Excerpt from Fritz Springmeier Deeper Insights
ONE OF THE GREATEST DECEPTIONS
OF ALL TIME: DISNEY
SOME DISNEY people of interest.
Over the years, the close associates of the Disney's is very revealing. The
public can get a feel for Disney’s attitude toward Illuminati bloodlines in the
Disney movie The Happiest Millionaire which is about Anthony J. Drexel
Biddle and Angie Duke. Readers of this author’s previous writings will
recognize the Biddle and Duke names. In fact, the movie was based loosely
on a book written by Cordelia Drexel Biddle about the Biddles.
X Atensio. His first name was Xavier, but was nicknamed and called X. He
worked on the haunted mansion of Disneyland with WED enterprises. He
joined Disney in 1938, and was an assistant animator of Fantasia.
Warren Beatty. (b. 1937 in VA) This actor is from the Illuminati Beatty
family and starred in Disney’s Dick Tracy. The Dick Tracy film uses color in a
special way, and this ties in with the color programming of the mind-control.
Some total mind-controlled slaves have programming based on Disney’s
Dick Tracy movie for them to track down and kill "targets" (people).
Warren’s sister is the famous (or infamous) Shirley Maclaine. Shirley
"MacClaine" is not what she appears.
Her father was a professor who was a CIA asset. She was used by the CIA as a
sex slave. She became popular with the studios because she went to bed with
the correct people. Her talents were used to get her as an intelligence slave
into places that an obvious intelligence agent couldn’t go. She was married to
a man in the NSA for nearly 20 years. Her adopted name Maclaine
(reportedly her mother’s maiden name) is a pun on McLain, VA where the
CIA programmed her. She was used by the CIA in an operation in Australia,
where the CIA used her as a sex slave to compromise Andrew Peacock, an
Australian MP, so that they could establish the Nugen-Hand bank for their
dirty money laundering etc.
She is friends with Satanist Stephen Nance who has provided her with some
of her teachings. Lowell McGovern writes her material. The CIA has
programmed many of their New Age slaves to adore Shirley MacLaine. An
example of this is Christa Tilton, one of their mind-controlled slaves, who
revealed in an interview how she considered herself a born-again Christian
who had spent most of her life in Oklahoma, but had mysteriously been
drawn to Shirley MacLaine. During her life she has gotten repeated "psychic
urgings"--that is strong urges to do things and go places, which she doesn’t understand where these urgings came from. After hypnosis, Christa drew
pictures of the doctor who programmed her. Christa has had a federal agent
monitor her constantly. Her husband has seen this agent, who has shown up
on her door step and made calls to her. She names the agent John Wallis
(most likely a cover name). This agent has a complete knowledge of her life,
and government agents have taken photos of her during her supposedly
"alien abduction" experiences. Christa is just one of hundreds of victims who
have been programmed to adore Shirley MacLaine. (Christa is mentioned
here because she is one case that this author is familiar with.) Warren Beatty,
who peppers his speech with four-letter words was a student at the Stella
Adler Theater Studio in NYC.
Black, Shirley Temple. Shirley Temple Black sat on the Disney board of
directors (74-75). Her films were used for some of the early 40’s and ‘50’s
programming and teaching slaves body movements/dance. She married
someone in an elite Network family from San Francisco named Charles A.
Black. Charles A. Black was a Lt. Col. in the Pentagon who lived at Bethesda,
MD.
Was Shirley an early example of brain-stem scarring to get geniuses?
Shirley’s brother appears to have developed "Multiple Sclerosis" from brain
stem-scarring. It was Shirley Temple who co-founded the International
Federation of Multiple Sclerosis Societies, and was a member of its exec.
committee. Shirley represented the U.S. at the UN General Assembly in 1969,
belongs to the Sierra Club, and has been decorated with the Cross of Malta.
Shirley has shown clues that she may be an Illuminati mind-controlled child
protege.
Stephen Bollenbach. Bollenbach was part of Walt Disney management, and
was a key figure who helped engineer Disney’s $19 billion buyout of the CIA’s
Capital Cities/ABC, as well as sell the idea to Eisner. He is the CEO of the
Network’s Hilton Hotels Corp. He recently has been involved with trying to
buy ITT, in order to put together the world’s largest hotel-casino
combination. Bollenbach has an extensive background with the gaming gambling industry. When the Justice Dept. began looking into the merger of
Disney with Cap. Cities/ABC, Bollenbach resigned his Disney position. Some
people feel his resignation was needed for Disney to get the Justice Dept. to
approve the merger, because his past was vulnerable to be exposed.
Warren Buffett. A major stockholder in Walt Disney. He also owns 40% of
Berkshire Hathaway Inc. which also owns lots of shares of Disney stock.
According to S.F. Examiner, Buffett himself owns 24 million shares of Disney.
Warren Buffett is part of the Ak-Sar-Ben fraternity and Monarch slave
abusers who were exposed in the Nebraska Saving & Loan scandal. He is
perhaps the second richest man in the nation, and too powerful for anyone
to touch. In the kingpin vs. kingpin battles, some people close to the inside see Buffett as a good guy. Readers need to study the Lincoln Savings & Loan
scandal and the scandals connection to programmed child slaves at Boy’s
Town to get more information on this Disney stockholder. Robert G.
Hagstrom, Jr., who is the portfolio manager of the mutual fund Focus Trust,
which has shares in Walt Disney, wrote the book The Warren Buffett Way.
Hagstrom has a chapter on Disney in his The Warren Buffett Way. He quotes
Buffett as extremely enthusiastic about Disney’s merger with Capital
Cities/ABC. Because of his enthusiasm Buffett says, "The odds are extremely
high that we will have a very large amount of Disney stock."
Salvador Dali--This strange surrealist Spanish artist was a friend of Walt
Disney. After Salvador was kicked out of Spain for Franco’s belief that he was
a communist, he came to America, and worked with Disney Studios in 1946.
Salvador, an eccentric who had no particular work habits, described himself,
"The only difference between me and a madman is that I’m not a madman."
The Tommy Dorsey Band--This band has had a number of men in it who
are Mind-control slave abusers associated with the Network. Frank Sinatra, a
sexual slave user, got his big break with this band. This band performed at
Disneyland in 1984 at the Plaza Gardens. Tommy Dorsey was part of the
Network’s in-crowd. When he was on a USO Tour with Bob Hope, he
stabbed actor Joe Hall and threw him out of a window. Joe had to have 32
stitches. But Joe didn’t get justice, the judge dismissed his case against
Tommy.
Michael Dammann Eisner, Chairman at Disney is a CIA asset and
connected to the mob. Some insiders believe he is connected to elements of
the CIA & mob that are anti-NWO. Even so, these anti-NWO factions also
employ mind-control. Eisner ignored a threat by Red China to boycott
Disney products if he made a movie about the nation Tibet that China
controls with draconian force. The U.N., the Commerce Dept. and the State
Dept. all tried unsuccessfully to get him to back down on the film. A paper
trail connecting Michael Eisner and Walt Disney Co. to mind control is their
support of the Boys & Girls Club of Napa Valley, which is used for a supply of
children for pedophilia and mind-control. The Boy’s & Girls Club is used to
supply caddies for the Silverado Country Club, where these children are also
used as mind-controlled slaves for the sexual perversions of the elite. Notice
that Napa’s Silverado Country Club invites in celebrities (such as CIA asset
Pat Boone, Joe DiMaggio, ex-husband of sex slave Marilyn Monroe, Engelbert Humperdinck a slave handler, Digger Phelps, Notre Dame’s coach who uses
slaves, and Jack Valenti CEO of Motion Picture Assoc. & Bohemian Grover)
for a golf tournament which is billed as a "benefit for the Boys & Girls Club".
The benefit for child slaves is they get to caddie & sexually service elite
perverts.
Michael (bn. March 7, ‘42 in NY) came from old American money of a family
that has been rich merchants and lawyers. Michael grew up in luxurious Park
Ave. as well as his family’s "country place" in Bedford Hills near Mt. Kisco,
NY. He went to an elite private school Allen-Stevenson, which is famous for
its children’s orchestra. At the age of 14, he then went to Lawrenceville
School, which is a prep-school for Princeton, whose tuition in ’56 was $3,000.
Eisner’s class incl. NY’s governor’s son, and other sons of powerful men, such
as the son of Saudi Prince Turqi al-Faisal. The school is a prep school for the
establishment’s entertainment industry. Students are only allowed to see
their parents on major holidays. Eisner was in the Periweg Club, the school’s
drama society. His poor scholastic performance meant that he had to go to a
small liberal arts college, rather than Princeton or Harvard such as was
family tradition. For instance, his grandfather had attended Phillips Exerter
Academy and Harvard. His grandfather has serve in many govt. commissions
and belonged to the Harvard Club, the American Club in London as well as
some yacht clubs. Between his junior & senior year in high school, Eisner was
a page at NBC’s HQ in the Rockefeller Center.
In 1966, he landed a job in the programming department of ABC. He had an
influential position. Eisner had one good break for deciding TV
programming. He was 21 when the target audience was 21 years old, and
when he was 35, the target age of the film industry was then 35. He has been
described as having "supernatural enthusiasm" coupled to a lifetime quest for
untested ideas.
Rich H. Frank, was Executive Vice-President with Walt Disney until his
sudden resignation about a year before this was written. He worked side by
side with Katzenberg and left after Katzenberg resigned in a dispute with
Disney’s chairman Eisner. Rich Frank was President of Walt Disney’s TV-Media Division. He acquired the estate of VanHoffenwiggen, when
VanHoffenwiggen fled the country and vanished when Lendvest began to be
exposed. VanHoffenwiggen was a major figure involved with Lendvest
Mortgage Inc., a drug-laundering operation and drug smuggling operation
operating out of Napa Valley. It was also the fastest growing real estate
mortgage company in northern California until its drug smuggling began to
be exposed. Lendvest did some tricks ala Nugen Hand Bank. Millions of
dollars of investors and creditors have disappeared leaving lots of hurting
people, and the mortgage company filed for protection from creditors in U.S.
Bankruptcy court, and is still in operation.
International financier Edmond Safra’s private bank, the Republic National
Bank of NY, launders money from the Medellin drug cartel. Safra’s bank sent
Lendvest lots of crisp new $100 bills. The Safras are tied in with the
Rothschilds. (The Safras are reportedly recent property owners in St. Helena near Napa (through Good Wine Co. which is the Spring Mountain Wineries),
near where Lendvest was HQed. Edmond’s nephew, Jacob Safra, has a
partnership in Napa Valley’s Good Wine Co.
The Rothschild’s Citicorp gave Republic National Bank the transaction ability
to issue international (world) bearer bonds ("bank notes") The
Luxembourg/Belgium branch of Bank Nacional de Paris issued a bearer bond
that was connected the Lendvest drug running operation. In Britain, a U.S.
citizen Mike Spire ran the British operation of Lendvest and InVest.
Land Vest’s parent was InVest which has operated in the U.K., Switz., Saudi
Arabia & Paraguay. Long story made short, Lendvest has been an
international CIA-Mafia drug running operation, with Illuminati overtones
and connections to it.
With all this in mind, it is strange, that Walt Disney’s President of its TV-Media Division, Rich Frank, bought the palatial mansion of John O. Van
Hoffenwiggen after Van Hoffenwiggen disappeared from the country when
indictments and arrests began to be made of people connected to Lendvest.
According to insiders, Rich Frank is also one of a number of Napa Valley
people involved in illegal labelling of wines.
Rich Frank was a key figure in
Disney’s programming venture with three regional Bell Telephone
companies (Ameritech, Bell South, & SBC Commun.) coming together. Bell
Telephone wanted to get into cable TV. Michael Ovitz formed a rival group
of 3 other Bell Telephone co.s. Calvin Robinson, who tied in with Land Vest,
worked with Boyce, who in turn worked for TRW Co., in Redondo Beach, CA.
Boyce was sentenced to 40 years for selling US surveillance secrets to the
soviets.
Daniel Hillis, the co-founder of a supercomputer producer Thinking
Machines from MIT, is in charge of the Walt Disney Imagineering unit. Hillis
helped Disney develop a virtual-reality ride at Disneyland based on the
Aladdin cartoon.
Jeffrey Katzenberg, has been the chairman of Disney’s movie studio, is an
aggressive worker, a model Type A person. "Ask 50 people to describe Jeffrey
Katzenberg, and most will say tenacious. ‘If Jeffrey were any more aggressive,
he’d be in jail." says the producer Dan Melnick." ( Harmetz, Aljean, "Who
Makes Disney Run?", NY Times. Feb. 7, ‘88, p. 29.) Katzenberg is the father of
twins, which people joke was typical of his efficiency. Katzenberg supervised
the production of Star Trek. Most of his movies have been box office
successes. In the ‘70’s, Katzenberg worked for NY Mayor John Lindsay.
Sanford Martin Litvack. Sanford is the Executive Vice Pres. of Disney and in
charge of "Human Resources" for the corporation. He is a Jewish lawyer who was educated at the Jesuits’ Georgetown Univer. He is on the bd of dir, of Bet
Tzedek.
Vincent Price. Price has been one of the major influential occultists who has
provided the world with many occult horror books and scripts. He worked
for Disney some, and was the voice for Ratigan in The Great Mouse
Detective. Vincent Price’s good friend John Hay Whitney is an Illuminati
kingpin and vice-pres. of the Pilgrim Society and was raised into the
Illuminati through the Yale Scroll & Key fraternity. His friend Whitney likes
horror movies.
The Osmond Brothers. Merrill Osmond’s boys were "discovered" at
Disneyland when they were visiting the site in 1962. The Disney people on
Main St. just "happened" to recognize the talent of the five boys and signed
them up soon for their first professional singing contract. The Osmond Boys
did some television appearances for Disneyland such as Meet Me at
Disneyland, and Disneyland after Dark. (Considering the mind-control
programming done to these Osmond children, these TV shows were a cruel
joke.) Of the singing Osmond kids, Donny is the next to the youngest, and
his sister Marie is the youngest. Both Donny and his sister Marie are
programmed multiples who are slaves, who have been subjected to a lot of
abuse. They have good front alters. Their father has made millions from
drugs, porn and white slavery and is part of the Mormon Illuminati front.
