they could appeal to the
curiosity and feelings of the "child" part of adults. If it worked with adults,
they could do the same with the child part in children. They knew even in
the 20’s & ’30’s what had to be accomplished in the secret Great Plan for a
New World Order. The Illuminati Great Plan called for family life to be
destroyed, for children to rebel against their parents, and for the world to
become more violent. Children needed to immerse in images of violence so
that a violent society could be created.
For instance, the 1925 film Alice Stage Struck shows little girl Alice strapped
to a log leading to a buzz saw. They also wanted to make occultism--
witchcraft the common belief of the American people. The Illuminati felt
they could bring in witchcraft if they appealed to the curiosity of the child in
every adult. For instance, the Donald Duck cartoon Corn Chips (1951) shows Donald harassing Chip and Dale who then get back at him by stealing a box
of popcorn and spreading it all over the front yard. Now what does a cartoon
like this teach kids? It teaches that stealing to repay a grudge is O.K. and that
doing pranks is funny.
In Disney’s 1920 films, he shows kids cutting school, shoplifting and playing
hooky. He shows Alice running away from responsibility to have adventure.
He shows prisoners escaping and hobos escaping work. His films are
expression of misbehaviour being successful. What does this teach children?
In the 1951 cartoon, Get Rich Quick Goofy wins money at poker and his
initially angry wife who doesn’t like gambling forgives him when she sees
how much he’s won. Goofy indicates that they can have a spending spree by
telling his wife, "Easy come, easy go!" The gambling spirit is a very powerful
spirit that the Illuminati want to instill in this nation. How can a cartoon that
promotes gambling be wholesome for children?
Lt. Col. Dave Grossman is a military expert on how to condition people so
that they will kill. He writes in his superb book On Killing (Boston, MS: Little
Brown & Co., 1996) that the same process that the government has used to
condition soldiers to kill, is being used by the entertainment industry. The
only major difference is that in the military, men are taught to kill only on
command, while our children are being taught to kill whenever they want to
via TV’s "entertainment." Grossman states on page 308, that the conditioning
to kill begins with cartoons. "It begins innocently with cartoons and then
goes on to the countless acts of violence depicted on TV as the child grows
up... .Then the parents, through neglect or conscious decision, begin to
permit the child to watch movies rated R due to vivid depictions of knives
penetrating and protruding from bodies, long shots of blood spurting from
severed limbs, and bullets ripping into bodies and exploding out the back in
showers of blood and brains." While children see horrible deaths on T.V.,
they learn to associate this suffering with entertainment, pleasure and their
favorite soft drink, their favorite candybar, and close intimate contact with
their date. (See On Killing, p. 302)
Disney has the appearance of Wholesomeness; this appearance is quite
deceptive. A close study of Disney cartoons will reveal lots of violence that
could not be depicted if the violence was actually real life & not animation.
It’s the wholesome front which is one of the deceptions that makes Disney
cartoons & films so dangerous. Yes, the image of Disney has been that its
cartoons are wholesome. No wonder Illuminati mind-control programmers
have laughed at how naive the American public is toward Disney. The Disney
Gargoyles cartoons are a television series that is pure demonology. The story
line is that a race of demons protects New York City. One of the Gargoyles is even named Demona. The Illuminati programmers are amazed at how stupid
the masses of people are, and how easily deceived.
How the Disney movies are used as programming scripts is very involved so
only one detailed example is given at the end of this chapter. The Illuminati
and Mafia knew that Walt had the ability to get the job done that the Great
Plans called for. (Source: confidential interview.) They knew they had the
"carrots and the sticks" to get him to cooperate. There is no doubt that Walt
was a hard worker who in turn expected high standards from his employees.
One co-worker of Walt wrote, "Walt made a simple statement, that you can
lick them with ‘product’ if you make your product good enough, they cannot
deny it.. . .In Walt’s estimation, everything that was done had to be executed
with a great deal of thought and finesse." Neelands, Barbara, compiler. About
Ben Sharpsteen, article by David R. Smith (2nd Impress.) Calistoga, CA: A
Sharpsteen Museum Reprint, pg. 2-3.
One big turn in Walt’s outlook toward quality came in April, 1927 when the
head of Universal Studios wrote a scathing report on the quality of Disney
studio work. It forced Walt to realize that up to then he had been slipshod
and sloppy. He resolved to never take the easy way, but to work with
dedication toward making his drawings come to life with character and
interesting situations. In 1922, Walt made a film Cinderella. This is not to be
confused with the later animated film also of the same title released in 1950.
