Exploring Real History: JAY Z, JAYBO & PANTHER, “GET OUT”, THE NEGRO- APE METAPHOR CARICATURE: THE GLOBAL RACIST EUGENIC PLOT TO ANIMALIZE, SIMIANIZE AND COLONIZE BLACK PEOPLE

Wednesday, February 14, 2018

JAY Z, JAYBO & PANTHER, “GET OUT”, THE NEGRO- APE METAPHOR CARICATURE: THE GLOBAL RACIST EUGENIC PLOT TO ANIMALIZE, SIMIANIZE AND COLONIZE BLACK PEOPLE

By Ray Bullock
@ https://mindcontrolblackassassins.com/

THE BLACK PANTHER- FACT OR FICTION, IT’S UP TO YOU

Black Panther Party for Self Defense, Oakland, CA

Bobby Seale and Huey P. Newton founded the Black Panther Party for Self Defense in October 1966 at Merritt Jr. College in Oakland.

Black Panther Caricature- Out of the Heart of the Darkness, The African Jungle

The less than human Black Panther Caricature was developed by non people of color as a fantasy character by Marvel Comics part of its “JUNGLE ACTION” series. I was just a Manchild when I became involved in the early formation of the Black Panther Party for Self Defense (B.P.P). I was just a classic Donny Hathaway’s throw away Little Ghetto Boy.

Little ghetto boy, playing in the ghetto street
Whatcha’ gonna do when you grow up
And have to face responsiblity?
Will you spend your days and nights in the pool room?
Will you sell caps of madness to the neighborhood?
Little ghetto boy
You already know how proud life can be
’cause you’ve seen so much pain and misery …

One day, I walked on a college campus following a young lady that I was trying to get next to. I was really looking for a hole in the ground to get high and hide my ugly black face when I first met Huey P. Newton and Bobby Seale at Merritt Jr. College in Oakland, CA. Before I knew it, I was caught up in a star burst and suddenly found myself trussed out into the middle of a vast unexplored universe.

Chairman Bobby Seale introduced me to the infamous Huey P. Newton iconic photo at the beginning of the Free Huey Campaign as a fundraiser. I was only a neophyte, but there was something spiritual and sacred about that picture. It was symbolic of something much bigger (African-ness) that I don’t believe many of us but Bobby and the wiser older brothers and sisters truly understood.

HORUS & HUEY

From the very beginning, they intended to slaughter Huey by satanic ritual sacrifice. The secret Knights of the Black Sun initiated the battle with Huey, Bobby and the B.P.P as spiritual warfare like something out of ancient mythology- Gods Set and Horus. The war against the B.P.P was led by the CIA– SS Teutonic Knight Baron Otto von Bolschwing(Order of Brothers of the German House of Saint Mary in Jerusalem), and FBI– Master Mason J. Edgar Hoover (Thirty-Third Degree Grand Cross, Inspector General, Southern Scottish Rite Jurisdiction). They organized themselves as a clandestine Black Knight Masonic Panther Squad to kill the B.P.P.

They decided to kill Huey ceremonially – body, soul and spirit. The Nazi Luger Pistol represents a thing of great volkish mysticism, magic, superstition, and folklore. The pistol’s mystic power is part of a unique signature of Adolf Hitler’s racialist mass executioners, Reichsführer SS-1 Heinrich Himmler and the Cult of the Dark Messiah.

On the morning of October 28, 1967 on 7th Street in West Oakland, the Oakland Police Department (O.P.D) stopped a car driven by Huey P. Newton. After a physical confrontation, Officer John Frey, 23 years old, was found dead from gunshot wounds. O.P.D Officer Herbert Heanes was found alive at the scene also suffering gunshot wounds. Huey and their Mystic Nazi Luger Pistol were missing. The German Luger was no FANTASY. It was REAL!

“Three slugs were recovered: one from Officer Frey’s hip, one from Heanes’ left knee, and a third which had been lodged in the right front door of the Volkswagen. In addition, two 9-mm. LUGER shell casings were found at the scene. One was in the street between the two police cars, the other near the left front bumper of Heanes’ car and approximately where Frey was lying. The 9-mm. bullets had been fired from an automatic (Officers Frey and Heanes carried .38-caliber Smith & Wesson revolvers). A live 9-mm. Luger cartridge was found on the floor of the Volkswagen, between the two front seats. Only Officer Heanes’ gun was found; he was holding it when the other officers arrived at the scene. Two rounds had been expended from the gun. Neither a LUGER nor Officer Frey’s revolver was found.” (THE PEOPLE, Plaintiff and Respondent, v. HUEY P. NEWTON, Defendant and Appellant. Docket No. 7753. Court of Appeals of California, First District, Division Four. May 29, 1970. 8 Cal.App.3d 359 (1970), 87 Cal. Rptr. 394)

The Mystic German Luger Pistol disappeared and remains hidden from the masses in the 21^st century. Tellingly, the government did not trace the specially manufactured German Luger cartilages. On October 28, 1967, they intended to snuff out Huey’s life force with a SS-Knight of the Black Sun Mystic Weapon. Huey P. Newton’s infamous photo is SACRED because it is symbolic of their failed SETHIAN ARYAN MAGIC.

In 2017, they employed their Knights Templar subservient puppet black Master Mason, Jay Z, to try to symbolically make a mockery and MONKEY of Huey.

In 2018, Marvel and Walt Disney Studios released a global mass population poster for its Black Panther film that allegedly suffered a severe backlash, because several pissed off ILLUMINATI critics compared it to the infamous iconic picture of Huey P. Newton. Their poster features the movie’s star, Chadwick Boseman, posing in costume as the titular Black Panther, the king of a fictional African nation ( an imaginary state, a state of fantasy, a state to make believe), seated on his throne and (fake) looking powerful.

Marvel and Walt Disney Studios’ Black Panther is a fictional character- fictitious, fictive, invented, imaginary, made up, make-believe, unreal, fabricated, mythical fictional character.

Both Marvel and Disney mass produce fantasy for the masses. The genre uses magic and other supernatural forms to create states of mind of fantasy. Be careful with the movie Black Panther– it treads on the dangerous ground of fantasy and delusions. Children may not be able to make the distinction between the two.

The most remarkable thing is that Marvel and Disney wasn’t even thinking of Brother Huey when they created a poster for a “Strong African King.” But the everlasting powerful iconic “Image of Huey P. Newton” that has become a powerful indelible global impression imprinted in the subconscious minds of the masses has made that character overwhelming human (MAAT) truth, justice, righteousness, harmony and balance;and REAL.

In fact, since Marvel’s creation of the Panther comic character in June or July 1966, it has tried desperately to distance itself from Huey, Bobby and the B.P.P. Marvel’s Panther comic character did not precede the Black Panther Party.

The Lowndes County Freedom Organization (LCFO), also known as the Black Panther Party, was started in 1965 under the leadership and direction of Student Non-Violent Coordinating Committee (SNCC) B.P.P Honorary Prime Minister Stokely Carmichael. Actually, Huey and Bobby took over the Black Panther Party name from the Black Panther Party of Northern California (Kenny Freeman) prior to October 1966. Intelligentsia Freeman had also been one of my most beloved and persevering early ghetto boy Black Nationalist mentors. Freeman was another absolutely outstanding natural intellectual genius along with the minds of Huey, Bobby, and Stokely.