The Mormon front of the Illuminati has gotten a lot of good publicity off of
the Osmonds. They sang for Andy Williams whose French wife was once
arraigned on murder charges. Later they sang for the satanic Network’s
Lawrence Welk show. Swedish accented Lawrence Welk has been part of the
Network. Marie Osmond has grown up, and she has adopted 3 of her 5
children in spite of her busy singing schedule which includes approx. 200
singing shows a year at places like Mafia controlled Atlantic City. In terms of
occult families, adopted children are often programmed children, so this is a
clue that her children have been programmed too.
Michael Ovitz. Ovitz was the no. 2 man at Walt Disney for a while until
near the end of ’96. Michael Ovitz was a high school classmate in Van Nuys,
CA with Michael Milken (later the junk-bond wizard), & there are many of
the same people connected to both men. When Michael Ovitz’s National
Mercantile Bancorp (a saving & loan) began getting into the quicksand of
several lawsuits & scandals, attorney Robert Strauss represented him.
Illuminati member Robert Strauss has been a lawyer connected with drug
running & the mafia. He was also an FBI agent from ’41 to ’45 with Hoover.
He is admitted to the Wash. D.C. bar.
Pres. Bush appointed him U.S. Ambassador to Russia. He has been on the
board of dir, of the Illuminati’s PepsiCo, Archer-Daniels-Midland (ADM),
and General Instruments (which have been exposed in other writings by this
author.) He was also a board member of the Illuminati-mafia run MCA.
Strauss is seen in Wash. D.C. as a behind the scenes power broker. Strauss
represented Michael Milken associate Ronald 0. Perelman, Chrmn. of Revlon,
who made a $600 mil. killing off of the 1st Gibraltar S&L. Strauss represented
MCA, which the Bronfmans took over in 1995. The book Knoedelsder,
William. Stiffed-The True Story of MCA, The Music Business, and the Mafia.
NY: HarperCollins Pub., 1993, does an good job of connecting MCA to the
mob, the Network, and Iran Contra. See especially page 442. Time magazine
2/24/97 carried a page long story about Michael Ovitz being out of a job. In
the article, they reported that he was spending time on his new yacht The
Illusion, visiting Joe Silver’s estate in So. Carolina, visiting his property in
Aspen, CO, and eating lunch with investment adviser Richard Salomon of
Spears, Benzak, Salomon & Farrell. Gordon Crawford of the Capital Group is
quoted in the article praising Ovitz, and saying he would invest in an Ovitz
venture.
Ovitz is believed to be mafia by people in a place to know. He has also been
known to threaten people using mafia terms, for instance, Vanity Fair (12/’96,
p. 272) reports Ovitz threatening Bernie Brillstein, a producer, with his "foot
solders". The San Francisco Chronicle (Fri., 1/26/’96, p. D20) quotes the latest
issue of Columbia Journalism Review about an incident where a reporter
Anita Busch who was investigating Ovitz got violently sick from the MSG in
her food as she interviewed him. To top off it all off, Ovitz followed up her
story which questioned his actions, by sending her a gift wrapped package of
MSG with a one-word note: "Enjoy.". Michael Ovitz has had the clout to deal
with Illuminati kingpin Edgar Bronfman head to head. He requested & got
Bronfman to keep his dad employed, which was dutifully done. Edgar
Bronfman Jr. had seriously considered having Ovitz head Seagram’s
MCA/Universal conglomerate.
Frank G. Wells. Frank was the President & the Chief Operating Officer of
The Walt Disney Co. Wells was also on Disney’s board of directors. He was a
Rhodes Scholar, and a lawyer in 1955. Those who have read previous books
(such as Vol. 1) by this author know how the Rhodes Scholars fit into things
& are part of the Illuminati. He worked closely with Eisner & Katzenberg.
Frank died in a helicopter crash in the spring of 1994 while heli-skiing in
Nevada. His surviving sister is Molly Wells Chappellet who runs around in
Illuminati circles. Molly Wells Chappellet has been featured several times in
Betty Knight Scripp’s magazine Appellation. Betty Knight Scripp was married
to a Bohemian Grove member. Betty has been good friends with: the late
Pamela Harriman (who was a recent U.S. ambassador to France & connected to the Rothschilds), as well as good friends with Her Imperial Highness the
Grand Duchess of Vladmir of Russia, who owns the Chateau Margaux in
Bordeaux. Betty Scripps personally monitors with care what is put into her
incredible magazine Appellation. She has a column "Who’s Who in the Wine
Country" where the Chappellets have appeared in print numerous times.
Nearly all of Disney’s 1920 movies had a black cat in them. Many had occult
slants to the scripts. The occult slant never departed from Disney themes.
Some of DISNEY’S blatantly OCCULT MOVIES.
• Aladdin. A wisecracking all powerful genie is shown.
• Bedknobs & Broomsticks (1971) A witch finds a magic formula
from a lion king. The magic formula raises a ghostly army of
armor in a museum which stops a band of German
commandos.
• Beyond Witch Mountain (1982) A pair of twins leave Witch’s
Mountain and have to use their special occult powers to outwit
a character named Deranian.
• The Black Cauldron (1985), A Horned King uses his magic to
fight a clairvoyant pig and the pig’s keeper. This animation cost
$25 million, but was a box office failure.
• Bride of Boogedy (1987) An evil spirit visits the Davis family
and puts the father under a spell. Directed by Oz Scott.
• Child of Glass (1978) A glass doll must be found to set a ghost
free in a haunted house.
• The Gnome-Mobile (1967). A multimillionaire and his
grandchildren encounter gnomes. In the end the
multimillionaire deeds the forest to the gnomes for eternity.
• Halloween Hall of Fame (1977). Jack-o-lanterns come to life.
• Halloween Treat (1982). Cartoons about Halloween. This was
followed the next year with a film Haunted Halloween which
talked about the origins of Halloween.
• Misadventures of Merlin Jones (1964) A genius tries to help
other students. He tries to also use hypnotism & ESP which
backfire on him.
• Richest Cat in the World (1986) A wealthy man leaves his
fortune to his cat, who the relatives later discover can talk.
H. DISNEY & its MOB connections
When this author spoke to the co-author’s deeper Illuminati alters about
Disney, their reaction was that Disney had been described to them when
they were in the Illuminati as "a syndicate within a syndicate." They said that while in the Illuminati, they were aware that Disneyland had their own
government, their own rules and their own police force. They were a crime
syndicate within a syndicate. What these Illuminati alters casually
mentioned, was verified by this author the hard way through research. One
Disneyland Security Supervisor said, "There is no Constitution at Disneyland.
We have our own laws." Once, when Walt Disney got miffed at a Hollywood
policeman, Walt said, "I’ll have your badge." If Disney guards decide to, they
will get very rough physically with people, and assault them in any fashion
they see fit. The people they detain are often thrown into tiny cells at
Disneyland where they are kept without benefit of a phone call, without
benefit of a toilet or water.
The judicial system turns a blind eye to whatever Disney police do. Many
people pay Disney to get their children out of a Disney cell, and never get
due process of any law. This type of treatment has gone on for decades, and
is almost a daily occurrence at Disneyland. The Anaheim Police force is very
chummy with the Disney private police force. Also at one point, the Burbank
Chief of Police was the brother-in-law to Disney’s Chief of Security. Recently,
when a couple filed a wrongful death suit against the Magic Kingdom of
Disney in Florida, the state of Florida surprisingly has appeared to have
backed off from their traditional behavior of protecting Disney’s sovereignty.
An article on the suit said, ""there is evidence of some nervousness with
Disney’s relative autonomy."" (San Francisco Chronicle, article "Mickey’s
Dark Side" Oct. 1, ’96, p. C6) An attorney in the case said, "Disney World’s
security people aren’t just cops, they are bad ones. I don’t think there is any
corporation that has ever had the perceived power that Disney has."
Richard Foglesong, a professor of politics at Rollins College in Winter Park
stated, "Because Disney World controls so much of its corporate and
municipal universe, it can’t help but act in a heavy-handed manner in order
to ferociously protect its self-interest. They have immunity from state and
local land use law. They can build a nuclear plant, distribute alcohol. They
have powers local communities don’t have. Do they abuse it? In my opinion,
yes."
In line with Disney’s previous dictatorial policies on their properties,
Disney’s new city called Celebration will not have any elected government.
Since the city is unincorporated (a neat Disney trick) the mayor is appointed
by Disney. Several Disney "quasi-government’" bodies control citizens of the
city. For instance, the Celebration Residential Owners Association, which
participates in binding all residents to a Declaration of Covenants, a legal
binder of rules that residents must live by. Of course the Declaration of
Covenants was written by Disney. These rules include such nit picky things
as, no more than two people can sleep in the same bedroom, no pickup
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trucks can be parked in front of homes, and if Disney officials don’t like your
cat or dog they can forcibly remove the animal from your home. Disney
Corp. has perpetrated numerous deceptions on the residents, incl. shoddy
work on their homes, and operating their ""public"" school with Disney
cronies. Still, the residents that have moved into Celebration are glowing
with praise for the town in spite of the fact that the city is totally run by Big
Brother Disney Corp. Of course those who don’t love it, soon leave. So much
for the American tradition of self-government.
Some MOB HISTORY.
Traditionally, the mob crime bosses have had a yearly summit. In 1928, they
had their yearly conclave at Cleveland. In 1929, they had their secret yearly
conclave at Atlantic City. In 1931, they held their secret annual conclave at
Wappingers Falls, NY. At the Wappingers Falls meeting, attended by about
300 overlords and soldiers, the heads of the family clans discussed their
crime family agendas. They decided where the first national Mafia
convention was to be held. Once the Mafia was able to hold their yearly
private national meetings, they were able to coordinate their activities, as
well as decide such things as:
a. the direction of national & internal operations, and long range plans
b. the promotion of new bosses
c. decisions on turf & rank, commodities & cash
d. hashing out alliances or disputes with the Mishpucka, Triads, FBI,
Illuminati, etc. and working with others in a concerted manner.
The mafia clans would then leave the annual summit meetings and follow
through in their area of operations, until they would meet the next year,
review their successes & failures, get new assignments, and decide upon new
short & long term goals. In 1927, the Mishpucka worked with Mafia to
highjack a bootleg shipment of whiskey travelling from Ireland to Boston for
the Kennedy Illuminati family. Most of Kennedy’s guards were killed in the
shootout, and J.P. Kennedy had the widows of the guards besieging him for
financial assistance. Billy Graham’s good friend Mafia Chief Joseph Bonanno
was one of the chiefs who attended the yearly conclaves. He also met with
J.F. Kennedy in the Winter of 1959. John Kennedy was known to have said
that mobster Sam Giancana worked for his Kennedy family. The
mob/Illuminati alliances and infighting are too complex to deal with in this
book, but both groups had to put plans into action to deal with the repeal of
Prohibition, which would end their lucrative bootlegging. The short term
plan for the Mafia was to control the film industry in Hollywood, and to
penetrate the unions better. The long term plans called for sending their
next few generations of children off to the top schools and getting them into legitimate respectable corporate positions. By learning the ins and outs of
honest, legal operations, they could then mix in the illegal operations with
their legal ones & look legal.
They planned to extend their power base into politics, the Harvard-Stanford
business schools, as well as the finest corporate board rooms. They intended
(and have succeeded) in getting some of their offspring to produce/direct
T.V./films. They would have an increasing presence within the Bohemian
Grove membership, as well as some of the other great social & business
clubs. Their plan to take over the film industry hinged on their union control
over unions and theaters. The Chicago mob controlled the International
Alliance of Theatrical Stage Employees Union. The mob controlled the
projectionist’s union, and if the film makers had the theaters where their
movies were shown shut down, what good would it be to make movies? The
film makers and the mafia both had power & money. Rather than fight a
protracted war, they made a deal. The major studios would give about
$50,000 a year to the mafia, and the small ones $25,000, to be allowed to
function. Other agreements were also reached. Mob henchmen Willie Bioff
and George E. Browne were mob lieutenants who orchestrated the mob’s
"Hollywood takeover".
Time Magazine, Nov. 1, 1943, wrote, "In the witness chair in Manhattan’s
Federal Court sat bland, wily Willie Bioft (pronounced Buy-off), blackmailer,
panderer, labor leader, and now star witness against eight ex-pals, who are
charged with shaking down $1 million from the movie industry...Question:
Was it true that Bioft once had a five-year plan for taking over 20% of
Hollywood’s profits-and eventually 50% interest In the studios themselves?
Bioff (wistfully): "If we’d lasted that long, we would have. Question: "Did you
ever say you were boss of Hollywood and could make producers do whatever
you wanted?" Bioff: "Yes-and I could make them dance to my tune."
Although Bioff rolled over on his pals and ended up getting car bombed, that
didn’t stop the mob/Mishpucka infiltration & control of Hollywood. (Bioff
had tried to save his public image by helping Walt Disney settle his labor
dispute with the mob-led unions, but Walt wisely rejected his offer of help,
and made sure he didn’t offend the Chicago mob leaders who were
disgruntled with Bioff.) Hundreds of millions of dollars were poured by the
Mafia & Mishpucka into real estate in southern California, by using
legitimate local businessmen to launder the money. Hollywood was declared
a "free zone" where all the Mafia/Mishpucka families could operate without a
fear of a turf war."
Let us backtrack slightly to 1930. Columbia distributed Disney cartoons from
1930 until 1932, when Disney switched to United Artists, because Columbia wasn’t bothering to pay Disney the money they owed. In 1930, Cohn, Pres. of
Columbia Pictures, got Disney off the financial hook with Powers by
intimidating Powers with some street toughs carrying a legal suit. If Disney
wasn’t indebted to the mafia before, he was at that point.
Biographers have been puzzled why Disney went into such a traumatic
depression after Henry Cohn "helped" him. Tough guy Henry Cohn made
sure Walt knew who was boss. His attitude was that Walt should be happy to
be paid at all by him for the cartoons Walt supplied Columbia. After this,
Walt would lock himself in his room and weep uncontrollably for hours. He
was impossible for anyone to get along with. He was unable to focus on
anything, and would stare for long periods out the window. Biographers
blame Walt’s behavior on the fact that his wife was pregnant. They also
blame it on his friend Iwerks defection to another company. Frankly, Walt
had treated Iwerk like a dog, and deep down must have known why Iwerk
left such an abusive relationship. To claim that he wept for hours day after
day because he realized he might become a father is too much to swallow.
When Walt was asked years later about why he was so depressed he said it
was the stress of the financial situation. Walt said, "I had a nervous
breakdown ... Costs were going up; each new picture we finished cost more
to make than we had figured it would earn when we first began to plan it...I
cracked up."