The 1950 feature was re-released numerous times. The Alice cartoons were
made with a 6- year-old girl playing Alice. The first six Alice comedies had
extensive live-action beginnings, and then went into cartoon. A few of the
1920’s Alice silent cartoon titles include:
Alice’s Wonderland (1923)
Alice
Hunting in Africa (1924)
Alice’s
Spooky Adventure (1924)
Alice
Plays Cupid (1925)
Alice Cans the Cannibals (1925)
Alice Rattled by Rats (1925)
Alice Chops the Suey (1925)
Alice Charms the Fish (1926)
Alice the Whaler (1927)
Alice the Beach Nut (1927)
After the Alice Series, Disney began a fully animated series called Oswald the
Lucky Rabbit. Here we see the occult concept of luck (who hasn’t heard of a
lucky Rabbit’s foot?) being subtly promoted. Disney cartoon may entertain,
but they also indoctrinate while they entertain. In 1926, Walt Disney signed
an agreement with Mintz and Film Booking Offices (EBO).
Film Booking Offices were Illuminati kingpin/mob boss Joseph Kennedy’s
company. For at least the next years, Disney worked under the control
(auspices) of Illuminati kingpin Kennedy. All of the Disney pictures were
registered by R-C Pictures Corp., one of the parent companies of Kennedy’s
FBO. Joseph Kennedy also controlled the RKO studio which worked together
with the other big studios to insure that no small studio would develop as a
competitor. By 1937, all the big studios--20th Cent., Paramount, MGM,
Warner Bros., Cohn’s Columbia Pictures and Kennedy’s RKO were allowing
the mob to skim money from them.
Kennedy’s RKO gave Walt a guarantee in 1937 that they’d distribute Snow
White sight unseen. Walt Disney had their films distributed by Kennedy’s
RKO from 1936 to 1956. Another little known detail is that in 1926, Leon
Schlesinger (future producer at Warner Bros.) subcontracted animation jobs
to Disney. One of these was Universal’s The Silent Flyer. In 1928, Steamboat
Willie debuted. This was an animated cartoon with a soundtrack starring a
mouse later named Mickey Mouse. It had taken lots of hard work and
determination on Walt’s part, but it was the first cartoon with a sound track
and it was successful.
In 1929, the cartoon The Haunted House came out. The story is, Mickey
Mouse is forced by a storm into a house full of ghosts who force him to
contribute to their spooky musicale. In 1930, Harry Cohn, one of the most
ruthless and unsavory characters controlling a studio bailed Walt Disney out
of Walt’s trouble with con-artist Pat Powers who was stealing Disney’s
money. Harry Cohn was a former NY pool hustler and gambler who was
brought in by Chicago investors to front their investments in Columbia
Pictures, and run their studio. He wore a sapphire ring that the Chicago
mafia man Johnny Roselli gave him. Roselli later became a rogue asset of the
CIA, and testified before Congress (the Church Committee on Assassinations
in ‘74) about a CIA contract which was handed him. Roselli worked for the
Mafia Council of 9, which incl. Anthony Accardo and Sam Giancana. Harry
Cohn was said by some to be the most hated man in Hollywood. His money
gave him "the power of an emperor". His money got him the best female
flesh available which he used for his pleasure. He always seemed to arrive
from Las Vegas with rolls of new greenbacks, which had close associates
wondering where all the money came from that he always got when he made
trips to Las Vegas.
In 1931, Walt went into a long suicidal depression that lasted into 1932. In the
summer of 1932, he took a vacation to try and recover from his nervous
breakdown. By 1932, Ingersoll had marketed its first edition of Mickey Mouse
watches. Disney products have served as a model of consumerism for the
world. Disney watches have been made continuously since 1932 or ’33. In 1932, eighty major U.S. corporations (such as General Foods, RCA & National
Dairy) began to market Disney products. Ed Sullivan began regularly running
stories that bragged about Disney’s work. Freemason Dr. Rufus B. von
Kleinsmid, pres. of the Univ. of So. Cal., gave Disney an award from Parents
magazine for Walt’s "work with children". In 1932, several artists who had
worked for William Randolph Hearst came to work for Disney.
In 1932, Roy switched Disney from Columbia to United Artists. United Artists
agreed to front Disney $15,000 for each cartoon. In the 1930’s, the Illuminati’
Bank of America financed Walt Disney. Years before, the Bank of America
had been quietly created from Bank of Italy which was controlled by the
same oligarchy that has run the Knights of Malta and renaissance Venice.
The Bank of Italy was a powerful bank in Hollywood’s first years. It’s
representatives A.P. and Atillo Giannini financed Walt during the 1920’s with
petty cash to keep him going, but not enough to get him out of financial
bondage. Joe Rosenberg of Bank of America was sympathetic to Walt. Joe
Rosenberg, a Jewish banker, came to all of Disney’s board meetings, sat
beside Walt, and would advise Walt on what direction Disney Studios should
take. Joe wasn’t a board member, but his advice got high priority.
Bank of America also bankrolled other Illuminati projects and organizations.
Bank of America had one of their branch offices on Disneyland’s Main St.
from ’55 until ‘93. They were open on holidays and Sundays for Disneyland.