In extremely suspect timing on February 7, 2018, just days prior to the global release of Marvel and Walt Disney Studios’ Black Panther film, in a sensational article the ILLUMINATI MK ULTRA/MONARCH bi sexual- pedophilia handler and programmer Coon, Quincy Jones, said that Marlon Brandon had been a bi-sexual whore that had anally sexed Richard Pryor.

Quincy Jones & the Spell of Lucifer

Brando and Pryor’s in-laws have disputed Jones’ claims.

Big Bobby & Brandon

Brother Bobby and the B.P.P held the esteemed Oscar winning actor in very high regard as a fair and just man. He was with the B.P.P when the CIA, FBI, O.P.D, Panther Squad ambushed members of the B.P.P slaughtering Little Bobby Hutton. Brandon was one of the few to speak truth to power. He risked his entire career to make sure that a much broader world knew that we were for REAL. He publicly defended us. They would have killed Brandon if they could have got away with it. The lawless Black Knight Masonic Panther Squad went after him with rage, revenge and unqualified zeal like an enemy of war.

Brandon & Little Ghetto Boy Princeray

I respected Brandon and actually treated him as if he had treated me like a brother. On the late night popular TV show, Joey Bishop, Brandon made it REAL. He told a global audience that the police department [Black Knight Masonic Panther Squad] was out to “Get the Panthers“. He said that Little Bobby Hutton “came out of the house with his hands up and he was told to run for the car and he was shot dead and killed.” The Panther Squad couldn’t harm Brandon like one of us or a hated white sympathetic follower because he was far too respected, public, high profile, global and beloved by millions of fans.

So Samson B. Mullins as President and on behalf of the Oakland Police Officers Association went after Brandon personally to DESTROY his global reputation and character in a sensationalized case for civil defamation. [Mullins v. Brando (1970) [Civ. No. 35362. Court of Appeals of California, Second Appellate District, Division Five. December 10, 1970.] SAMSON B. MULLINS, as President of the Oakland Police Officers Association, et al., Plaintiffs and Appellants, v. MARLON BRANDO, Defendant and Respondent [13 Cal. App. 3d 410]]

On the night that the Panthers allegedly ambushed the O.P.D (strategy of tension), I was in charge of the front desk at the Oakland B.P.P headquarters. It was just 2 (two) days after Dr. Martin Luther King, Jr. had been assassinated. The orders that I got directly from Chairman Bobby Seale to communicate to ALL PANTHERS– “STAND DOWN” until further orders. No police patrols- NOTHING but continue to prepare for the oncoming “Free Huey” rally at Defremery Park in Oakland.

I was with the brothers that dropped Little Bobby off at his house for dinner. We were under so many direct threats that we’re cautioned to move in groups. When he was dropped off at home, the orders were the same. When he returned to headquarters an hour or so later, the orders that he understood when he left for dinner from Big Bobby were the same- ALL PANTHERS– “STAND DOWN”! Little Bobby loved Brother Bobby as if he had been his father and would never disobey or defy his orders.

In the wake of the ILLUMINATI’s global hype for the premier of the Black Panther HollyWeird black fantasy film to disassociate it from the real Black Liberation Movement, Huey, Bobby and B.P.P, they threw brother Marlon Brandon under the bus once again to distract the masses from the real world.

I noticed that all the starring cast of Black Panther promoting the movie in corporate mass media are careful to stay away from the subject of making any comparisons and connections between the movie, the B.P.P and any real global struggles for liberation. The movie is a bottom line virtual reality supernatural science fiction/fantasy adventure film. It’s like taking that red pill or cap of acid (LSD) for an escape from reality. They are promoting the notions that it is okay for Black Children around the world to become lost in escapism, paranoid fantasy schizoid-ism and blind naivety- a type of MK ULTRA/MONARCH Double Bind (Insanity without Disease) than stand up and confront real issues that affect their lives. Don’t it twisted. The duality of FANTASY is reality, fact and actuality. That’s the key to striking the delicate balance between HollyWeird’s mass population fantasy escapism films designed to pacify global peoples of color, and REALITY- RACISM & WHITE SUPREMACY.

Hey. That’s Brando that they’re talking about. BE FOR REAL, WE LOVE BRANDON!

THE REAL WORLD- THE GLOBAL FALSE NEGRO- APE METAPHOR

In the 21^st century, Jay Z’s simian- hominoid JAYBO Caricature is a very serious violation of our human rights.

It is an extremely dangerous throwback to venomous patent Negro-Ape Metaphors of the dangerous homicidal eugenic movement 19^th and early 20^th century.

Metaphor– late 15^thcentury, from Middle French metaphore (Old French metafore, 13^thcentury), and directly from Latin metaphora, from Greek metaphora “a transfer,” especially of the sense of one word to a different word, literally “a carrying over,” from metapherein “transfer, carry over; change, alter; to use a word in a strange sense,” from meta “over, across” (see meta-) + pherein “to carry, bear,” from PIE root *bher– (1) “to carry,” also “to bear children.”[1]

III

ANGLO SAXON SUPREMACY & AMERICA’S FIRST PEOPLE

The American Baseball League Cleveland Indians will finally remove the grinning red face“Chief Wahoo” in a feathered headband logo from their uniforms beginning in the 2019 season. The logo has long been assailed as a racist Native American caricature. They have long complained, protested and sued the Cleveland Indians alleging that the image is offensive and perpetuates racist stereotypes about America’s first peoples.

In 2005, the American Psychological Association (A.P.A) issued a resolution “Recommending the Immediate Retirement of American Indian Mascots, Symbols, Images, and Personalities by Schools, Colleges, Universities, Athletic Teams, and Organizations” due to the harm done by creating a hostile environment, the negative impact on the self-esteem of American Indian children, and discrimination that may violate civil rights. It also impacts non-natives by reinforcing mainstream stereotypes, preventing learning about Native American culture. The A.P.A states that stereotyping is disrespectful of the beliefs, traditions and values of Native Americans. Similar resolutions have been adopted by the American Sociological Association, the American Counseling Association, and the American Anthropological Association.[2]

In 2010, the authors of a paper published in the Journal of Applied Social Psychology reported the results of two studies on the effects of American Indian mascots on observers. According to the authors, “both studies show that participants primed with an American Indian sports mascot increased their stereotyping of a different ethnic minority group.” The alternative weekly publication Cleveland Scene sardonically interpreted these results to mean that “looking at Chief Wahoo, the mere existence of Chief Wahoo, can change your opinions of a whole separate ethnicity”, adding that the study “probably confirms that Clevelanders and Indians fans are inclined to stereotype and hate just about every group in the world.” The magazine Pacific Standard also framed the study in terms of the Indians’ logo, headlining their story “Chief Wahoo’s Revenge: One Stereotype Begets Another“.