This author submits to the reader that part of his breakdown may have
indeed been the financial stress from having come under the heel of the
mafia. They had all the means to make or break him, and he had no choice
but to surrender to their overwhelming power to blackmail & destroy him
OR to get out of the business. What this did was place Walt in a position
where his two strongest traits had to clash--his overwhelming obsession to
be his own boss, and his creative obsession to create animation which was
wrapped up with his ego & his deep phobias and psychological needs. His
mind couldn’t give up its independence nor its creativity without great
mental anguish, and therefore Walt was very saddened, knowing that he
would have to admit defeat, and buckle under the heels of the big boys. Just
when he needed emotional support his wife was going to have a child, and
his best animator left. Walt had abandoned Iwerks years before, and Walt’s
wife had wanted a child for some time. Iwerk’s departure and his arriving
child do not in themselves account for the long intense nervous breakdown
that Walt experienced. Biographers point out that Walt was very reluctant to
have children, and that he was impotent with women including his wife
much of the time. His impotency to carry out normal sex may help explain
his secret sexual habits.
Walt’s Masonic brother Carl Laemmle offered Walt a good deal to help him
recover from Henry Cohn’s abusive control of Walt, but Carl wanted the
copyright to Mickey Mouse in return for the help, and Walt wouldn’t part
with Mickey Mouse. Instead, Walt signed a contract offered by Joseph
Schenck of UA (United Artists), who was one of the Mafia’s illegal drug
kingpins. In 1935, the mob’s illegal drug dealer Joseph Schenck went on to
found 20th Century, Inc. which later merged with Fox in ‘38 to form
Twentieth Century-Fox, whose board of directors would include two
Illuminati kingpins William Randolph Hearst and Malcolm MacIntyre.
Joseph Schenck’s brother Nicholas Schenck and Marcus Loew merged Metro
Pictures and Goldwyn Pictures and named Louis B. Mayer as its head.
Meanwhile over the years, MCA, headed up by Illuminati Kingpin Lew
Wasserman gained a monopoly over the American film industry with the
secret backroom deals that they made with Ronald Reagan’s Screen Actor’s
Guild and Petrillo’s American Fed, of Musicians. (By the way, Lew
Wasserman would try to revive Reagan’s acting career in the early ‘60’s.
Frank Sinatra and Walt Disney were both friends of Ronald Reagan, and all
three believed in mind-control.)
Ronald Reagan and Petrillo in turn worked with the Mafia’s NCS Council of 9
(which incl. Anthony Accardo and Sam Giancana), which at one point
divided the U.S. into 24 mob territories. After J. Schenck went to jail (very
briefly), he was replaced as Pres. of 20th-Cent. Fox by Spyros Skouras. Before
his arrest, while Schenck was still in charge of 20th-Cent. Fox, he made
numerous offers to Disney for Disney to incorporate his studio as a
subdivision of 20th-Cent. Fox. Disney worked for a few years with them
distributing his films, but he would not let go of trying to be independent.
The FBI and American Intelligence turned to the mob to help them as the
U.S. entered WW II. Perhaps Walt’s mob connection added impetus for his
recruitment. Walt went to a number of American Nazi meetings prior to
Pearl Harbor. This author believes from knowing Walt’s personality that
Walt may have been on assignment, rather than a Nazi sympathizer. Still,
why does one of Disney’s pre-Pearl harbor cartoons display a swastika?
Disney’s Epcot Resorts is close to the mob’s Atlantic City Board Walk with its
nightclubs. The resort was designed by Robert A.M. Stern. (This author
doesn’t know about Robert Stern, but there are programmed multiples and
Illuminati members within the Stern family.)
At Walt Disney World, the nightclub there was named "Cage", and then later
’8 TRAX". Comedy Warehouse, which is a nightclub at Pleasure Island in
Walt Disney World opened on May 1, 1989 and has used slave comedians as
well having people who are mind-control abusers. On Feb. 11, 1987, Walt
Disney Co. was reincorporated in Delaware. Delaware is the only state that
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allows total corporate secrecy. No one can find out who really is running a
Delaware corporation, and many other secrets can be hidden under
Delaware’s corporation laws. Capital Group has considerable shares in
Disney, as well as 29% of the shares of the Robert Mondavi winery at 7801 St.
Helena Hwy, Oakville, CA. Wellington Group and Mellon bank also have
shares. Behind Capital Group are mob controlled groups like Debartolo
Reality Corp. and La Quinta Inns (a Bass bro. operation.) Sam Bronfman
operates Sterling & Monterey Vineyards. There are countless people walking
around that have felt the ruthless, impersonal, controlling, money-grabbing
side of the Disney Corp. Also, there are a number of journalists who have
experienced first hand the secrecy and paranoia that the Disney corporation
has. Most journalists are not used to the secrecy that pervades Disney.
Because Disney has shaped the myths of America for several generations, the
public takes more concern over who is running Disney, than they would
other institutions. Because most of America believe in the image that the
Illuminati have built for Disney, they are rooting for it to succeed.
How the Disney Executives have figured out how to steal land all
across the U.S.
Over the years Walt Disney has developed several very sneaky reliable
techniques to acquire land. They acquire land through their executives and
large stockholders and family members of the execs and stockholders. After
all the deals are made in an area, and when everything is in place over a
period of time, these people then turn their land over to Disney. Disney
works with government officials and local bankers to line up special deals so
they can succeed in their plans. After everything is lined up, the corporation
announces their plans and goes forward.
This methodology has been used
repeatedly, for instance the American History Theme Park in the Manassas
Civil War battlefield area of Virginia for which Disney has acquired 1,800
acres and has access to at least 1,200 more. In Nov. ‘94, after a new Virginia
governor was elected, the Virginia "Disney’s America" project was
announced, and Virginia voted almost instantly for the money for
transportation and infrastructure improvements to the area so that Disney’s
theme park would be viable. Disney set up 3 banks in Napa, CA. Their banks
made loans to old families in the valley. The trusts and the wills for these
families were made up by Stanford Univ. grads. These people set on the
boards of these banks or connect with the boards of these banks. They
charge large fees, and know every trick in the book to rob people of their
estates and their living trusts. The Stanford grads, who connect in with
intelligence agencies & the mob use certain code words when they set up
their businesses, such as RESOURCE, EVERGREEN and PACIFIC. There are a
number of scared landholders who are being intimidated to sell their land in
the Napa Valley region.
DISNEY and the GOVERNMENT
Just prior to W.W. II, the FBI recruited Walt Disney. His job was to spy on
Hollywood or anything else that looked suspicious. Documents obtained
from the Freedom of Information Act, in spite of heavy censoring, clearly
show that Walt Disney became a paid Special Correspondent asset of the FBI.
He reported to FBI agent E.E. Conroy. In 1954, Walt was promoted to Special
Agent in Charge (SAC) which means others reported to him.
After "leaving" the CIA, ex-DCI (ex-head) of the CIA William Hedgcock
Webster became a lawyer for the Wash. D.C. based firm of Milbank, Tweed,
Hadley and McCloy. In 1993, when news broke about Walt Disney’s FBI
membership, ex-CIA head Webster worked with the Disney family to cover
up to the public that Walt Disney was an FBI agent. Webster went on TV and
had interviews to spread the fabrication that Walt was not connected to the
FBI. Why? One of the countless items that Disney was involved in was the
investigation into the disappearance/rape of a six-year old child Rose Marie
Riddle on 1/12/61.
According to documents gotten from the Freedom of Information Act, W.G.
Simon was the FBI agent who met with SAC Walt Disney in L.A. about the
case. W.G. Simon has been one of those people who has been publicly lying
by claiming that Walt Disney never was an FBI agent. The paper trail proves
otherwise. Why is it so important to the FBI and CIA to cover up that Walt
was an FBI agent? Walt also worked for the CIA, even though documentation
of that is not available. This author theorizes that the reason the FBI and CIA
are so touchy about letting people know that Walt worked for the
government is that the Network knows how the FBI and CIA worked
together to procure children for mind-control programming purposes.
Because Disney and Disneyland played such as enormous role in Mind control, Disney’s connection to them, although on the surface a seemingly
minor fact, is in reality a minor fact setting on top of an enormous ghastly
secret.[Brittany Spears ghastly? dc]
When W.W. II started, the government incorporated the Disney studios into
the war machine. The military paid Disney $80,000 for 20 training cartoon,
which cost Disney $72,000 to make. Disney studios also made some secret
films for the military. Mickey Mouse and Goofy cartoons were slanted to
have war themes, for instance, the Goofy cartoon of 1941 "The Art of Self
Defense" and "How to be a Sailor" in 1944. Perhaps in honor of the
contribution Disney had made to the war effort, "Mickey Mouse" was the
password of the Allies for millions of men on the big D-Day invasion on June
6,1944.
Walt Disney produced a cartoon showing Donald Duck paying his taxes
faithfully. The film was entitled The New Spirit. It was very successful in
getting Americans to comply with the IRS. In 1946, Disney made a film for
the public schools for sex education entitled The Story of Menstruation. For
the United Nations, Walt Disney created "It’s a Small World" attraction for
UNICEF for the ‘64-65 World’s Fair. This attraction was moved to the theme
parks & has been a major feature for mind-control. After learning of the
enormous amount of mind-control programming going on during after
hours in secret tunnels at Disney as well as in the public facilities, it makes
more sense why the Russian Premier Nikita Khrushchev would be denied a
visit to Disneyland by the U.S. government "due to security considerations"
when he was visiting the U.S. in Sept. 1959. Khrushchev obviously had his
own security working in tandem with American security and the intelligence
people for whatever reason(s) didn’t want the complication of these Russians
going to a major programming site.
Some powerful military men have been connected to Disney films. Two
former commanding officers of the USS Alabama nuclear sub were technical
advisors for the Disney film Crimson Tide. Walt Disney was tied to the U.S.
government, and recent disclosures show that he was tied to the FBI. Walt
used his FBI connection to destroy the life of Art Babbitt, who had led the
strike against Disney in 1940. Babbitt found that everything he attempted in
life after the strike was ruined by some hidden power. Was Walt part of naval
intelligence attached to the FBI? Was he part of the FBI that is involved with
child procurement and mind-control?
In the 1950’s the Illuminati began organizing covens on the West coast and
began solidifying their power. (This comes from several independent
sources.) Likewise, it’s clear that Disney didn’t have the clout in 1953 with
local governments, that it does today. Walt Disney was unsuccessful when he
tried to get permission from the city of Los Angeles and the Burbank City
Council for the construction of Disneyland (called Disneylandia at that
time), in the Burbank area. One Burbank councilman told Walt, "We don’t
want the carny atmosphere in Burbank."" Inconsistently, within a few years
they gave permission to Universal to build an amusement park in Burbank,
which opened in 1964. Disney then ask the Stanford Research Institute to
locate a spot for Disneylandia (Disneyland), which they found at Anaheim.
In recent years, Disney decided they wanted to build another amusement
park (called California Adventure) across from Disneyland. In order to do so,
the Interstate highway will have to have changes, and the Anaheim city
council needed to approve the large 55 acre expansion. In contrast to the
Burbank City Council in 1953, Anaheim’s City Council was enthusiastic about
the expansion in spite of lots of local opposition. The locals complained at
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council meetings to the City Council that the city had no business going
hundreds of millions of dollars into debt to help a corporate giant. (Anaheim
will issue $400 million in bonds.) Locals also raised concerns that the public
school system in Anaheim is stressed to the breaking point where they are
considering going to half days, and that Disney Corporation should give as
much consideration for the school children of Anaheim as they do to their
Amusement park. Disneyland’s Pres.
Paul Pressler bragged about Disney’s new California Adventure amusement
park, "Disney’s California Adventure is really a celebration of the fun, the
beauty, the people and the accomplishments of this magical state. We really
have set out to try to capture a bit of what the California dream is all about."
(Sounds like the dream is to be wealthy and control people. The elite would
rather give us BREAD & CIRCUS than an education.) The Dragnet films were
done in part at the Disney studios. In an Office Memo from the 66-new LA
SAC FBI agent to Hoover (12/16/54), which was obtained via the Freedom of
Information Act, the typed memo states, "Mr. Disney has volunteered
representatives of this office complete access to the facilities of Disneyland
for use in connection with official matters..." Historically, we now know that
Disney’s use for "official matters" included mind-control.
J. DISNEY & MIND CONTROL
Once the reader is familiar with the programming scripts, the reader merely
needs to watch the Disney "Adventures in Wonderland" that come on TV in
the morning to see Disney mind-control at work. Within a few minutes one
morning, this author had seen a white rabbit create "a world in your mind"
(the quote is what the show said!) with a ring, watched Alice go through the
mirrors, watched a White Rabbit [the programmer] read a book to a little
girl, and the TV listener be told by the show "The White Rabbit is our only
hope!" The deeper alters of Illuminati slaves who are programmed for
espionage, for spying & blackmail, & seduction & assassination, are given
programming to live in a fantasy world. They never touch base with reality.
Much of this type of programming has gone on at Disneyland. Disneyland
visitors are taken in a boat where dolls sing an around-the-world theme song
"It’s a small small world". These doll world parts of the amusement parks are
used for programming assassination & espionage alters. The song & dolls
play important roles in these alter’s mind-control programming. Some slaves
at around age 19, have this type of programming tested to make sure it is
solidly in place. The song "It’s a Small World" was composed by the Sherman
brothers for Disney originally as a theme song for a ride at the ’63-’65 NY
World’s Fair.
The Sherman brothers were talent that Disney discovered. They were born in
NYC, and both graduated from Beverly Hills High School. They wrote Disney
songs for at least 29 films. Mind-controlled slaves, who repeatedly bump into
each other, but don’t know why, will be found saying, "It’s a small, small
world." Both rituals & programming go on at Disney amusement parks
during both the day & night.
Steven Rockefeller and Walt Disney travelled and spent time together with
Dr. Hadley Cantril, an establishment expert on human behavior. (See There
Was Once A Time of Islands, Illusions & Rockefellers. NY: Harcourt Brace
Jovanovich, 1975.) When Walt Disney began Walt Disney World he sent Card
Walker to the Florida capital to request quid pro quo, and the governor gave
it to Disney. What that meant is that Disney’s property in Florida was totally
controlled under Disney’s jurisdiction, they had their own laws, their own
police force, their own hospitals, and their own tax rate. No outside authority
would interfere with Disney’s jurisdiction. Disney World’s finances would be
untouchable and out of sight by the state of Florida. Never had so much
power been given away. Disney World became its own crime syndicate within
the syndicate. Disney amusement parks are like a city within a city. They
have there own security forces, and the local police allow the Disney security
forces to take care of their turf. Disney has their own policies (laws). Some of
the security forces can be identified in plain clothes with clean-cut hair styles
and have communication devices. The security forces have a headquarters
room where TV monitors display-live the exit points at Disney as well as
other locations.