Bank of America is slated to be perhaps the only bank to survive the
economic crash, when the Illuminati kingpins will allow their own banks to
crash. Bank of America executive S. Clark Beise (who is a Scottish Rite
Freemason) has been a member of Disney’s board of directors from ‘65 to ’75.
One of the biggest depositors in Bank of America is Roy E. Disney. Other
Disney execs like Rich Frank have also used Bank of America as their bank of
choice. The Bank of America bankrolled the Disney animation Snow White.
Walt managed to sell Joseph Rosenberg on the idea, at a time when old time
Hollywood people were advising Rosenberg that Snow White could only be a
failure. When Snow White was successful, Walt announced a monster party
for all Disney workers at Lake Norconian, near Palm Springs, southeast of
San Bernardino, CA where the cost of everything the Disney workers wanted
to order--food or drink or whatever, would be taken care of by the Disney’s.
Under the full moon, the Disney male and female workers, finally free of the
tight rules at the studios, had what amounted to a Roman orgy and a large
nude skinny-dip at the lake. Almost all of the Disney workers participated in
the orgy and Disney had only two options, 1. fire them all or 2. ignore that
the party took place. Walt choose the later option, and after that no-one ever
dared mention the party in his presence.
In 1937, Walt and Roy took a trip to Europe where Walt dined with the
British Royal family, & met privately with H.G. Wells, the masonic prophet!
planner of what Wells & other masons called "the New World Order". In
Paris, the League of Nations (the forerunner to the U.N.) gave him an award.
After the success of Snow White, Disney chose Pinocchio to follow it. Many
have asked why Pinocchio was chosen by Walt. If you look at the script, the
puppet maker's wife is taken out of the original script, and there is an
emphasis on the little wooden puppet visualizing becoming a flesh & blood
son to the man who had created him. Here we have a boy with no soul, who
is told if he works hard he will be given one. (Does this sound familiar to
readers of VoL 2?) The script was definitely changed to have a storyline far
more useful to mind-control programming.
For those who think Walt simply recreated fairy tales on the screen, if one
examines the changes that are made from the original storylines, they are
changed to make them more useful for mind-control. Both Snow White and
Pinocchio have occult type "deaths and resurrections".
After W.W. II, Joseph Rosenberg persuaded A.P. Giannini, his boss, to
bankroll Disney again. Although Walt was financed by the Mishpucka
(Jewish Mafia), he didn’t like the idea. Richard Rosenberg, a later Pres. of
Bank of America, is also Mishpucka. Richard Rosenberg (his mother was a
Cohen) was also in charge of Northrop Corp. and Marin Ecumenical Housing
Assn. (Other examples of Mishpucka executives are R. Goldstein, v.p. of
Procter & Gamble, and Marvin Koslow, v.p. of Bristol Meyers Co.)
In the 1930’s, the elite promoted Disney’s new cartoons. In 1935, Walt Disney
received the French Legion of Honor for his Mickey Mouse cartoons. Also in
1935, the Queen of England (who readers of my previous articles will realize
is Illuminati, involved in drug trade, and is involved with the leadership of
Freemasonry) and the Duchess of York (also Illuminati) selected Mickey
Mouse chinaware as gifts for 600 children. This was after Walt spent time
with her in 1934.
The League of Nations (the pre-W.W. II equivalent of the U.N.) took the
time to vote its approval of Mickey Mouse. (Finch, Christopher. The Art of
Walt Disney from Mickey Mouse to the Magic Kingdom . NY: Harry N.
Abrams, Inc., 1975, p. 53.) There is no doubt that Walt Disney had talent.
There is also no doubt from the record that powerful people wanted to
promote him. No doubt his 32 Masonic membership and his DeMolay
activities helped boost his support, and also helped Walt’s bent toward the
occult.
Let’s digress just to let people in on Freemasonry’s involvement with acting
and motion pictures. The famous 233 Club was a Masonic chapter for actors
who were Freemasons. Examples of actors who were Freemasons include
John Aasen, Gene Autry, Monte Blue and Humphrey Bogart, Douglas
McClean, John Wayne.
Then there is T.V. DJ Dick Clark. Examples of Motion picture executives who
were Freemasons incl. Ellis G. Arnall (Pres. of the Soc. of Ind. Motion Picture
Producers), Will H. Hays (Czar of motion pictures 1922-45, and Pres. Motion
Picture Produces & Distributors of Amer. Inc.), Benj. B. Kahane (v.p. & dir.
Assoc. of Motion Picture Producers, Inc.), Carl Laemmle (Pres. Univ. Pictures
Corp til ’36), Frank E. Mullen ( man. dept of info. RCA, VP NBC ‘39-’46, exec.
VP NBC ‘46-’48), David Sarnoff (Chrm. of Bd. Radio Corp. of Amer. &
,,father" of American television), Jack M. Warner (v.p. of Warner Bros.) and
the President & dir. of Universal Pictures since 1952. The Freemasons have
made much of Walt Disney’s membership in their membership sales pitches.