Richard Lapchick, director of the University of Central Florida’s Institute for Diversity and Ethics in Sports, has called the logo “the most blatantly offensive of all the symbols I’ve seen of Native Americans” during 40 years working in his field. An article in a 2010 psychology text cited “Chief Wahoo” as an example of a racial micro-aggression.[3]

The Negro Caricatures and the racist Jewish caricatures and cartoon propaganda of Nazi Germany are all the same thing- vicious racial caricatures that spread hatred, prejudice and misunderstanding among the people across the world

The only difference between the racial caricatures is that fact that the black caricatures directly implant and input simian and hominoid sub humanism visualization of Black People that still goes on today.

2018 Hennes & Mauritz (H&M) Stockholm, Sweden, the Black Child is the Wild Animal Inhabitant of the Jungle, while the White Child is the Jungle Survival Expert- Great White Hunter or Tarzan of the Jungle that will conquer the animals- Monkeys and Tigers.

Black Child- Coolest Monkey in the Jungle- Little Black Sambo

Don’t get it twisted. I am saying that all racial caricatures are wicked and depraved. If you condemn one, condemn each and every one of them as byproducts of reactionary, irrational and lawless global racism, white supremacy, imperialism and aggression.

Jay Z’s simianized JAYBO Caricature seeking current 2018 U.S. Trademark Protection is a vicious veiled throwback to the era of vicious racial eugenics, and Anglo Saxonsuperiority, imperialism and aggression that is secretly flaunted in the current presidential policies, especially immigration, of Donald J. Drumpf and the Dark Satanic Circle.

These absolutely irrational and evil forces have taken over the highest elected offices of the U.S. government (for example, see Vox’s The scary [Madison Grant] ideology behind Trump’s immigration instincts).

ANGLO SAXON SUPREMACY, MADISON GRANT & THE WORLD’S FIRST PEOPLE

OTA BENGA & HIS ALLEGED DIRECT MONKEY RELATIVE

In 1904, Ota Benga of the Twa- Batwa people of the Congo was kidnapped from the mother country. He was brought to America and confined in an animal cage. He was dehumanized and publicly humiliated. Benga was placed on exhibit as a so-called “pygmy” at the Monkey-Ape House at the zoological gardens, better known as the Bronx Zoo.[4] My Dear Lord! The Twa is a sacred people. They trace their origins to Adam, Eve and beginning of time at the Garden of Eden at the foot of the Mountain of the Moon in Africa. Evidence strongly suggests that they were indeed the First Civilized People that populated planet earth.

Twa God Bes and a Young Prince Ramesses the Great (1279-1213 BC)

Twa God Bes as the MASTER OF THE BEASTS on an earring (Susa, Iran, 500-400's BC, now in the Louvre)

The Twa- Batwa people may be one of the most important and significant continuous ancient cultural groups living in peace, harmony and truth (MAAT) on earth. You can’t come any closer to a global original/first people on planet earth than the Twa– Dancers of the Gods. They are often credited by various African groups and even by the Chinese/Southeast Asians that hold an annual festival celebrating the “Little Black People” whom they admit to have displaced as the ultimate creators and teachers of science, mathematics, and dance. These Africans were also part of the initial northward migration from Central/East Africa along the Nile River. They were an integral part of ancient Nile Valley Culture and belief systems.[5]

TWA PEOPLE IN ANCIENT GREEK MYTHOLOGY

The Twa were well known and respected among the Ancient Greeks, and were involved in the infamous Trojan War of antiquity.[6] So, how do you begin to colonialize to exploit one of the first people of earth, globally? Simianize and Dehumanize– turn them into a tribe of Monkeys.

Very powerful and influential forces in America were secretly behind the international Negro-Ape Metaphor as justification to universally colonize, exploit and suppress the aspirations of people of color across the globe. One was Madison Grant. He was the founder and secretary of the New York Zoological Society who had personally helped negotiate the arrangement to setup Ota Benga in the zoo as a global Negro-Ape Metaphor; and missing link directly to hominoids and simians. In fact, Benga was actually billed as the “missing link”on display in the Bronx Zoo cage alongside a monkey.[7]

Madison Grant (November 19, 1865 – May 30, 1937) was an affluent and powerful Yale alumni and New York attorney known primarily for his work as a eugenicist. He was responsible for one of the most famous works of scientific racism, and played an active role in crafting strong immigration restriction and anti- miscegenation policies and laws in the U.S. Throughout the 1920s and 1930s, he served on the boards of many eugenic and philanthropic, including the board of trustees at the American Museum of Natural History. He was a founder and director of the American Eugenics Society (AES), vice president of the Immigration Restriction League, a founding member of the Galton Society, and one of the eight members of the International Committee of Eugenics.[8]

The interaction between the British, American and German Eugenics societies laid the foundation for implementation of the race purification ideology behind Hitler’s Third Reich. In 1912, the First International Congress of Eugenics was held at the University of London. The president of the Congress was Major Leonard Darwin, son of Charles Darwin and one of the first English vice presidents was Sir Winston Churchill, later Prime Minister of England. Of interest, Charles Darwin’s On the Origin of the Species By Means of Natural Selection was subtitled “The Preservation of Favored Races in the Struggle for Life”.

In 1921, the Second International Congress of Eugenics was held in New York City. The sponsoring committee included Herbert Clark Hoover, later President of the U.S., and the Carnegie Institute of Washington (Rockefeller). Madison Grant, a director of the American Eugenics Society, was the treasurer. The event was held at the American Museum of Natural History in New York, where Averell Harriman served on the Board of Directors.[9]

Racist Masonic and Bohemian Grove President Theodore Roosevelt

Grant was a close friend of several U.S. presidents, including Freemason and Bohemia Grove pagans, Theodore Roosevelt and Herbert C. Hoover. If Hoover wasn’t a mason, he certainly had worked closely with freemasonry and the Sovereign Grand Commander Council of the Scottish Rite.

However, President Hoover had indeed been a homosexual member of the Satanic Bohemian Grove. Grant advocated restricted immigration to the U.S. through limiting immigration from Eastern Europe and Southern Europe, as well as the complete end of immigration from East Asia. He also advocated efforts to purify the American population through selective breeding. He served as the vice president of the Immigration Restriction League from 1922 to his death.

Acting as an expert on world racial data, Grant also provided statistics for the Immigration Act of 1924 to set the quotas on immigrants from certain European countries. Even after passing the statute, Grant continued to be irked that even smatterings of non-Nordics were allowed to immigrate to the country each year. He also assisted in the passing and prosecution of several anti- miscegenation laws, notably the Racial Integrity Act of 1924 in the state of Virginia, where he sought to codify his particular version of the “one-drop rule” into law.[10]

Even the Fuhrer Adolf Hitler followed Madison Grant, and I wouldn’t be surprised if he had got his infamous Mein Kempf Negro-Ape Metaphors straight from Grant.

“The year after Hitler was imprisoned [1925], [German publisher] Lehmanns published the German translation of American eugenicist Madison Grant’s bestselling volume, The Passing of the Great Race , which had a profound effect on Hitler’s thinking. Hitler was so steeped in American race science, he even wrote a fan letter to American eugenic leader Madison Grant. Der Führer’s letter called Grant’s eugenics book, The Passing of the Great Race, “my bible.