America‘s Most Wanted has a fairly large file on children who have been
kidnapped at Disney Amusement Parks. One mother, who got separated
from her child when getting off a train, frantically told a guard her child was
missing. The guard took her to the monitor room, where they saw the
kidnapper carrying the child out of the park with the boy slumped over his
shoulder. In that short of a time, the kidnapper had drugged the child, cut
his hair different, and put a different shirt on him. (This anecdote was
mention in Inside the Mouse, pg. 52)
As written before, white slavery is part of what Disney is all about. This
mother was one of the fortunate few who did manage to find their kidnapped
children. An insider states that the Disney police are definitely part of those
moving and abusing innocent children brought in for occult rituals. In
addition, the Disney security forces spy on their own employees. Employees
do not enter the theme parks like the visitors, nor do they move around like
the visitors. They have underground tunnels and underground entrances and
facilities for that. One victim of total mind-control mentioned that a tunnel
entrance was at the Matterhorn mountain at Disneyland. (The Matterhorn was opened by Walt and his good-friend Richard Nixon, who rode in the first
car down the mountain.)
The Disney productions has given the Illuminati the cover to bring together
Illusionists, magicians, and special effects artists without anyone being
suspicious. Some of these men were able to apply their talents toward
programming children. As an example of their talents, Disney special effects
artists were able to create 16 realistic-looking cadavers for the 1989 film Gross
Anatomy. Walt Disney, Inc. has teamed up with Los Alamos and Sandia
Labs, two other groups which are heavily involved in mind-control and
people control to develop body scans, branding and access codes for the
visitors to Disney’s theme parks.
Each of the Disney Theme parks, such as Disneyland, DisneyWorld,
EuroDisney etc. have vast underground facilities. These underground
facilities allow many of the workers to get to the ride areas via underground
passages. Each theme facility also has a vast infrastructure underground in
order to maintain it. The underground areas contain wardrobe design and
repair units, fitting rooms, restrooms, cafeterias, security units, computers,
freight ramps, utility encasements, and large connecting tunnels. The
underground areas also have programming rooms. They have their own
power plants and water systems and their own police force. Disney company
employs 71,000 people at several locations, tone recent TV show used the
figure 40,000 Disney employees.] People are coming and going 24 hours at
the Disney theme parks. Three shifts keep up the 24 hour business. The night
crews maintain and repair the parks for the thousands of people that will
soon arrive in the morning.
Disneyland makes a natural prop for carrying out mind-control. The items
they sell are also natural props--such as the Goofy watch ($19.95) which has
hands that move backward to confuse a slave as to what time it is. Was Walt
Disney aware of how Disneyland was used for programming? There is no
doubt. Disney lived much of nights at Disneyland, and had an apartment at
the firehouse near the train station on Main St. At night, if he was not doing
anything else, he’d roam the grounds of Disneyland scribbling notes on his
own distinctive blue paper, which he’d leave for workers to follow the next
day. The notes would say such things as "Replace these flowers," or "Move
that bench". (Prince of the Magic Kingdom, p. 25) Walt Disney knew
everything that went on in his Magic Kingdom.
The Epcot Center and the Disney amusement parks market all kinds of
occult triggers, including crystals, rainbows, wizards etc. that reinforce the
programming. The Epcot Center has two glass pyramids along with its
"Journey into Imagination". Disney world has the Island of Atlantis on its sub
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tour. Fantasyland is one of the most used tours of Disneyland for mind control purposes. It has carousels, merry music, an incredible castle, boat
rides, story book characters etc. Sleeping Beauty Castle with its blue turrets
and gold spires is the central visual object of Disneyland. You cross a
drawbridge to get into it. Inside Fantasyland are Illuminati programming
sites such as the Mad Hatter teacups, the King Arthur carousel horses, and
Snow White’s forest.
In the far corner of Disneyland’s New Orlean’s Square is the Haunted
Mansion. This mansion is designed to frighten and scare, it has an ingenious
design and many special effects and illusions. Realistic ghosts, a screeching
raven, howling voices, and other scary things welcome the visitor. Life size
holograms are created at the Haunted Mansion, and dance in sync with the
music and then fade out at certain points. There is a hologram of a woman’s
head in a crystal ball who chatters non-stop. A real good laugh for the
programmers of a little child. When you are toward the end, you will have a
chance to look into a mirror where a hologram ghost will nestle up beside
you.
Star Speeder is another great programming location at Disneyland. It was the
creation of George Lucas and the Disney Imagineers. The technology is
borrowed from Star Wars, and is similar to flight simulators used by the
military to train pilots. Disneyland Hotel offers Character Breakfasts, where
children eat breakfast with Disney characters, to people who make special
arrangements. U.S. Special Forces, which carries out mind-control, owns two
hotels near Disney World, and the Mormons have one also. Knott’s Berry
Farm with its Ghost Town, Amusement Park, & its Charlie Brown themes
and characters is near Disneyland.
One of the Disney executives began one of the most horrible trauma-based
mind-control programming centers in Los Angeles called Magic Castle a
comedy warehouse. This trauma center had horrible torture chambers.
Children were brought in from South and Central America to be
programmed at the Magic Castle. A brave L.A. policeman exposed the place--
for which he lost his job, and eventually was able to get the site closed.
One of Disney’s recent ventures in their Disney Institute, which Newsweek
labeled "the Disneyland of the Mind". (Newsweek, Mar. 4, 1996, p. 61) A
private club called Club 33 at Disneyland located upstairs in the New Orleans
Square is believed to be involved in mind-control. Cub’s Den supervises
children’s activities at the Wilderness Lodge Resort at Walt Disney World. At
Disney-MGM studios the major attraction is the Twilight Zone Tower of
Terror. Guests take a strange scary trip through the hotel, where guests are
finally sent into an elevator that drops out of control 13 stories. The ride has been advertised on TV. Disneyland now has a Temple to the Forbidden Eye--
which is simply a Temple to the All Seeing Eye, the Illuminati symbol.
Visitors, who have the patience to wait in line, can strap themselves in for a
ride that is like a jack hammer that jars the rider through a temple filled with
snakes, rats, and mummies. One aerobics teacher couldn’t walk for three
days after the jarring ride, which comes across as "hokey". The experience is
more traumatizing than fun, but then maybe that is what was intended.
DISNEY VACATIONS FOR THE ELITE
Years ago this author’s newsletters exposed Hilton Head Island, SC as a
watering hole of the powerful elite incl. retired generals and admirals, and
the site for the elite’s Renaissance Weekend "meat market". Remember, that
at one time Hilton Head Island was private, with imported alligators in the
water around it. A person was only allowed on the island by going through
security gates with a clearance. In a later newsletter, Disney’s Hilton Head
Island Resort was mentioned. This resort, built by Disney Vacation
Development, Inc., is located on a 15-acre private island linked to Hilton
Head island by a narrow bridge. Members to the Disney Vacation Club can
exchange time for vacations at Disney and other resorts around the world.
Memberships cost minimum $9,412.
MELODYLAND
Right smack across from the entrance to Disneyland is the Assembly of God’s
Melodyland Christian Center, the birthplace of TEN (Trinity Broadcasting
Network). The Assembly of God denomination has been heavily infiltrated
by the Illuminati, and has been heavily used as a front for programmed
slaves.
Paul Crouch, president of Trinity Broadcasting Systems, Inc., was affiliated
with Melodyland in 1973 when TBS was getting started. At that time,
Melodyland was a rich heavily infiltrated charismatic church, with its share
of programmed multiples. In 1973, closet homosexual minister Jim Bakker,
and his wife Tammy Faye, a programmed multiple were with Paul Crouch in
Anaheim at Melodyland. Paul Crouch had been the assistant pastor of
Bakker’s home church in Muskegon, MI. Crouch’s right hand man was
Alexander Valderrama, a charismatic Roman Catholic. TBS used an
abandoned military base as their TV complex, using hangers as studios. In
the early 70’s, ABC put Bakker & Crouch’s early shows on their affiliate
stations on Sunday morning. Bakker had already gotten his career kicked off
with Illuminatus Pat Robertson and his 700 Club. Jim Bakker split and went
to the east coast. To help Bakker with his money, Bill Perkins, who had been
a financial analyst for the World Order’s mind-control research at Sandia
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National Labs in Livermore came to help Bakker run his ministry’s finances.
Later, televangelist Bakker began building Heritage USA, which was to be a
big-money resort. Bakker hired people who had worked for Disney to
construct Heritage USA. Bakker studied Disneyland, Disneyworld, and other
Disney places as a model for Heritage USA.
After Disney world opened in Florida, Jim Bakker was a REGULAR visitor to
it. Heritage USA’s Ft. Heritage was modelled after Disney’s Ft. Wilderness,
Main St. was modelled after the Magic Kingdom’s Main St., and Disney’s
wrought-iron fencing was also copied. Most people are aware of Jim Bakker’s
$265,000 payoff to Jessica Hahn to keep her sexual services to him a secret,
his longtime homosexual relationship with his right hand man David
Taggart, and his prison sentence.
James Orson (named after Orson Welles) Bakker was from Muskegon, the
same place that Cathy O’Brien, a freed Mind-controlled slave came from. He
was born pre-mature, and had some interesting family situations that make
his family suspect. While Cathy O’Brien got programmed via the Catholics,
Jim was part of another denomination which also was into programming, the
charismatic Assemblies of God. His grandfather, who lived next door to Jim,
and where Jim spent much childhood time with was popularly known in
town as a "huckster", and nicknamed Kingfish after the manipulative
character on Amos & Andy. Tammy his wife grew up in International Falls,
MN in poverty in the home of her stepfather and mother. Besides having a
"shopping demon," she has had her share of phobias and mental problems, as
can be expected from someone who has had to suffer through programming.
It would be worth pointing out who has come to Jim Bakker’s rescue when he
was under attack. For instance, on Thursday, Oct. 4, 1984 when Jim was
under attack, Jim Bakker’s show had six people give endorsements and praise
of Jim Bakker. Those were Ronald Reagan, Dale Evans, Robert Schuller, Oral
Roberts, Billy Graham and Rex Hubbard. Of those, this author knows for
sure that all are masons, except for Rex, who may or may not be. Robert
Schuller, Billy Graham and Oral Roberts are "Christian ministers" who
participate in using and handling mind-control slaves. These three ministers
all participate in secret Satanic rituals. The last few paragraphs have given
only a sketchy picture of the intimate relationship between Disney Mind-control and the charismatic movement and its use of trauma-based total
mind-control.
DISNEYANA FOR THE PROGRAMMED & OBSESSED.
For people who have been programmed with Disney programming and who
are obsessed with Mickey Mouse and everything else about Disney, and for
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other people who just have the collecting spirit for Disney memorabilia,
there is a group called Disneyana.
Disneyana, was organized in the 1980’s, and consists of people who are cult like in their devotion to anything true Disney. Some of them to express their
devotion outwardly tattoo their bodies with Disney characters. This group
holds their annual convention at the Contemporary Resort in FL. One
Disneyana at the annual convention said, "We collect to keep the good
feeling inside." Another when interviewed said, "This is why it’s all about
love." The author knows as a fact some of the men who are obsessed with
Mickey Mouse & Disney items are programmed multiples.
One of Kenneth Anger’s occult friends has had the world’s largest Mickey
Mouse collection. Who is Kenneth Anger? Kenneth Anger, a member of
LaVey’s Magick Circle & later his Church of Satan, is an occultist and an
underground film maker. Kenneth Anger (he choose the last name Anger)
was raised on the Wizard of Oz books. His biographer Bill Landis writes that
the Oz books "laid the groundwork for Ken’s attraction to Crowley, the
occultist who would rework Rosicrucian thought into his own magical
system." Ken was obsessed with Crowley’s life & magic. As a child, Ken had
danced with Shirley Temple in competition after she became a child star.
Ken Anger loved the OTO’s solar phallic religion, and was also obsessed with
Mickey Mouse. He spent part of his time studying his friend’s Mickey Mouse
collection. Ken Anger did his casting for his film "Lucifer Rising" by telling
occult friends & acquaintances that they could live out their goddess or god
power-trip fantasies by acting for him. The British government’s National
Film Finance Corp. fronted 15,000£ for Lucifer Rising’s production. Famous
occult musician Jimmy Page did the sound track gratis. Ken Anger acted as
the film’s Magus and made his Magus role resemble Mickey Mouse in the
film Fantasia. (The role Fantasia plays in mind-control programming will
follow as the last part of this chapter.) "Lucifer Rising" also starts with
Fantasia-type volcanoes. Another of his well-known films was "Invocation of
My Demon Brother."
Mind-control features in Disney movies. 68s
The elements within Disney movies that are intentionally put in for mind control would take volumes to describe. A detailed description of how just
one Disney movie is used as a programming script soon follows. Fantasia was
selected as the example. A random sampling of features in Disney movies for
mind-control programming could include:
· Cogworth the enchanted mantle clock in Beauty and the Beast.
· The character Door Knob, which is a doorknob portrayed as a person in the
Disney cartoon Alice In Wonderland, is useful for programming door knob
alters.
· The Blue Yonder is a Disney movie on time travel of a young boy. Time
travel movies are used for programming to mess up the victim’s sense of
time.
· Disney film "Animated Alphabet" has letters which come alive, which is
useful for programming. And what about the ‘82 Disney movie "Computers
are People, Too!" ?
· All the Illuminati members this author is aware of who have received
trauma-based total mind-control were taught to astrally project and study on
the astral plane what they needed to learn. A Disney movie that portrays this
is Goofy over Dental Health. This is an educational film released by Disney in
‘91 and again in ‘93, where Goofy places a magical toothbrush under a child’s
pillow, so that the child astrally projects to a dentist office and while on the
astral plane studies how to have healthy teeth.
· Illuminati alters believe that trees and flowers are alive. The 1932 Disney
film Flowers and Trees is a story about two trees who fall in love. The film
portrays the occult belief that trees can talk and sing. Internally, alter
systems will be constructed with singing trees and flowers that represent
people and which are alters. The singing trees give out internal codes to
move alters internally where they need to go.