Because the 2 Disney brothers’ chief contributions to the production of
Disney films were the finances and occasionally the ideas used in a film, it is
rather misrepresentative of things that Walt Disney got all the credit for the
success and quality of the Disney cartoons.
He was showered with 700 awards and honors from important people,
including 30 oscars, and the Presidential Medal of Freedom (in ’64). Walt
Disney’s great animators never got the credit they deserved, but no one
should forget that Walt was the driving force that inspired and guided his
workers.
In 1934, Walt Disney made a cartoon about a goddess of the Mystery Religions
named Persephone. In the cartoon entitled The Goddess of Spring, the
goddess Persephone is captured by Satan as his bride and sent to the
underworld, with the agreement she could return to earth six months of each
year. The Illuminati have rituals around Persephone. On Dec. 21, 1937, Disney
premiered the first full-length color cartoon movie "Snow White and the
Seven Dwarfs." This cartoon had taken $1.4 in depression-time money and
three years to make. Over 750 artists worked on the film. Walt Disney had
gotten the idea from a silent movie of Snow White which he saw as a boy in
1917. The movie has an important occult theme to it, and has been used for
occult mind-control programming.
When the 1940’s got started, Disney was in financial difficulties. At this
point, Nelson Rockefeller hired his cartoon capabilities to make cartoons for
South America, with the idea that South Americans would remain loyal to
the American capitalist hegemony, rather than shift to rising ideologies of
fascism/nazism, if they saw Walt Disney cartoons.
In Rio de Janeiro, Brazil on 8/24/42, Disney did its world premiere of Saludo
Amigos, a 42 minute feature about Latin America. Goofy becomes a gaucho,
a parrot teaches Donald Duck to dance the samba, as well as Disney art
showing various landscapes of Brazil in the film.
However, the film The Three Caballeros, if it was meant to encourage South
American loyalty to American capitalism, completely failed. The Three
Caballeros showed a sexually lecherous Donald Duck who in bad taste tries
to make it with Latin women. The mysticism was also seen as bogus.
Although the Latin Americans hated the film, the establishment media’s
Look magazine praised it. Another reason that Rockefeller sent Walt to
South America was to get him out of the way so that the government could
settle the strike by Disney workers. Nelson Rockefeller was the government’s
Coordinator of Inter-American Affairs, a good position considering how
much of South America the Rockefeller’s controlled. Rockefeller told Disney
that Disney couldn’t beat the strikers, but that while Walt was in South
America, FDR would see to it that the strike got settled.
When Disney returned he submitted to the powers that were, and accepted
the unions and the mafia’s control. Another change for Walt Disney was that
in 1940, he and Roy turned Disney into a "public corporation" and initially
sold 755,000 shares of common stock. The Illuminati Boston firm of Kidder,
Peabody & Co. were the underwriters of the studio’s public stock-offerings.
By 1940, the Disney Studio at Burbank had become a miniature city with
1,000 men & women employees and 20 buildings on a 51 acre tract of land.
After the U.S. joined W.W. II, Disney Productions were made a part of the
American military establishment. The very next day after Pearl Harbor, the
military moved onto the Disney Studio, which leads this author to suspect
that Disney was already part of the power establishment prior to the war
breaking out. Disney made military movies/cartoons that taught the
different branches of the military many things. They made propaganda
movies for the allies.
One series of films was "Why we fight." Disney made movies for the IRS to get
people to pay their taxes. Some of the Disney films were top, secret, and
concerned secret military weapons or secret psychological tactics of the
Americans. For instance, one military film was "Army Psycho Therapy" which
taught army men how to instill fear, and about the basics of fear. Another
army film was "Prostitution & the War". Another showed a carrier pigeon
evading the Germans. In 1940, Disney came out with 2 full length animated
cartoons, Pinocchio and Fantasia, both of which were soon used for
Illuminati mind-control programming. Fantasia contains Schubert’s sacred
Catholic music Ave Maria, which was used in a concluding segment side to side with the profane Night on Bald Mountain song, as well as six other
classical pieces of orchestra music.
As a feature cartoon it was a flop, but as a programming tool it was fantastic.
Fantasia receives a comprehensive explanation of how it is used for mind control programming at the end of this chapter. Because an explanation of
the use of a Disney film for mind-control is complex, this explanation is
placed at the end of the chapter so that it won’t interrupt the flow of this
chapter’s information. The Pinocchio film has been redone and released 9
times over the years. Some of the next full length animated films to come out
were: The Three Caballeros (1945) The Adventures of Ichabod & Mr. Toad
(‘49) Cinderella (1950) Treasure Island (1950) Alice In Wonderland (1951) The
Story of Robin Hood & His Merrie Men (1952) Peter Pan (1953) 20,000
Leagues Under the Sea (1954) Sleeping Beauty (1959) Very soon after the
production of all of these movies, the Illuminati and their intelligence
agencies used them for Illuminati total mind-control programming.