… In 1924, when Hitler wrote Mein Kampf, he frequently quoted American eugenic ideology and openly displayed a thorough knowledge of American eugenics and its phraseology. “There is today one state,” Hitler wrote, “in which at least weak beginnings toward a better conception [of immigration] are noticeable. Of course, it is not our model German Republic, but the United States.”

Hitler proudly told his comrades just how closely he followed American eugenic legislation. “I have studied with great interest the laws of several American states concerning prevention of reproduction by people whose progeny would, in all probability, be of no value or be injurious to the racial stock,” he told a fellow Nazi.”[11]

The racist homicidal/genocidal Margaret Sanger that actually plotted to make the mass murder of Black people another peculiar institution in America was a member of Grant’s AES until the day she died.[12]

Margaret Sanger even appealed to and encouraged the Masonic Knights of the Ku Klux Klan to slaughter mass murder Black U.S. citizens.

To justify the widespread criminal murder (LYNCHING) of black people across the U.S., racists openly quoted Madison Grant’s “The Passing of the Great Race” even on the floor of Congress.

ANGLO SAXON SUPREMACY, IMPERIALISM & THE CONGO

Congo: Heart of Darkness

Joseph Conrad’s Heart of Darkness (1899) had used Ota Benga’s homeland, the Congo,as a setting for the 20^thcentury Negro-Animal Metaphor. Conrad’s narrator in the book, Marlow, blatantly describes the Africans as having “faces like grotesque masks,” as animal-like creatures who lap water like animals, with ugly and horrid faces, who howl and leap around, with buttocks wagging “to and fro like tails.” Of one “savage” who has been trained to fire up a boiler, Marlow can’t resist remarking, “To look at him was as edifying as seeing a dog in a parody of breeches and a feather hat, walking on his hind legs.”[13]

Tintin Au Congo

Tintin and Snowball

“ … I flicked it open. I was astonished to see page after page of graphic representations of black African people as sub-human monkey people, bowing before a white teenager, worshipping his dog as a god and incapable of proper speech. In fact, the only black monkey caricature in the book who could speak English properly was a chimpanzee.”[14]

“Tintin,” that was also centered in the Congo was the brainchild of the late Belgian cartoonist Georges Remi (better known as Hergé). Hergé depicted the Congolese as “good at heart but backwards and lazy, in need of European mastery.”[15]

The comic Tintin in the Congo was first published between 1930 and 1931, a time when the Congo was suffering under Belgian’s sadistic murderous imperial genocidal colonial rule. The Tintin stories graphically depict the Congolese people dehumanized as monkey-like, and portray them as stupid, childish, and lazy.[16]

Tintin is a little blond Anglo Saxon boy that has the brain and brawn to defeat and rule over all the black Congolese.

He is a Belgium reporter followed around by his pure white dog, Snowball. Even the dog has more intelligence than the Congolese people and also rules over them in its own right.

Tintin’s Congo guide, Coco, is an African child drawn so that his head is black as ink like Jaybo’s grandfather Bosko to highlight his white bug-eyes, his typically “pickaninny and Black Sambo” gaping mouth with huge red lips, and his frizzy black hair.

Tintin in the Congo tells a tale of the interactions between the Congolese and the Europeans entering the country. One of Conrad’s stories guides Belgian visitors in the appropriate relationships to be maintained between them and the Congolese people. Tintin leaves Coco to watch his car while he is gone. Coco is practically treated as a slave and even calls Tintin “master”. Coco is beaten by another white man who steals Tintin’s car. This excerpt is a prime example of the brutality and “master-slave relationships” that whites were expected to impose on the native people of the Congo, collectively.[17]

Furthermore, Congolese adults are depicted either as stupid clowns or as duplicitous tricksters, draped in leopard skins and gaudy loincloths, and carrying shields and spears. A monkey that appears briefly in the story is accorded as much intelligence as the Africans. The analogy is impossible to miss.

Above all, the African characters are ignorant less than human savages easily influenced and dominated by Tintin and Snowball. Taken all together, the illustrations of Africans are inhumane, hostile, offensive, stereotypical, and racist.[18] The Commission for Racial Equality (CRE) was a non-departmental public body in the United Kingdom which aimed to address racial discrimination and promote racial equality. The commission was established in 1976, and disbanded in 2007 when its functions were taken over by the newly created Equality and Human Rights Commission.[19]

The CRE received a complaint from a member of the public who saw the book in a branch of Borders chain and urged Borders and all other bookshops to remove the “Congo” book, saying it made black people “look like monkeys and talk like imbeciles”.[20] In 2007, the CRE agreed with the complainant and claimed “Tintin In The Congo” depicted “hideous racial prejudice” and that it should be removed from sale.[21] Bookstore chain Borders said it has removed copies of a book about Belgian comic’s hero Tintin’sadventures in Africa from the children’s section of its U.S. stores, as well as British outlets, amid allegations of racism.

Belgium and the African Holocaust

Allegations of racism surrounding the Tintin book are deeply sensitive in Belgium, where the cartoon reporter and his dog Snowy are a rare national symbol and for a nation whose post-colonial guilt over Belgian’s record of genocidal crimes against humanity in the Congo is acute.

Behind the Tintin and Snowball bull, the horror and atrocities that Belgian committed against the Congolese people is so frightening and horrifying that its inhumanity to manis virtually beyond belief.

The Congo remained a Belgian colony until 1960 and between 1885 and 1908 the country was brutally run as the personal fiefdom of Belgium’s King Leopold II. Between 8 (eight) to 10 (ten) million Congolese are believed to have been savagely mass murdered in this period.

Moulinsart, Avenue Louise 162 BTE 7, Brussels, B-1050, Belgium, Tintin’s publisher argues that the book “must be seen as a document of the time“. “In his portrayal of the Belgian Congo, the young Hergé reflects the colonial attitudes of the time. He depicted the African people according to the bourgeois, paternalistic stereotypes of the period,” said a statement.[22] Tintin’s bourgeois, paternalistic stereotypes of the period were used to justify the massive genocidal crimes Belgium committed against the Congolese people.

On February 10, 2012, a court in Belgium rejected “an application to ban a colonial-era” children’s book, Tintin in the Congo. The court stated, “It is clear that neither the story, nor the fact that [the book] has been put on sale, has a goal to…create an intimidating, hostile, degrading or humiliating environment.”[23]

Well that’s interesting. It’s like asking Nazi Germany and Third Reich to judge itself for crimes against humanity by a jury of SS- Knights of the Black Sun. Try pitching Tintin in the Congo to global masses of color today, right now and watch it create an instant “intimidating, hostile, degrading or humiliating environment” for anybody promoting this BELGIUM racist S.H.I.T among our children.

Recently, I discovered that over 70% of my DNA is linked to the Bantu of the Congo. My ancestral homeland is the primarily Congo. So, I am personally deeply affected and offended by a colonial, mass murdering and enslaving nation such as the Belgium finding any justification for mass Simianizing the Congolese people to dehumanize, enslave, exploit, and commit mass genocide against them. I say this. Tintin in the Congo had better stay in the BELGIUM. As far as Belgium’s Crimes against Humanity in the Congo, it is not over.