Return to Oz. (1985)
This Disney film begins its story line about a girl who is thought to have
psychological problems because of her tales of Oz. She is warned not to talk
about Oz by her relatives. She is taken to a psychologist who wears a big ruby
ring, who tells Dorothy that electroshocks won’t hurt her, and that we are at
the "dawn of a New Age." Dorothy is told that her memories are "just
dreams" that stem from excess electrical current in the brain. She is sent to a
mental institution to receive shock treatments for talking about Oz. A
lightening storm allows her to escape the shock treatments and when she
sleeps, she awakes in Oz.
In Oz she goes through many mind-control scenarios, ruby slippers, mirrors,
etc., and toward the end visits with evil Mombi, Princess of Oz who keeps
Ozma (Dorothy’s twin) as a slave. Mombi eventually casts a spell and
enchants Ozma into a mirror. Sci-Fi author J.D. Vinge in her Return to Oz
based on the screen play writes on pg. 211-212, "Dorothy gazed at herself in
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the mirror, seeing her own reflection, and remembering the moment when
she had looked at herself and seen someone else there, someone so like her
that it could have been her sister." Parts of this film were filmed near
Stonehenge, Eng. Disney has put out several films on the Wizard of Oz
theme, all of which were used for programming. The original series of Oz
books were by Baum.
In ’39, MGM did the famous Wizard of Oz film. In the Disney movie Tron
(1982), a young computer genius goes into an altered state where he ends up
becoming a computer program. After defeating the MCP, he returns to the
real world. This is simply a programming script. A special effects team
created a 3-D world, showing how talented Disney special effects people can
be in making something seem real. This movie should show people their
mind-control capabilities.
Mathematical Applications Group, Inc. (MAGI) were one of the groups that
created the graphics. Disney came out with 3 videos of new adventures in
Wonderland which are mind-control programming. In the mornings here 9-
9:30, on channel 21, Disney has a Wonderland Show every morning which is
mind-control programming for children. Within a few minutes, this author
had seen a girl walk through a mirror, the 3 lives of Thomasina mentioned,
and a little ditty "I’m a little tea-pot" where a person becomes a tea pot. They
also had an "under the umbrella" scene. This was all pure programming, right
on TV. Of course, they show the White Rabbit as a central figure.
ABC under the auspices of Disney produced a lengthy 140 min. film Wild
Palms which depicts Illuminati mind-control and life. One reader of Vol. 2
stated that the Wild Palms movie would have made no sense except that
having read the Vol. 2 book, the movie made lots of sense in the light of Vol.
2’s revelations. The film depicts how children are kidnapped, switched at
birth, programmed via TV cartoons, programmed to kill and use stun guns
etc. The film depicts Illuminati bloodlines and arranged marriages. Although
the name Illuminati" is not used, if viewers substitute in the name "the
Fathers" for Illuminati fathers, they will get an insider’s view of life at the top.
The main controllers are addressed by their slaves as "Papa" or "Daddy" or
"Mother". This is true to life.
A person opposed to the Fathers states, "One day we will wake up and
discover we don’t own this country and no one will care." The movie states
that events are not happening randomly. The movie shows an underground
tunnel system which has an entrance hidden by a swimming pool. Quite a
few actual programming codes were said during the film, for instance,
"down, down, down through the pool of tears..." and "we’re going to go down
the yellow brick road now." The movie was created by Bruce Wagner, who obviously is an insider concerning trauma-based total mind-control. The fact
the movie was made shows the arrogance of the programmers’ beliefs that
their criminal acts in programming thousands of little children will not be
exposed, and that people will be too stupid to realize that what is put out as
fiction is actually mirroring what is happening. It’s like they believe their
own script that IF people did find out "no one will care." Because so much of
the Illuminati programming involves the creation and programming of 3
alters linked into trinities, it is not surprising that Disney has helped such
triad programming with a series of movies about threesomes, including:
• 3 Blind Mouseketeers
• Three Caballeros
• 3 little pigs
• Three Little Wolves
• 3 Lives of Thomasina
• The Three Musketeers
• 3 Ninjas
• Three Orphan Kittens
For Mickey Mouse programming they came out with Thru the Mirror, where
Mickey Mouse steps through his bedroom mirror and ends up in another
world (altered state). Not all of the Disney movies that have mind-control
programming themes got released to the public. One unreleased cartoon had
Penelope fleeing from a sinister looking Grandfather Clock which is carrying
her to another world, and has another scene where Penelope tries to hold
onto someone who personifies the Wind.
George Lucas, who directed the movie Star Wars, which was a movie planned
by the Illuminati & used for Illuminati programming, also directed Disney’s
movie "Captain EO". Captain EO (who looks like a demonic entity) goes to
rescue the Queen (who looks like the harlot describes as Mystery Babylon in
the Bible). The Queen is in captivity simply because she and her people
believe in black and white (which represent good and evil). When they
renounce such a belief, they are saved by Michael Jackson (in actual life a
mind-controlled slave) playing Captain EO. It’s a New Age witchcraft film
through & through.
By the way, Michael Jackson has gone to Disney amusement parks many
times, sometimes in disguise. It is public knowledge that his Jehovah’s
Witness family has been very abusive mentally and physically to their
children.
Disney has put out several movies on how the mind works, such as the
educational film The Brain & Nervous System in 1990. Their film Runaway Brain is a cartoon where Dr. Frankenollie transplants Mickey’s brain into a
monster’s body & vice-versa. A 1994 film, Puppet Masters shows the govt.’s
secret Office of Scientific Intelligence trying to save the U.S. from aliens who
live in human bodies.
In recent years, Bette Midler has been Disney’s main actress. In the Vol. 2, it
was exposed that she is possibly a Monarch Mind-controlled slave. She is
famous for her "mood swings" (switches in personality), and she had a
"mental breakdown" in 1985. Her eyes and body gestures are those of a
programmed multiple. She has gone out on tour for Disney without making
money, and she is best of friends with Jeffrey Katzenberg (second in
command at Disney). Jeffrey Katzenberg by the way is extremely disliked by
his counterpart Sid Sheinberg. Bette Midler plays Stella in the movie Stella.
Stella is an occult name. In the movie, the script seems tailored for Bette
Midler and for someone who is a programmed slave, rather than the actress
fitting the role. At the movie’s end, Stella (Bette Midler) attends her own
daughter’s marriage by peeking in a window and watching from the outside.
This is the script they give so many of the parts of a slave, so that they feel
unworthy and feel like they are always on the outside looking in at life. Many
parts (personalities) of slaves find it hard to connect with real life, because
they feel they are on the outside looking in. And then in true Disney fashion,
Disney had Bette Midler play the role of the lead witch in Hocus Pocus. The
movie Hocus Pocus does some hocus pocus of its own. While pretending to
make fun of witchcraft, they actually teach witchcraft. They do make the 3
witches look comical. By the way, the 3 witches stand for the maiden,
mother, crone combo that the Illuminati reverence.
Disney subtly works in deep occult things, such as the all-seeing eye on the
cover of the book, the little girl promising the cat (who is a familiar spirit)
that her descendants would always care for it (true, because the cat was a
generational spirit). The cat is killed in the movie but can’t die. And Bette
Midler as lead witch in her costume, which has some Mother-of-Darkness
symbology on it, states as she gets ready to take the life force from an
innocent girl, "We want to live forever, so we take children’s lives." This is
wholesome entertainment for children?
The Disney capacity for deception extends to its own workers. PR men recruit
young people for its Disney College program. They tell the young people what
a great stepping stone it will be for their careers. They have been known to
make it sound like the greatest thing in your life. Kids come from
all over the country due to the slick recruiting tactics to work for Disney.
They are then housed in Disney housing, given menial jobs, and paid low
wages. Most people in the College Program leave disillusioned. If the worker
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happens to think of a great idea, Disney officials have been known to steal
the idea, and because the worker was working for Disney the worker will find
that they are unable to get any credit or money for the idea that Disney steals
and makes millions off of. One uncredited creator of a Disney sale item said,
"literally, they’re using everybody for everything." (Inside the Mouse, p. 239.)
>>> Next, will be the script for how the Disney film Fantasia has been used as
a standard programming tool since the 1940’s by the Illuminati.
K. DETAILED SCRIPT ON HOW THE DISNEY FILM FANTASIA IS USED
FOR PROGRAMMING TRAUMA-BASED MIND-CONTROLLED SLAVES.
During the 1950’s, ‘60’s, and ‘70’s at least 90% of the Illuminati’s trauma based mind-controlled slaves were subjected to watching Disney’s Fantasia
film in order for them to build the foundational imagery of the mind-control.
Child mind-control victims had their eyes taped open, and then sat one-on-one with their primary programmers so that the programmers could give the
scripts as the child watched Disney’s Fantasia over and over. What made
Fantasia unique as a programming tool is that it had almost everything the
programmers needed to create the foundational imagery for their trauma based mind-control. To build a dependable alter system means that the
worlds need a solid foundation. Fantasia has provided the means to get a
solid foundation for the internal worlds that the Illuminati slaves build in
their mind. It is also a masterpiece in coordinating color and music.
The Disney film Fantasia which premiered on Nov. 13, 1940 (at Broadway
Theater in NYC) was a financial disaster as a movie, but was an Illuminati
programming masterpiece. The film was released to theaters in ‘40, ‘46, ‘56,
‘63, ‘69, ‘77, ‘82, ‘85, ‘90 in order to catch every generation of children. The
video was released in 1991.
During programming much of the child slave’s mind will watch the film. One
particular part (alter) will be forced to memorize everything in the film. This
small part (small alter) is well hidden in each victim’s mind. This small alter,
who has a vivid and total recall of the film Fantasia, is locked carefully away
so that ONLY an access code will pull him/her up. Watching the videotape
Fantasia is not going to pull this alter up. The programmers pull this alter up
when they have a clean slate alter. When they are taking a clean slate of the
mind, they will pull the clean part up and have the alter who has memorized
Fantasia throw its memory onto an internal big screen.
The internal Outer space (aka Rubicon) is shaped like an amphitheater, and
functions as a big vast screen for replay. There is an internal ball or sun
created via the lighting effect of the movie Fantasia, so that the movie appears projected in the mind as on a globe. And the Fantasia film images hit
this internal globe and go circular in the mind and spin through the system.
The programmer will then say to the new part "THIS IS WHAT I WANT
YOU TO CREATE. THIS IS WHAT WE NEED." In this fashion, Fantasia has
provided the programmers with their primary tool for taking a dissociated
clean slate part of the mind, and manipulating it to become a new workable
part within the system. The young part that holds the entire Fantasia
memory is strategically placed in the system so that it can be called up from
anyplace in the system. No matter where the programmer is working in the
system, he can access this small alter whose function is to remember the
movie. Most of the system will go into a trance sleep if shown the movie. The
front (as well as most of the system’s alters) will be totally amnesic to having
ever seen the movie. Since the programming put in with Fantasia is so
fundamental it should come as no surprise that the programmers have done
an excellent job in protecting this programming from everyone, including
the slave. Abreacting the film for many alters could rip the system apart,
because after the film is memorized severe trauma begins to be overlaid and
attached to the film. There may be some small alters that still carry tiny bits
and pieces of memory of the movie, but only one will really remember it.
The following script will be a running account of how Fantasia has been used
as an important preparatory film for Illuminati trauma-based mind-control
to train the mind-control victim’s mind to be able to visualize the
programming that will be layered in.
The time clock will begin when the feature film’s action begins, and then will
run its entire 116 minutes. This will give the researcher of mind-control a
blow-by-blow description of how a Disney movie is used for programming.
The film was often shown to child victims around 3 to 4 years of age with a
wide screen while the child was under a guided LSD trip. (Prior to the use of
LSD some other drugs were used.)
A Grande Dame or Mother-of-Darkness often worked with the Illuminati
programmer as an Assistant Programmer. The scripts & the programming
have already been discussed prior to showing the child the film, so the
programmers know the direction they want to take the child, & will tailor
some of what is said to the child victim to individualize the programming.
When a three or four year old is shown Fantasia on a hypnotically-prepared
and controlled LSD trip, the colors & effects of Fantasia are increased about
1,000 times. The film is realer than real to the child. The movie will not be
shown just once, but over and over so that the scripts are ingrained into the
mind. The imagery for the child’s internal world will be well established,
because the big screen movie enhanced by both the drugs and the bright colors of the art work will seem more real that life itself. At this time, the
child is a multiple, but the walls between the various parts of the mind are
not solid, but similar to the walls between ego states in an adult non multiple. A large part of the 3 or 4 year-old child’s system will be allowed to
view the system, including the Christian parts. Then the entire system (with
the single exception of the alter carrying the entire memory of the film) will
be hypnotically told to forget having seen the film.
Years later, the front alters will not remember having seen the movie, but
they may have a strange dislike for the film. They may find that they can’t
identify where their feelings of dislike of the film stem from. The child victim
will watch the movie with its programmer and assistant programmer one-onone, with no other children in the room. The child will watch the film
repeatedly and be grilled about what is in the movie. The child will see the
movie so many times in such a vivid form and will be tested to the point that
the movie will be memorized. But it will be hypnotically locked up in the
subconscious by the programmers, so that it forms a base for the mind to
begin building programming, but will remain hidden from the conscious.
At the time the Fantasia film was made, the Illuminati had been creating
trained multiples for years, but they knew they wanted to program the
different personalities in accordance with the best mind-control techniques
of the day. For this reason, the Fantasia film was planned ahead of time, so
that it could possibly serve as a programming aid. The film is silent (almost
no words) except for music so that it can be used for hypnotic visualization,
so that the Mother of Darkness & the programmer can fill in the
programming script with the child victim as they watch the movie. As it
turned out, their plans were successful.
The New Age author David Tame states in his book The Secret Power of
Music (Rochester, VT: Destiny Books, 1984, p. 292), that Fantasia is. . . "A
superb marriage between the visual and musical arts. Most of the sequences..
.are what New Age cinema was intended to be!" The power of the movie to
influence the mind stands out. In order to make the film, Disney used some
strong arm tactics on a few people. The movie was a box office flop when first
released in the 1940’s, but then it was made for the occult world anyway. By
the 1960’s, the Illuminati had create a drug culture and had lots of
undetectable mind-controlled slaves running around that had been
programmed with Fantasia. In the 1960’s, Fantasia became a hit with the
drug culture which had its share of Illuminati slaves deeply involved in it.