To see their misuse as programming scripts one has to understand how the
fantasy worlds of a programmed multiple are created and how the movie
scripts are adapted to be programming scripts. Vol. 2 gave quite a few
examples of how Alice In Wonderland and the Wizard of Oz scripts were
used for programming scripts. When Disney had his animal-nature
documentaries, he edited and used narration to give the animals human like
characteristics--something he’d already been doing with animation. Disney
played an important part in the Illuminati’s plan to elevate animals and
dehumanize humans.
One of the biggest Illuminati kingpins, and leader (Grand Master) of the
Prieure de Sion was Frenchman Claude Debussy (bn.1862). Claude Debussy,
a Merovingian, was Nautonnier (Navigator-helmsman) of the Prieure de Sion
from 1885-1918. (See the document Dossiers secrets, planche no. 4, Ordre de
Sion, written about in Holy Blood, Holy Grail.) In 1891, when some secret
coded parchments (Merovingian documents) were found by a French
clergyman Sauniere, he was directed by church officials to visit with Emile
Hoffet, an occult acquaintance of Debussy.
Debussy was close friends with many of the top French occultists of his time.
He is known to have been a close friend to both the notorious Satanists Jules
Bois and MacGregor Mathers. Mathers started the Order of the Golden
Dawn. Debussy was also a friend of the infamous Papus (aka Dr. Gerard
Encausse) and W.B. Yeats.
Papus was one of the men who during his lifetime was part of the
interlocking occult directorate of occult groups. Claude Debussy put some works of the previous P.d.S. Grand Master Victor Hugo to music. Debussy
and his other powerful occult friends were influential with Monsieur
Philippe, whose Russian occult circle influenced the Russian Czars and
Czarinas before Rasputin came around. Debussy travelled to Russia and
Rome. Some of Debussy’s works became operas. Interestingly, Walt Disney
was extremely anxious to make a cartoon using Debussy’s Clair de Lane. The
work was done, but it was never shown to the public. Disney never found a
place to use it. It was originally done with animation with flying cranes for
the occult extravaganza Fantasia, but when the Fantasia ended up too long,
Clair de Lane was cut and shelved. It was again planned for the film Make
Mine Music, but then Blue Bayou was substituted in. Walt used the Le Sacre
du Printemps (the Rite of Spring) music for Fantasia. This piece of music was
written AS a pagan ritual where a virgin sacrifices herself by dancing to
death. Disney’s mobster Gunther Lessing had threatened Stravinsky if
permission weren’t given for Disney to use the piece of music, it would be
used anyway.
Dr. Julian Huxley got involved in the production of Fantasia. Aldous and
Julian Huxley are well known by conspiracy researchers for their roles in the
World Order. In the 1940’s and 1950’s, the Illuminati began using Disney’s
Alice In Wonderland and the Wizard of Oz films as programming bases for
their total mind-controlled slaves. Alice in Wonderland had been done many
years earlier by the Britisher William Cameron Menzies (who also did
Freemason H.G. Wells’ Masonic forecast of the New World Order entitled
"Things to Come" in 1936, and the film Invaders From Mars.). In 1944,
Illuminati Kingpin William Randolph Hearst (with some minor help from
others) funded the Motion Picture Alliance, and Walt Disney became a cofounder and its first Vice-President. In the early 1950’s, Walt turned his
attention from animated cartoons to other projects, such as True-Life Adventures, television shows, and the creation of Disneyland. Seal Island was
his first true life adventure which was released to the general public on May
4, 1949, and soon won Walt Disney an Oscar. Alfred and Elma Milotte had
shot the film on some Alaskan Islands named Pribilof Islands. James Algar
had put the movie together.
In 1952, Walter spelled his named backwards to create the name of another
corporation "Retlaw". Roy and his family saw the move as an attempt to cut
them out of the financial picture. In 1954, Walt Disney and ABC made a
agreement. ABC would directly invest half a million US dollars as well as
guarantee $4.5 million in loans for the construction of Disneyland. This made
ABC 1/3 owner of Disneyland. In return, Walt Disney agreed to produce a
regular television series for ABC. Remember too that ABC’s president
Leonard Goldenstein was a good friend of Ronald Reagan. On July 13, 1955,
Walt and Lillian were attempting to celebrate their 30th wedding anniversary at a park and restaurant. Walt got too drunk to speak into the microphone,
so he blew noisemakers into it, while Lillian rushed to pull him out of view.
In 1961, Disney bought out the ABC investment (also labelled Paramount) for
$7.5 million with cash and notes, and to bring this all up to date, later on July
31, 1995, Disney merged with Capital Cities/ABC, with Disney in nominal
control. Actually Capital Cities has long been a CIA front company, so the
merger placed Disney squarely within the CIA ranks, although it had been in
bed with them for the CIA’s entire history.