THE SIMIAN & THE NEGRO COON

The Negro Coon Caricature and Metaphor has to be one of the most dehumanizing, degrading and humiliating of all black caricatures. Coon is an abbreviation of an animal– raccoon. The universal direct visualization of adult blacks as less than human naturally implants notions that blacks are less humanly evolved and civilized than whites. Around the turn of the 19^th century, the animals that became most popularly visually associated with blacks as a race were not raccoons, but apes (hominoid) and monkeys (simian).

The exaggerated black skinned, enormous big lip and big eyed simian and hominoidcaricatures are deliberate illusionary visual implants that directly link blacks with monkeys and apes as yet another way that the antebellum South justified African Human Bondage; and destruction of their humanity and sense of self-worthiness of those enslaved. Blacks were fundamentally considered by white supremacists to be more universally simian and hominoid than human, and therefore had no self-evident rights of mankind, including freedom that they were bound to respect.

VII

THE SIMIANIZATION OF THE PICNICKINGS

Pickaninny is, in North American usage, a racial slur which refers to a depiction of dark-skinned children of African descent also with simian and hominoid exaggerated black skin, enormous big red lips and big bug eyes. It is a racist and derogatory caricature, whose meaning and usage also grew to fruition in the antebellum South, where the institution of African Slave Trade and Human Bondage existed against the law of nature.

Don’t overlook the wicked demonic dehumanization of Black Children to justify overlooking their sexual abuse and exploitation as less than human.

If you think dehumanizing Black Children to justify their sexual abuse during the turn of 20th century is outrageous nonsense, think again. Black Children even as infants were considered real threats and exterminated in self defense of the white race.

According to the scholar Robin Bernstein, who describes the meaning in the context of the U.S, the Pickaninny is characterized by three qualities: “the figure is always juvenile, always of color, and always resistant if not immune to [human] pain“. These three qualifiers demonstrate the dehumanizing nature of the Pickaninny caricature and are reflective of the predominantly colonial society in which its use was promoted and popularized.

The use of the term was popularized in reference to the Caricature of Topsy in the 1852 book Uncle Tom’s Cabin.[24]

The Ugly and Gruesome Pickaninny Topsy Caricature– threat her as such.

The Less than Human Black Pickaninny Topsy Caricature too stupid to the master human language- Exterminate Her.

VIII

THE BLACK SAMBO AND THE WORLD

The name became especially associated with the children’s book “The Story of Little Black Sambo” by Scottish– British colonialist Helen Bannerman, published in 1899.

It is the racist story of a black boy named “Sambo” with a big “Black Mammy” who outwits a group of hungry tigers. Bannerman also wrote Little Black Mingo, Little Black Quasha, and Little Black Squibba. In this book, Sambo is supposed to be the name of a boy of Southern India, but it’s a classic racial caricature of the African child. Don’t get it twisted. I am saying that Africans aren’t indigenous to India.

Originator God Ashur (Osiris) of the Land of Kemet

The Brahma Samhita is a Sanskrit Pancaratra text composed of verses of prayer spoken by Brahma glorifying the supreme Lord Krishna or Govinda at the beginning of creation. The lyrics, chapter 5 verse 38 reads: “I worship Govinda, the primeval Lord, who plays on His transcendental flute. His eyes are like lotus flowers, He is decorated with peacock plumes, and His bodily color resembles the color of a fresh black cloud, although His bodily features are more beautiful than millions of Cupids.”[25]

Dr. Runoko Rashidi:

ANCIENT AFRICA AND EARLY INDIA

Exceptionally valuable writings reflecting close relationships between Africa and early India have existed for more than two thousand years. In the first century B.C.E., for example, the famous Greek historian Diodorus Siculus penned that, “From Ethiopia he (Osiris) passed through Arabia, bordering upon the Red Sea as far as India…. He built many cities in India, one of which he called Nysa, willing to have remembrance of that (Nysa) in Egypt, where he was brought up.”

Another important writer from antiquity, Apollonius of Tyana, who is said to have visited India near the end of the first century C.E., was convinced that “The Ethiopians are colonists sent from India, who follow their forefathers in matters of wisdom.” The literary work of the early Christian writer Eusebius preserves the tradition that, “In the reign of Amenophis III [the mighty Dynasty XVIII Egyptian king] a body of Ethiopians migrated from the country about the Indus, and settled in the valley of the Nile.” And still another document from ancient times, the Itinerarium Alexandri, says that “India, taken as a whole, beginning from the north and embracing what of it is subject to Persia, is a continuation of Egypt and the Ethiopians.”

INDIA’S EARLIEST CIVILIZATION

In Greater India, more than a thousand years before the foundations of Greece and Rome, proud and industrious Black men and women known as Dravidians erected a powerful civilization. We are referring here to the Indus Valley civilization- -India’searliest high-culture, with major cities spread out along the course of the Indus River. The Indus Valley Civilization was at its height from about 2200 B.C.E. to 1700 B.C.E. This phase of its history is called the Harappan, the name being derived from Harappa, one of the earliest known Indus Valley cities.

In 1922, about 350 miles northeast of Harappa, another large Indus city, Mohenjo-daro(the Mound of the Dead) was identified. Mohenjo-daro and Harappa were apparently the chief administrative centers of the Indus Valley complex, and since their identification, several additional cities, including Chanhu-daro, Kalibangan, Quetta and Lothal have been excavated.[26]

Mohenjo-daro Queen or Priestess (2500 BC)

The above statute recovered from the Indus Valley is popularly known as the Dancing Girl of Mohenjo-daro. During the early 20th century, they labeled her a dancing slave girl because of her Black African- ness. However, they soon had to back away from that. Her arm from the shoulder down contain most likely gold bangles that is a sign of great wealth and prestige. Ancients don’t make statutes and build altars to slaves, but goddesses and revered historical spiritual figures like great priestesses and queens. One thing is clear, nobody appears to be in a hurry to uncover her true role in Mohenjo-daro.

As we say about sassy young beautiful sisters. Even 5,000 years ago, you can’t tell her NOTHING about NOTHING! There are also Sumerian texts that refer to trading done with the “People of the Black Land” or the “Meluhhaites”, which many historians believe refers to the Indus Valley Civilization — these date back as far as 2000 BCE.[27]

The ancient Egyptians (Egypt- Greek) referred to their land as “Kemet” which means “Land of the Blacks”. Western historians and non-blacks argue that the word “Kemet” refers to the color of the soil of the land rather than its people. But, the word “Kemet” is actually an ethnic term being a derivative of the word “Khem” (Cham or Ham) which means “burnt” or “black.”[28]

The Great Ahmose–Nefertari (1562- 1495 BC), the First Queen of the 18th Dynasty, and many others of the ancient “Land of the Blacks” answered that question.[29]

Queen Ahmose-Nefertari and Pharaoh Ahmose (Amosis I, “Amenes” and “Aahmes” meaning Born of God Ashur (Osiris)), these are the founders of the New Kingdom 18^thDynasty Golden Age who liberated the “Land of the Blacks” from the barbaric Hyksos foreign desert horde invaders in 1550 BC. The Great Queen in her age-less infinite divine wisdom left us overwhelming substantial visual evidence from that time that does not substantiate any notions of false African Negro-Ape Metaphors.