One more reminder, the sentences that are "ALL CAPS" in the script are
things that the programmers are saying to the child victim as the child
watches the film. (Bear in mind, that the child watches the film over & over, so not everything indicated in this script by caps that the programmer says
will necessarily be said in one showing.)
00 minutes. Curtains open. Action begins with an orchestra. The Conductor
upon a step pyramid is the center of the scene, and is shown to be the center
of authority. Master Programmer Dr. Joseph Mengele liked Fantasia because
he was a musician and a violinist. Mengele (Dr. Green) liked Bach,
Beethoven, and Schubert and orchestra music. He enjoyed taking what he
liked & using this music to make slaves. He would portray himself during
programming as being the conductor, & all the orchestra were his children.
The film will allow for a repetition of this theme.
00.5 minutes. The instruments begin playing. The musicians are silhouettes
which cast shadows upon the wall. Alters will often see themselves in this
fashion too, as merely a shadow or merely a silhouette.
01.5 minutes. The MC (named Taylor) begins talking. He begins grooming
the viewer. He says that the film may suggest to your imagination "geometric
figures floating in space."
02. minutes. The M.C. says there are 3 kinds of music. He says some music is
to create definite stories, some to create definite pictures, and some music
exists for its own sake.
02.5 minutes. The M.C. introduces us to the "Absolute music."
03. minutes. He states that "Abstract images that might pass through your
mind...music will suggest other things to your imagination..." The
Philadelphia Orchestra begins playing "Toccata and Fuge" by Bach in the
background. As a cartoon for children (or adults) the film has already lost
the normal audience at this point. (There is no way that Disney could have
escaped realizing that the film starts out losing the normal audience.)
03.5 minutes. The conductor is standing out and everyone else is a silhouette
with shadow mirror images (like so many of the alters become). Leopald
Stokowski is now standing as the rising sun rises. This is an allusion to sun
worship and the sun rising in the east. The music is going up and down, and
this music at this point is used to train the child to go up and down the
trance ladder (that is to go deeper or lighter in trance).
04. minutes. The conductor opens his hands and waves them in an Illuminati
hand signal. The music begins.
06 minutes. A row of violinists play, they are merely silhouettes with
shadows.
06.5 minutes. A harp scale is played in the background that is used in the
programming. Triggers are attached to this harp scale, or the harp scale is
used as a foundation identifier for a piano scale. More children can be taught
the piano than the harp, so this scale is usually transferred to a piano scale.
07 minutes. A series of 3 musicians is shown.
07.5 minutes. The conductor (the programmer) becomes invisible. The Prog.
Assistant will ask the child, "WHO IS GREEN? GREEN BECOMES
INVISIBLE."
08 minutes. First lines representing bows are shown (the violinists are
invisible), then the Golden Gate Bridge. "REMEMBER THE BOW, NOT THE
VIOLINIST." The bow lines flashing on the screen represent energy.
08.5
minutes. Colored disks are flashed onto the screen. The lights are
represented to the child victim ‘THAT’S DR. GREEN’S ORCHESTRA."
Geometric shapes and flashes of lines explode onto the screen. Concentric
rings that will pattern the concentric worlds appear. (See Vol. 2 p. 196 for an
illustration of this.)
10. minutes. Asst. Prog. will say, ,,YOU ARE HIS STAR." as stars flash on the
screen. Many hidden alters (parts) are stars. Swirling lines arrive, and then
colors and then more concentric lines.
11 minutes. Worlds within worlds are shown. Water is shown. Concentric
circles that are the pattern for the worlds are presented. A varying number (5
or 7) of Castle-like structures materialize and then disappear. (These will
form the pattern for some of the internal castles.) A quick flowing yellow line
comes down the center of the screen, ‘THAT’S THE YELLOW BRICK ROAD."
11.5 min. Lots of stars emerge.
12 minutes. Various worlds are shown, and an illusionary castle. Lots of stars
are shown, which will be how the victim will model many of their alter parts
after. Lots of purple stars appear, representing royal star alters.
12.5 minutes. Spiral splotches of cloud-like colors appear and disappear in
dissociative colors. This is the Kingdom of the Gods during programming.
The Asst. Programmer takes the opportunity to ask, "WHOSE
ORCHESTRA?" This scene is used for the internal heaven where the kings
are. Then the camera shows the conductor finishing.
13 minutes. The programmer has finished building his basic worlds.
13.5 minutes. The MC talks about Tchaikovsky’s Nutcracker.
14 minutes. 13 circling lights come into view circling around and around.
(The 13 lights are something like 4 yellow lights, 3 white lights, 4 orange, 2
blue-something like this. They don’t have to be all the different
programming colors at this point, because that programming will come in its
own time.) Stars turn into fairies. A fairy with lots of fairy dust whirls around.
("Make a wish" the slave will be told later on, create what you want.) Flowers
grow into butterflies. Hypnotic music plays as the fairy throws fairy dust.
Soon, the Fairy spins a web.
15 minutes. The kabbalistic tree of life is made with lights, and then the many
colors of the ribbons are flashed up on the screen quickly. A compass image
is very quickly flashed on the screen.
16 minutes. Lights multiply on the screen, and a spider web appears in the
background. There are lots of stars which shine as lights in a spider web.
(Stars will serve as alters in programming, the spider web serves as a system
within the system, see Vol. 2.) There are several shots of multitudes of stars
on a spider web.
16.5 minutes. There is an explosion of light which has a
splintering effect (which will fit in well with an electroshock later on to
create alters.) Around and around go 6 big mushrooms dancing, with a little
one trying to participate. The programmer will point out that the
mushrooms are "A FAMILY". When the splintering effect is done with real
electricity in the future, the mind will splinter into a family.
17.6 minutes. Concentric circles appear in water. Flashing pedals emerge as if
they were dissociation spreading through the water. The flowers are the top
spinners (see the pages in Deeper Insights on spin tortures to create spinner
families), they dance, & then they float away in the bubbles (of dissociation).
"A FAMILY OF SPINNERS" the programmer will say. "SEE THEY SPIN YOU
INTO BUBBLES INTO NOTHINGNESS." There is lots of dancing shown by
the spinners. Everyone is dancing to the top. The child victim’s head will be
wobbling back and forth from the influence of the drugs and dissociation at
this point.
19.5 minutes. When the family of fish make a star, the Asst. Programmer
says, "SEE HOW SAD THEY ARE." The fish dance in circles and they also
hide behind veils. "THE FISH MADE ITS OWN BUBBLES AND YOU CAN
MAKE YOUR OWN BUBBLES TOO."
21.5 min. The child is trained to trance at the hypnotic 8’s that appear in the
water. This type of scene will put the deeper alters to sleep of a slave still
actively being used. The movie here is being used to teach symbols, which
will be important in the programming. Asst. Programmer, "LOOK YOU’RE
JUST FLOATING.. ..FLOAT, FLOAT, FLOAT, SLEEP...SEE SHE WENT
RIGHT INTO THE CENTER OF THE TRANCE STATE.. .YOU DANCE
ROUND AND ROUND AND ROUND AND WHERE WE END UP YOU’LL
NEVER KNOW."
22 minutes. Lots of bubbles begin appearing. They will be used in the
programming to assist the child to protect its mind from the traumas. The
asst. programmer may have a bubble toy to make bubbles in her hand as a
game to play with the child. The child will be trained and programmed to
put its memories into bubbles and let them disappear. ,,WHY WOULD YOU
WANT TO GO INTO THE BUBBLE TO GET AWAY FROM THE
DARKNESS? 1,2,3...NOW THERE ARE MANY BUBBLES, THIS IS WHAT WE
WANT YOU TO DO." At this point the film is showing different colors of
bubbles, for instance gold bubbles. This trains the child’s mind to identify
different colors of bubbles. The bubble-fish-flower scene is going on. "DON’T
YOU FEEL LIKE THAT FISH, ROUND AND ROUND YOU GO" (dissociation
encouraged). The fish continues going in a dissociative spin. The fish swim in
graceful perfect figure 8’s which have a subconscious hypnotic induction
message to the victim. "SLEEPY LITTLE FISH" is said when the music gets
hypnotic. "YOU’RE SLEEPY & YOU’RE TIRED, THIS IS NOTHING BUT A
DREAM." "ALL THE DIAMONDS ARE ALL AROUND, NOT YOU" In other
words, this is teaching the child that their entire internal world can be
around them, but "you don’t know that it’s you." The child begins to lose the
ability to realize that other parts of itself belong to itself, they are only stars,
etc. The fish changes into another character. flowers are appearing in
different colors of the color coding, red, green, orange, blue, white. . .All of a
sudden it get’s still. "SHH, LISTEN CLOSELY."
22.5 minutes. Eyes shine in the darkness. "EVERYTHING IS FINE, YOU JUST
RELAX."
Silhouettes appear, which represent fish (alters, and people) who are there
but you don’t see them, they are behind the veil like the silhouettes. ‘THEY
AREN’T THERE, IF YOU SEE THEM THEY AREN’T REAL THEY LOOK LIKE
A FLOWER, WHEN YOU SEE THEM, YOU WON’T SEE A CHILD- YOU
WILL SEE A FLOWER." The silhouette veil gives the sense to the child that
he can sense something but it’s not there.
23 min. Different plants appear
and dance. (This part of movie is very important in structuring.) The plants
separate into many plants and flowers, and they multiply on the screen, but
at the end they solidity into a solid plant. This is teaching the ,,you-are-one- but-you-are-many" concept. "FAMILIES ALWAYS WORK TOGETHER.
WHETHER YOU ARE BLUE OR YELLOW OR GREEN, FAMILIES ALWAYS
WORK TOGETHER IN HARMONY."
24 minutes. "BUBBLES ALL HAVE A LIFE SOURCE...THERE, LOOK,
WHAT’S IN THAT BUBBLE?"
24.5 minutes. ,,YOU CAN HAVE YOUR OWN
ORCHESTRA". Fruit that hangs on the tree is shown, which will be the basis
for how they hang the programs (the fruit) in the internal world. Note the
colors, orange, white, yellow, purple, blue, green,...
24.5 minutes. Fairyland appears on the screen. The Fairies awake and fly
through leaves. ‘THERE’S YOUR FAIRIES. SHE IS VERY MAGICAL. SHE
CAN CREATE ANYTHING AND SO CAN YOU." "THE FAIRIES ARE SO
MAGICAL."
When the core is being first split, the parts of the mind that are creative are
taken and used to create the fairies. The programmers will only take these
original creative splits, they will not try to get fairies from any more torture.
The fairies are the creative parts of the child, how ever many creative parts
that the child has splintered will be the number of fairies created. These
parts of the mind receive very heavy programming. They are core splits. (If
readers remember on page 87 of Vol. 2, it refers to a Core Protector coded
"Creation". That alter was a fairy, a core split. Not only does this creative part
make things "magically" for the system, it protects the core. Does that help
people to understand how the Core can be so creatively protected?! (For
more understanding about the Core see Cisco’s very deep article on the
Core.) Fairies are assigned to every part of an alter system. The child of 3 or
4, who watches Fantasia has had their core locked away at 2 1/2. The core’s
stars have not been locked away yet, & have access to her energy. When the
system is built, the stars are locked away & become the core’s guardians.
They will act like the core to protect her. The real value of the fairies comes
when the core’s stars are locked away & the Programmers have to depend
upon the creative power of the fairies.
25 minutes. A vine (which represents a system’s double helix) lights up one
leaf after another. The leaves are staggered (alternated) and they light up in
sequence, which teaches the child the foundation of how they will create the
DNA helix and its staggered exit permissions.
25.5 min. The leaves are now floating up and down, like the alters will learn
to do. "SOME FALL TO THE GROUND AND DIE." This is the point where
the story of the Oak Tree will be added in for programming. When the
Illuminati programmers want "to destroy" an alter they can use the
chandelier-MT 6:22-23 torture mentioned on page 310 of the Vol. 2 Formula book, and then have the splintered alters become leaves that fall to the
ground and die. After this, these disobedient and now "dead" alters can be
taken & be dissociated from their memories. The memories are locked up
someplace permanent within the mind.
26. min. Out of a leaf like "box" come a series of fairies. The child is taught to
put things (such as alters) in boxes of various shapes.
26.5 min. Leaves blow in the wind. Fairies cover things and keep them safe.
27. min. Fairies continue flying around. The seasons are passing in sequence.
An internal green-skirted fairy will be connected to the internal hourglass
during the programming.
27.5 min. The fairies quit flying and skate on ice. The season has turned to
winter.
28 min. A winter scene. The four seasons have come to an end.
28.5 min. A sorcerer is introduced by the MC (emcee). The sorcerer is shown
and then his assistant or trainee who is Mickey Mouse. Mickey Mouse wants
to be creative and magical like the great wizard. Mickey Mouse sees the
power that the sorcerer has, and wants that power. What is really being
subtly portrayed here is the programmer (the wizard) and the core & the
core’s creative splits (Mickey Mouse). Showing the programmer as a great
wizard is actually right on the money. The top programmers are all Grand
Masters in the Illuminati and are very much into witchcraft.
29 min. The sorcerer (wizard) is shown again. This time the wizard,, with his
skull beside him, creates from his witch’s cauldron a big colorful butterfly
which is forever changing. (Is this big yellow, purple, white, and blue
butterfly meant to be a Monarch butterfly? The programmers will use it that
way for this Monarch programming.) The great wizard magically creates the
big colorful butterfly and then he shatters it into countless splinters!
Disney often portrays Mickey Mouse as a Sorcerer.
30 min. Mickey sneaks around and grabs the magic hat. (The magic hat is
one of the few things in the film that doesn’t mean anything for the
programming. It merely has witchcraft symbols.) Then a magic broom
appears.
30.5 min. The broomstick comes alive. The broomstick imagery will be used
to help create the pancake people (ribbon alters who will haul the internal computer messages). The broomstick person in the film hauls buckets of
water. The child is having story after story layered in over a period of time,
which are being skillfully constructed toward a programming end. Parts of
the child’s mind that see the movie Fantasia will be dissociated clean slates.
They will need to have some imagery given to them so that they have
something to build mentally upon. In Cisco’s section of the book, in the
Truth article it is discussed how the mind looks at sensory inputs and tries to
make sense of a pattern by comparing it to previous patterns that it has
identified. Learning is a step-by-step building process, and so is
programming.