The Illuminati-controlled corporations of Coca-Cola and the drug firm
Johnson and Johnson became sponsors for Disney’s early TV shows. On
7/3/57, the Wall St. Journal announced that Atlas Corp. got 26% interest in
Walt Disney Productions. Walt Disney worked quietly with some consultants
on the concepts behind Disneyland. His brother and nephew tried to prevent
the project from happening. Later they requested that Walt sign over
Disneyland, Inc. to Walt Disney Productions, which Walt did. Walt kept
17.25 % of Disneyland holdings and Walt Disney Productions got the rest.
Walt Disney Productions then shared their portion with others. The man
who helped Walt finance Disneyland was the executive vice-pres. of ABC
Kintner.
Walt Disney got the Illuminati’s Stanford Research Institute to determine
what would be the best site for Disneyland. A retired Navy admiral Joe
Fowler was in charge of constructing both Disneyland and Walt Disney
World. How do admirals fit into the power structure? Admirals are briefed
each day, and are given information concerning the secret power structure.
Most men who are at that military level are Illuminati or at least well
controlled by the system. Within the last few years there has been an intense
effort to weed out any admirals who are not loyal to the Illuminati. Morgan Evans, who lives in Malibu, and who may be of the famous Morgan clan, was
the one who created the spectacular landscapes for Disneyland, Walt Disney
World, and EPCOT in FL.
According to CIA informants opposed to the
NWO, CIA contractors were brought in to build the underground tunnels
under Disney world in 1977. These contractors were sworn to secrecy, but
were only informed on a need to know basis why the CIA was involved with
an amusement park. To work on the secret tunnel project took an "Above
Top Secret" clearance. A major programming center was constructed under
Lake Holden. (Many of the lakes in Florida are named Lake So-and-so, rather
than So-and-so Lake.) The tunnel system was built for programming trauma based total mind-controlled slaves. It was built of concrete with steel
reinforcement. Lake Holden lies just to the northwest side of the Orlando
International Airport and just south of Interstate 4. (It is close to Range 29E
on quad maps.) It is only (as the crow flies) about 12 miles from Disneyworld.
In spite of Draconian measures of secrecy, numerous lawsuits (Fed. & State)
were filed over the years by victims trying to expose the Disneyworld
programming tunnels, so that finally the programming center was
dismantled, cleaned up and a "maintenance" tunnel level and a "casting"
tunnel level were opened to the public. During its heyday, the programmers
(military & intelligence men) had exotic offices underground with unusual
programming equipment. It doesn’t take any imagination to realize that if
Disney carried mind-control programming above and below ground, that
they would need tight security forces to protect their secrets. Indeed, such is
the case. Disney amusement parks have been granted draconian powers
wherever they have been built! The Disney parks have also employed armies
of spies dressed like tourists to spy on Disney’s employees! If amusement
park workers did anything slightly out of place, they were (and still are)
reported by the spies in the camp, and they often have lost their jobs.
For instance, one ex-worker, who had 10 years with Disney, was caught
discussing his divorce with another worker. Since divorce doesn’t fit the
wholesome image that Disney wants, when the spy dressed as a tourist
reported his conversation, he lost his job. Many workers have tried to tell
their personal horror stories of Disney’s draconian rules and their draconian
private police force, but most of the time Disney has had the power to
suppress and intimidate away any bad publicity. An exception to that is the
recent Nov. 4, ‘96 Napa Valley Register article on page 2D entitled, "Critics of
Disneyland Say Security Abusive Inside Magic Kingdom." UCLA law
professor David Sklansky commented about Disney’s police, "One of the
major problems we have is nobody really knows what they are doing- how
often they stop, interrogate or search people. They are not subject to the
same sort of regulatory controls."
It’s almost superfluous to tell readers that Disney’s amusement park with it’s
theme areas such as Fantasyland, Tomorrowland and Adventureland were a
great success. Everyone worldwide was curious to visit this entertainment
mecca to participate in something that had a clean, wholesome image to it.
The entire world system pulled together to insure that Disneyland got the
image and publicity that the top 13 Illuminati families and the various
syndicates wanted it to have. For 40 years they’ve done this. When
something that everyone thinks is clean and wholesome is not attacked by
the world system, that should raise eyebrows among thinking people. Home
schooling, learning to read phonetically and other wholesome activities for
children have been viciously attacked and ridiculed by the established media.
Why has Disney gone untouched?
Disney Studios for years strove to have a very clean image. Workers had
dress codes, and any activity on the part of employees that wasn’t morally conservative was grounds for instant dismissal. Of course, the exceptions
were well covered up, such as an employee who used hypnosis to get quite a
few of the females employees to undress until nude. John L. Hulteng, author
of The Messenger’s Motives (Englewood Cliff, NJ: Prentice-Hall, 1976, p. 213)
informs us, "As communication researchers have emphasized, the greatest
impact the media have on the formation or change of public opinion is in
terms of impressions built up over a long period." [bold added] The
wholesomeness of Disney is an image that has been built over a long period
of time. Disney’s occult themes of world citizenship, witchcraft, humanism
and idolatry have also been long running impressions that have been
creatively perpetrated upon this nation, so long that they began prior to this
author’s --& probably the reader’s-- birth. People don’t associate movie’s like
Consenting Adults with Disney, or The Corpse Had a Familiar Face with
Disney. In fact as previously mentioned, when Disney wanted to put out
more "adult" films, they did a slight of hand and created the label
Touchstone films so that people wouldn’t associate movies like Splash
(which showed what looked like bared breasts) with Disney Productions.