The Sambo Caricature is usually a little black skinned boy or black skinned childlike Negro adult male with the same exaggerated lips and big bug eyes that represent the less than human simianized African character.

The adult Sambo too is grotesque, lazy, good for nothing, silly and stupid. It is afraid of the dark and large animals. He is happily content with his condition of utter abject poverty living off the genius, paternalism of his master and white society. The Black Sambo lacks the ability to sort out his affairs, live on his own, or care for a wife and family. The slow-witted and humorous Black Sambo character is associated with trickery, thievery, pancake- watermelon eating and stealing chickens.[30] In the meanwhile, the Mohenjo-daro queen, Ahmose-Nefertari, and Pharaoh Ahmose goes into the basement vault. You will not see or discuss any of them during Black History Month. Why?

In the mid-nineteenth century, a group of American scientists known collectively as the “American School” of ethnology challenged the validity of the biblical story of creation. They proposed that, contrary to the teaching of Genesis, there had been a number of separate divine acts of creation, leading to the appearance of more than one human species within the genus homo. They ranked the species, also known as varieties or races, in terms of relative superiority, with the Caucasian in the highest position of all.

In a book published in 1830, Thoughts on the Original Unity of the Human Race, Dr. Charles Caldwell, a Kentucky plantation enslaver of Africans, theorized that humanity did not originate from one single place but from multiple acts of creation in different places across the planet. Caldwell’s book is the earliest nineteenth century American work to propose the concept of the plural origin of species of humanity, known later as POLYGENISM. Caldwell’s “New Focus” theorized that the human species had always been immutable and would not change in the future.

Caldwell’s foundation on the innate superiority of the Caucasian race depended on a hypothesis that all great civilizations since ancient times were Caucasian. Caldwellargued that no point in time can be indicated when the Caucasians were real savages.

According to the American School, the originators of the Egyptians and the Indus Valleywere white because all advanced civilizations were white. The presence of Black Africansin any advanced civilizations other than slaves, domestics and entertainers of whites would naturally undermine the American School claims of white supremacy, bar none.

Crania Americana (phrenology- study of skulls) became the standard tool of reference for ethnologists and natural historians with an interest in humanity’s origins. From the study of ancient crania “skull” and ancient frescos evidence in Egypt, the American School concluded that slavery had been widespread in Egypt, and the presence of blacks in Egypt only showed Caucasian rulers with Negro slaves. Ancient Egypt was proof positive that slavery was a natural state for an inferior race like Negroes in advanced ancient white civilizations.

Dr. Caldwell proposed that man should not tyrannize the lower creatures since even they have their rights. Just as man has a duty to protect womankind, he should also protect the lower races, since not all of them have the same rights and entitlements as the higher races. The Caucasians should not enslave the Africans simply because they are able to do so. However, the inferior races such as Negroes had their natural place in advanced societies as demonstrated by history to primarily serve the higher Caucasoid master races. (see Robert A. Smith, Pittsburgh State University, Types of mankind: polygenism and scientific racism in the nineteen century U.S. scientific community)

BLACK SAMBO, GET OUT & THE 2018 OSCARS

Implanted deeply inside HollyWeird’s “Get Out” is a Black Sambo Caricature that nobody seems able to explain.

Above, Jordan Peele actually flaunts the Black Sambo Caricature as a subliminal internal part of the true theme of the movie that even he may not clearly understand.

Ask him about the Black Sambo Mask. He might tell somebody about what the Black Sambo Caricature means. In the meanwhile, a mask in this sense usually explains duality. In this case from the artist’s facial expression of Chris, it is a painful Sambo innate duality that he cannot escape. It is “immutable“(unchanging over time or unable to be changed). Discussed further below.

In the meanwhile, Peele told you in a roundabout way about the meaning of the Sunken Place that you cannot escape from no matter how hard you screen.

Pay extreme close attention to the chair with hand or arm chairs in Jordan Peele’s “Get Out” poster background.

Dr. Charles Caldwell (1772- 1853) had been a student of alchemist Freemason Dr. Benjamin Rush (1745- 1813).

While black folks were asleep at the movies watching Quentin Tarantino’s American slavery era Django Unchained, the DEVIL, HollyWeird, Tarantino and Leonardo DiCaprio played a wicked trick on their minds.

They slipped and implanted the racist Dr. Charles Caldwell and the American School of Ethnology into their subconsciousness.

HollyWeird Trick- Make the Negro Look Like a Monkey!

“Why don’t they kill us?” asks African enslaver Calvin Candie (Leonardo DiCaprio), he wants to know why the African slaves he brutalizes do not rise up and take revenge. He has the “skull” of a recently murdered black African on the dinner table. “The Science of Phrenology,” Candie announces, “is crucial to understanding the separation of our two species.” He hacks away at the back of the skull with a saw, removing a section of the cranium and pointing to an allegedly enlarged area. In Africans, Candie claims, this bump is found in the region of the brain associated with “submissiveness“.

During the Revolutionary War era, Dr. Benjamin Rush was a clandestine member of the Sons of Liberty. They were Freemasons of St. Andrews Lodge of the Grand Lodge of Scotland at the Green Dragon Inn in Boston. Dr. Rush, a signer of the Declaration of Independence, believed that mad people could be calmed by blood-letting from 20 to 40 ounces of blood at one time. Dr. Rush then developed a “tranquilizer chair” in 1811. This invention efficiently kept a person securely immobile and had a wooden box in which their head would be put into in order to keep the person subdued. Dr. Rush was the first to describe a pathological incurable medical condition called “NEGROTUDE”.

Dr. Rush’s Immutable Negrotude & Chris

Negrotude was a mild form of leprosy which symptoms included such as blackening of the skin; big lips, flat nose, wooly hair. The only evidence of a cure from Negrotude was when the “skin turned white”. Dr. Rush used “disease” as a justification for Africanslavery and racial segregation. Negrotude was an immutable genetic disease that allowed blacks only to be medically cleared for domestic work who had to be sexually segregated.

Recently, British Music Entertainer (Nigerian descent) Seal (Henry Olusegun Adeola Samuel) and American “Clueless” Artist Stacey Dash got into it. Seal told Stacey, “You live in the Sunken Place”- a reference to Peele’s “Get Out“. Stacey is a conservative with an Anti-Black-everything philosophy. Even white people call Stacey a “white supremacist.”

Stacey Dash is generally known to be one of Dr. Benjamin Rush’s perfect examples of a “Negro Turned White” that Seal associated with Get Out’s MK ULTRA/MONARCH trauma-based tranquilizer chair and torture chamber, the “Sunken Place”.

Days after the Oprah Winfrey’s super “Negro” Golden Globes speech highlighting the campaign against sexual misconduct, Seal claimed the global celebrity is a hypocrite and “part of the problem for decades“.

Saturn Sex Cult Kabbalist Harvey Weinstein & Oprah Winfrey

In other words, Oprah sucks up all HollyWeird’s satanic Masonic/Kabbalah ritual sex ritual crimes like that “Magic Negro” in the Green Mile.