31. min. Mickey as the apprentice sorcerer (in a sense the victim who the
programmer is training) manipulates the broomstick person. "THE CHILD
(Mickey) CAN DO WHAT THE GREAT MAGICIAN DID. YOU CAN TELL
YOUR MIND WHAT TO DO. YOU GET POWER BY LEARNING TO BE
CREATIVE." Mickey (and the victim) become mirror images of the Wizard
over them.
32 min. Then the sorcerer sits on his throne, and while on the throne acts
like the conductor. Here is a subtle mental tie-in that Mickey is playing the
role of programmer (conductor) and is sitting on an Illuminati throne (like
so many of the Illuminati Grand Master programmers have actually done.)
Michael Aquino is just one of several mind-control programmers who have
gone by the name of Mickey. Because Mickey Mouse is substituted for being
the programmer at different points in programming, this scene will tie in
well with other standard programming sessions.
32.5 min. Mickey in the film clearly is shown leaving his physical body and
astrally projecting himself. This is such a vivid portrayal of occult astral
projection, that it is mind-boggling that many Christians consider Walt
Disney movies to be christian. (See Vol. 2, p. 319, for a discussion of the
scientific methods to understand and induce astral projection.) This again is
laying the mental foundation for the child to leave its body mentally and
either hover over its body in dissociation or to travel somewhere via astral
projection. Mickey Mouse then begins conducting lights.
These lights represent the alters that the victim will make for the conductor.
The lights (aka stars) are the conductor’s orchestra. Lightning (such as
flashes that come from electroshock) and stormy weather are being
controlled by Mickey. Notice that the things Mickey is controlling are fear based. After the child has viewed the film many times and memorized it,
when the electro-shock is applied during this time of the film, the child will
control it like Mickey by ‘magically’ creating splits.
33.5 min. Mickey begins conducting waves. Then, for those who understand
the veiled scenes, Mickey begins going through the different magic spheres
conquering the different spirits. This is Enochian Magic.
34 min. Mickey
wakes up back in his body, and he is in trouble with rising water i.e. a water
trauma. Mickey is thrown into the water. The child victim will identify this
with the drowning tortures that are given to instill "no talk-no tell" messages.
After Mickey (or in child himself) has done something, and returns to his
body, then the "‘no-talk"’ message will kick in. Victims of mind-control often
get the feeling of drowning when they trigger a no-talk message.
34.5 min. More water continues to flow.
35 min. All of a sudden without any continuity of action, Mickey gets an ax
and kills the broom by splitting it. The broom dies and then multiplies when
it comes back to life. This is such a clear picture of what the programmers
want the child’s mind to do. They will traumatize the child essentially unto
death, and then they want the tortured alter to multiply itself into many
more duplicate alters. Armies of brooms are formed from the broom. This
scene here is a clear red flag that the Illuminati asked Walt Disney to
produce this film. This scene with the trauma death of the broom, with it
splitting in half, and then coming back to life in a multiplied form, is
evidence that this film was meant to be used for training children in
multiplicity. The assistant programmer will say "IT’S O.K. TO SPLINTER."
"YOU ARE TIRED, YOU CAN ESCAPE THAT BY RESTING AND LET A PART
OF YOURSELF COME OUT." At this point, it is necessary to explain what is
going to be done when they begin to splinter the child’s mind. After the
splitting trauma, the programmer needs to be able to see what the child has
created, so he wants the child to look at what’s been made. "‘CAN YOU
LOOK AT WHAT YOU’VE CREATED?" However, the part of the child that
looks back at the trauma will then see that the dissociated trauma was real
and that will make the child angry. The programmers want the child to
dissociate what he built, and when the child looks back at what he has
created he goes into a vortex of dissociation. The child is told if he ever looks
back at the memory he will go into the vortex.
35.5 min. Water is being thrown in by the brooms, while Mickey throws
water out.
36 min. All of a sudden a hypnotic vortex sucks things in during the film.
36.5 min. The brooms all march in an army, while Mickey reads his magic
book. Mickey then uses his magic book as a lifeboat when he gets whirled
into a vortex. A vortex is often created from that part of the mind that is
holding the high energy that accumulates in the mind just before the mind splits. It holds the highest energy of the mind. One way a vortex is created is
to place the child on a traumatic Disney ride--like a roller coaster. Special
electrical boxes or electrical shoes are outfitted onto the child so that during
the ride, at a particular timed moment when fear is increasing, that fear has
pain of the electrical shock added to it. A cattle prod of course would be too
dangerous to take up on some type of ride like that with all the motion. Also
bear in mind, a small child doesn,,t take need the electrical power that an
adult needs to take it down.
37 min. At the bottom of vortices in the Illuminati programming, the
programmers place Guardian demons. In Fantasia, when Mickey gets to the
bottom of the vortex, sure enough, there is a Guardian there to meet him.
The Guardian spirit parts the water as if he were Moses with the Red Sea.
38. min. The Conductor and Mickey Mouse shake hands. The conductor does
something very significant. Mickey congratulates the conductor and then the
conductor (programmer) in turn says, "Mickey, you’ve done a good job."
(Yes, the core/core splits have done a good job at this point, they have just
created their inner world!) The MC tells us about the next song the occult
Rite of Spring. Spring rituals are creation rituals and so this music is ritually
connected to what the programmers are going to do in this segment.
The MC
states that instead of the viewer seeing tribal dances (which are by the way
witchcraft dances), that instead Disney has decided to show us scenes of
what went on billions of years ago. (This next part is also a subtle push for
Darwin’s theory of evolution. But because it is child’s entertainment, people
don’t have their guard up. The theory of evolution is important, because it
allows people including the victim to not take moral responsibility for their
actions, and it is also the basis of some of the Hinduism and witchcraft
teachings that will be given the deeper alters. This is a backdoor approach to
destroy godliness that is carried out on children in general.)
39.5 min. The MC says, "Imagine a lonely tormented little planet spinning in
a sea of nothingness." This is exactly what the programmer will say to the
child as they work together at building an internal world. The "sea of
nothingness" is what the reader will see described in our books as "Outer
Space" or ,,the Rubicon." Also that "sea of nothingness" is used much later to
reinforce the secrecy of the programmers. Much later as the programmer and
torture has progressed the programmers will say to alters, "LOOK DOWN
ON THE EMPTY SEA OF NOTHINGNESS. THERE IS NO DR. GREEN.
THERE IS NO DADDY THERE."
40 minutes. A swirl of stars in a galaxy appears. Swirls of comet-like lights
flash by. "MANY WORLDS THERE." This will set the base for the child to
build galaxies and worlds within their mind. "BE LIKE GOD, CREATE YOUR WORLD. BE YOUR OWN GOD AND CREATE YOUR OWN WORLD" the
child is told at this point.
42 minutes. The face of the planet emerges.
42.5 min. Lots of volcanoes erupt on the screen, setting the foundation to
build realistic internal volcanoes.
45 min. Oceans, and water and fire are coming into being. The child victim
needs to know how a world is created in order to create their own internal
world. Lava begins flowing as the flute plays the background music.
Lightening flashes. The violence of the fierce weather portrayed will be
enhanced by the child on drugs to a thousand times its magnitude. This is
important because it will take a great deal of mental energy and external
torture to create the internal worlds. Having such super-vivid pictures will
help when the victim goes to build their internal worlds. There will be special
purpose fragments that will be made into the elements of fire and water.
That’s all these special purpose fragments will know. Breaking through the
layers in the alter systems will trigger internal earthquakes. This and a later
earthquake scene are used to build the foundation for the internal violent
weather. If an internal earthquake shakes a slave’s mind, it has the same
effect as if a real earthquake were going off. Everything internally shakes and
shifts. An alter system will also have fire children, who start internal fires,
and will give internal alters the abreaction or sense that they are burning.
The mind gets very survival minded when it thinks it is burning, and goes
right back into the programming that is linked with the victim’s compliance
for survival during programming.
46 minutes. The oceans continue to form.
47 min. A calm occurs in the action.
47.5 min. The screen gets dark except for an amoeba, which becomes two
amoebas. As the little amoebas multiply, the asst. programmer encourages
the child, "IT’S O.K. TO MULTIPLY. GOD WANTED YOU TO MULTIPLY"
Remember, the programmers are working with a preschooler with clean
slate alters. The programmers must show images that the child can relate to.
The concept of the broom being split in half and then multiplying and now
the concept of the amoebas splitting are portrayed in a way that the child’s
mind can grasp the concept.
48.5 min. "IF GOD CAN MAKE A FISH, YOU CAN MAKE A FISH. YOU CAN
DO ANYTHING, YOU CAN BE ANYTHING."
49 minutes. Dinosaurs appear. The programmers will reframe the concept of
dinosaurs into monsters and demons. The sea-going dinosaurs will be refrained as guardian demons which guard the internal rivers. These
guardian demons tie in with Armageddon end-time programming. They also
guard the various worlds.
50 min. Dinosaur-birds swoop down and grab prey. This imagery will be
refrained to lay the basis for the winged-monkey watchers of the Oz stories.
The winged-monkey watchers are the child alters who are assigned to watch
and guard the system.
51.5 min. Fierce dinosaurs (later ref rained as Dragons) protect the swamps.
Swamps are built into the internal worlds, so this is very helpful. Demons
and alters like Dameon are set up as guards.
52 minutes- More swamps appear. The swamp scenes will form the base in
the child’s mind for the internal river Styx. (See more about this in this
book’s article "Programming, foundations, destruction of"). Some dinosaurs
that have long necks that look like snakes begin appearing. The asst.
programmer will reframe these to the child, "LOOK, THE SEED OF SATAN."
"THAT IS A DEMON." While the child watches, they reframe the hugh
dinosaurs as being demons. Pictures of reptilian looking demons will be
shown to the child too. At that age, the child is not going to see the
difference. (A note for therapists: Some ""demons’" may actually be
important parts to an alter system, and are being used to protect
unauthorized users from entering important areas of the system.)
54 min.- Fierce Tyrannosaurus Rex chases dinosaurs. This chase scene is
especially frightening to a young child on a LSD trip. Long-necked snake-like
dinosaurs appear. They may be refrained as a python snake. T Rex is also
known as Leviathan, a demon that inhabits the kundalini spinal column and
causes pain in the victim, he is written about on page 302 in our Vol. 2 book.
In the film a long fierce struggle between T Rex and other dinosaurs ensues.
55 min. The dinosaurs begin dying and soon dies. "THE LORD DOESN’T
LIKE THEM."’ This will later be refrained that if parts integrate they are to
die. If someone tries to get into the system, the alters are to bury themselves
deep like these dinosaurs do on the film.
56 min. Dead bones appear
59 min. Mountains soar out of the ground into eminence.
59.5 min. It gets stormy on the screen, winds & floods appear.
60. min. Stillness comes as the sun rises.
61 min. The sun sets. (During the programming, this may be refrained as the
moon setting. It can be both or either or. Remember, the programmer is
working with the child’s creativity.) Various scenes during the film show the
moon in different phases which is important for bringing in programming
concepts like Mr. Moon.
61.3 min. The orchestra is now playing. Music is an important part of mind control programming. The affect of music on the mind and body has been
studied. Music can double the heart beat, accelerate the respiratory rate,
make that rate irregular, enhance perception, lower the threshold for various
sensory stimuli, change blood pressure & circulation, and alter the muscles
in the body. Dance music and "march" music done by orchestras change
muscle response. Music is also a great way to cause dissociation.
62.5 min. The MC introduces the "‘Sound Track’ who he says is an important
person for Fantasia who can be seen around the Disney studio. When Mr.
Sound Track appears, he is simply a vertical line. The MC says he is "an
important screen personality." The ground work is being laid for a person
being anything, even a line. The MC states that each sound creates a picture.
63 minutes. The MC encourages the personified Sound Track ""don’t be
nervous."" Then a sound is made like an electrical shock and the line
develops a splotch of color in it. During the programming at this point an
electrical shock would be applied to the child.
63.5 minutes. The harp is ask to sound. The harp begins playing a scale and
the line becomes double 8’s and snake-like spirals. The child will be taught to
dissociate when seeing such double 8’s.
64 min. The violin begins going up and down. Each of these instruments is
going up and down the scale, like do-ray-me-fa-so-la-tee-do. The music is
used to teach the alters to go up and down the helix, which is figured in this
part of the film. As the music goes down, an alter is taught to go down in
trance, and as it climbs higher, the alter will trance higher. All these
instruments (violin, flute, bass, bassoon) are being used to teach alters how
to work in the system. The MC describes the flute as "very pretty".
64.3 min. A trumpet begins playing and the colors, yellow, orange, etc. begin
showing.
64.5 min. When the bassoon plays, the MC says, "Go on. Drop the other
shoe"-- "Go to the shoe" which translates "‘go to the ground"" --the deepest
trance level. The following is the double-pyramid, with a helix up the middlethat appears when the bassoon plays: -(This configuration is very important
to all these Illuminati alters systems.)-
65 min. The drum plays and some other percussion instruments play. These
are taught to the child as the cult’s "HEARTBEAT". They will hear this sound
internally for many years to come. Then some sounds that have a shattering
effect (cymbals) like broken mirrors are made in the film.
65.5 min. As the sounds take place a line is made with a pyramid at the top.
This is laying the groundwork for the system’s structuring.
66 min. The MC laughs and talks about Beethoven’s Pastoral Symphony
(Beethoven’s 6th) which is next.
66.5 minutes. The screen comes alive with magical Unicorns of different
colors. Then Pan (a satan-like figure) appears playing his pipes, and soon lots
of little Pans (little demons) are playing their pipes. The little Pans (demons)
play and dance with the unicorns. The orchestra plays again. (This author,
Fritz, remembers when I said that Pan was an evil demon, I was rebuked by a
Christian minister. He then said Pan a benevolent cheery creature". A
number of books which may be obtained from Satanic bookstores document
that Pan is indeed considered a powerful demon by occultists.)
67 min. Pegasus (the mythical greek winged horse) flies in. As a Mother
horse she takes care of little ones on the screen. She is a protector in the
programming.
68 min. "FANTASY IS FUN. FANTASY IS A GAME YOU PLAY. MOTHER
TEACHES YOU. SEE HOW MOTHER IS A TEACHER. SEE THE BLACK AND
WHITE HORSE. THEY ALWAYS FLY TOGETHER, BUT ARE SEPARATE.