Another label, Hollywood Pictures, was created by Disney to help distribute
Touchstone films. At first the personnel of these companies was simply
Disney’s staff, but as time went on, they got their own production personnel.
On Oct. 27, 1954, Walt Disney’s Wonderful World of Color debuted on
television. The TV show celebrated Disney’s movie triumphs. The words
Wonderful World of Color are not ill chosen. According to an Illuminati
mind-control programmer, when Disney worked on his cartoons, and
amusement parks, colors --special colors and color combinations--were
specifically chosen for mind-control programming purposes. Wonderful
World of Color under various names such as Disneyland aired for 22 years
over the television networks.
In 1955, Walt Disney made his cartoon character Mickey Mouse real by
creating a fan club--the Mickey Mouse Club, which aired five days a week
usually just as children came home from school. Twenty-four children called
mouseketeers would help Mickey, and they would dance and sing and do
skits. The Mickey Mouse Club adored the unique, cute little beanie Mickey
Mouse caps with their big ears mounted to each side of the beanie. In the
1950’s, most kid viewers of the show wanted their own "Mouse Ears" and to
become a Mouseketeer, especially children who were receiving Mickey
Mouse scripts in their total mind-control programming. Disney used his
Mouseketeers to play all the roles in an Oz movie Rainbow Road to Oz,
which was never shown to the public.
Adults today (both men & women) who received Mickey Mouse
programming during the 50’s through 70’s can still be seen with Mickey Mouse clocks, watches, lampshades, knick-knacks, tee shirts, etc. Years later
the kids who watched can still remember "Spin and Marty" and the Mickey
Mouse theme song. The image that everything was perfect including Mickey
was portrayed by the Club’s T.V. program. Still somehow the American
people began to use the word "Mickey Mouse" as a synonym for a silly,
pretend way of doing things. It became common for people to say, "He
mickey-moused it together." to mean he did a poor job putting it together.
On Jan. 30, 1957, Walt Disney had a television show aired entitled "All About
Magic" where a Magic Mirror explains about magic. The Magic Mirror also
contains a "Bibbidi-bibbidi-Boo" sequence. In 1959, Disney bought 8 small
submarines from Todd Shipyards for $2,150.000. When ABC wouldn’t let
Walt make a TV series out of a storyline where a magic ring changes a boy
into a dog (a mind-control programming theme)--because ABC didn’t think
the public could swallow the story line--Walt quit ABC for NBC. Walt then
made a scaled down version of this occult storyline entitled The Shaggy Dog.
Early in the 1960’s, Walt and his brother Roy went secretly looking for an
area on the east coast to build another Disney Park. Walt the younger of the
two, died in 1966, and Roy finished the project. Beginning in 1964, 30,000
acres were secretly purchased at $200 an acre in the Orlando, FL area just
west of NASA’s Cape Kennedy. Using phoney names and paying cash, Disney
buyers bought the land and swore the sellers to secrecy. The Magic Kingdom
has been multiplying. In 1971, Walt Disney World was opened to the public.
Bob Hope and others participated in a Disney special on Oct. 29, 1971 "Grand
opening of Walt Disney World". From the time of its opening until Oct. 12,
1995, Disney World calculated 1/2 billion people visited Disney World. This
amusement park is in Orlando, FL on over 27,400 acres and includes the
EPCOT Center (now also called simply Epcot). The EPCOT center was
another dream of Walt Disney’s (albeit more than slightly modified from
Walt’s original EPCOT ideas.)
EPCOT originally stood for Experimental Prototype Community of
Tomorrow. It was to be an extension of the massive mind-control being
carried out at Disney World. The original EPCOT city designed by Walt was
to carry on its commerce (traffic) via underground roads and tunnels like the
Disney Theme parks. After Walt Disney died, his successors changed the
proposed experimental city into another theme park simply called Epcot. It is
not unusual to see crowds of over 48,000 people descend on Walt Disney
World and the EPCOT center in a single day. Some visitors arrive via a
monorail. Visitors can buy 5-Day World Hopper passes which allow them to
bounce around with admission to all the sites for a seven day period. In other
words, some families stay for a week at Disney world. Hardcore visitors can get Annual Passports which provide unlimited use of Walt Disney world for
an entire year.