Well, Seal immediately retracted any notion that he called Oprah a “hypocrite“, but went after a less powerful black female target like Stacey Dash for supporting the backlash against him for attacking Oprah.

Well, I don’t think Seal will open his mouth again about Oprah, or the American “Sunken Place.” In her defense to living in the”Sunken Place“, Stacey Dash has not, and will not go there, either.

KEMET LAND OF THE BLACKS’ GOD PTAH & OSCAR

“Get Out” got HollyWeird’s film industry nods with 4 (four) 2018 Oscar nominations. It received nominations for best picture for producers Sean McKittrick, Jason Blum, Edward H. Hamm, Jr., and Jordan Peele; best actor for Daniel Kaluuya; and best director and original screenplay for Peele. If any of them win, they should share their award with the CIA Occult Bureau that helped ghost write the movie script.[31]

Is “Get Out” really a BLACK SAMBO comedy movie and something to laugh at, not for you and me, but somebody else?

In the beginning of the film “Get Out”, Rose hit a deer driving Chris (Daniel Kaluuya) upstate to her parents’ estate. Rose’s father, Neurosurgeon Dr. Dean Armitage praises her for hitting the deer and goes on to rant about how deer are “rats” and are “destroying the ecosystem“.[32] Dean is the son of Roman and Marianne Armitage, the husband of Missy (MK ULTRA hypnotist), and the father of Rose and Jeremy. He describes himself as a [world] traveler- code words for CIA.

Roman has been to Bali. Bali is a code word for OSS/CIA MK ULTRA/MONARCHanthropologists Brit Dr. Gregory Bateson and Margaret Meade. Ecosystem is the particular and specific coded human ecology language of Dr. Bateson.[33],[34] After losing the 1936 Olympics in Berlin to African American track athlete Jesse Owens, a jealous Roman Armitage perfected the transplantation of older white peoples’ brains into the bodies of young, healthy African Americans. He also founded the Order of the Coagula, a cult vying to achieve pseudo-immortality though this process. Roman raised Dean to become a neurosurgeon and continue the procedure for future generations. As such, an ailing Roman and Marianne were transplanted into the bodies of two African Americans, Walter and Georgina. They act as the family’s servants to avoid suspicion. Since then, the Armitages continued kidnapping and luring African Americans to be hypnotically prepped for Dean’s surgery. Dean himself was also raising his son, Jeremy, to be a neurosurgeon and the next leader of the cult.[35]

The Order of the Coagula is a reference to the alchemy secrets of Baphomet and the Knights Templar. The CIA- Old Boys network is an extension of the German Brotherhood of Death, and the Black Sun Teutonic Knights Templar- Reinhart Gehlen, SS Baron Otto Bolschwing, Josef Goebbels, SS Josef Mengele and SS-1 Heinrich Himmler.[36]

GET OUT & THE ANCIENT SATANIC RED/WHITE STAG TOTEM, SYMBOLISM, AND CULT

The totemic symbol of the deer is present throughout Get Out, beginning with Rose hitting one that was crossing the road in one of the first scenes in the film. Deer are also known as “bucks,” a term used to sometimes represent Black men.

The Big Black Buck is another deep stereotypical racist black caricature. According to popular stereotypes during the post-Reconstruction era, “Black Buck” was a black man (usually muscular or tall) who defies white will and is largely destructive to American society. He is usually hot-tempered, excessively violent, unintelligent, and sexually attracted to white women. Most often, any attempt to restrain, reprimand, or re-educate the individual will fail, necessitating the individual’s immediate liquidation. David Duke, former Grand Wizard of the Ku Klux Klan, was quoted in The Sun newspaper of Wichita, Kansas (23 April 1975) as saying, “White people don’t need a law against rape, but if you fill this room up with your normal black bucks, you would, because niggers are basically primitive animals.” [37]

Chris, Sunken Place & the Spirit of the White Stag

Dr. Armitage’s rant about deer as “rats … destroying the ecosystem” is about the racial black bucks like Chris that the cult intends to covertly cull just like deer.

However, “Get Out” isn’t really exclusively about Chris and covert satanic plot against black people, particularly black males. There is a much bigger global picture, conspiracy and much deeper psychological warfare campaign against the masses.

In 1984, I got a call from a sister that I had always considered to be within a close circle of friends. She talked about the buzz coming out of black nationalist community about the recently released film, “The Brother From Outer Space [in Slave Rags].”

The first thing I did the following day was go see the movie. I had to walk away from it within 5 (five) minutes of its opening. It was about a runaway nappy head “black slave”from another planet who crashed landed in Harlem. I had subsequently concluded that she had been a clandestine CIA or NSC/NSA agent all the days that I had known her.

“The Brother From Outer Space” was a CIA mass psychological warfare project designed to create, influence, or alter certain perceptions within the subliminal subconscious of the masses. I am not sure what was supposed to happen to my psyche and subconscious if I watched the entire film. But, don’t get it twisted. I don’t think that I am smarter than these people. I don’t play with or underestimate them. And, I do not even attempt to try to match wits with these people. I am very much afraid of them. I immediately called her back that evening to tell her it was a very impressive film that I had enjoyed. I needed information out of her. However, she soon concluded that I wasn’t going along with the program, and had been fishing her for small bits of any information as pieces to the puzzle. I haven’t heard from her, again. I am really happy and glad, because she would have me assassinated, poisoned me with radium or LSD as they attempted to do during the late 1960s on the first opportunity she got.

The day will come when the masses will stop playing games with HollyWeird, and people like Jordan Peele. Our minds and psyche of our children are far too precious and fragile to be played with- particularly by the masters of mass population mind control, the CIA Occult Bureau.

19th Century Illuminati Rothschild Family Red Stag Antlers

“Get Out” is really about clandestine human ecosystems, eugenics and maintaining a pseudo-scientific white supremacy satanic hierarchical order; and blatantly flaunting it in our faces thru the Knights Templar CIA, HollyWeird and the satanic corporate mass media music- entertainment industry. “Get Out” the movie also openly flaunt the ancient secret Cult and Society of the White Stag.

The Great Stag has been worshiped as a humankind totemic animal since the Paleolithic period. Neolithic Cave art depicted that the stag was used for hunting and shamanistic spiritual practice by men or women dressed in deer hide and wearing antlers. In Welsh mythology, the Stag is one of the five oldest creatures in the world along with the blackbird, the owl, the eagle and the salmon.

The antlers of the stag are compared to tree-branches and thus may represent fertility. Since they are shed and re-grown every year, they may also symbolize rejuvenation and rebirth. Cernunnos, the Celtic Horned God, was depicted with the antlers of a Stag; he is said to be a god of fertility and plenty, and to be the Lord of the Beasts. Cernunnos, Herne and Ingvi-Freyr have all been linked with the Green Man, Lord of the Beasts and the Wild Hunt imagery. According to some, the Stag’s antlers symbolize a radiation of heavenly light. In Ugric legends, the Stag, son of the Heavenly Doe, steals the Sunbetween his antlers.