THEY ARE FLYING OVER THE CLOUDS." "OVER THE CLOUDS, INTO
THE BLUE YONDER." The child is rewarded for what it has to do with the
game of fantasy. "THAT’S YOUR REWARD FOR DOING WHAT YOU ARE
TO DO. YOU CAN LEARN TO FLY OVER THE CLOUDS." The child feels
rewarded by the game of fantasy. The fantasy scenes in Walt Disney’s
Fantasia are like the Wizard of Oz scenes in Oz, fantasy-land is more colorful
and fun than real life. Vivid colors will be splashed about during the fantasyland scenes.
68.5 min. A castle appears as Pegasus flies around. This and other castle
scenes will help the child develop the imagery for the spiritual castles that
the child will build internally. Then they swim in the water. "SEE THE
MIRROR IMAGES, WATER CAN BE GLASS." During the programming
mirrors are put into the internal system. A mirror can be a piece of glass, the surface of a pond, or an asphalt runway. When the programming is
complete, underneath the water &/or the runway lurk demons.
70 min. Waterfalls emerge and issue forth. The waterfalls are used by the
programmers to erase all the slave’s memory of what was done to them. The
child will be told at the end of watching Fantasia (and this will be said at
other programming events too), "JUST REMEMBER THE GOOD, JUST
REMEMBER THE FANTASY". The fantasy is given so that the subconscious
can rest in peace after the programming. The child is told "WASH
YOURSELF CLEAN."
70.5 min. The little girls appear as girl centaurs (half girl-half horse). "SEE
THE LITTLE GIRLS ARE HORSES."
71 minutes. Then a scene appears where one girl centaur braids another girl
centaur’s long hair. The Illuminati teach their slaves to braid their memories.
They braid their memories up and then lock them in. All the Daddy
memories will be locked up & braided and then locked for good.
72 min. Male centaurs appear. They are near water and make mirror images
in the water.
72.5 min. A crown is placed on a female centaur and 2 doves. During the
Illuminati death, burial and resurrection ceremonies lilies are used for
crowns, and doves are used. These are significant programming/ritual
symbols. The female centaurs look at the male centaurs. This will be
refrained as a system can have both male and female parts.
73 min. Starting with one female centaur, the females act seductive to the
males, who then respond. For bras the females have bras of daisies. The Vol.
2 book explained how the daisy programming is a life-or-death type program.
Vivid colors are used for each centaur. For instance, one may be purple and
another one another color, which sets the groundwork for alters to have
different access color codes. Alters do not usually see themselves as being in
different colors, although it does happen on occasion.
73.8 min. A marriage takes place between the centaurs. The programmers
catch these nuances of the film and use them. The marriage here teaches the
child to be acquainted with the arm-and-arm marriage ceremonies.
Remember, the programmers are dealing with clean slates that must be
taught from the ground up. In the next few minutes, the cherub children will
watch sexual body language, and the child victim is also picking up on
enticing sexual body motions.
LIKE A LITTLE GIRL WITH A
HORSE’S BODY."
75 min. Little cherubs are dancing and flying around. When pictured the
artists at times single out 3 cherubs who blow flutes together. The female
centaur appears, who is fair haired (blond) and blue-eyed, which is what the
Illuminati like. When she hears the tone (of the flutes) she goes into a trance
state and walks with her eyes closed. This imagery is used to teach alters that
when they hear certain tones, they are to go into a trance state and do
certain things. The little cherub turns into a heart, and when no one is
watching goes into the tree. In programming, this part is the Keeper of the
Tree. Notice how everything is veiled. The assistant programmer will point
the cherub out to the child victim, "LOOK AT WHAT HE DID."
76.5 min. A curtain then shrouds the scene. The curtain appears to be treelike. More bubbles appear, and more water. All the mythical creatures on the
screen begin to dance and be merry and have a feast.
77 min. "SEE THE FEASTS, SEE THE BANQUETS, THE FEASTS ARE O.K.
THE BANQUETS ARE O.K."
78 min. "THE LEAVES ARE FALLING." Blood-like wine is drank at the feast.
"SEE THE BLOOD."
"SEE THE LITTLE DEVILS POP UP." The only human in this Disney scene is
honored. This is done to teach the alters that humans and animals can mix.
That they can be accepted for what they are, even if they think they are an
animal or something else they will be accepted at the cult’s feasts. These
scenes are all for internal programming. By the way, one of the pretty female
centaurs makes a sexual pass at the fat human, who then chases her. "MUST
PLEASE THE MASTER."
80 min. A scary storm comes up, and Zeus, and the greek gods appear.
,,BETTER FEAR IT. HE’S A GOD YOU’D BETTER FEAR HIM. HE THROWS
LIGHTNING." This demon who throws lightening is named Furfur. He also
makes thunder & strong winds in the system (alter system’s worlds). Readers
can learn more about this demon, named Furfur, in Cisco’s second part of
Deeper Insights in the article on "Programming, foundations, destruction of".
81 minutes. Lightening bolts are thrown from heaven.
81.5 min. All the little cherubs run for cover in fear.
82 min. Pegasus the protector flies in to protect everyone, especially a new
born Pegasus. The wind is personified as a two-headed blowing person. This
two-headed Janus wind comes storming through the heavens. The
programmer will often place his own voice "IN THE WIND." The greek god
(internal demon) throws a lightening bolt.
83 min. "SEE THE GODS". The child is learning what to make internally.
Zeus then relaxes & goes to sleep.
84 min. More vivid colors form. "FAMILIARIZE YOURSELF WITH ALL THE
COLORS." The film at this point is teaching the child to stay in the
framework of the programming for safety. To go outside of the programming
is terror. The child is learning to fear the godlike demonic guardians.
84.5 min. The fantasy world is coming alive. It is a happy fantasy world. A
goddess in the sky makes a rainbow emerge. This is the rainbow goddess of
the programming.
85 min. All the happy unicorns and cherubs fly ‘"over the rainbow." (Refer
back to the Vol. 2 book p.94 to understand the significance of going over the
rainbow.) The unicorn is derived from old British paganism where the lion
represented sun worship, and the unicorn represented moon worship. This is
why the Royal Arms of the British Royal Family have a unicorn on one side, &
a lion on the other. Sexually the unicorn represents androgeny. During
programming, the horses, pegasi, unicorns and centaurs shown in the
Fantasia movie become the foundation upon which the Illuminati
programmers build the Night Mare alters who are beasts of burden who
carry an alter system’s memories. These are logical no-emotion alters who
are early splits & who are programmed after the child is verbal. See Cisco’s
article on Dream Work for more understanding about the horse alters, as
well as chapter 7 on Structuring.
86 minutes. More rainbows and lots of bubbles come into view. The film has
done an excellent lob of showing how the Furfur God of thunder protects the
Rainbow. Once an alter has gone over the rainbow, they can not come back
because a demon protects the Rainbow. The rainbow is also protected by
alters who fear the gods. After seeing Fantasia, the therapist can understand
why the little child protector alters have fear about these gods. The master
(who represents Furfur) in the movie swallows the rainbow. If an alter looks
internally for the rainbow, he or she will only find stars, because the
protector will come up and say, "I swallowed the rainbow." The rainbow is
kept well hidden internally. This scene is used to teach alters how to go over
the rainbow. ""BEFORE YOU GO OVER THE RAINBOW, YOU HAVE TO PUT ALL YOUR MEMORIES IN THE BUBBLE. YOU CAN’T TAKE
ANYTHING OVER THE RAINBOW INTO FANTASY LAND."
86.5 minutes. Apollo, the sun god comes out.
87 min. A big mother spirit who fills the whole sky is now shown by Disney.
She hangs over the rainbow. When a system is built this is indeed what they
put in. All go to sleep in the film.
87.5 minutes. Arrows shoot the stars into the heavens. This is more
programming imagery. When you look for the rainbow, you see stars.
88 min. The conductor finishes again.
88.5 min. The next setting is a Venetian nobleman’s (a duke’s) palace.
Curtains open. The use of curtains is spoken about in our previous books.
89 min. Curtains open. An Ostrich begins dancing, and gets others to ballet
dance.
90 min. The Ostriches begin dancing in a circle, this is laying the
groundwork for what the cult family does. The Assistant programmer may
tell the child, "SEE IT’S O.K. TO DANCE TOGETHER. DANCING IS
ACCEPTABLE." The programmers will not directly tell the child that this
represents the cult family.
91.5 min. The Ostriches are eating grapes. They are playing, looking in the
pool & they are seeing bubbles.
92 min. Hippos emerge out of the pool. "IT’S O.K. TO BE DIFFERENT. IT’S
O.K. TO BE STRANGE. USE YOUR CREATIVITY." The hippos begin to dance
and dance.
94 min. Elephants appear and are having fun and blowing bubbles out of
their trunks. The programmers may be having fun blowing bubbles with the
child. The programmers like to mix love and hate, kindness and sadistic
behavior. That way the victim has a hard time separating love from hate. If
you ask many slaves about "Daddy" they will tell you that they had fun with
Daddy. They are right--they had fun intermixed with sadistic torture.
Bubbles continue to lift off. One of the bubbles has a fish in it. This is
imagery for the bubble programming. The child victim is trained to dump
their bad memories into bubbles and let them float away. The therapist will
notice that many victims feel like they are floating. They have an unreal
feeling. The bubbles are floating their bad memories away.
98.5 minutes. A new setting and the hippos are hypnotically sleeping. 3
sinister alligators that remind one of the 3 primary programmers appear. The
3 alligators have robes that hide them, and shadow images of themselves
lurking behind them. The alligators are trying to get the hippos. The 3
alligators are portrayed like the programmer is, he is someone to fear, love, &
respect all at once. The hippo is running away and dancing. The alligator
dances with the hippo, but makes menacing attempts to eat him. A flying
hippo lands on an alligator. Elephants, hippos, alligators are shown. The
elephants, ostriches, hippos and alligators all dance in fantasyland.
100 min. The orchestra is dancing. ‘"DO WHAT YOU’RE TOLD AND WE
WILL HAVE FUN."
101 min. The MC announces the next part as ""the struggle between the
profane and the sacred."’ The conductor stands in a silhouette that suggests
the same pose that the upcoming Satan takes.
102 min. A high dark mountain with a castle looms in front of the viewer. A
winged fierce some Satan figure raises his wings. His wings are sectioned like
fingers with claws, and will form the imagery of the demon Malebrinche,
whose satanic claws hang over the alters and terrorize them. In the
Illustrated Guidebook, the reader will find lots of these claws in the pictures
lurking in the background. A child victim will be taught to fear the hands of
the programmer, Satan and Malebrinche. The wings (hands with claws)
open. And Satan is portrayed as an awe-inspiring figure. (By the way,, the
word maleficia means evil misfortune caused by witches. The witch in
Disney’s Sleeping Beauty has the demonic name of Maleficent.)
102.5 min. Satan begins raising the dead skeletons. This provides a
foundation to layer in the Valley of the Dry bones coming alive with armies
of skeletons.
104 min. The film also has some images at this point that will help with the
foundation for the Armageddon programming. Satan calls everything to
himself.
104.5 min. The hell pit is shown. This is laying a foundation for the hell pit
with all its demons. All kinds of vivid colors are shown in hell, to make the
scene more real than real for the child victim. Satan smiles as demons burn
in hell. "NO MATTER WHAT COLOR YOU ARE, IF YOU ARE NOT GOOD
YOU’LL END UP THERE.’"
Fantasia portrays Satan as a terrible powerful being.
105 min. "THAT’S WHAT HAPPENS IF YOU’RE BAD. YOUR THROWN
INTO THE HELL PIT."
105.5 min. Three beautiful lady demons begin to dance in a circle, all of a
sudden these demons take on their luciferian form, one becomes a goat.
106 min. The demons continue to dance with powerful Satan watching over
them. The hell pit and the demons are portrayed in vivid scary graphic
depictions. The hellish fire and the ghoulish dancing of its occupants
continues for what seems a long time. "WHEN GOD FINDS OUT HOW BAD
YOU ARE, LOOK AT WHAT HE’LL DO TO YOU."
107 min. Satan is portrayed by Disney in all his evil dark majesty.
107.5 min. Bells begin to ring, and the demons slink away, & the dead return
to the earth to their graveyards.
108 min. Ghosts return to the graves. Soft music begins to play. Ave Maria by
Schubert, which was written for the Catholic church, begins playing.
109 min. Satan folds himself into a mountain. ‘"DO YOU SEE LUCIFER
ANYWHERE? NO. YOU ONLY SEE A MOUNTAIN."
110 min. Lights shine as if they are a column of moving people who are
walking with lights, and then some walls appear.
110.5 min. An arched bridge appears with its mirror image. The column of
silhouetted people who continue walking have mirror images in the river.
The asst. programmer will be telling the system (which the front parts will
hear) "TIME FOR ALL THE GOOD CHILDREN TO GO TO CHURCH. IT’S
O.K. TO GO TO CHURCH. GO SERVE GOD."
113. min. An opening, a vertical sliver of light comes from what appears to be
doors opening up. There is a mirror effect in the way the doors open, which
will facilitate making mirror image front worlds. A whole new world opens
up, which will be the front system’s world. Both the front alters and the
deeper ones will be told to forget the movie. Later when a system is better
programmed, the programmers will pull up the front alters and have them
walk through these doors into the light. When they are hypnotically taken
through these doors into the light and away from the fear and darkness of
the Kingdom of Satan, they are hypnotically told to close those doors and
never look back.
The Kingdom of Satan has been shown in detail and in great
length. The Kingdom of Satan has been shown as powerful and fearful. Satan
is shown as a mighty power that is to be feared. The Kingdom of Light is only shown as a peace, as a refuge from evil. It is not shown to be good. It is not
shown to have power or intelligence. It is simply a place to go to escape the
fear of Satan’s power. This is all the programmers really want the church to
be. It will be a stabilizing balance to let the mind recuperate from the hell of
the programming, but it is not intended to be seen as greater than Satan and
his Kingdom.
115 min. The film ends with a peaceful gaze at heaven. The child is being told
in the last few minutes "THAT WORLD BELONGS TO YOU. IT’S A
BEAUTIFUL WORLD. IT’S THE WORLD WE WANT YOU TO LIVE IN. IT’S
BEAUTIFUL." After all the hell that is eventually dumped on the child, and
the scare that Satan gives them in this Fantasia film, the child is only too
happy to create a beautiful world to live in....
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