In reality, many visitors to Disneyworld begin the day enthusiastic and after
a day of hot sun and waiting in long lines with large crowds for imitations of
reality, the tourists are zombie-like and looking forward to getting back to
their hotels. Many people have felt the rides were not nearly what they
expected. Some of the rides are better than others, and some typically get
comments like, "It was stupid." Some of the spooky events like Snow White’s
Adventures, or the oversized heads of the Disney characters walking around
can leave the little preschool children terrified and dazed for the rest of the
day. In contrast, older children, who normally rarely show patience at home
may show how much they want to go on a particular Disney ride, by waiting
an hour and a half in the hot sun for a ride. Alien Encounter is a Walt
Disneyland feature that invites tourists in for a "demonstration of
interplanetary teleportation." When the "demonstration" as planned "breaks
down" an "alien" with asocial traits appears among the audience and
terrorizes the audience. A cute creature is hideously fried, deformed, and
then vomited into space screaming. Here are some comments from visitors
to this Walt Disneyland attraction:
· "Alien Encounter ...is one of those rides I can say I’ve seen and that I have
no intention of ever doing again. In fact, parents who take children under the
age of six should be brought up on child abuse." Woman, from MI
·
"Alien Encounter was the WORST experience for my 10-year-old (and
almost every child in there). It starts out cute enough during the pre-show,
but the actual show is a disaster for children. My daughter screamed and
cried in terror throughout it. I thought the Disney warnings were vague and
inaccurate. When we left, there wasn’t one child with dry eyes (even sturdy
looking 12-year-old boys were crying.). I think an age requirement of 13 or 14
is more appropriate. I talked to a few adults and we even agreed that the
special effects were extremely unpleasant even for us. This show is not a
Disney family experience--its ATROCIOUS!!" A mother from Phillipsburg,
NJ.
"We did go to Alien Encounter...The preshow is deceiving. It kind of lulls
you into thinking "this isn’t so bad." When the main part came up, I admit
the experience gave me the absolute heebie-jeebies. . .I am never doing that
presentation again--it was way too intense for me, and I’m now 27 years of
age!--from a family in Laurel, MD
Michael Eisner, the President of Walt Disney Co., initially rejected Alien
Encounter for not being scary enough when it was being considered as an
D addition to Disney world. One wonders what he would have liked! Snow
White’s Adventures, which was an attraction at Disneyland, was one of what
the Disney people called "dark rides". After a while a sign appeared with a
witch warning people that the attraction was scary. Later in 1983, they
renamed it Snow White’s Scary Adventures. It might be interesting to point
out that when the original Snow White and Seven Dwarfs film came out, that
England forbid the film to be seen by any child under 16 unless accompanied
by an adult because of the scary content of the movie. How far we have come
since then.
Schools in the Florida and California areas also make field trips to the Magic
Kingdom that are arranged with Disney. EPCOT receives tens of thousands
of children this way during March, September and October. High schools use
the Magic Kingdom for proms or senior nights, and some couples use the
facilities of the Magic Kingdom for weddings. Modem Bride ranked Orlando
as the number-one honeymoon destination in the world. Group discussions
of people who took honeymoons to DisneyWorld have had a consensus that
the hype is not as great as the reality. Some weddings are done with cartoon
characters. Disney offers "fairy-tale" wedding packages. A great deal for two
mind-controlled slaves. They can reinforce their programming while getting
married. The Disney fairy-tale wedding typically has its ceremony on a
pavilion on an island in the Seven Seas Lagoon with the Cinderella Castle as a
backdrop. The fairy-tale wedding can then be followed with a Fantasy
reception with a choice of themes such as Beauty & the Beast or Aladdin. The
fantasy programming can continue as the bride is delivered to a "Cinderella’s
Ball" by an actual glass carriage drawn by six white Disney ponies. A
costumed fairy-godmother & stepsisters are also at the ball. Desert is served
in a white chocolate slipper.
One of the after-dark shows is IllumiNations which consists of music,
fireworks, erupting fountains, special lighting, and laser technology done at
the World Showcase Lagoon. EPCOT has a show Cranium Command at the
Wonders of Life in the Future World section where guests sit in a theater
that functions as a command control room for a boy’s brain. In 1980, Disney
came out with the box office flop The Devil & Max Devlin. In 1984, Roy E.
Disney brought in Michael Milken, of junk bond fame to help Disney out
financially. In 1985, Disney bought MGM’s rights to Leo the Lion logo and
began using the MGM Wizard of Oz material. Later a remake of Alice In
Wonderland came out in the modern motif of Honey I Shrank the Kids. In
the 1990’s, Illuminati controlled companies continued their promotion of
Disney. For instance, the Nestle family’s Nestle company promotes Disney
movies on their chocolate bars. The Nestle family is exposed in this author’s
booklet Illuminati Control Over Foods and Grains, p. 4 as one of the elite
Black Nobility families. In 1996, Walt Disney World created an actual residential town named Celebration on its property. This self-contained
community has 20,000 and a school, a theater, a fiber optic information
network linking business, as well as other features.
next
SOME DISNEY people of interest 46s
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