The symbol and reverence of the Stag amongst the Anglo-Saxons is a tradition that is very likely to be rooted in the most ancient of Germanic culture and religion. The reverence of Stags was already a strong custom even in the days of Saint Augustine (354- 430 AD), for he is quoted as condemning the “filthy practice of dressing up like a horse or stag”, a tradition that seems to resemble closely the English custom of hoodening.

ILLUMINATI Baroness Marie-Hélène de Rothschild in Diamond Encrusted Stag Horned Mask

The Stag stands for solitary nobility, honor and a strong commitment to the protection of their herd. The Stag is a symbol of protection and sexuality. They are extremely devoted to the care, and creation, of children. Stags focus on the balance of law and are rigid in their thinking on the issues of justice.

Like so many of the other animal symbols connected to the Anglo-Saxons, we only have to look at the Sutton Hoo Ship 6^th – 7^th century burial site for evidence. Sutton Hoo is the name of an area spread along the bank of the River Deben opposite the harbor of the small Suffolk town of Woodbridge, England about 7 miles (11 km) from the North Sea. Within the burial was found a spectacular sceptre that was topped off with a beautiful stag figure. The sceptre to the King who carried it symbolized his power and high status. And it could be that amongst the heathens the stag was regarded as the most noble and proud of animals, and would therefore be a most appropriate symbol of a King and his leadership. Extremely strong evidence pointing to the use of stag images, but not only their images, but the worship of stags too, is found in a quote from Saint Aldhelm (639-709 AD) who wrote to a friend the following:

…where once the crude pillars (ermula) of the same foul snake and the stag were worshiped with coarse stupidity in profane shrines.

A Study of the Celtic Meaning of the Deer; the Stag held a special meaning for the Celts. They believed they were part of the fairy world and had magical powers. Celts thought deer lived deep in the forest so that they could have Secret Knowledge.[38] In Celtic tradition, the role of the white stag is often to lead the hunters to new beginnings, new places, and new insights, new knowledge, and new spiritual awakening.[39]

Cernunnos is the depiction of the “horned god” of Celtic polytheism. Cernunnos was a Celtic god of fertility, life, animals, wealth, and the underworld. It is depicted with the antlers of a Stag, often seated cross-legged like the Baphomet holding or wearing torcs (neck rings) known from over 50 examples in the Gallo-Roman period, mostly in north-eastern Gaul.[40] Ancient Gaul was France, Belgium, Luxemburg and parts of the Netherlands, Switzerland, Germany on the west bank of the Rhine, and the Po Valley, in present Italy.[41] Cernunnos is the Greek Horned God, Pan.

Like God Pan, Cernunnos is associated with the DEVIL and ANTICHRIST.[42]God Pan is also known as the Goat of Mendes and can be found today in the form of the horned goat God, made famous by the Knights Templars as the Baphomet. Master Freemason and Satanist, Albert Pike had written in Morals and Dogma;

“The Gnostics held that it [universal agent] composed the igneous [pertaining to fire] body of the Holy Spirit, and it was adored in the secret rites of the Sabbat or the Temple under the hieroglyphic figure of Baphomet or the hermaphroditic goat of Mendes.”[43]

Madison Grant & the Teutonic Knights of the Black Sun

This brings us back to Ota Benga, the Twa- Batwa people of the Congo and Madison Grant. Here, we shall begin with SS-Gruppenführer und Generalleutnant der Waffen-SS Prof. Dr. med. Karl Brandt. At the Nuremberg Tribunal, SS Brandt was tried, convicted and executed as a Nazi war criminal for conspiracy to commit war crimes. He had been a Teutonic Knight of the Black Sun, and Adolf Hitler’s personal physician and the most important and powerful medical authority in the Third Reich.

In his defense, SS Brandt entered into evidence sitting forth U.S. government authority and policies that officially supports the elimination of inferior peoples- Madison Grant’s“The Passing of the Great Race: Or, The Racial Basis of European History” (1916).[44]

Grant was an elite patriciate (noble order and class) of wealthy Dutch colonialists that founded the island of Manhattan, NY in the early 17^th century. During his formative years, he traveled the world. He once sat on the crumbling walls of Ancient Troy and chanted Homer’s Iliad. He must have ignored chanting anything about the War between the Twa and Cranes.

Greek geographers and writers attempted to place the Twa (Pygmies) in a geographical context. Sometimes they were located in far India, at other times near the Ethiopians of Africa. According to Homer’s Iliad, they were involved in a constant war with the cranes, which migrated in winter to their homeland on the southern shores of the earth-encircling river Oceanus. One story describes the origin of the age-old battle, speaking of a Twa Queen named Gerana who offended the goddess Hera with her boasts of superior beauty, and was transformed into a crane.[45]

Madison Grant

At 16 years old (1881), Grant was sent to Dresden, Germany, where he was educated by private German tutors. He visited all the zoos and most of the history museums of the continent and through-out North Africa and the Middle East.

Teutonic Knights Moritizburg Castle

His most significant European initiation into a secret knight Templar order and ancientelite White/Red Stag Cult took place at the Moritzburg Castle built between 1542 and 1546, the Baroque hunting lodge for the ILLUMINATI “Rich and Famous” and the super-secret elite just outside Dresden.

Moritzburg Castle Secret Antler Ritual

The castle is described as a Teutonic Knight (Order of Brothers of the German House of Saint Mary in Jerusalem) Architecture Castle.[46]

Moritzburg Castle’s Dining Room

Its’ collection of red deer antlers is one of the most important of its kind. The castle’s largest collection of antlers is shown in the Speisesaal (“dining room”).

Most of its 71 trophies are between 270 and 400 years old; they were purchased or acquired as presents.

Frederick III’s 66 Point Red Antlers

Among them is the heaviest red deer antler in the world, weighing 19.8 kilograms (44 lb) and spanning almost 2 metres (6.6 ft). In the Monströsensaal (“monstrosity room”), there are 39 contorted antlers. One specimen, a 66-point red deer antler is from an animal killed by Elector Frederick III of Brandenburg (House of Hohenzollern) in 1696.[47] The Duchy of Prussia was inherited in 1618 by the House of Hohenzollern who ruled Brandenburg. Several members of the House were Grand Masters of the Teutonic Order.[48]

The deer’s antlers are one of the characteristics that have made it the figure of a spiritual superiority, according to some. Like a crown, the antlers grow beyond its body, bringing it closer to the sky and making it sacred. In many cultures, the deer is a symbol of spiritual authority. During a deer’s life the antlers fall off and grow again and the animal is also a symbol of regeneration.[49]

Grant was also a member of the Military Order of the Loyal Legion listed as one of the ILLUMINATI/Occult branches and sub branches that secretly control our governments, businesses and churches from the local, state, federal and worldwide levels.[50] He also was a member of elite secret orders of the St. Nicholas Society of Manhattan, Society of Colonial Wars, and the Boone and Crockett Club largely comprised of eugenicists and eugenics sympathizers.[51] Madison Grant was part of America’s secret ruling elite power control satanic cabal that had/have the secret authority to identify a problem, devise a solution, get congress to legislate his solution, and the president to sign it even if it involves MASS RACIAL GENOCIDE.